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534325 Los(e)/Seite
Los 7
Vintage Fashion Tailoring, circa 1960s; a 'Modele Louis Feraud Paris, London tailored by André Peters' tailored light-weight dress and jacket suit, comprising a sleeveless cream and blue print shift dress and a matching short jacket, labelled, the dress is yellowed on the back of the 'skirt', together with a blue wool twill dress and jacket suit, by the same maker, labelled, sun faded and yellowed, one button chipped, and another dress and jacket suit by 'Gertrude Carol, Knightsbridge, SW1', labelled, all approx. size 10-12 (3) From the Wardrobe of Patricia Bernie. Patricia Bernie's career at American broadcaster, CBS, spanned from the mid 1950s until the early 1980s, working at a high level in the then male dominated broadcast sector and meeting US presidents, the Pope and other notable figures.
Los 15
Vintage Fashion Tailoring, circa 1960s; a 'Leslie Gordon Couture, made in England', tailored light-weight dress and coat suit, comprising a short-sleeved calf-length shift dress and a matching coat jacket in a champagne-coloured slubbed fabric, labelled, fabric 'pulled' on right shoulder, together with a raspberry pink dog-tooth checked tweed suit, by Rensor London, labelled, hem unfinished and a mark on the lapel and a cream cardigan coat, unlabelled, all approx. size 10-12 (3) From the Wardrobe of Patricia Bernie. Patricia Bernie's career at American broadcaster, CBS, spanned from the mid 1950s until the early 1980s, working at a high level in the then male dominated broadcast sector and meeting US presidents, the Pope and other notable figures.
Los 1028
George Cartlidge (1868-1961) for Sampson Hancock & Sons: A Pair of Morris Ware Vases, No. C11-1, decorated with purple chrysanthemums on a mottled ground, with printed and painted marks, 26.5cm high (damages)Star crack and body crack, both going up to the rim. See extra images. Crazed.Crazed. Tiny nick to rim. Some light surface scratches.
Los 1054
An Art Nouveau Metal Mounted Glass Vase, possibly manufactured by Carl Stolzle Glassworks Suchenthal, the green iridescent blow moulded glass mounted with a die stamped metal collar decorated with water lilies, unmarked, 16.5cm highLight surface scratches, wear to the base, some corrosion to the metal mount, drilled holes in the metal mountApproximately 18cm wide
Los 1149
Workshop of Robert Mouseman Thompson (Kilburn): A Bespoke English Oak Lighting Board Box, the rectangular box mounted with two single wall light brackets, each with carved scroll work to each side, with a single upright brass electric light bulb holder, each with carved mouse trademark, box 122cm (4ft) wide, 15cm deep, 15cm high
Los 1151
Workshop of Robert Mouseman Thompson (Kilburn): Three English Oak Single Wall Light Brackets, each with a rectangular mounting plate attached to a right angled arm with carved scroll work to each side, with a single upright brass electric light bulb holder, each with carved mouse trademark, 23cmPurchased 30/01/90White paint on the backs.
Los 1223
Knightman Family: Old Mill Furniture (Balk): An English Oak Coffee Table, the rectangular top, on four octagonal legs joined by rails, with recessed carved knight trademark, 107cm by 54cm, 49cm highFrom the estate of Horace Knight (1933-2021).Mark to the top, very light wear, in overall good condition.
Los 1267
Otto Leonard Wretling (1876-1971): Idealbord Extendable Table, model no.TYP1, designed 1936, produced 1937, birch and rosewood-veneered, the folding top revealing geometric patterns inlaid with ebony on a wavy sycamore background, the belt veneered with zebrano and Macassar ebony, resting on a central telescopic rack leg, labelled IDEALBORD pat.anm 246/1936 OTTO WRETLING, UMEA, 68cm by 224cm, 73.5cm high fully extendedOtto Leonard Wretling (26 June 1876 - 10 November 1971) was a Swedish artist, sketcher and painter. In 1905, Otto started a firm together with his brother Vilheim in Umeå to produce furniture. This firm was active until 1969.Purchased 1 March 1998 from Jacksons Tyska Brinken 20, 11127 Stockholm, Sweden. With purchase receipt. In overall good condition, light areas underneath where blocks may have been, paint splashes, wear and dirt to the base, general wear to the top and mechanism (see images)
Los 1
After Laurence Stephen Lowry RBA, RA (1887-1976)"Sailing Boats"Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 32.5cm by 33.5cmTime staining in evidence to exposed areas of the paper with sporadic medium sized foxing spots in evidence. The odd sporadic medium sized foxing spot in evidence within the plate, one large one in particular to the upper left of the sky. Slight cockling to the paper. Some light surface dirt and debris trapped under the glass. Not examined out of the frame. Letters JED
Los 10
Trevor Grimshaw (1947-2001)"Stonehenge"Signed and numbered 37/50, lithograph, 30cm by 40cmCockling to the paper. Some light surface dirt and debris trapped under the glass. The odd minor foxing spot and brown spot within the margin, especially to the lower margin - some possibly ink transferred from the print? Slightly raised area to the glass, centre of lower margin. Not examined out of the frame.
Los 104
David Mach RA (b.1956) Scottish"Jesus Walking on Water"Collage, 150cm by 242.5cmExhibited: City Arts Centre, Edinburgh, “Precious Light” exhibition, 2011Literature: David Mach, “Precious Light”, 2011Provenance: Purchased from the artistCelebrated for his monumental sculptures, Scottish Pop artist David Mach created "Jesus Walking on Water" for his important solo exhibition “Precious Light”. The show was created to commemorate the 400th anniversary of the King James Bible and included seventy collages and six sculptures by the artist, taken from some of the Bible’s most epic stories. Some very light surface dirt and debris trapped under the glass. Small white mark top of the sky? Otherwise appears in good overall condition. Not examined out of the frame.
Los 109
Charles Frederick Tunnicliffe RA, RE, ARCA (1901-1979)Horses and foals in a landscapeSigned, pencil and watercolour, 35cm by 59cmProperty of a Lady, North West UK Slight cockling to the paper. Slight time staining to the mount. Some light surface dirt and debris trapped under the glass. Good colour depth. Not examined out of the frame.
Los 113
After Laurence Stephen Lowry RBA, RA (1887-1976)"Landscape with Farm Buildings"Signed in pencil, with the blindstamp for the Fine Art Trade Guild, published by Venture Prints Limited, 39.5cm by 49.5cmProperty of a lady, North West UK Time staining to exposed areas of paper. Cockling to the paper. The odd small sporadic scattered foxing spot. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.Letters BEB
Los 121
Laurence Stephen Lowry RBA, RA (1887-1976)"A Pond" c.1956 Signed, inscribed verso, pencil, 24.5cm by 34cmProvenance: With Lefevre Gallery London, stock no. X7928Literature: The Drawings of L.S. Lowry, Public and Private, with an introduction and notes by Mervyn Levy, Jupiter Books, 1976, No. 173 titled "Pond Near The Mill"Property of a Lady, North West UKThe paper has been taken from a sketchbook. The left hand side edge has the jagged paper from the ring binding (see images). The work is stuck onto the back board. Very slight time staining to the paper. Some light surface dirt and debris trapped under the glass. The odd tiny sporadic brown mark/debris, two to the left of the little line to the left of the pond, one above the left mound right hand side, one upper right and a few sporadic very small scattered ones throughout the sky. Paper variance/ scuff right of centre of the sky to the left of the two chimneys approximately 3cm in length. Slight scratch within the dark grey lower right corner and a small scratch through the lower left corner through the middle of the signature. Diagonal pencil line down through the factory to the left of the signature (by design). Brown mark to the outer edge of the lower left corner. See additional images.
Los 21
Norman Stansfield Cornish MBE (1919-2014)"Thompson's Newsagent"Signed, oil on board, 28cm by 45cmProvenance: Purchased from the artistCornish painted the vendor's shop on Clyde Terrace, Spennymoor Born in 1919 in Oxford Street, Spennymoor Norman Cornish began working in the mines in 1933 and not long after he was accepted as a member of the Spennymoor Settlement, at just age 15. It was here that he met the author Sid Chaplin and later fellow mining artist Tom McGuinness. The resident warden of the Settlement Bill Farrell encouraged Cornish to "paint the life he knew".Cornish's paintings offer an insight into everyday life in Spennymoor and the mines, capturing scenes of places and an industry that no longer remain. The characters he painted are real people he knew and who belonged to the mining heritage. There was a time when Sid Chaplin expressed concerns over Norman's unvarying subject matter stating, "I've often been irritated by his seeming lack of enterprise, his lack of interest in anything but Spennymoor". However, this unerring dedication to his subject reveals and provides an intimate rendition of the industrial and social history of the North East.Some very light surface dirt trapped under the glass. Otherwise in good overall condition. Behind glass and not examined out of the frame.The odd minor nick to the frame.
Los 22
Norman Stansfield Cornish MBE (1919-2014)''Street with Church, Cold Mist''Signed, pastel, 20cm by 29.5cmProvenance: The Stone Gallery, Newcastle-upon-TyneThe street depicted is Edward Street, Spennymoor.On buff paper. Light cockling to the paper. Slight time staining to the mount. Some light surface dirt and debris trapped under the glass. Tiny spot top left corner. Not examined out of the frame.The odd minor chip/nick to frame.
Los 23
Norman Stansfield Cornish MBE (1919-2014)"Edward Street Man with Dogs"Signed, oil on board, 28cm by 37cmProvenance: Purchased from the artistLiterature: for a similar example see "Norman Cornish, A Shot Against Time", Northumbria University Gallery, Newcastle upon Tyne and Kings Place Gallery, "Edward Street, Man Walking Dogs", p.46Some very light surface dirt trapped under the glass. Otherwise in good overall condition. Behind glass and not examined out of the frame.The odd minor nick to the frame.
Los 3
After Laurence Stephen Lowry RBA, RA (1887-1976) "Britain at Play" Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 47cm by 60cmSlight cockling to the paper. Some light surface dirt and debris trapped under the glass. Small water mark upper right corner of mount. Otherwise in good overall condition. Not examined out of the frame. Number FAD
Los 32
Brian Shields 'Braaq' FBA (1951-1997)Self portrait of the artist as a boy paddling on a shorelineSigned, pastel, 20.5cm by 29cmProvenance: Headrow Gallery, LeedsVery slight cockling to the paper. On buff paper. Some light surface dirt and debris trapped under the glass. Slight time staining to mount. Otherwise in good overall condition.Odd very minor chip to frame.
Los 4
After Laurence Stephen Lowry RBA, RA (1887-1976)''People Standing About''Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 33.5cm by 49.5cmTime staining to the mount. Slight cockling to paper. Some light surface dirt and debris trapped under the glass. Slight time staining to the paper. The odd very minor sporadic foxing spot.Letters CLE
Los 41
Paul Signac (1863-1935) FrenchSailboats before an islandInitialled, pencil and watercolour, 11cm by 20cm Provenance: From the estate of the artist Paul MazeThence by descent Slight cockling to the paper lower right corner. Time staining to the margin and in evidence to exposed areas of the paper. One large foxing spot left of centre of lower edge, mostly to the margin but a tiny bit into the image. The odd very small minor sporadic foxing spot in evidence, in particular to the lower left of the trees. Good colour depth. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Los 5
After Laurence Stephen Lowry RBA, RA (1887-1976)"Berwick-on-Tweed"Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 65cm by 63cm (unframed)Evidence of old tape down edge of left margin and to upper and lower right corners. Time staining to exposed areas of the margins. Some light surface dirt and tiny sized sporadic foxing in evidence, especially to the margins. The odd sporadic tiny spot within the image. Letters ADJ
Los 53
Montague Dawson RSMA, FRSA (1895-1973)The avenue to Thoresby Hall, Nottinghamshire, seat of the de Manvers familySigned, oil on canvas, 55cm by 45cmProvenance: A gift from Lady ManversPainted by Montague Dawson for Lady ManversSold together with a letter from the artist to Lady Manvers dated 23rd October 1967Some very light surface dirt. Small repair/ over painting within the roots/path of the front tree (approx 1cm in size) and possible tiny repair left of centre of the painting. 0.5cm. White paint to the reverse in each of these places. Canvas slightly rubbed in places to outer edges. Areas where the canvas is showing through due to paint application. Surface scratch below centre of right edge approx 2cm in size.
Los 73
Ken Howard OBE, RA, RBA, NEAC (1932-2022)"Spring at Oriel"Signed, dated (19)97, oil on canvas, 101cm by 120.5cmExhibited: Royal Academy Summer Exhibition 1997, no.6Provenance: Haynes Fine Art, BroadwaySold together with a certificate from Haynes Fine Art Some light surface dirt. The canvas is ever so slightly buckling upper left corner. Three brown marks where something has splashed onto the canvas, one below her knee, one within her skirt and one to the left of the radiator to the left of the rug and two tiny spots in this area. The odd minor chip or knock to the frame.
Los 74
Maggi Hambling CBE (b.1945)"Red Head with Cat"Signed verso and dated (19)83, oil on canvas, 130cm by 96.5cmProvenance: Christie's South Kensington, 20th Century British Art, Thursday, 30th June 2005, Lot 0245AMarlborough Gallery, London Sold together with a letter from the artist relating to the picture. She noted that the work was painted when she lived in Battersea, that the sitter was a girlfriend at the time and that the cat was called Pavole. Some light surface dirt. An area of craquelure to the grey paint of the background just above the white and right of centre of her back, approximately 3cm in length, another to the paint below her chin vertically above her chest approximately 6cm in length. Very minor craquelure within the brown to the left of her knee. Possible shrinkage within the black paint lower right, this may be by design? See images.
Los 77
Victoria Crowe OBE, DHC, FRSE, RSA, RSW (b.1945) Scottish"Image Toys"Signed and dated (19)72, gouache on board, 16cm by 17.5cmProvenance: Hawksworth Gallery, IlkleyDerek HyattGifted to Arthur Haigh A gift from Arthur Haigh to the present vendor in 1985Some very light surface dirt trapped under the glass. Otherwise in good overall condition.
Los 78
David R Anderson (1884-1973) ScottishStill Life of Kippers, a lemon and a carafe of water Oil on board, 28cm by 35.5cmProvenance: Descent in the artists familySome light surface dirt. A few losses to the centre of the lower edge and to the right of this. Tiny loss to the plate above this. Loss upper right corner with associated paint cracking and lifting in this area. Larger loss approximately 0.5cm in size to the centre of the top edge with cracking and lifting in this area also with associated re touching. Crack to lower right corner and upper left side. Other sporadic areas of retouching throughout.
Los 82
Norman Ackroyd CBE, RA (b.1938)"Woolstone Down"Signed, inscribed and dated 1981, numbered 59/60, etching, 37cm by 49.5cmSlight cockling to paper. Very slight time staining to the mount. Ever so slight time staining to the margin. The tiniest little brown sporadic spots in evidence to the upper margin, these may be by design? Some very light surface dirt and debris trapped under the glass. Not examined out of the frame.
Los 86
Dame Elisabeth Frink CH, DBE, RA (1930-1993)"Green Man"Signed and numbered 42/70, with the Kip Gresham blindstamp, published by Chilford Hall Press, screenprint, 56.5cm by 53cmThe paper has a deckled edge. Slight time staining to the mount. Slight cockling to the paper. Very slight time staining in evidence to the exposed areas of the paper. The odd feint sporadic foxing spot, especially to the leaf above his ear, the one below his ear and two spots within the vine near his mouth. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Los 9
Trevor Grimshaw (1947-2001)"Aqueduct"Signed and numbered 34/50, lithograph, 29.5cm by 39.5cmCockling to the paper. Some light surface dirt and debris trapped under the glass with the odd thunder fly. The odd sporadic minor foxing spot in evidence to the margins, some possibly pigment from the print? Not examined out the frame.
Los 73
A Simon & Halbig bisque socket head doll, with brown glass sleeping eyes, open mouth, teeth, pierced ears, light brown wig, wood and composition jointed body, white lace dress, straw bonnet and black shoes, numbered 1079 6 1/2, 16" longGenerally good, chips at ear piercing holes, wear to paint above right ear. fire crack on right ear. Missing one finger.
Los 79
A Schtzmeister & Quendt bisque socket head character doll, with blue glass sleeping eyes, open mouth, teeth, brown wig, mamma mechanism, bent limb composition body and blue dress, numbered 201 7, 15" longGenerally good. Line on back of head I do not believe to be a crack as cannot been seen inside the head with torch light. Seems to merely be a line on the surface.
Los 103
A Tete Jumeau automaton, with bisque head and hands, blue glass paperweight fixed eyes, mouth moulded slightly open, pierced ears, blond wig, composition body and legs, red and gold dress, straw hat and hinged egg, clockwork operated arm and head movement, red Jumeau mark and numbered 4, 18 1/4" tallchip to left eye, minor hairline starting and ending on eye but only appeared to me under blue light, minor chip to one ear piercing. Hands appear to be a later replacement. Wiring linked to bottom of egg and right hand missing. Item in centre of egg missing.
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534325 Los(e)/Seite