ONE MANTEL CLOCK AND FRAMED PRINT OF WARHORSE SCENE, comprising a framed print entitled 'Good-Bye Old Man': an incident in Flanders, after F.Matania, of a striking drawing of an incident that took place on the road on Flanders 1916, on the original back is a hand written message dated December 25th 1916, a newspaper cutting and a poem 'The Soldier's Kiss' by Henry Chappell, the back has been recovered, but the damaged original has been placed over the top, 59cm x 49cm, together with a wooden mantel clock, width 61cm x height 24cm, with key and pendulum (2) (Condition Report: the clock appears to be overwound, some light marks to the print)
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A SET OF TWELVE SILVER FORKS, old English pattern forks each with engraved initials to the terminals, hallmarked 'Wilmot Manufacturing Co' Birmingham 1922, lengths 17.5cm, approximate gross weight 18.11 ozt, 563.2 grams (condition report: general light wear, would benefit from a gentle clean and polish)
A WILEMAN & CO FOLEY INTARSIO TYG, model no 3342, decorated with tavern scenes, printed backstamp and pattern no to base, height 12.5cm x diameter of rim 12cm (1) (Condition Report: has a 4cm hairline running from the rim, some light crazing, small manufacturing fault on foot rim, otherwise appears ok)
DANIELLE O'CONNOR AKIYAMA (CANADA 1957) 'TRILOGY OF WONDER III', a signed limited edition print on canvas, depicting a waterfall and cherry blossom trees, 75/150 with certificate, approximate size 92cm x 46cm frame 99cm x 54cm, Condition Report: light scuffs to the resin coating, dirty marks to the frame
THREE CASED SETS OF SILVER ITEMS, to include a cased Victorian fork and spoon travel set, thistle pattern with engraved cartouche, hallmarked 'Chawner & Co' London 1857, a cased set of six butter knives fitted with silver handles, hallmarked Sheffield, and two pepperettes faceted polished forms on weighted bases, hallmarked 'Elkington & Co Ltd' Birmingham, within a fitted case missing a salt and spoon, approximate gross weight of weighable silver 67.4 grams (condition report: general light wear, would benefit from a gentle clean and polish, one piece is missing from the cruet set)
AN EARLY 20TH CENTURY OAK TRESTLE DINING TABLE, length 153cm x depth 76cm x height 75cm, along with a set of six ladder back chairs, including two carvers, along with a dresser, the top fitted with two lead glazed doors, two shelves, atop a base with three drawers and four linenfold cupboard doors, width 190cm x depth 46cm x height 188cm (condition report: upholstery worn, all with marks, scuffs, light scratches, other wear and usage) (8)
A 19TH CENTURY OAK CASED LONGCASE CLOCK, the hood with twin swan neck pediment, an arched glazed door, enclosing an 11.5 inch painted dial, signed Leeson, Coleshill, marquetry inlay, a single trunk door, on a box plinth, height 224cm (condition report: no trunk key, two winding keys, two weights, one pendulum, historical woodworm, light marks, slight sun bleaching, other signs of usage)
POSSIBLY TERRY 'RAM MAN' HARRINGTON, A GOOD QUALITY OAK BUREAU, the fall front door enclosing a fitted interior, above a single drawer and double doors, all with acorn shaped handles, raised on bracket feet, width 77cm x depth 44cm x height 109cm (condition report: light marks, stains to inside, other signs of usage)
A 9CT GOLD, 'WALTHAM' HALF HUNTER POCKET WATCH, manual wind, round white dial signed 'Waltham U.S.A', Roman numerals, subsidiary dial at the six o'clock position, blue steel hands, in a polished case with a blue enamel outer Roman numeral dial (glass free from front case), inside case back hallmarked 9ct Birmingham 1928, makers mark A.L.D, stamped 437282, gold dust cover signed 'Dennison Watch Case Co', stamped 9.375, movement singed 'A.W.W.Co Waltham U.S.A Traveler', numbered 26522286, approximate case width 49.3mm, approximate gross weight 95.3 grams (condition report: winds, sets and runs at time of cataloguing although time keeping is untested, small glass is free from the front case will require some attention, general light wear, we cannot guarantee the working order of any watch)
A GROUP OF VICTORIAN PORCELAIN, all hand painted with fruits or flowers and with deep blue and gilt borders, comprising a twin handled dish with foliate gilt border painted with a bunch of purple grapes on a vine (has a couple of tiny hairlines verso on pierced border), a matching dessert plate painted with cherries, bearing impressed number '5' verso, a similar bowl with single handle in the form of leaves, painted with red gooseberries, pattern no.2/938, a teacup and saucer with matching chocolate cup, painted with panels of flowers, together with a similar slop bowl and jug (small hairline), most pieces only marked with gilt pattern numbers (8) (Condition Report: pieces appear in good condition overall, specific obvious damage as stated, some gilding wear/loss - especially on the jug handle and rim of slop bowl, signs of light use)
A COLLECTION OF NINETEENTH CENTURY TEA WARE, all hand painted with sprays of flowers, comprising six teacups with matching saucers in different styles, and a slop/serving bowl, most pieces having no obvious backstamps/maker's marks, one teacup has impressed 'G G' to base (13) (Condition Report: pieces appear in overall good condition, some light crazing, the pale green teacup and saucer having possible hairlines, light to moderate gilding wear, signs of light use and wear commensurate with age)
FOUR PIECES OF 18TH CENTURY ENGLISH PORCELAIN IN THE MEISSEN STYLE, comprising a trio of coffee cup, tea cup and saucer, each of wavy and fluted circular form, moulded in relief with floral sprays, similarly painted and with gilt border, all unmarked, together with an unmarked dessert plate of wavy circular form, moulded basket weave border, painted with fruits and flowers, gilt border, unmarked, diameter 23cm (4) (Condition Report: all pieces appear to be in good condition overall with signs of light use)
A SILVER 'IVAN TARRATT' PENDANT DESIGNED BY ERNEST A. BLYTH, of modernist cross design, suspended from a belcher link chain, with maker's mark for Ivan Tarratt, facsimile signature for Ernest A. Blyth, silver hallmark for Birmingham 1976, approximate length of pendant 80mm, approximate length of chain 400mm, approximate weight 18.6 grams (condition report: overall light to moderate general wear)
FIVE SILVER VANITY ITEMS, to include a hand held mirror and two hair brushes, embossed cherubs and foliate pattern, each piece hallmarked 'William Neale' Chester 1902 and 1903, together with two clothes brushes with embossed cherubs and foliate pattern, each hallmarked 'William Comyns & Sons' London 1903 (condition report: general light wear in keeping with age, some small dinks in places, would benefit from a gentle clean and polish)
YELLOW METAL AND JADE JEWELLERY SET, comprising of a pendant, designed as an oval dyed jade cabochon, collet set, fitted with a split pearl set tapered bail, stamped 14, length including bail 32mm, a pair of matching earrings fitted with fish hooks, stamped 14, drop length 29mm, and a ring, oval dyed jade cabochon, collet set to the bifurcated shoulders, leading on to a polished band, stamped 14, ring size P, approximate gross weight 12.6 grams (condition report: general light wear, stones secure, would benefit from a gentle clean and polish, overall condition good)
A GENTS 9CT GOLD 'CYMA' WRISTWATCH, manual wind, round textured cream dial signed 'Cyma', Arabic twelve with remaining baton markers, subsidiary dial at the six o'clock position, gold tone hands, in a polished case, inside case back hallmarked 9ct London 1953, stamped 065, movement signed 'Cyma R.458, 17 jewels, numbered 89466, approximate case width 32.4mm, fitted with a 9ct gold brick link bracelet with folding clasp, hallmarked 9ct Birmingham 1979, approximate gross weight 47.5 grams (condition report: watch winds, sets and runs although time keeping untested, general light wear, slack in the bracelet, we cannot guarantee the working order of any watch)
A SIXTY NINE PIECE ROYAL ALBERT 'OLD COUNTRY ROSES' DINNER SERVICE WITH SEVEN PIECES OF GIFTWARE, comprising a teapot, a cream jug, a sugar bowl, a cake plate, a two tier cake stand, twelve dinner plates, twelve side plates (one with tiny chips on the egg), twelve dessert bowls, twelve teacups (two extensively cracked, another with a large glazed over chip to foot rim) and saucers, and two breakfast cups and saucers, together with a photograph frame, a bell, a modelled flower ornament (cracked), a bowl in the form of a basket, two shoe ornaments (one repaired) and a pin dish (76) (Condition Report: generally good condition with signs of light use, obvious specific damage as stated, some pieces appear second quality though only one piece is marked as such)
with large curved crestrail with rounded flattened ends, the central backsplat pierced with two panels of kui dragons, above shallow apron carved with two kui dragons and floral scrolls, with carved spandrels to the join beneath the crestrail decorated with a stylised phoenix, with metal strapwork ruyi motifs to the structural joints around the curved crestrail and metal mounts to the hinged footrest 112.5cm high Structurally sound, only light surface scratches.
*Local Interest - Ken Allen (20th Century, British), watercolour, 'Bardsea Beach', signed to the lower right, framed, mounted, and under glass, measuring 14cm x 24cm, & 26cm x 35cm overall, together with a coloured print, after Jenny Hardisty (20th Century), depicting 'Evening Light, Buttermere', a limited edition 29/850 (2)
Jennifer Wheten (1941-2021, British), pastel, 'Evening Light, Mewslade', a bold interpretation of Mewslade Bay near Rhossili on the Gower Peninsula, South Wales, framed, measuring 44cm x 64cm, & 56cm x 76cm overall Note - Jennifer Wheten was born in Cardiff, moved to Dentdale in 1999, then Sedbergh a few years after. She was a self taught artist who worked mainly in pastels, acrylic, and mixed media, as well as experimenting with intaglio and relief printmaking. She was inspired by the local landscape with ever changing colour and mood, and loved to use colour in a lively way to express her feelings about it. Other favourite subjects were trees, rocks, rivers, flowers, and the coast of South and West Wales. Other works are inspired by her love of Venice and painting holidays in Northumberland. She was a member of the Sedbergh and Lake District Art Society, and exhibited at their annual exhibitions, as well as selling via The Gallery, Sedbergh. She also exhibited at Milnthorpe Open Exhibition and Cumbrian Artists Open Exhibition at The Upfront Gallery, plus The Brewery Arts Centre, Kendal.
A British Light Cavalry Officers Sword 1796 Pattern, no grip/handle, blade blued, decorated blade with metal scabbard, blade marked Osborn Gunby, in decoration Sword Cutlers To His Majesty Warrented, blade length 71cm, blade tang marked possible WSG blade 3.5cm wide, tang 7cm long, blade 71cm long, scabbard 75cm long, the scabbard with some denting but generally good condition commensurate with age and use, the blade and scabbard generally straight and not bent out of shape.
A quantity of decorative ceramics including a small quantity of small boxes Including a Coalport Floris white and gilt shell shaped dish, a pair of Worcester Millennium tea light holders, a set of nine Gladstone pink and gilt bone china tea plates, a set of twelve Rosenthal Hellbrunn pierced dishes, a Herend Koi pot and lid, a pair of Herend Apponyi orange shaped dishes and another in pink, a pair of Porcelaine de Paris Lafitte shaped dishes, another pair Herbes Folles, together with a variety of small boxes from Limoges, Halcyon Days, Bilston & Battersea enamels and Crummles. (qty)
A pair of late 19th century Louis XIV style gilt metal six light candelabra The pierced scrolling arms with turned nozzles and detachable stylised leaf finial, above turned stems on acanthus lion paw feet with grotesque masks to the sides, on plinth bases and outswept feet, each 67cm high. (2)
The Broons Family Portraits original artwork (1953) by Dudley Watkins for the inside front/back illustration for the Broons Book 1954, also used for The Sunday Post Fun Section. Starring Maw, Paw, Granpaw, Hen, Joe, Horace, Daphne and Maggie, the Twins and the Bairn. Scotland's Happy Family. Some light moisture staining to LH margin not affecting illustration. Indian ink on cream card. 15 x 11 ins

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