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Los 199

Gorlaeus (Abraham). Dactyliothecae, seu, Annulorum sigillarium quorum apud priscos tam Graecos quam Romanos usus, ex ferro, aere, argento & auro promptuarii pars prima [-secunda] : collectis aliunde & ineditis & editis annulorum figuris auctior, 2 volumes, Leiden: Henricus à Damme, 1707, additional engraved allegorical title to each, two engraved portraits, 278 engraved plates, occasional light toning and scattered spotting, front endpapers with bookplates of William Blakiston Bowes (bookplate to first volume removed) and Ernest Willelm Apairi, contemporary calf, gilt decorated spine with morocco title label, joints cracked and light wear to extremities, 4to, together with: Spoor (Henricus), Deorum et heroum, virorum et mulierum illustrium imagines antiquae illustratae, versibus & prosa, Henrico Spoor., Amsterdam: Petrum de Coup, 1715, title in red & black with engraved vignette, engraved illustrations throughout, early 19th century half sheep, vellum board corners, gilt decorated spine with red morocco title label, small 4to, Agostini (Leonardo), Gemmae et sculpturae antiquae depictae ab Leonardo Augustino Senensi, Addita earum enarratione, in Latinum versa ab Jacobo Gronovio, cujus accedit praefatio, 2 volumes in one, Amsterdam: Abrahamum Blooteling, 1685, engraved portrait frontispiece, additional engraved allegorical title (early manuscript to verso), woodcut vignette to title and signature to lower blank margin, 268 engraved plates, short worm trail to gutter margin of 15 leaves at front of volume, without marbled free endpapers, bookplate of Henryson Caird to upper pastedown, contemporary speckled sheep, gilt decorated spine, some wear and insect damage to spine and boards, worn, 4to, Haverkamp (Siwart), Sigeberti Havercampi Dissertationes de Alexandri Magni numismate : quo quatuor summa orbis terrarum imperia continentur. Ut et de nummis contorniatis, Leiden: Janssonios Van der Aa, 1722, engraved title, 22 engraved plates, engraved tailpiece to final leaf, bookplate of Patricia Milne-Henderson to front pastedown, contemporary calf, gilt decorated spine with red morocco title label, extremities slightly rubbed, small 4to, Stobaeus (Kilian), Dissertatio historica de numis et sigillis lundensibus..., Londini Gothorum: Ludovici Decreaux, 1741, two engraved plates, woodcut illustrations, some browning, spotting & damp staining, all edges gilt, early 19th century calf by Lewis (dated 1839 in manuscript), gilt decorated spine, light wear to extremities, slim 4to,Qty: (6)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Los 200

Gorlaeus (Abraham). Dactyliotheca seu Annulorum Sigillarium quorum apud priscos ram Graecos quam Romanos usus, 1st edition, {Leiden or Antwerp, 1601], engraved title, engraved portrait of the author by Jacob de Gheyn, 137 engraved plates (complete), light crease to final plate, a few small minor stains, early ownership signature 'Fch. Huyssen' at head of title, later mottled calf, spine with red label and gilt decoration, joints and covers rubbed, covers a little bowed, small 4toQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESSinkankas 2740. Description of the collection of Greek and Roman intaglio rings and gemstones contained in the author's own cabinet of curiosities. The collection was sold following his death to Henry, Prince of Wales in 1609.

Los 204

Grotius (Hugo). De Jure Belli ac Pacis, libri tres, in quibus Jus Naturae & Gentium, item Juris Publici praecipua explicantur, 2 volumes, [Turin?], 1719, occasional light spotting and some browning, contemporary full vellum, 4to, together with other 18th century works, including Sextus Aurelius Victoris, Historia Romana, 1733, Albius Tibullus quae exstant, Amsterdam, Officina Wetsteniana, 1708, Dionyssius Petavius, Rationarium Temporum, Leiden, 1710, Cornelius Nepos, Vitae Excellentium Imperatorum, Leiden, 1734, Francois Pomey, Pantheum Mythicum, seu fabulosa deorum historia, Amsterdam, 1730Qty: (7)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Los 205

Guichard (Claude). Funerailles, & diverses manieres d'ensevelir des Rommains, Grecs, & autres nations, tant anciennes que modernes, first edition, Lyon: Jean de Tournes, 1581, title within architectural woodcut border, woodcut illustrations, occasional spotting, light damp staining to lowers margins, last 12 leaves at rear of volume with light brown staining at head, bookplate of Patricia Milne-Henderson to upper pastedown, contemporary mottled sheep, gilt decorated spine with maroon morocco title label, 8voQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESAdams G1545; Alden, "European Americana", A581/1 (vol.1, p.262); Cartier, De Tournes 616. Not in Sabin. An important study of death and funeral rituals from Greek and Roman times to the date of publication, including those of the Native Americans.

Los 206

Hemelaers (Jean). Imperatorum Romanorum a? Iulio Cæsare ad Heraclium usque numismata aurea ... Editio altera priore auctior, Antwerp: Petrum & Ioannem Belleros, 1627, additional engraved title-page, 64 engraved plates (some annotated to upper margin in pencil), with extra plate bound in titled 'Antiquitatis. Genio. Aureorum. Numismatum. Elegans. Atque. Erudita. Commentatio. Dicatur.', engraved initials and tail-pieces, some toning to text, first plate a little dusty, endpapers stained, hinges neatly repaired, bookplate of Patricia Milne-Henderson monogrammed PAMH, 18th century calf (light surface pitting), sometime rebacked, corners showing, 4to, together with: Spanheim (Ezechiel), Dissertationes de Praestantia et usu Numismatum Antiquorum, 2nd edition, Amsterdam: Danielem Elservirium, 1671, vignette title-page printed in red and black, a little dusty and marked, with early ownership signature of Philip Griffith, lacking portrait frontispiece, letterpress engravings, errata to last page following Index, endpapers browned, bookplate as above, below armorial bookplate of James Whatman, marbled edges, near contemporary calf (light surface pitting), rebacked (preserving gilt decorated spine) and recornered, 4to, Patin (Charles), Introductio ad Historiam Numismatum: Anteha?c Gallice? bis edita; Nunc Latine? versa, & novis accessionibus locupletata, Amsterdam: Henr. Wetstenium, 1683, additional engraved frontispiece, some toning and spotting, bound with J.M. Suarès, De Numismatis & Nummis Antiquis Dissertatio, Amsterdam,1683, stitching strained, endpapers browned, upper hinge split, bookplate of Patricia Milne-Henderson, near contemporary sprinkled calf, gilt decorated spine rubbed, upper joint with 6cm split at head, 12moQty: (3)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Los 208

Hirsch (Johann Christian). Bibliotheca Numismatica exhibens catalogum auctorum qui de re monetaria et numis tam antiquis quam recentioribus scripsere, collecta et indice rerum instructa, first and only edition, Nuremberg, Impens. hered. Felseckeri, 1760, half-title, large engraved vignette of the interior of a library to title, 2 woodcut head-pieces and one woodcut tail-piece to final leaf of text, errata leaf at end, Milne-Henderson bookplate to front pastedown, contemporary brown marbled boards, rubbed and slight wear, with minor paper loss to extremities, folio (32 x 19.5 cm), together with: Banduri (Anselmi). Bibliotheca Nummaria, sive auctorum qui de re nummaria scripserunt, in nomismatophilon [in Greek] gratiam cum notulis et indicibus recusa, curante Jo. Alberto Fabricio, first separately published edition, Hamburg, C. Liebezeit et T.C. Felginer, 1719, [viii], 248 pp., title with engraved vignette, large engraved vignette to first leaf of dedication by Fritzsch, incorporating a portrait of the Duchesse d'Orléans, Elizabeth Charlotte von der Pfalz (known as Liselotte, 1652-1722), second wife of Philippe I, Duke of Orléans, and mother of Philippe II, France's ruler during the Regency (1715-1723), some light browning, Milne-Henderson bookplate to front pastedown, 18th century sprinkled full calf, gilt decorated spine, a little rubbed, small 4toQty: (2)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESCicognara 2882; Engel & Serrure 3053; Lipsius 186; Kress 9612.6-1. The most comprehensive numismatic bibliography before the appearance of J.G. Lipsius' Bibliotheca Numaria in 1801. Johann Christoph Hirsch (1698-1780) was a court advisor and inspector of the mint (Engle & Serrure). Banduri's Bibliotheca Nummaria "was the first full critical text encompassing the entire range of numismatic literature" (Bassoli, Monete e medaglie nel libro antico dal XV al XIX secolo (1985), 33-34).

Los 209

Horatius Flaccus (Quintus). Opera, 2 volumes, 1st edition, 2nd issue, London: John Pine, 1733-37 [but slightly later], engraved throughout, without the folding letterpress leaf present only in 'a small number of copies' (ESTC), light toning and offsetting, a few marks, ownership inscriptions 'E libris Joannis Tickell 1748' to title-pages, bookplates of the Lyons Library, all edges gilt, contemporary straight-grained red morocco gilt, rubbed in places, volume 1 front joint cracked (inner hinge reinforced), 8vo (22.1 x 13 cm)Qty: (2)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESProvenance: John Tickell, 1748, inscription on titles; Lyons Library, bookplate; P.A. Milne-Henderson, bookplate. Cohen-de Ricci 497; Rothschild Library II, 1548. The date of 1757 provided by ESTC for the second issue (with the medallion portrait on volume 2 page 108 reading 'potest' rather than 'post est') is likely to be erroneous given the date of the ownership inscription in this copy.

Los 211

Humphreys (Henry Noel). Ancient Coins and Medals: An historical sketch of the origin and progress of Coining money in Greece and her colonies; its progress with the extension of the Roman Empire; and its decline with the fall of that power, 2nd edition, London: Grant and Griffith, 1851, 10 sunken mounts containing 114 facsimile gold, silver and bronze foil coins (some oxidization to the facsimiles), some offsetting to text, a few leaves and mounts detached, some light spotting and small marginal ink stain, original embossed calf gilt, spine torn with loss at foot, a little rubbed with some edge wear, small 4toQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Los 212

Huttich (Johann). Imperatorum & Ceasarum vitae, cum imaginibus ad vivam effigiem expressis. Huic aeditioni additi sunt cum Icunculis, & elencho, versus Ausonii, Mycilli, & Vellei poetarum paucis ingentem historiam complectentes, Lyon, Balthazar Arnoullet, 1550, printer's woodcut device to title, woodcut initials, 139 woodcut medallion portraits to text, some early underlining and occasional annotations in brown ink, small wormhole to lower blank margin, beginning at i4, extending for a while to a wormtrack, until diminishing to a small wormhole up to p1, final two blank leaves (p7 and 8) not present, bookplate of Patricia Milne-Henderson to front pastedown, later (probably late 18th or early 19th century) pink boards, some marks and light soiling, 8vo (160 x 99 mm)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESDekesel H44; USTC 150573. A Lyon reprint of the German numismatist and archaeologist Johann Huttich's study of the portraits of Roman emperors from Caesar to Charles V, here printed with additional quotations from Ausonius, Jakob Micyllus (from the Icones Imperatorum, published in Strasburg in 1544), and Caspar Ursinus Velius.

Los 216

Liebe (Christian Sigismund). Gotha numaria, sistens thesauri Fridericiani numismata antiqua, aurea, argentea, ærea, ea ratione descripta, ut generali eorum notitiæ exempla singularia subiungantur, Amsterdam: R. & J. Wetstenios & G. Smith, 1730, half-title, engraved frontispiece, title in red & black with engraved vignette (manuscript numeral '55' to lower right blank corner), engraved portrait, engraved illustrations of coins, light scattered spotting, damp staining to lower margins towards rear of volume, contemporary blind panelled vellum, blind arabesque to centre of each board, worn at head & foot of spine and to board corners, folio, together with: Agustín (Antonio), Antiquitatum Romanarum Hispanarumque in nummis veterum dialogi XI. Latini redditi ab Andrea Schotto ... Seorsim editae nomismatum icones a Iacobo Biaeo aeri graphice incisae, Antwerp: Henricum Aertssium, 1617, title with engraved vignette (dust-soiled), additional engraved title and 68 plates bound at rear, few worm holes throughout, some toning and damp staining, without free endpapers, contemporary vellum, dust-soiled and marked, folio, Passeri (Giovanni Battista), Lucernae fictiles musei Passerii, Pesaro: Sumtibus Academiae Pisaurensis, 1739, title in red & black with engraved vignette, 105 engraved plates, contemporary vellum, folio Orsini (Fulvio), Familiae Romanae in antiquis numismatibus, ab urbe condita, ad tempora diui Augusti..., Paris: Joannem Du Bray, Petrum Variquet & Robertum De Ninuille, 1663, engraved frontispiece, letterpress title in red & black with engraved vignette, engraved illustrations throughout, some light damp staining, contemporary blind panelled vellum, blind arabesque to centre of each board, light dust-soiling, folio, and three others similarQty: (7)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Los 227

Mariette (Pierre-Jean). Traité des pierres gravées / Recueil des pierres gravées du Cabinet du Roy, 2 volumes, 1st edition, Paris, de l'imprimerie de l'auteur, 1750, [10 including half-title, engraved title and dedication leaves], 468 [plus 447*-448*], [2]pp.; [20 including half-title & engraved title], [135, i.e. 1-132 plus 47*, 86*& 107*], [2]ff., numerous engraved illustrations and one engraved plate opposite p. 124 in volume 1, 63 engraved plates at rear of volume 2 (with two images to each plate), occasional minor scattered spotting, armorial bookplate of Thomas Weld-Blundell to upper pastedowns of both volumes, contemporary mottled calf, gilt decorated spine with contrasting labels, joints split and light wear, folio (31.5 x 20 cm), together with: Caylus (Anne Claude Philippe comte de), Recueil de trois cent te?tes et sujets de composition, Grave?s par Mr. le comte de Cay?lus d'apre?s les pierres grave?es antiques du Cabinet du roi, [Paris]: Se vend a Paris ches Basan [1775?], engraved title and text leaf, 300 engraved images on 150 plates, some toning, armorial bookplate of Baron Northwick to upper pastedown, marbled endpapers with split hinges, contemporary quarter calf, gilt decorated spine with red morocco title label, joints slightly cracked and some minor wear, 4to (25.5 x 19.8 cm)Qty: (3)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESProvenance to second work: John Rushout, 2nd Baron Northwick (1769-1859), collector and connoisseur, with his bookplate. The present work formed part of the library at Northwick Park, Gloucestershire, and Thirlestaine House in Cheltenham (the latter purchased in 1863 by Sir Thomas Philipps, the famous antiquary and bibliophile).

Los 229

Menestrier (Claude-François). Symbolica Dianae Ephesiae, 1st edition, Rome: Mascardi, 1657, title with woodcut device, 22 full-page engraved plates, 3 engravings in text, bound with Bellori (Giovanni Pietro). Notae in Numismata tum Ephesia, tum aliarum urbium apibus insignita, Rome, 1657, 28 pp., 2 full-page engraved plates, engraved text illustration, some overall light spotting and toning, contemporary inscription to first work title, bookplate, contemporary limp vellum gilt, manuscript title and shelf label to spine, a little soiled, 8vo, together with [Monterchi, Guiseppe]. Scelta de Medaglioni piu rari nella bibliotheca dell' eminentiss et reverendiss, principe il Signor Cardinale Gasparo Carpegnaa vicario di nostro signore, Rome: Giovanni Battista Buffotti, 1679, engraved frontispiece, 3 engraved plates, engraved illustrations, occasional light toning, contemporary vellum gilt, spine titles in manuscript, some soiling and bowing to covers, 8voQty: (2)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Los 230

Mexia (Pedro). The Historie of all the Romane Emperors, beginning with Caius Iulius Cæsar, and successiuely ending with Rodulph the second now raigning. Wherein (in summe) are contained their liues and acts, together with the rising, greatnes, and declining of the Romane Empire..., First collected in Spanish by Pedro Mexia, since enlarged in Italian by Lodovico Dulce and Girolamo Bardi, and now englished by W.T., London: Printed [by Felix Kingston] for Matthew Lownes, 1604, title within decorative woodcut border (repaired at gutter, close-trimmed to margins, scribbled out inscriptions to recto and ownership signature & date Hugh Edwards, 1641 to verso), woodcut medallion portrait illustrations and decorative initial letters, without initial blank, final blank present, some contemporary annotations & marginallia, occasional light damp stains, endpapers renewed, near contemporary mottled, rebacked, morocco title label, folio (26 x 17.5 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESSTC 17851.

Los 231

Mongez (Antoine). Tableaux, statues, bas-reliefs et camées de la Galerie de Florence et du Palais Pitti, dessinés par Wicar, peintre, et gravés sous la direction de C. L. Masquelier, avec les explications, 4 volumes in 2, Paris, J.P. Aillaud, 1819, engraved frontispiece to first volume only, 198 engraved plates, some with tissue-guard, many plates with two images per page, and including 22 plates with the upper portion no longer present, all edges gilt, bookplate of John William Coventry Campien to front pastedown of each volume, first volume partly detached along upper inner hinge, contemporary dark green straight-grained full morocco gilt, rubbed and scuffed, some spotting to preliminary and last few leaves of each volume, some light spotting to the edges, large folio (53 x 34.5 cm)Qty: (2)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESSold as a collection of plates, not subject to return.

Los 233

Morell (Andreas, 1646-1703). Thesaurus Morellianus, sive Familiarum Romanarum Numismata Omnia, 2 volumes (text/plates), Amsterdam: J. Wetstenium & G. Smith, 1734, half titles, engraved frontispiece to volume I, titles printed in red and black with engraved vignettes, 184 engraved plates of coins, occasional light spotting and toning, contemporary calf gilt, rebacked, brown labels to spines, a little rubbed with stains, folioQty: (2)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESProvenance: John Rushout, 2nd Baron Northwick (1769-1859), collector and connoisseur, with his bookplate. The present volume formed part of the library at Northwick Park, Gloucestershire, and Thirlestaine House. Brunet, III, 1899. Sander, IV, 606. First and only edition. Andreas Morell (1646-1703), a Swiss numismatist, who had published in 1683 his Specimen universae rei nummariae antiquae, quod literatorum reipublicae proponit (Dekesel M148).

Los 234

Nardini (Famiano). Roma Antica, 1st edition, Rome: Fabio de Falco, 1666, 15 engraved maps and plates, ink signature to title of A Fletcher, occasional light spotting and toning, contemporary vellum, manuscript title to spine, light soiling, small 4toQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESProvenance: Andrew Fletcher of Saltoun (1655-1716), Scottish bibliophile, writer and poltician, and associate of John Locke (ownership inscription to the title page). His collection of some 6,000 books was 'almost certainly the largest private library in Scotland at the time' (ODNB). See P. J. M. Willems, Bibliotheca Fletcheriana, the extraordinary library of Andrew Fletcher of Saltoun, Reconstructed and Systematically Arranged (1999). Cicognara 3800.

Los 236

Natter (Johann Lorenz). Traité de la Méthode Antique de Graver en Pierres Fines, comparée avec la Méthode Moderne , 1st edition in French, London: J. Haberkorn, 1754, engraved frontispiece, title with woodcut device, 37 engraved plates, p. 30 with closed marginal tear, some spotting and light offsetting, contemporary calf-backed boards, spine with red label and gilt decoration, covers rubbed and scuffed, folio (33 x 20 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESCicognara 284. First edition in French of Natter's A Treatise on the Ancient Method of Engraving on Precious Stones, Compared with the Modern, also published in 1754. Lorenz Natter (1705-1763) was a German gem-engraver who came to England in 1741 and became engraver to the royal family and Royal Mint. The book gives practical advice and technical instructions on gem-engraving and advocates copying from the antique.

Los 240

Ortelius (Abraham). Deorum Dearumque Capita, ex antiquis numismatibus collecta: histor'ica narratione illustrata à Francisco Swertio, 3rd edition, Brussels: F. Foppens, 1683, title with woodcut device, 59 engraved illustrations, bound with Cuper (Gisbert). Apotheosis vel Consecratio Homeri, 1st edition, Amsterdam: H. & T. Boom, 1683, title printed in red and black with woodcut device, 9 engraved plates (including 2 folding), illustrations, occasional light spotting and toning, contemporary half sheep, spine with red and black labels and gilt decoration, joints and edges rubbed, small 4toQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Los 241

Orville (Jacques Philippe d'). Sicula, quibus Siciliae veteris rudera, additis antiquitatum tabulis, illustrantur... Orationem in auctoris obitum et praefationem adjecit Petrus Burmannus Secundus, 2 parts in one, Amsterdam: Gerardum Tielenburg, 1764, half titles, engraved portrait frontispiece of the author, titles with engraved vignettes, 54 engraved plates, plans and coins, some folding, occasional light spotting and toning to a few leaves, contemporary half vellum, red label to spine, a little rubbed and scuffed, folioQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESCicognara 2689.

Los 245

Patarol (Lorenzo). Opera Omnia quorum pleraque nunc primum in lucem prodeunt, 2 volumes, Venice, Giovanni Baptista Pasquali, 1743, 23 mostly folding engraved plates, rough-trimmed, near-contemporary plain quarter calf, rubbed and some light soiling, 4to, together with: Monaldini (Giuseppe Antonio). Istituzione Antiquario-Numismatica o sia Introduzione allo studio delle antiche medaglie, Rome, A spese di Venanzio Monaldini, 1772, 3 folding engraved plates, untrimmed, modern quarter calf, 8vo, plus others related, mostly 18th century, Italian editions, including Francesco Ficoroni, De Plumbeis Antiquorum Numismatibus tam sacris, quam profanis, Rome, 1750, [Francesco Daniele], Monete Antiche di Capua, Naples, 1802, Corsini, Epistolae Tres quibus Sulpiciae Dryantillae... nummi explicantur, Livorno, 1761, Charles Patin, Iudicium Paridis, de tribus deabus latum, in numismate Imp. Antonini Pii expressum, Padua, 1679, Rosini, Antiquitatum Romanarum, Utrecht, 1701, etc., various bindings, 4to/v80Qty: (10)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Los 246

Patin (Charles). Imperatorum Romanorum Numismata ex aere mediae et minimae formae, Strasbourg: Simon Paulii, 1671, engraved frontispiece, title printed in red and black with engraved device, engraved portrait of Holy Roman Emperor Leopold I, 2 double-page engraved maps, 6 engraved plates, numerous engraved illustrations, occasional underlining and early annotations, some spotting and light toning, later tree calf, spine with red label and gilt decoration, one lower corner bumped, edges a little rubbed, 4to, together with Occo (Adolph). Imperatorum Romanorum Numismata a Pmpejo Magno ad Heraclium... additamentis jam illustrata a Francisco Mediobarbo Birago, Milan: Aedibus Societatis Palatinae, 1730, half title, engraved frontispiece (trimmed to outer margin), title printed in red and black with engraved vignette, engraved portrait of Charles VI, Holy Roman Emperor, engraved illustrations, some water stains, bookplate of Arthur Hugh Smith Barry, (1st Baron Barrymore, 1843-1925, politician), contemporary vellum, spine lettered in gilt, covers a little bowed and discoloured, folio (40 x 24 cm)Qty: (2)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Los 249

Picart (Bernard). Pierres Antiques gravées, sur lesquelles les graveurs ont mis leurs noms. Dessinées & gravées en cuivre sur les originaux ou d'après les empreintes par Bernard Picart. Tirées des principaux cabinets de l'Europe, expliquées par M. Phillipe de Stosch..., 1st edition, Amsterdam: Bernard Picart, 1724, half title, titles in French and Latin printed in red and black with engraved vignette, text in French and Latin, 70 full-page engraved plates by Picart, including the plate of Hercules and Iole, (frequently suppressed on the grounds of obscenity), occasional light spotting and offsetting, a few small marginal closed tears, later half morocco, spine lettered and decorated in gilt, a little faded with ink stain to first compartment, edges a little rubbed, folioQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESCohen-De Ricci 959. Cicognara 1016. Prussian collector Baron Philipp von Stosch (1691-1757) formed a major collection of antiquities including books and manuscripts, but especially medals and engraved gems, including 3444 intaglios. The present work, based on some of the best collections in Europe, established his reputation as a connoisseur. A notably flamboyant homosexual, Stosch was also active as a secret agent in Rome for the British government under Robert Walpole. Exposed as a spy in 1731, he was forced to flee to Florence where he lived for the rest of his life. His collection gradually expanded to the extent that a separate building was required to house them. Four years after his death it was purchased by Frederick II, King of Prussia.

Los 250

Pietrasanta (Silvestro). De symbolis heroicis libri IX, Antwerp: ex officina Plantiniana Baltharis Moreti, 1634, signature a-k4 A-3S4 [3T2] (3T2=colophon leaf), engraved allegorical title-page by Cornelis Galle the Elder after Peter Paul Rubens showing Mercury and a four-breasted Diana, engraved portrait of Cardinal Aloysius Carafa, 8 full-page engravings of arms and armorialised genealogies, and 281 engraved emblems within decorative cartouches (Landwehr's count), all in the text, variable light browning, a few marks, title-page neatly re-margined verso at an early date, bookplate of Patricia Milne Henderson, allegorical bookplate with motto 'Non leo sed gallus' (probably François-Léon Galle, 1854-1914, French bibliophile), contemporary vellum, gilt arms to sides (identified in a pencilled note as the Mazenod family of Lyon), joints cracked at ends, loss to foot spine, covers dust-soiled, wear to tips, 4to (20.5 x 14.9 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESJudson & Van der Velde, Corpus Rubenianum Ludwig Burchard, volume 2 (Book Illustrations and Title-Pages), p. 441; Landwehr, Emblem Books in the Low Countries 1554-1949, 498. First edition.

Los 252

Pisani (Ermolao). Numismata aerea Selectiora Maximi Moduli e Museo Pisano Olim Corrario, Venice: Giovanni Battista Albrizzi, [1726], engraved frontispiece, engraved title, preface and index leaves, 92 engraved plates of coins, occasional light marginal soiling, all edges red, contemporary mottled calf, rebacked, a little rubbed, folioQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESThe numismatic collection began by Girolamo Correr in Venice was continued by his son Angelo Correr, before being completed by Ermalao Pisani.

Los 255

Plutarch. Plutarchi Chaeronensis Vitae Parallelae, cum singulis a Liquot. Gaece et Latine... recensuit Augustinus Bryanus, 5 volumes, London: Jacob Tonson & John Watts, 1729, engraved frontispiece to volume 1, Greek & Latin text, bookplates to front pastedowns, volume 1 front board detached, some light toning & spotting throughout, contemporary uniform mottled full calf gilt, boards & spines toned & slightly rubbed, large 4o, together with; Historiae Augstae Scriptores VI, 2 volumes bound in 4, edited by Isaac Casaubon, Claude Salmas & Jan Gruter, Leiden: ex officina Hackiana, 1671, 2 engraved half-titles, some light toning throughout, uniform near-contemporary red full calf gilt, some boards detached, spines & boards rubbed with minor loss to head & foot, 8vo, and other 17th & 18th-century Roman authors, including L. Annaei Flori Epitome Rerum Romanarum..., by Jo. George Graevii, Amsterdam: Henricum Wetstenium, 1698, In C. Silii Italici Viri Consularis Punica,...by Claude Daus, Paris: David Douceur, 1618, D. Iunii Iuvenalis Aquinatis Satyrae,..., edited by Isaac Casaubon, Leiden: 1695, mostly later leather bindings, 8voQty: (26)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

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Raponi (Ignazio Maria). Recueil de Pierres Antiques Gravves concernant l'histore, la mythologie, la fable, les ceremonies, religieuses, les costumes des anciens peuples, et les plus fameux personnages de l'antiquite, Rome: J. Zempel for Bouchard & Gravier, 1786, title printed in red and black with sepia vignette, engraved portrait in sepia of dedicatee Cardinal Buoncompagni, 88 sepia-engraved plates by Giovanni Brun, occasional light spotting and toning, later calf-backed cloth boards, joints and edges rubbed, a few wormholes to lower joint, some fading to covers, folio (48 x 33.5 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESBrunet IV, 1115; Cicognara 2980.

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Rosinus (Johannes). Antiquitatum romanarum corpus absolutissimum, in quo praeter ea quae Ioannes Rosinus delineaverat, infinitia supplentur, mutantur, adduntur...Thoma Dempstero..., Editio Postrema, emendatior, Geneva: Petrum & Jacobum Chouër, 1632, title in red & black with printer's woodcut device, two folding woodcut plans and few illustrations, light toning, bookplate of Patricia Milne-Henderson to upper pastedown, contemporary vellum, 4to, together with: Ibid., Romanarum antiquitatum libri decem ... Cum indicibus locupletissimis. Editio ultima, omnium, quae hactenus prodierunt, tersisima, [Geneva?]: Stephanus Gamonetus, 1611, title in red & black with printer's woodcut device, two woodcut folding plans and few illustrations, light toning and scattered spotting, front free endpaper with the signature of Andrew Fletcher (of Saltoun, 1655-1716) and rear pastedown with the same signature and dated December 28, 1705, front pastedown with bookplate of Patricia Milne-Henderson, contemporary vellum, 4to, Landi (Costanzo), Constantii Landi, Complani comitis, In veterum numismatum Romanorum miscellanea explicationes, Lyon: Sebastianum de Honoratis, 1560, title within woodcut border, decorative woodcut initials, erratic pagination, early red ink stamp of the Colonan family to title and final leaf, light damp stains, contemporary limp vellum, spine worn & torn with loss, with remnants of marbled paper strip to spine, without ties, slim 4to, and three others, Le images des dieux Contenant levrs Pourtraits, coustumes & ceremonies de la Religion des Payens, by Vincent Cartari, Lyon: Paul Frellon, 1610; Discours de la religion des anciens Romains, by William Du Choul, Wesel: Andre? de Hoogenhuyse, 1672; and Romanarum antiquitatum libri decem, ex variis scriptoribus summa fide singularíque diligentia collecti..., editio ultima, by Johannes Rosinus, Lyon: Joan. de Gabino, 1606, each in contemporary vellum, 4toQty: (6)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

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Sambucus (Johannes). Emblemata, et Aliquot nummi antiqui operis, 4th edition, Antwerp: Christopher Plantin, 1576, title with woodcut Plantin device and portrait to verso, over 200 woodcut emblematic and coin illustrations, occasional small marginal wormtrack, title a little soiled with previous owner signatures erased in ink, small 19th century inscription and signature to front endpapers, all edges red, contemporary panelled calf, upper cover detached, upper joint split, a little rubbed, 12mo, together with {Huttichius, Johannes]. Imperatorum et Caesarum Vitae, cum imaginibus ad vivam effigiam expressis, Lyon: Balthazararem Arnolletum, 1554, title withw woodcut device, woodcut illustrations of coins and medals, a few leaves close-trimmed, occasional small marginal wormtrack and light water stains, early annotations to p. 180, previous owner signatures at front, later calf gilt, joints cracking, rubbed, 12moQty: (2)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

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Sandrart (Joachim von). Iconologia Deorum Abbildung der Götter, welche von den alten verehret worden..., Nuremberg: Christian Sigismund Froberger for the author & Frankfurt: Michael and Johann Friedrich Endtern, 1680, collation: [42], 212, [16] pp., half title, engraved frontispiece, letterpress title with woodcut device, engraved portrait by R. Collin (dated 1679), 34 engraved plates, including 8 double-page, engraved illustrations, bound with Falda (Giovanni Battista). Romanorum Fontinalia, sive nitidissimorum perenniumque, intra & extra Urbem Romam Fontium vera, varia & accurata delineatio, Nuremberg: Froberger for Sandrart, 1685, 12 pp., title with woodcut device, 43 engraved plates, numbered I-XXXXII, all but two double-page or folding, one extra folding plate numbered XXXXVIIII, folding plate XXXXII cropped, a few plates with some toning at gutter from guard adhesive to versos, bound with Sandrart (Joachin von). Sculpturae Veteris Admiranda sive delineatio vera perfectissimarum eminentissimarumque statuarum, una cum artis hujus noblilissimae theoria, Nuremberg: Froberger for Sandrart, Frankfurt: M & J Endtern, 1680, 74 pp., half title, title with engraved vignette, engraved portrait by Collin (dated 1679), 69 engraved plates only (of 70, lacking plate 30, Meleager), a few plates detached, engraved illustrations, together 3 works in 1, some occasional light spotting overall, a few closed marginal tears, contemporary vellum, spine titled in manuscript, upper joint splitting at head, a little soiled with a few stains, folioQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

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[Zelada, Cardinal Xavier de]. De Nummis Aliquot Aereis Uncialibus Epistola, Rome: Generosi Salmoni, 1788, title with engraved vignette, engraved head and tail pieces and initial, 40 engraved plates, occasional light toning, contemporary cat's paw calf, spine with red label and gilt decoration, a little worming to covers, 4toQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESCicognara 3084. Provenance: John Rushtout, 2nd Baron Northwick (1769-1859), art collector and connoisseur, his bookplate. The present volume formed part of the library at Northwick Park, Gloucestershire, and Thirlestaine House in Cheltenham. Rare. Cardinal Zelada was Librarian of the Holy Roman Church from 1779 and a great collector of coins, medals and books, his collection went to the Vatican Library upon his death in 1801.

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Shakespeare Head Press. The Lives of the Noble Grecians and Romanes, compared together by that grave learned philosopher & historiographer, Plutarke of Chaeronea, 8 volumes, Shakespeare Head Press by Basil Blackwell, Oxford, 1928, illustrations by Thomas Lowinsky, occasional light spotting, sprevious owner signature, top edge gilt, original cloth gilt, spine ends a trifle rubbed, 8voQty: (8)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESLimited edition 219/500.

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Simeoni (Gabriele). Illustratione de gli epitaffi et medaglie antiche, di M. Gabriel Symeoni fiorentino, 1st Italian edition, Lyon: Jean de Tournes, 1558, [xvi], 175pp., woodcut device to title, with woodcut portrait to verso, woodcut illustrations throughout, light waterstain to front of volume, title with minor trace of worming towards head of upper inner hinge, later 18th or early 19th century boards, with remains of handwritten paper label to spine, rubbed and slight wear, 4to (20.3 x 15 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESCensimento 16 CNCE 35000; Cicognara 3003; Cartier, de Tournes 419; Adams S 1161; Dekesel S157. Issued in the same year as the French edition. "Prezioso libretto per la quantita di monumenti, e medaglie intagliate in legno con grande eleganza" (Cicognara).

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Spon (Jacob). Recherches Curieuses d'Antiquité, contenues en plusieurs dissertations, sur des medailles, bas-reliefs, statues, mosaiques, & inscriptions antiques, Lyon, Thomas Amaulry, 1683, additional engraved title (close-trimmed to lower edge with slight loss), printed title with engraved vignette, numerous engraved illustrations of antiquities to text, early engraved bookplate of Loinville to front pastedown, contemporary calf, worn with a little loss to spine and joints cracked, 4to, together with: Foy-Vaillant (Jean). Numismata Imperatorum Romanorum praestantiora a Julio Caesare ad Postumum et tyrannos, 2 volumes in one, Editio tertia, Paris, Jean Jombert, 1694, additional engraved title to each volume, printed titles in red and black, numerous engraved illustrations to text, some early annotations in pale red ink to margins, and additional manuscript note to verso of front blank in red ink in English, bookplate of Patricia Milne-Henderson to front pastedown, all edges gilt, contemporary gilt decorated calf, rubbed and some light wear, small 4to, plus others related, including Louis Savot, Discours sur les medalles antiques, Paris, 1627, Jean Foy-Vaillant, Numismata Imperatorum Romanorum, 2 volumes, Paris, 1682-84, Pierre Seguin, Selecta numismata antiqua, Paris, Jombert, 1684, Bizot, Histoire Metallique de la republique de Hollande, 2 volumes, Amsterdam, Pierre Mortier, 1688 (attractive copy bound in 18th century tree calf), Charles Patin, Histoire des Medailles, Paris, 1695 (Andrew Fletcher of Saltoun copy), etc., mostly bound in contemporary calf, 4to/8voQty: (14)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

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Spon (Jacques). Miscellanea eruditae antiquitatis ..., Lyon: sumptibus auctoris, 1685, title printed in red & black with engraved vignette, title also with additional blind-stamped imprint 'Sumptibus ... apud Thomam'[?] partially obscured by printed imprint, engraved illustrations, scattered spotting, some leaves toned, two leaves at rear with a 3cm closed tear at head, ink library stamps of Queen's College Cork to title (by imprint), title blank verso (and additional 'withdrawn...' stamp), and to the blank margins of 3 further pages, armorial bookplate of The Library of Queen's College, Cork, front hinge cracked after endpapers, contemporary vellum, soiled with a couple of marks, gilt crest of Queen's College Cork to spine, folio, together with: La Chausse (Michel Ange de), Romanum Museum sive Thesaurus Eruditae Antiquitatis ..., Rome: Giovanni Giacomo Komarek, 1690, title printed in red & black with engraved armorial vignette (laid down), engraved portrait frontispiece, 160 engraved plates (complete), engraved head-and tail-pieces and initials, lacking all before title, some dampstaining or light cockling throughout, front hinge cracked, contemporary calf, dampstained, elaborately gilt-decorated spine, folio, plus: Augustin (Antonio), Antiquitatum Romanarum Hispanarumque in Nummis Veterum Dialogi Xi, Antwerp: Henricum Aertssium, 1617, engraved vignette title (with lower outer corner excised), 68 engraved plates, additional engraved decorative title 'Nomismata imperatorum Romanorum aurea ...', woodcut initials and head- and tail-pieces, bound with: Occo (Adolphus), Inscriptiones veteres in Hispania repertæ ..., [Heidelberg]: H. Commelini, 1596, engraved decorative title, letterpress toned throughout volume, five plates somewhat dampstained (two just to blank margins), pictorial bookplate of Robert Edward Way, pictorial book ticket of A. P. M. H., contemporary vellum, soiled with a few marks, covers bowed, folioQty: (3)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

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Strada (Jacobus de, c.1523-1588). Kunstliche und aigendtliche bildtnussen der Rhömischen Keyseren ihrer weybern und kindern auch anderer verrümpten personen... vertheutst durch Diethelmen Kellern. Zurich: Andreas Gessner, 1558, woodcut device of Gesner on title-page, woodcut initials, white-on-black woodcut medallion portraits, later vellum (title-page slightly torn with loss of three letters in imprint), old ownership signature to title verso: 'J.P. Zomesi', title with some light marks and discolouration, and small area of thinning to fore-edge, minor marginal waterstain to first few leaves, later 17th or early 18th century vellum, spine titled in brown ink, 8vo (185 x 120 mm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESProvenance: J.P. Zomes, inscription on verso of title-page; P.A. Milne-Henderson, bookplate. Dekesel S73; VD16 S9365 (S9366 is a variant with the spelling "sampt einer" on title-page, not "ainer" as here). Keller has not just translated Strada's "Epitome" but has combined it with Rouillé's "Promptuaire" and added a continuation to the present day, including Henry VIII and Edward VI, finishing with Jeanne d'Albret, queen of Navarre. The woodcuts are those from the 1557 Zurich edition often attributed to Hans Rudolf Manuel-Deutsch (1525-1571) and Rudolf Wyssenbach (active 1545-1560).

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Strada (Jacopo). Epitome Thesauri Antiquitatum, hoc est, Impp. Rom. Orientalium & Oxenditalium Iconum, ex antiquis Numismatibus quam fidelissime deliniatarum, 1st edition, 1st issue, Lyon, [Jean de Tournes for] Jacobum de Strada, et Thomam Guerinum, 1st September 1553, title with large woodcut device of Thomas Guerin, and with full-page woodcut coat-of-arms of Johann Jacob Fugger (Hans Jakob Fugger, 1516-1575, banker and member or the richest family in the Holy Roman Empire), 488 woodcut medallion illustrations to text, errata leaf (L4) before main text, privilege leaf at end, with final leaf (V4) blank, title and two leaves of dedication with some light soiling (small repair to fore-margin of title), a few early annotations in ink, early ink inscription to final leaf of text (B2) 'Delahaye', and 'Durand emptit anno 1596...', later endpapers, 20th century dark brown roan, with red morocco spine label, rear joint partly cracked, 4to (230 x 155 mm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESProvenance: Durand, 1596 (according to inscription to penultimate leaf of text), purchased from Delahaye; Leonard Baskin (1922-2000), American illustrator, print maker and sculptor and founder of the Gehenna Press (inscribed to foot of L1 'L.B. 1964' in ink, incorporating the printed letter L of the signature); Patricia Milne-Henderson (who worked as an assistant for Leonard Baskin in the early 1960s). Mortimer, Harvard French Books, 502; Cartier, De Tournes 260; Dekesel S70. First edition, first issue of this elegantly illustrated work by Jacopo Strada (1507-1588), Mantuan Nnumismatist, dealer and advisor in antiquities, architect and librarian, whose portrait by Titian of 1567-68 (Kunsthistorisches Museum, Vienna) is regarded as one of the artist's greatest late masterpieces. According to Mortimer, Strada's 'Epitome' originated in his own collection of coins and medals. It was printed as part of a projected work on the subject which was to have been the culmination of his extensive research in other European collections as well as his own. Strada particularly notes in his preface to his Epitome 'the assistance received from Guillaume Du Choul and Jean Grolier, adding praise of Grolier's magnificent library'. The illustrations are derived from Strada's own drawings of medallion portraits based on antique coins and medals of emperors from Julius Caesar to Emperor Charles V, which were commissioned by Hans Jakob Fugger, for whom Strada also acted as agent in the acquisition of works of art and antiquities.

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Strada (Jacopo). Epitome thesauri antiquitatum, hoc est, Impp. Rom. Orientalium et Occidentalium Iconum, ex antiquis Numismatibus quam fidelissime deliniatarum. Ex Museo Iacobi de Strada Mantuani Antiquarii, 1st edition, Lyon, 1553, printer's woodcut device to title, full-page arms of Johann Jakob Fugger on verso, 488 woodcut medallions in text, errata leaf (L4), final leaf blank, light browning and occasional scattered spotting, bookplate of Patricia Milne-Henderson to front pastedown, 18th century sheep, old paper labels to spine, lower outer corner of front board repaired, joint cracked, rubbed and some wear, 4to (23 x 16.5 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESCartier, De Tournes 260; Dekesel S70; Mortimer, Harvard French 502; Adams S1916. First edition, this issue as described in Dekesel and Mortimer with "Le privilege du Roy" on V2v and V3r, signed "Mahieu", and dated "le sixieme de Novembre 1553". The work records the history of the Roman emperors from Julius Caesar to Maximilian II, based on the author's own collection of coins.

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Strada (Jacopo). Epitome thesauri antiquitatum, hoc est, Impp. Rom. Orientalium et Occidentalium Iconum, ex antiquis numismatibus quam fidelissime deliniatarum, Ex Museo Iacobi de Strada Mantuani Antiquarii, Zurich, Andreas Gessner, 1557, title with printer's woodcut device (some very light soiling), numerous black-on-white woodcut illustrations to text of coins, including some with portraits blank, contemporary vellum with yapp fore-edges, and some wear to spine and edges, 8voQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESAdams S1917; Graesse VI, 507. Second Latin edition of this numismatic treatise, first published in Lyon in 1553, containing over 480 woodcut illustrations, and is the first work to include illustrations of Byzantine coins.

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Totti (Pompilio). Ritratto di Roma antica nel quale sono figurati i principali tempij, teatri, anfiteatri, cerchi ... cerimonie, medaglei, & altri cose notabili. Con le vite, & effigie de' primi re di esse. E le dichiarationi di Bartolomeo Marliani ... e d'altri autori., 2nd impression, Rome: Andrea Fei, 1633, additional engraved title at front, with letterpress title & preliminary leaves mis-bound at rear, numerous engraved & woodcut illustrations including 3 leaves of full-page woodcuts towards rear, bound with Marcucci (Giacomo), Grandezze della citta di Roma antiche & moderne come al presente si ritroua: di nuouo ristampato in quattro linguaggi latino volgare francese tedesco, Rome: Giacomo Mascardi, [1628], engraved title cropped to fore-edge and folded along lower edge, numerous engraved illustrations to text, some light browning and occasional scattered spotting, all edges gilt, contemporary gilt panelled & decorated vellum, slightly marked, lacking ties, 8voQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

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Foy-Vaillant (Jean). Numismata Imperatorum Romanorum praestantiora a Julio Caesare ad Postumum usque, editio Prima Romana plurimis rarissimis nummis aucta. Cui accessit appendix a Postumo ad Constantinum Magnum, 3 volumes, Rome, 1743, titles printed in red and black with engraved vignette to each, numerous engraved illustrations to text, one or two light waterstains to outer margins (generally in clean condition), old manuscript index added to rear of first and third volumes, Patricia Milne-Henderson bookplate to front pastedowns, 19th century half vellum gilt, with morocco spine labels, 4to, together with others similar, all Italian printings, 18th century, including Domenico Barnaba Mattei, Memorie istoriche dell'Antico Tuscolo oggi Frascati, Rome, 1711, Francesco de Ficoroni, I Piombi Antichi, Rome, 1740 (with ownership inscription to foot of title Ex-libris Caroli Carrara), Henrico Spoor, Deorum et heroum, virorum et mulierum illustrium imagines antiquae illustrata, Amsterdam, 1715, Laurentio Patarol, Series Augustorum, Augustarum, Caesarum et Tyrannorum omnium, tam in Oriente, quam in Occidente, Venice, 1702 (also third edition of the same work Venice, 1740, 2 copies), etc, all vellum-bound, 4to/8voQty: (12)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

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Foy-Vaillant. Numismata Imperatorum, Augustarum et Caesarum, a populis, Romanae ditionis, Graece loquentibus, ex omni modulo percussa, editio altera, ab ipso auctore recognita, Amsterdam, G. Gallet, 1700, title printed in red and black, numerous engraved illustrations of coins to text, contemporary vellum with yapp fore-edges, folio, together with other similar 18th century editions, mostly Dutch issues, including Wilde, Gemmae Selectae Antiquae e museo Jacobi de Wilde, Amsterdam, 1703, Rosini, Antiquitatum Romanarum corpus absolutissimum, Amsterdam, 1743, L. Annaeus Florus, Epitome Rerum Romanarum, 2 volumes in one, Amsterdam, Georgium Gallet, 1702, L. Annaeus Florus, Recensitus & Illustratus a Joanne Georgio Graevio, Utrecht, 1780 (2 copies), Cornelius Nepos, Vitae Excellentium Imperatorum, Leiden, 1734, and Laurence Patarol, Opera Omnia, volume 2 only, Venice 1743, all bound in contemporary vellum, some light soiling, 4to/8voQty: (8)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

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Vegetius Renatus (Flavius). De re Militari libri accedunt Frontini Strategematibus eiusdem autoris alia opuscula. Omnia emendatius, quaedum nunc primum edita a Petro Scriverio. Cum commentariis aut notis God. Stewechii & Fr. Modii, [Antwerp]: Ex officina Plantiniana Raphelengii, 1607, title with printer's woodcut device, woodcut initials, over 60 large woodcut illustrations of coins, siege engines, weapons, battering rams, testudo etc, upper corner of title torn away, occasional light spotting and toning, previous owner signature of A Fletcher to three separate titles (another owner signature erased to general title), all edges red, contemporary vellum, spine titled in manuscript, slight soiling, 4to, 23 x 16 cmQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESProvenance: Andrew Fletcher of Saltoun (1655-1716), Scottish bibliophile, writer and poltician, and associate of John Locke. His collection of some 6,000 books was 'almost certainly the largest private library in Scotland at the time' (ODNB). See P. J. M. Willems, Bibliotheca Fletcheriana, the extraordinary library of Andrew Fletcher of Saltoun, Reconstructed and Systematically Arranged (1999). An anthology of classical texts on military tactics.

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Vertue (George). Medals, Coins, Great-Seals, Impressions from the Elaborate Works of Thomas Simon, Chief Engraver of the Mint to K. Charles the 1st to the Commonwealth, the Lord Protector Cromwell, and in the Reign of K. Charles ye IId. to MDCLXV, 1st edition, 1753, engraved title, 37 engraved plates, plus an additional 44 engraved plates of coins 'Proof plates of Martin Folke's coins (1690-1754, Pres. R.S.)' pencil annotation at head of first plate, additional mezzotint portrait of Abraham Symonds by Abraham Blooteling after Peter Lely (trimmed and laid-down) at front (Abraham Symonds or Simon, c. 1622-c. 1692, medallist and brother of Thomas Simon), some light spotting and offsetting, contemporary explanatory annotations to front endpaper, bookplates including Charles Chauncy (1709-1777, physician, antiquary and coin collector) and Samuel Henry Hamer (1859-1930, antiquary and token collector) and his inscription, 1908, contemporary calf, rebacked, some edge wear, 4to, together with [Arbuthnot, John]. Tables of Ancient Coins, Weights and Measures, Explain'd and Exemplify'd in Several Dissertations, 1st edition, J. Tonson, 1727, title printed in red and black, 18 engraved plates (one folding), errata slip pasted to end of Contents leaf, some light toning and water stains, contemporary calf, rebacked, a little rubbed, 4to, plus Ferguson (Adam). The History of the Progress and Termination of the Roman Republic, 3 volumes, 1st edition, W. Strahan & T. Cadell, 1783, 5 engraved maps (3 folding), some light spotting and offsetting, a few marginal wormtracks, contemporary calf, rebacked, red and green labels to spine, a little rubbed, 4to, plus William Clarke's The Connexion of the Roman, Saxon, and English Coins, deduced from observations on the Saxon Weights and Money, 1st edition, 1767Qty: (6)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESFirst work ESTC T138030.

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Vico (Aeneas). Discorsi di Enea Vico Parmigiano, sopra le medaglie de gli antichi. Divisi in due libri, oue si dimostrano notabili errori di Scrittori Antichi, e Moderni, intorno alle Historie Romane..., Paris: Maceo Ruette, 1619, 63 full-page engraved illustrations, woodcut decorative initials and illustrations to text, some offsetting to text, toning and occasional light dust-soiling, bookplate of Patricia Milne-Henderson to upper pastedown, contemporary mottled calf, remnants of gilt decorated spine, worn with few old repairs, 4to, together with one other defective and incomplete related work Augustarum imagines æreis formis expressæ, [Paris?], 1619Qty: (2)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

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Vico (Enea). Ex Libris XXIII Commentariorum in Vettera Imperatorum Romanorum Numismata, Liber Primus [all published], Paris, 1619, engraved title, engraved portrait of Julius Caesar, 8 engravings of coins, lacking signature K3 (i.e. plate additionally paginated as p. 77, between pp. 76-77), occasional light toning, modern calf-backed marbled boards, small 4toQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESGraesse VI, 298; Rothschild 876.

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Vries (Simon de). De geheele weereld, in haere sonderlinghste en uytgeleesenste gevallen, voorgesteld tot een historische kronijck der kronijcken..., Amsterdam: Jan Bouman, 1686, additional allegorical title, 82 engraved plates, occasional light marginal damp staining, bookplate of Patricia Milne-Henderson to upper pastedown, contemporary vellum, 4to, together with: Reelant (Adriaan), Dissertatio de inscriptione nummorum quorundam Samaritanorum, ad spectatissimum virum, Jacobum de Wilde, Amsterdam: Franciscum Halma, 1702, engraved vignette to title, two engraved plates, bound with Ibid., Dissertatio altera de inscriptione nummorum quorundam Samaritanorum, Utrecht: Thomam Appels, 1704, two engraved plates, bookplate of Patricia Milne-Henderson to upper pastedown, contemporary vellum, small 8voQty: (2)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

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Wilde (Jacobus de). Gemmae Selectae Antiquae e Museo Jacobi de Wilde, sive L. Tabulae, Amsterdam: for the author, 1703, engraved frontispiece, title with engraved vignette, engraved portrait, 50 engraved plates, first few text leaves detaching, occasional light spotting and soiling, contemporary calf, upper joint cracked, some fading to spine, a little rubbed and stained, 4to, together with Montfaucon (Bernard de). Diarium Italicum sive Monumentorum Veterum, Bibliothecarum, Musaeorum, &c. Notatiae singulares in itinerario Italico collectae, Paris: J. Anisson, 1702, 5 engraved plates (one folding), illustrations, I1 misbound, lacking front endpaper, some light spotting and toning, previous owner inscription at foot of title, contemporary mott;led calf, a little rubbed with small areas of worming, 4to, with 3 others: Anthony van Dale's Dissertationes IX. Antiquitatibus quin et Marmoribus..., Amsterdam, 1702, Erasmus Frolich's Notitia Elementaris Numismatum Antiquorum Illorum..., Vienna, 1758, and Domenico Sestini's Descriptio Numorum Veterum ex museis Ainslie, Bellini, Bondacca, Borgia..., Leipzig, 1796Qty: (5)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESFirst work provenance: Samuel de Wilde, London, 1804, inscription to frontispiece verso. Samuel de Wilde (1751-18320 was an English theatrical portrait painter, of Dutch descent.

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Winckelmann (J.) Histoire de l'Art chez les Anciens, 2 volumes, 1st edition in French, Amsterdam: E. van Harrevelt, 1766, titles printed in red and black with engraved vignettes, engraved illustrations, a little minor spotting, contemporary half calf, spines a little rubbed with tears at head, 8vo, together with Patarol (Laurentius). Series Augustorum Augustarum, Caesarum, et Tyrannorum Omnium, 2nd edition, Venice: Aloysium Pavinum, 1708, engraved frontispiece (trimmed to outer margin), engraved illustrations of coins, C1 repaired with small loss of text, some water stains and light toning, contemporary calf, rubbed with some worming to spine, 8vo, plus [Jobert, Louis]. La Science des Medailles Antiques et Modernes, pour linstruction des personnes qui s'appliquent a les connoitre, nouvelle edition, 2 volumes, Paris: Jean Boudot, 1715, additional engraved title to volume I, 11 folding engraved plates, a little minor soiling, endpapers renewed, contemporary calf, rebacked, green labels to spine, a little rubbed, 8vo, with 5 others including Ludwig Debiel's Utilitas rei Numariae Veteris, 1733, and Samuel Baker's Museum Meadianum, sive Catalogus Nummorum , veteris aevi monumentorum, ac Gemmarum , 1755 (with some prices in manuscript)Qty: (10)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Los 303

Riedel (Gottlieb Friedrich). Gallerie der alten Griechen und Romer in Zwey und Achtig abbildungen, und einer kurzen Geschichte ihres Lebens, Augsburg: Christoph Friedrich Bu?rglen, 1801, additional engraved title with signature of Heinrich von Kunsberg, 82 engraved plates, minor scattered spotting, contemporary boards, slightly rubbed, 4to, together with: Klotz (Christian Adolph), Historia numorum contumeliosorum et satyricorum, Altenburg: Ex officina Richteria, 1765, title with engraved vignette, five folding engraved plates at rear, 19th century boards, small 8vo, Wachter (Johann Georg.), Archæologia nummaria, continens præcognita nobilissimæ artis, quæ nummos antiquos interpretatur, Leipzig: Ex officina Breitkopfiana, 1740, title with engraved vignette, few engraved illustrations, light damp stain at foot of T2, 20th century cloth-backed boards, 4to, Phillipps (Thomas), Numismata Vetera et Inscriptiones ex voto ex ruderibus templi jovis prope hospitium Sacti Bernardi in montem poenium, [Middle Hill]: Ex Typographia Medio-Montana, 1855, title in red & black, five plates, top edge gilt, bookplate of Henry J.B. Clements to upper pastedown, late 19th/early 20th century half morocco by Galwey & Co of Dublin, gilt crest of Henry Clements to spine, slim folio, and other 18th & 19th century relatedQty: (11)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Los 305

* [Bruyn, Cornelis de]. A collection of 43 engraved plates from Reizen van Cornelis de Bruyn, Door de vermaardste deelen van Klein Asia, de Eylanden Scio, Rhodus, Cyprus, Metelino, Stanchio &c. Mitsgadersde voornaamste Steden van Aegypten..., [Delft., 1698], 43 engraved plates, engraved illustrations with text, a few folding, occasional light spotting and soiling, various sizes, the largest 32 x 40 cm, looseQty: (43)NOTESAtabey 159: "Bruyn, painter and traveller, left Holland in 1674 to travel through Europe and the Levant. He returned to Italy in 1685 and settled in Venice, returning to Holland in 1693". The full work had an engraved title and portrait, a map and 214 engravings on 100 plates, with numerous engravings in the letterpress.

Los 309

Denon (Vivant). Egypt Delineated in a Series of Engravings, Exhibiting the Scenery, Antiquities, Architecture, Hieroglyphics, Costume, Inhabitants, Animals, &c. of that Country, selected from the Celebrated Work of Vivant Denon, London: Robert Thurston, 1826, engraved portrait frontispiece, 110 engraved plates, maps and plans, several folding, plate XXXIV with medium closed tear, occasional light spotting and soiling, hinges reinforced, contemporary marbled boards, paper label to upper cover, rebacked, one corner lacking, a little rubbed with some edge wear, folio (50 x 33.5 cm)Qty: (1)

Los 310

Dent (J.M., publisher). Mediaeval Towns series, 16 volumes, London: J.M. Dent, mixed editions, 1898-1912, numerous maps and illustrations, one or two leaves detached, occasional light toning and spotting, a few previous owner inscriptions, a few ex-libris, original uniform cloth gilt, a few spines a little faded, 8vo, titles include Moscow, by Wirt Gerrare, 1900, Constantinople, by William Hutton, 1900, Cairo, by Stanley Lane-Poole, 1906 and Milan, by Ella Noyes, 1908, plus 36 Michelin guides, mainly France, mixed editions, 1909-1994Qty: (52)

Los 311

Dumont d'Urville (J.S.C) Viaggio Pittoresco Intorno al Mondo, ossia Riassunto Generale de' Viaggio e Scoperte, 31 parts only [Venice 1841-44], 2 parts in each volume, comprising parts 11-14, 21-56 & 75-96, 121 lithographed plates, mostly 2 images to 1 sheet, two folding maps (of Hawaii & Tonga), text leaf lacking and one torn with loss in parts 95-96 some light spotting and soiling, original wrappers, one lower wrapper lacking (to parts 96-96), one lower wrapper detached, some tears, fraying and stains, 4toQty: (31)NOTESSabin 21213. Italian translation of Dumont d'Urville's various explorations in the Pacific from 1826. Sold as a collection of plates not subject to return.

Los 312

[Fourmont, Claude Louis]. Description Historique et Geographique des Plaines d'Heliopolis et de Memphis, 1st edition, Paris: Briasson & Duchesne, 1755, large folding engraved map, 2 folding engraved plates, previous owner blue ink stamp of Dr. Jacques Hassoun, Paris to title and two other leaves, all edges red, contemporary mottled calf, spine with calf label and gilt decoration, 12mo, together with Sonnini (C.S.) Travels in Upper and Lower Egypt: Undertaken by the Old Government of France..., translated from the French by Henry Hunter, 3 volumes, new edition, London: John Stockdale, 1807, 2 engraved portraits, folding engraved map, 37 engraved plates, some light offsetting and spotting, small marginal wormtrack and holes occasionally affecting a few letters to volume III, bookplate, contemporary calf, joints splitting, spines and edges rubbed, 8voQty: (4)

Los 314

Heylyn (Peter). Cosmography in Four Books. Containing the Chorography and History of the Whole World: and all the Principal Kingdoms, Provinces, Seas, and Isles thereof ... with an Accurate and an Approved Index ... Much wanted and desired in the former, and now annexed to this last Impression, Revised and Corrected by the Author himself immediately before his death, London: P.C.T. Passenger, B. Tooke, T. Sawbridge, 1682, additional engraved title stating 6th edition, letterpress title in red & black, four double-page & folding engraved maps (Europe, Asia, Africa, with imprints 'Philipi Chetwind, 1666 and Americas with imprint 'Anae Seile, 1663'), map of Europe torn & frayed to side and lower margins with loss (neatly repaired), light damp stains to initial leaves at fore-edge, contemporary calf, gilt decorated spine (without title label), neat repairs at head & foot of spine, folioQty: (1)NOTESWing H1696.

Los 315

Junghaendel (R.M., editor). Egypt Heliogravures after Original Views, with a Preface by C.G. Rawlinson... Thos. Cook & Son Special Edition, Berlin: Cosmos Art Publishing, [1893], 26 heliogravure plates only (of 27, lacking plate VI, 'Pyramids of Ghizeh'), a few marginal chips and closed tears, a little light spotting and soiling, loosely contained in original cloth portfolio, spine defective, boards detached with some edge wear and stains, folio (54 x 43.5 cm)Qty: (1)NOTESAtabey 629: "Junghaendel travelled up the Nile on a Cook's steamer. This is partly an exercise in advertising, but the plates are genuinely interesting." The prospectus states "It is no doubt of artistic value that photographic views, which have become a necessity for tourists, should be replaced by a more perfect reproduction of the most memorable moments of their travels... In order to keep the reminiscences fresh in the memory of those who have returned home, or to awaken the desire to see the wonders of Egypt, or to serve as a rich compensation for those who are not able to share in this pleasure, we offer this work to the public."

Los 319

Mayer (Luigi). Views in Egypt, from the Original Drawings, in the Possession of Sir Robert Ainslie, taken during his Embassy to Constantinople, engraved by and under the Direction of Thomas Milton: With Historical Observations, and Incidental Observations of the Manners and Customs of the Natives of that Country, London: Thomas Bensley for R. Bowyer, 1805, 48 fine hand-coloured aquatint plates (complete), two plates with short closed marginal tears, occasional light marginal toning and minor spotting, upper blank corner of title repaired, all edges gilt, recent tan half calf gilt, spine with raised bands and red label, a few light marks, folio (47 x 32.5 cm)Qty: (1)NOTESAbbey Travel 369; Blackmer 1097' Colas 2018; Lipperheide 1577. First published in 1801 in a three-volume work Views in Egypt, Palestine and Other Parts of the Ottoman Empire (1801, 1802 & 1803), another edition of Views in Egypt was published in 1804.

Los 321

Pettigrew (Thomas Joseph). A History of Egyptian Mummies, and an Account of the Worship and Embalming of the Sacred Animas by Egyptians 1st edition, 1834, hand-coloured aquatint plates of which 2 including the frontispiece are by George Cruikshank, 7 engraved plates by Cruikshank, 1 hand-coloured engraved plate, 2 lithographic plates, complete with the half-title and errata leaf, the paper slightly brittle, numerous leaves chipped along edges and repaired with japanese tissue, the initial blank, half-title, frontispiece, title and dedication leaf all tipped in, the initial blank and half-title also laid down, occasional faint blind stamps of the Free Public Library, Newark, NJ, some offsetting, variable spotting to a few plates, mostly light, signature 2A4 loose at foot, inscribed by the author 'T[o H]is Royal Highness the Duke of Sussex KG. with the author's most humble duty & affection regards' on the initial blank, recent calf-backed marbled boards, royal 4toQty: (1)NOTESLarge paper copy. With a typed letter signed from the Royal Librarian, Lady Roberts, identifying the recipient as Prince Augustus , Duke of Sussex (1773-1843), on the letterhead of the Royal Collection Trust. Pettigrew was the duke's librarian from 1819 until approximately 1830. Cohn 644.

Los 323

Powell (J. W.). Eighteenth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution 1896-97, part 1, 1st edition, Washington: Government Printing Office, 1899, inscribed and signed by E. W. (?) Nelson to the Alaska Agricultural College...February 3, 1922, previous ownership stamps of Ace L. Powell (the American artist) to the front endpaper, black & white illustrations, some toning throughout, modern endpapers, contemporary green cloth, boards & spine slightly rubbed, late 8vo, together with; Discovery Reports, Discovery Reports Issued by the Discovery Committee, volume 1, Cambridge: University Press, 1929, black & white plates & illustrations, 2 ex-library stamps to the front endpapers, some light toning throughout, publishers original gilt decorated blue half morocco, boards & spine slightly rubbed, large 8vo, and National Antarctic Expedition 1901-1904, Meteorology, Part 1, Observations at WInter Quarters and on Sledge Journeys..., London: The Royal Society, 1908, colour & monochrome plates & illustrations folding maps to the rear, previous owner inscription to the original front endpaper, modern endpapers, publishers original red cloth, boards & spine slightly rubbed & faded, large 4to, plus other early 20th-century scientific reports pertaining to Arctic & Antarctic exploration, including publications by Australian Antarctic Expedition, British Antarctic Survey, Cambridge University Press, some in contemporary cloth, many in modern bindings, large 8vo/4toQty: (Approximately 50)NOTESEx libris Eric Kenneth Prentice Back (1942-), meteorologist for the British Antarctic Survey, and descendant of the Arctic explorer Captain George Back. He served as base commander at Halley, Faraday, Rothera, and Station T (on Adelaide Island), over a twenty year period from 1963.

Los 329

Sulivan (Bartholomew James). Derrotero de las Islas Malvinas, Santiago de Chile, 1883, 98 pp., bookseller's small purple oval stamp to title and last page, light browning, modern half calf with original printed wrappers retained (some soiling), together with: Moyano (Carlos M.). Patagonia Austral. Exploracion de los Rios Gallegos, Corile, Santa Cruz y Canales del Pacifico, Buenos Aires, 1887, large folding colour map at rear, long closed tear repairs to verso, contemporary quarter calf gilt, joints cracked, plus: La Croix (Federico). Historia de la Patagonia, Tierra de Fuego é Islas Malvinas, translated from French, Barcelona, 1841, 70, [2] pp., folding engraved map and 8 plates at rear, double-column text, title heavily spotted and occasional spotting elsewhere, a little worm tracking to inner margins of early leaves, contemporary quarter calf gilt, heavily rubbed, plus two others simlar by Serrano, Montaner (1891) and José Sobral (1904), all 8vo, all ex libris Kenn Back with his bookplateQty: (5)NOTESEx libris Eric Kenneth Prentice Back (1942-), meteorologist for the British Antarctic Survey, and descendant of the Arctic explorer Captain George Back. He served as base commander at Halley, Faraday, Rothera, and Station T (on Adelaide Island), over a twenty year period from 1963.

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