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Preisdatenbank abonnierenA 9CT GOLD GATE BRACELET, four bar polished yellow gold gate bracelet, fitted with a heart padlock and safety chain, approximate dimensions length 180mm x width 13mm, hallmarked 9ct London 1975, each link stamped 9.375, approximate gross weight 10.2 grams (condition report: general light wear, overall condition good)
TWO MILITARY POCKET WATCHES AND A STOP WATCH, the first a keyless wind, open face pocket watch, round white dial signed 'Record', luminescent Arabic Twelve, three and nine, with other black Arabic numerals, subsidiary seconds dial at the six o'clock position, luminescent hands, polished case, case back stamped 'GS/TP P56933' with a broad arrow, movement stamped 433, approximate case width 51.8mm, with pouch and outer box, the second a keyless wind, open face watch, black dial, Arabic numerals, subsidiary seconds dial at the six o'clock position, luminescent hands, polished case stamped 'GS/TP S045297' with broad arrow, movement stamped 433, approximate case width 51.7mm, together with a 'Smiths, 1/5th Secs' stop watch with pouch (condition report: all in working condition, time keeping is untested, general light wear to the, overall condition good)
THREE WOODEN CANTEENS, the first an incomplete 'Slack & Barlow (Sheffield) Ltd cutlery set, encased in a light brown wooden canteen lined with green felt, the second an incomplete cutlery set, a dark brown wooden canteen lined with green felt, the final a large dark brown wooden canteen with an assortment of mixed cutlery, canteen signed 'Arthur Price of England'
TWO GOLD RINGS, the first a yellow metal three stone cross over ring, designed with a central round brilliant cut diamond, estimated diamond weight 0.10cts, flanked with circular cut sapphires, crossover shoulders leading onto a polished yellow band, stamped 18ct, ring size O 1/2, approximate gross weight 2.5 grams, together with a thin plain polished yellow gold band, approximate band width 2.6 grams, hallmarked 9ct Birmingham, ring size N, approximate gross weight 2.1 grams (condition report: general light wear, all stones are intact, overall condition good)
A SELECTION OCCASIONAL FURNITURE, to include a mahogany console table with a single drawer, two wine tables, a small mahogany corner cupboard, three footstools, a sewing box with contents, a folding knitting bag, a piano stool, a magazine rack, a folding chair, a brass floor light, a table lamp, wicker basket chair, a Lloyd loom corner linen basket, pigeon unit, a carved oak wall shelf and a three tier wall shelf (18)
A PAIR OF MODERN 18CT GOLD EARRINGS, each designed as a plain polished solid ear hoop, with screw thread back pins for pierced ears, approximate diameter 20mms, approximate width 7.8mms, hallmarked Sheffield 1995, approximate gross weight 16.8 grams (condition report: excellent, minor light scratches)
A YELLOW METAL BIRD BROOCH PENDANT, a small brooch depicting a long tailed bird, approximate wing span 31mm x length wing to tail 43mm, fitted with a hidden bail and brooch pin with safety catch, stamped 18ct, approximate gross weight 3.6 grams (condition report: general light wear, overall condition good)
A THIRTY TWO PIECE ROYAL ALBERT OLD COUNTRY ROSES TEA SET, comprising a three tier cake stand, a cake plate, a tea pot, a cream jug, eleven tea plates, six tea cups and eleven saucers (32) (Condition report: generally good condition, top tier of cake stand has been broken in half and reglued, some smaller pieces are marked as second quality, some wear to gilding and signs of light use)
A YELLOW METAL OPAL RING, rectangular cut opal cabochon with cut off corners, milgrain collet mount, pinched shoulders leading onto a polished band, stamp mark indistinct, ring size J 1/2, approximate gross weight 1.8 grams (condition report: general light wear, visible repair or resize to the shank)
AN ELTON JOHN AIDS FOUNDATION LIMITED EDITION WRISTWATCH, a cased Elton John aids foundation charity watch, limited edition by Boy Of London, round dial, two subsidiary dials, polished white metal case, approximate case width 39mm, case back signed 'Elton John Aids Foundation' 'Elton John limited edition 02356 EF502' fitted with a black croc effect strap, together with a dog tag key ring, a signed guarantee card and information booklet, all encased in a white metal outer case (condition report: general light wear, some signs of wear to strap, currently working, not tested, overall condition good)
FOUR BOXES OF PICTURES, AND SUNDRIES, to include a framed 3D copper picture of elephants, approx. ten framed prints and paintings, a brass and copper coaching horn, a model of the ship 'Chalutier', length 62cm, electric ceiling light, a carved African mask, Scottish cow horn etc s.d (3 boxes, 1 loose)
VINCENT KAMP (BRITISH CONTEMPORARY) 'CANDY CLEANS UP' a signed limited edition print of a female holding two 9mm pistols, 52/150 with certificate, approximate sizes - image 49cm x 75cm, frame 73cm x 98cm, condition: light scuff near top right of the print surface (artist resale rights apply)
A FIFTY FOUR PIECE WEDGWOOD SIGNET GOLD DINNER SERVICE AND AN EIGHTY SIX PIECE ROYAL DOULTON SONNET H5012 DINNER SERVICE, the Wedgwood comprising two serving bowls, a sauceboat and stand, a cream jug, a covered sugar bowl, and eight each of dinner plates, salad plates, side plates, bowls, tea cups and saucers and the Royal Doulton comprising three tureens, a sauceboat with stand, a cream jug, a small sugar bowl, fourteen tea cups and thirteen saucers, thirteen side plates, twelve soup bowls, thirteen dessert plates, thirteen dinner plates, and a spare lid, mainly black and some green backstamps (140) (Condition report: Signet Gold set is good condition with no obvious damage, signs of light use, would benefit from a clean and the Sonnet set some pieces marked as second quality, good condition except one teacup is chipped and stained, signs of light use, would benefit from a clean)
ONE BOX OF CERAMICS AND GLASSWARE, to include two Japanese Moriage dragon ware wall plates, an amber blown glass ceiling light with brass metalware, a green uranium glass lidded dish, diameter 9.5cm, three Royal Crown Derby blue and white plates, a wooden framed tray with embroidered golden flowers, four modern Gold Imari plates, diameter 25cm, one large Gold Imari wall plate, diameter 36cm, a bronze two handle censer, tripod legs, bombe form with a dragon on the base, diameter 9.5cm, approx. eight other collectable wall plates (1 box)
A 9CT GOLD SIGNET RING, square signet with cut off corners, engine turned design with engraved initial 'A', tapering shoulders leading onto a polished band, hallmarked 9ct London 1962, ring size X, approximate gross weight 4.5 grams (condition report: general light wear, overall condition good)
A LADIES 9CT GOLD 'ACCURIST' WRISTWATCH, hand wound movement, round champagne dial signed 'Accurist, 21 jewels', Arabic twelve and six numerals with baton markers, gold tone hands, faceted case front with polished case back hallmarked 9ct Edinburgh 1961, movement signed 'Accurist, 21 jewels, 2485', approximate case width 14.8mm, fitted with an articulated strap and fold over clasp stamped 375, additional safety chain, together with a fitted box, approximate gross weight without movement 11.5 grams (condition report: watch winds, sets and runs although time keeping is untested, general light wear, the box has some light wear)
ONE BOX OF CERAMICS AND THREE LOOSE ITEMS, to include two 'Toby Bitter' light up pump heads height 19cm, seven Wedgwood collectable 'Queen's Ware Christmas plates', a black elephant planter 15cm, two mirrors painted stag and floral 61cm x 26.5cm, and a watercolour of sailing boats by 'W. W. Gomme' etc, (1 box, 3 loose) (Condition report: items mentioned appear to be ok)
A 9CT GOLD 'GARRARD' WRISTWATCH, hand wound movement, round white dial signed 'Garrard' 'Swiss movement', Arabic numerals, subsidiary seconds dial at the six o'clock position, polished yellow gold case, approximate case width 34mm, inside case back hallmarked 9ct 'D Shackman & Sons' London 1976, model number 61885, movement stamped 17 jewels Swiss, fitted with a light brown leather strap and a plated buckle fastening, together with a signed 'Garrard' case, (condition report: general light wear, currently working, not tested, some wear to plating on buckle)
AN EARLY 20TH CENTURY GOLD POCKET WATCH AND PIN, a yellow gold open face pocket watch, round white dial, Roman numerals, polished case, approximate case width 34mm, case back engraved with monogram 'IRS', inside case back stamped 'B&GIE' 14c, Swiss control mark for 14ct, stamped 200981, dust cover engraved 'From Uncle Willie to Jeanie 14th August 1911', inside dust cover stamped 14c 200981, keyless wind, movement signed 'Swiss B&GIE', approximate gross weight 30.6 grams, fitted with a gold fob pin, designed as four concentric circles, two circles detailing a scrolling foliage design and two circles with a plain polished finish, fitted with a C clasp, brooch pin and suspending a lobster clasp, unmarked, approximate gross weight 2.7 grams, together with a blue velvet lined watch box, signed 'Thomas McNeil' (condition report: general light wear, light scratches to outer case, working although time keeping is untested)
AN 18CT GOLD, LATE VICTORIAN SAPPHIRE AND DIAMOND RING, of a large marquise form set centrally with a row of five oval cut blue sapphires, within a surround of old cut diamonds, estimated total diamond weight 0.80cts, approximate length of ring head 21.2mm x width 7.8mm, openwork detailed gallery, scroll design to the shoulders with a stamped 'M' date letter to the outer shoulder, polished tapered band, hallmarked 18ct London 1887, ring size P, approximate gross weight 7.6 grams (condition report: colour zoning to the sapphires with some general light wear, all diamonds are intact and secure in their settings, one diamond has some chips to the crown)
TWO WRISTWATCHES, the first a 9ct gold 'Hefix', hand wound movement, round silver dial signed 'Hefix, Incabloc', Arabic numerals, subsidiary seconds dial at the six o'clock position, polished case, inside case back signed 'H.W.C London made, 42174', hallmarked 9ct Edinburgh 1964, movement signed 'Hefix', approximate case width 28.5mm, fitted with a brown strap and yellow metal ardillon buckle, together with box, also with a gents gold plated 'Accurist' wristwatch, hand wound movement, round silver dial signed 'Accurist, 21 jewels', Arabic twelve numerals with baton markers, subsidiary seconds dial at the six o'clock position, gold tone hands, polished case, stainless steel case back signed 'Accurist, 1407', approximate case width 32mm, fitted with a brown strap and a yellow metal ardillon buckle together with box (condition report: both watches wind, set and run, although time keeping is untested, general light wear to the straps, some wear to the boxes)
A THIRTY EIGHT PIECE ROYAL ALBERT 'LAVENDER ROSE' DINNER SERVICE, comprising a tureen, a sauceboat and stand, salt and pepper pots, a cake plate, six dinner plates, six soup bowls, six side plates, three cereal/dessert bowls, a teapot, a cream jug, a sugar bowl, four teacups and four saucers (38) (Condition report: good condition with no obvious damage, signs of light use, would benefit from a clean)
PAUL NORMANSELL (BRITISH 1978) 'THE TIME IS NOW' a signed limited edition print of Gal Gadot as Wonder Woman 58/195, no certificate, approximate sizes - image 45cm x 60cm, frame 64cm x 79cm, condition:- light scuff to print surface, frame dented, chipped and scratched (artist resale rights apply)
* JANE CORSELLIS RWS RCA NEAC (BRITISH b. 1940), UNTITLED watercolour on paper, signed image size 37cm x 52cm, overall size 63cm x 75cm Mounted, framed and under glass. Note: Jane Corsellis has been a member of the New English Art Club for almost 50 years and a member of the Royal Watercolour Society since 1985. She was a member of the Royal Cambrian Academy and the Royal West of England Academy. Jane is a passionate supporter of figurative painting. To observe closely and record everyday subjects in her own way is the essence of her paintings. Her oils and watercolours and her prints reflect her response to the quality and surprises of light and colour. She constructs her painting with much thought, building a composition which steers towards the abstract but never foregoing the figurative tradition. Sir Kenneth Clark said that “above all else art must be life enhancing” and Jane’s work reveals and celebrates that. Jane has a studio at her home on the River Thames at Chiswick and another in Wales at her house near Newport Pembrokeshire. She has had solo exhibitions in Hong Kong, Kuala Lumpur and Singapore, Ottawa, New York and Cardiff as well as in London galleries including Messums, Pattersons, the New Academy Gallery, The Russell Gallery, The Richmond Hill Gallery and Thompson's Gallery.
* PETER FOYLE, IN THE SHADE oil on canvas, signed, titled verso image size 36cm x 46cm, overall size 49cm x 59cm Framed. Note: Peter graduated from St. Martin’s School of Art in London in 1986 when he was a finalist in the prestigious ‘Readers Digest Young Illustrators Award.’ After graduating, he practised as a freelance artist and illustrator until 1990 when he and his wife opened the Framework Gallery in Troon in Ayrshire. Peter shows his work in several galleries and exhibitions in Scotland and also recently in China. In recent years he has won several awards including the Royal College of Surgeons and Physicians Award at the Royal Glasgow Institute. Peter was brought up in Dorset where, as a teenager, he could be seen cycling around the country lanes with his easel and paints strapped to his bicycle as he sought out interesting subjects to paint “en plein air.” He won a few awards and sold a number of paintings and completed several commissions while still at school. Much of Peter’s work now depicts the sparkling light of Venice and the sun-dappled cafes of Provence but he is also inspired by the Scottish Coast where they live. Cityscapes of Glasgow and Edinburgh as well as rural landscapes and harbours are all subjects he enjoys painting. Still Life painting has also been a source of inspiration, especially during the recent covid lockdowns. Whereas some artists concentrate on one subject throughout their painting career, Peter prefers to paint whatever gives him a sense of visual excitement, usually because of a special quality of light. He paints almost entirely in oil on Belgian linen but occasionally produces watercolours, especially as sketches when travelling.
* WILLIAM BIRNIE RSW RGI (SCOTTISH 1929 - 2006), EVENING LIGHT, GUBBIO (UMBRIA, ITALY) oil on board, signed and dated '93, titled label verso image size 101cm x 44cm, overall size 117cm x 62cm Framed. Label verso: Roger BIllcliffe Fine Art, Glasgow. Comment: Like many great Scottish artists before him, Bill Birnie often painted the relationship between human architecture and monumental nature. "Evening Light, Gubbio" is an outstanding late example and the profile and physical dimensions of the picture emphasise the significance of the tree. Note: Bill Birnie studied at Glasgow School of Art under Gilbert Spencer and then at Hospitalfield under Ian Fleming. After graduating, he joined the staff at Hyndland Secondary School in 1952. That same year he was also elected a member of the Society of Scottish Artists (SSA). In 1958, he became a founder member of the Glasgow Group and formed the Glasgow Group Society, of which he was Vice-President for 32 years. In 1965, he was elected a member of the Royal Scottish Society of Painters in Watercolour (RSW), a society of which he also became Vice-President and Treasurer. He became Principal Art Teacher at Douglas Academy, near Bearsden, and later at Gryffe High, near Kilbarchan. Bill's abilities not only as a teacher but also as an administrator were noticed by the Department of Education and he was soon appointed Head Examiner in Art for Scotland. He still managed to maintain a very active exhibiting schedule and showed in all the main public galleries and many of Scotland's best commercial galleries. His work was enthusiastically collected and increasingly sought after. He was elected a member of the Royal Glasgow Institute of Fine Art (RGI) and of the Paisley Art Institute (PAI). In the early years, he painted from his garden, showing the village of Kilbarchan in its changing seasons, under a quiet blanket of winter snow, or framed in a blazing sunset through autumnal trees. Later visits to France and Italy with his artist wife, Cynthia Wall, whom he married in 1953, brought new subject matter, cafe scenes, vine groves, Italian clifftop villages, and the crumbling facades of palaces and churches of Venice. It was characteristic of the man that when told that his illness was terminal, he calmly put his affairs in order and started work for a final one-man show at the Open Eye Gallery (Edinburgh) the scene of so many of his successful shows. Unsurprisingly, the exhibition was a complete sell-out. In recent years there has been a widely acknowledged acceleration in the prices achieved at auctions around the UK for William Birnie's paintings. In the Scottish Contemporary Art Auction of 8th November 2020 lot 567 "The Red House" a 60 x 90cm oil sold for £3000 (hammer) which, not for the first time in recent years, set a new auction record for a painting by William Birnie.
ERNI UPTON FRSA, SANNA BAY, WEST ARDNAMURCHAN, SMALL ISLE DISTANT oil on canvas, signed, titled verso image size 76cm x 102cm, overall size 100cm x 125cm Framed. Artist's label verso. Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer) and in the 17th April 2022 auction lot 198 "Blaishie Day, Turnberry" (a 51 x 101cm oil) sold for £2000 (hammer).
ERNI UPTON FRSA, IN FROM THE DEEP, CRINAN oil on canvas, signed, titled verso image size 42cm x 52cm, overall size 66cm x 76cm Framed. Artist's label verso. Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer) and in the 17th April 2022 auction lot 198 "Blaishie Day, Turnberry" (a 51 x 101cm oil) sold for £2000 (hammer).
A PAIR OF EDWARDIAN SILVER GRAPE SCISSORS, by Elkington & Co Ltd, Birmingham 1906, cast with leaves and reeded borders. 18cm long, 4.4 troy ounces Marks clear and well struck. Very slight movement between arms, but secure. Scissors cut cleanly. Light tarnishing, surface marks and scratches commensurate with age and use
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