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Preisdatenbank abonnierenPARACHUTE / 3 early WW2 3rd Parachute Battalion embroidered cloth shoulder title circa 1942.Good very rare example of light blue serif letters on maroon ... together with owners light blue backed rank crown and star. (3 items) Removed from uniform. Service wearDesigned by Brigadier Edwin W.C Flavell, DSO MC**, Co 1st Parachute Brigade 18.4.42 - 28.4.43.
Royal Marine Light Infantry Colour Sergeants rank badge circa 1902-23.Good large bullion and silk embroidered crown, strung bugle, Globe, laurels, crossed Union flags and fouled anchor over pair of crossed sabres on scarlet felt. VGCThe Royal Marine Light Infantry amalgamated with the Royal Marine Artillery in 1923 to form The Royal Marines.
Royal Marine Light Infantry Victorian Ensigns Colour sash fittings.Fine die-cast rich gilt buckle bearing Royal Crest, crowns, Acanthus leave, Roses and bugle; voided centre with Globe, laurel sprays and motto scrolls ... tip of lined design ornamented with oak sprays ... matching slide. All with fittings (three items)
Omega Seamaster automatic stainless steel gentleman's wristwatch, ref. 2846-1, circa 1954-55, serial no. 14643999, silvered dial with dauphine hands, baton markers and centre seconds, cal. 501 19 jewel movement, black strap, 34m (at fault) - Condition Report: - Movement - the movement appears functioning when briefly tested, the crown and stem require attention as the button becomes loose. Dial - typical light marks consistent to the period - see image. Glass - some surface marks present with scratches - see image. Hands - of the period, surface marks present. Case - typical marks as expected - see image. Crown - Omega crown, requires attention as loose from the stem. Strap - non-Omega and has wear. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Cauny Prima oversized gold plated gentleman's wristwatch, case ref. 11433 176, the silvered dial with exaggerated Arabic numerals, baton markers and subsidiary seconds dial, 17 jewels, circular scroll lug case and modern tan strap, 38mm - Condition Report: - Movement - currently functioning. Dial - some light marks present consistent with the period - see images. Glass - surface marks present. Hands - good. Case - wear to the gold plate to the lug as shown in the image, the back with some marks. Crown - adjusting correctly. Strap - modern, good. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Omega Constellation Chronometer automatic stainless steel gentleman's wristwatch, the black dial with applied baton markers, sweep centre seconds and date aperture, integral bracelet, 34mm - Condition Report: - Movement - currently functioning. Dial - visible 'Spiders web' crazing to the lacquer. Glass - Omega logo present, surface marks. Hands - good. Case - good, some typical light marks. Crown - Omega, adjusting correctly. Bracelet - clean condition, scratch mark to the clasp and some centre links are a little misshapen, wrist size 8" approx. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Seiko UFO Chronograph automatic stainless steel gentleman's bracelet watch, ref. 6138-0011, serial no. 4D1022, later non-Seiko bracelet, 44mm - Condition Report: - Movement - currently functioning. Dial - good. Glass - good. Hands - good. Case - typical light marks but generally acceptable - see images. Crown - adjusts hands correctly. Bracelet - non Seiko, light marks, wrist size 8" approx. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Breitling square cased stainless steel gentleman's wristwatch, ref. 13210, serial no. 410915, circa 1940s, signed silvered dial with gilded Arabic numerals and subsidiary seconds dial, 17 jewel movement, leather strap, 30mm - Condition Report: - Movement - currently functioning. Dial - marks present as shown in the image. Glass - surface scratch marks. Hands - light marks. Case - typical surface marks present - see images. Crown - later replacement, adjusting correctly. Strap - has wear and would benefit with replacement. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Omega Cosmic 2000 automatic stainless steel gentleman's wristwatch, the egg-shell blue dial with baton markers, sweep centre seconds and date aperture, integral Omega bracelet, 38mm - Condition Report: - Movement - currently functioning. Dial - generally good, light marks to the markers - see image. Glass - good. Hands - some lume loss to the inserts - see image. Case - typical light marks, generally clean condition. Crown - Omega, adjusting correctly. Bracelet - clean appearance, some links with minor bruising, small bruise to the clasp, wrist size .5" approx. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Large Continental silver (0.800) lever pocket watch, attractive white foliate dial with Roman numerals, outer Arabic 24 hour chapter, subsidiary seconds dial and gilt Louis hands, the case back engine turned depicting a steam locomotive, 62mm - Condition Report: - Movement - currently functioning. Dial - some light marks present. Glass - light marks. Hands - light marks. Case - generally good, some minor rim marks - see image. Crown - adjusting correctly, hand adjusting is a little temperamental. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Victorian silver fusee lever pocket watch, London 1865, signed Joseph Taylor, Pontefract, no. 100420, with dust cover, the dial with Roman numerals and subsidiary seconds, engine turned case, case maker ''DL' (David Lark), 51mm - Condition Report: - Movement - clean and currently functioning. Dial - good. Glass - surface marks present. Hands - light marks. Case - typical light marks but generally good - see images. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Silver lever pocket watch, London 1911, unsigned gilt frosted three quarter plate movement, no. 341531, the dial with Roman numerals, subsidiary seconds dial and blued steel hands, plain case, case maker 'R&S' (Rotherham & Sons), 52mm - Condition Report: - Movement - clean and currently functioning. Dial - good. Glass - good. Hands - good. Case - good condition with typical light marks - see images. Crown - adjusts correctly. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Omega Genéve automatic square cased stainless steel gentleman's wristwatch, circa 1970s, circular blue dial with quarter hour markers, white centre seconds and date aperture, Omega bracelet, 40mm - Condition Report: - Movement - currently functioning. Dial - light marks consistent of the period - see images. Glass - light marks present. Hands - original, light marks. Case - typical light marks - see images. Crown - non Omega crown, adjusting correctly. Bracelet - surface marks and light scratches present, wrist size 7.5" approx. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Cartier Panthére Francaise stainless steel lady's bracelet watch, ref. 1320, serial no. CC317900, sapphire cabouchon crown, quartz, 23mm - Condition Report: - Movement - currently functioning. Dial - good. Glass - good. Hands - good. Case - light marks from general wear - see image. Crown - adjusting correctly. Bracelet - good, wrist size 6-6.25" approx. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Rotary 9ct gentleman's bracelet watch, London 1972, silvered dial with baton markers, subsidiary seconds dial and date aperture, 17 jewels, 41.1gm, 30mm - Condition Report: - Movement - currently functioning. Dial - visible wear and tarnishing - see image. Glass - surface marks. Hands - wear. Case - surface marks present - see image. Crown - adjusts correctly, Bracelet - light marks, wrist size 7.%" approx. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Robert Taylor The Eagles Divide The Masterwork Drawing Fighter Pilots Edition signed by 11 WW2 pilots (4 Luftwaffe and 7 USAAF). This is the Fighter Pilots Edition number 46 / 50 published in 2012 and supplied with the original Certificate of Authenticity. The print is signed by the artist Robert Taylor and Colonel Clarence E 'Bud' Anderson, Captain William B Overstreet, Leutnant Hugo Broch KC, Oberleutnant Walter Wolfrum KC, Captain James L. Brooks, Lieutenant Colonel Clyde B. East, Colonel Art Fiedler, Colonel Joe Peterburs, First Lieutenant Clint White, Leutnant Jorg Czpionka IC and Oberleutnant Kurt Schultz IC. The print measures approximately 23. 5 x 16. 5 inches has been stored flat, out of the light and is in very good condition. Print historical detail : It had begun; the end game was inexorably in play. The final defeat of Germany and the end of Nazi tyranny was almost within sight but in the skies over Germany the defiant remnants of the Luftwaffe fought on with savage determination. Ever since the long-range American P-51 escort fighters had first appeared, the skies over the Reich had witnessed grim encounters with the Mustangs taking on the Luftwaffe as they tried to stop the heavy bombers of the USAAF reaching their targets. By early 1945 it was a losing battle, but still the Luftwaffe fought on and, in the resulting maelstrom of combat, the Mustang pilots still had their work cut out against these battle hardened, expert pilots. Robert Taylor's superb drawing, part of his much-acclaimed Graphite Series, dramatically reconstructs one such clash in early 1945 as P-51 Mustangs of the 357th Fighter Group have spotted a group of Bf109s heading their way. Without hesitation they dive head-on in an attempt to break-up the enemy formation and for the pilots on both sides the explosive encounter of close combat is suddenly upon them. Limited edition prints of this classic Robert Taylor Master Drawing have been signed over the last few years by some of the most respected USAAF Mustang and distinguished Luftwaffe pilots who duelled in those merciless skies over Europe. Since signing the prints some of these legendary names have very sadly died, making it one of the most collectible editions of recent years. . Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4. 99, EU from £6. 99, Rest of World from £8. 99.
Terence Cuneo The Last Halifax Limited Edition signed by Marshall of the RAF Sir Arthur T. ' Bomber ' Harris. This is from the Limited Edition number 654 / 850 published in 1981 and is supplied with a Bomber Command Association Certificate of Authenticity / history of the raising of Halifax TL-S from the bottom of Lake Hoklingen in Norway in 1973 and a colour Kodak photograph of the print issue being signed. The print is signed by the artist Terence Cuneo and Marshall of the Royal Air Force Sir Arthur Bomber Harris and measures approximately 29 x 24. 5 inches. This was a popular print at the time of release and it is not hard to find a copy today but they are almost always framed, faded or damaged in some way. This print has been stored flat and out of the light for many years and is in very good condition, virtually the same as it was almost 40 years ago and it is the super condition and interesting signature that makes this classic print desirable for the collector of today. . Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4. 99, EU from £6. 99, Rest of World from £8. 99.
Philip E West Tirpitz Re Visited Artists Proof signed by an impressive 16 WW2 Mosquito Pilots Navigators, the print shows the Mosquito of Sqn. Ldr. Frank Dodd and PO Eric Hill as they fly low under heavy fire to Tromso Fjord, Norway to photograph the final demise of the German Battleship Tirpitz, once the pride of the German Navy, number 1 25 Artist Proof with original Certificate of Authenticity and historical information about the signatories, this print has been stored flat, out of the light and is in very good condition. . Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4. 99, EU from £6. 99, Rest of World from £8. 99.
William T Whisner, Tony Cattle and one other signed World Light Aeroplane Piloting Championships WELS Austria 11 14 Aug 1977 FDC No. 5 of 9. Taken by Road, Sea, Road from RAF Hendon to Wels then flown during the course in Cessna 172 G-BOAS. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4. 99, EU from £6. 99, Rest of World from £8. 99.
RAF Cosford 3rd April FDC SC19/3 printers colour trials design with missing blue and light grey. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4. 99, EU from £6. 99, Rest of World from £8. 99.
* Shadow puppets. A collection of 4 puppets, Java, Indonesia, 19th century, hand-made articulated filigree leather shadow puppets, hand-painted in gold and colours, with jointed arms, mounted on turned wooden or horn sticks, characters probably including Indrajit, Rama Widago, and Lesmana, some light surface rubbing, but generally in good condition, between 44 and 50cms (17 and 19.5ins) tall excluding operating leversQty: (4)NOTESProvenance: Collection of designer bookbinder and illustrator Faith Shannon (1938-2018).
* Cloisonne. A pair of 1920s Chinese cloisonné plates, each with crane in flight amongst floral decoration on a blue ground within geometric border, 30.5cm diameter together with another pair with pheasants, 30.5cm diameter plus a single plate with dogs of fo on a light blue ground, 30.5cm diameterQty: (5)
* Cloisonné. Pair of Japanese cloisonné vases, Meiji period (1868-1912), each with a three claw dragon on a black ground, single-character mark to base, 9cm high, some light scratches otherwise the condition is very goodQty: (2)NOTESProvenance: A.W. Bahr Collection. Abel William Bahr (1877-1959), collector of Chinese art and antiquities, and Secretary of the North China branch of the Royal Asiatic Society. A.W. Bahr is the author of Old Chinese Porcelain and Works of Art in China, being descriptions and illustrations of articles selected from an exhibition held in Shanghai, November 1908, published in 1911. A survey of Chinese paintings in the Bahr Collection by Osvald Siren was published by the Chiswick Press in 1938.
* Bags. A collection of handbags and purses, early to later 20th century, comprising: a beaded clutch bag with faux pearl mount and clasp, occasional lost or loose beads: a black velvet evening purse, white metal mount set with large paste stones, and one acting as clasp, lined with cream satin (a few light marks); a black grosgrain box bag, black lining with 2 pockets; a black satin and lace dolly bag; a black beaded clutch bag with diamante mount (stones becoming loose in one place); a black grosgrain Waldybag handbag, a little rubbed at lower corners, lined with black satin incorporating a purse on a chain; a beaded draw-string purse; an Art Nouveau white metal mesh purse, clasp decorated with angel's wings set with 'eye' stone, and 9 other bags, various sizes, together with other early-later 20th century ladies' accessories, including: 3 muffs, each with zippered pocket; a black riding bowler, with white metal buckle, Herbert Johnson, 38 New Bond Street, London, 1920s/30s, size 6 7/8, housed in a large hat box, with name and address in white lettering on side (rubbed and partially indistinct); a black silk folding fan, hand-painted with sprays of daisy-style flowers and a small bird, rubbed and some minor fraying to edges, 36.5cm (14.25ins); 27 pairs of gloves, including 19 pairs leather gloves, some long, some kid leather; a pair of black leather knee-high high-heeled boots, with metal lace hooks; and numerous scarves and handkerchiefsQty: (2 cartons)NOTESProvenance: Collection of designer bookbinder and illustrator Faith Shannon (1938-2018).
* Chinese embroidery. A large piece of embroidered silk, mid to late 18th century, hand-embroidered cream silk, of slightly irregular shape composed of 3 joined pieces, with all-over pattern of meandering flower tendrils, incorporating peacocks, cranes, moths, butterflies, and large basket motif, in shades of pink, green, blue, yellow, and brown, some light staining and loose threads, several tears, overall size approximately 91.5 x 185.5cm (36 x 73ins)Qty: (1)
* Chinese panel. A mid-late 18th century painted panel, hand-painted on a cream silk ground, with all-over pattern of delicate trailing flower sprays, in pink, orange, blue, purple, and green, selvedges to left and right, upper and lower edges with narrow binding hemmed by hand, some overall light rubbing and discolouration, silk perishing in places with consequent small tears and holes, 74 x 118cm (29.25 x 46.5ins)Qty: (1)
* Clothing. A large quantity of ladies' garments, late 19th-late 20th century, including: a black velvet cape with fur collar; a long black chiffon sleeveless evening gown with gold embroidery to bodice and godets, with matching long-sleeved bolero; a dropped-waist satin summer dress with psychedelic art nouveau style floral pattern in purple; a black velvet cocktail dress with crossed strap and button detail at front, and matching short cape; a satin-trimmed black lace strapless full-length evening gown with boned bodice; a bright orange textured short coat; a heavy black satin-lined long wool cloak with gathered hood; a black cocktail dress of shimmering bead-effect fabric by Jay's of Regent Street; a black crêpe dress with dropped waist and double-fringed skirt; a long light-weight coat of black embroidered chiffon, lined with oyster chiffon, long sleeves with cape-style overlay, self buttons and large satin button loops; a red, black, and gold damask unstructured jacket with fur trim to elbow-length sleeves; and 2 embroidered oriental-style dressing gowns, one with polychromatic embroidery on a black ground, the other embroidered in orange on a black ground, various sizes and conditionQty: (approx. 60)NOTESProvenance: Collection of designer bookbinder and illustrator Faith Shannon (1938-2018).
* Clothing. An Aesthetic Movement dress, circa 1870s/80s, hand-made full-length unstructured dove grey silk damask gown, with woven pattern of large stylised palmette leaves and branching stems with berries, with curved high waist and leg of mutton sleeves gathered to create a double puff, v-neck with hook and loop closures, small metal press stud fasteners to side opening and cuffs, and gathered waist at rear terminating in short train, occasional light staining and marks (including to underarms), some mottling of colour (mostly to hem), left-hand sleeve gather with stitching broken, one neck loop fastener broken and corresponding hook missing, bust 86cm (34ins), waist 71cm (28ins), sleeves 56cm (22ins), length at front 139.5cm (55ins), length at back 170cm (67ins)Qty: (1)NOTESA rare and attractive dress exemplifying the short-lived minority movement away from the stiffly corseted and heavily embellished dresses of the Victorian era. Such style of dress, beloved of the Pre-Raphaelites whose paintings influenced the Aesthetes, typically featured, as here, muted tones, patterns of vegetative forms, soft pleats instead of boning, leg of mutton sleeves, and a small train. Fabrics were carefully selected to utilise skills in crafts and manufacture, as an attempt to counter the dehumanisation of the Industrial Age, and soft draping silks were favoured over stiffer materials. It wasn't until the introduction of the tea gown around 1900 that the wearing of less restrictive garments became respectable; prior to this, women who adopted the Aesthetic Movement's more comfortable and rather romantic mode of dressing were often considered somewhat bohemian and lacking in morals.
* Handkerchief. The Flying Steam Company, To China in Twenty-Four Hours Certain, circa 1843, fine linen handkerchief printed in raspberry red on a cream ground, depicting a flying machine, above a panoramic scene of a group of Oriental figures with telescopes, and British figures beside a steam boat, a locomotive engine, and a stage coach, with title to top margin, and various accompanying descriptive and satirical text mentioning Malta, Suez, the Barbarian Fire Ship business, the Thames Tunnel, the East India Company, etc., selvedges to left and right-hand sides, top and bottom edges hemmed by hand, overall light toning, some minor marks, and 3 very small holes, 45.5 x 63cm (18 x 25ins)Qty: (1)NOTESRare commemorative handkerchief depicting Ariel, the flying machine patented in 1842 by aviation pioneers William Henson (1812-1888) and John Stringfellow (1799-1883). The steam-powered aircraft design, with its cabin for carrying passengers, represented a landmark moment in the history of aviation; although the craft had insufficient power to actually fly, the design had an impact on early aviation engineers, and a more successful model was built in 1848 which was able to fly for small distances in a hangar. Henson and Stringfellow planned to set up an air freight company, the 'Aerial Transit Company' to transport goods by air around the world. Inevitably their ambitions met with some incredulity and suspicion on the part of the press and the public. As well as descriptions of the aircraft itself, the handkerchief gives an indication of public reaction, for example, one Oriental gentleman exclaims: "I'm blessed if I can make it out, its not unlike a Dragon, or a fiery Comet or a mixture of both or something else let's bolt and save our necks".
* Sampler. A rare painted gauze sampler of England and Wales, by Ann Mulliner, 1775, depicting the counties of England and regions of Wales with numbered and lettered keys, with part of France showing, and lettering to lower margin 'English Chanall Ann Mulliner 1775', worked with minute square infills of white paint on a gauze ground backed with grey fabric, each area with a different design, with outlines stitched in gold coloured thread, slightly dust-soiled and spotted in places, occasional light rubbing, small hole to upper blank margin, 46.5 x 38cm (18.25 x 15ins), giltwood frame, glazed, together with 4 small stitched samplers, including a commemorative sampler marking the birth of James Dyson, born September 21st 1827, with flower urn and heart motifs, a sampler by Adelaide Dyson, Thomas National School, Bradley, 1879, and a sampler by Martha Aslet dated January 20th 1851, plus 3 early 20th century wallet-style fabric purses, each with decorative polychromatic hand-stitching overall, comprising horizontal lines showcasing a multitude of different stitches, one incorporating metallic thread, 2 with closure loops broken, and the smallest with a few loose threads and silk lining perishing in places, largest 16 x 23.5cm (6.5 x 9.25ins), smallest 8.5 x 11.5cm (3.5 x 4.5ins), latter containing 5 small embroideries of crowns, each hand-worked in coloured wools in cross-stitch on canvas, each with a manuscript letter on card pinned to one corner (one with additional note 'strawberry leaves not very plain'), approximately 7 x 7cm (2.75 x 2.75ins)Qty: (13)NOTESA most unusual piece of educational handiwork; we have traced only one other painted gauze sampler offered at auction (sold in 2008, dated 1803). The techinique of filling some squares in with paint and leaving others void mimicks cross-stitch but gives a lace-like effect. Each county or area is worked in a different pattern, and it must have been every bit as painstaking to achieve as the finest stitched samplers.
* Shawl. A large Kashmir shawl, circa 1815-1820, rectangular fine wool shawl, woven in red (and touches of yellow) with a band of 10 boteh to each end, the central cream panel bordered by a band of smaller boteh, and the whole edged with a border of red, green, and yellow, large boteh motif at inner corners, fringed to short ends (some slight losses), maker's stitched signature, some scattered small holes, extreme edge coming away in places (with some associated period darns and small losses), occasional light marks, 6" tear near one edge sometime patched with cream silk on verso, 137 x 322.5cm (54 x 127ins)Qty: (1)
* Shawls. A pair of early-mid 19th century woven Norwich shawls, one with blue and red border of botehs on a cream ground, two sides fringed (mostly intact), some light marks and small threadbare areas, 150 x 157.5cm (59 x 62ins), the other with all-over pattern of floral botehs and connecting tendrils in red, blue, green, and white on a peach ground, knotted cream tassell edging (occasional losses), some fading, light marks, and small holes, 152.5 x 152.5cm (60 x 60ins), together with: A fine silk gauze paisley shawl, circa 1850-60, all-over printed pattern of botehs, palmettes, and other motifs, in red, blue, green, and orange, on a cream ground, with maroon edge, and matching knotted fringe to 2 short sides, fringe approximately 14cm (5.5ins) long, 33ins long tacked tuck repair (tear breaching repair), size (not including fringe) 335 x 171.5cm (132 x 67.5ins), and a black and gold silk shawl with striped paisley pattern, 189 x 189cm (72 x 72ins)Qty: (4)
Daniel Maclise Irish Artist in Victorian London by Weston (dj, 2001); Ireland From Old Photographs by Maurice Gorham 1971 (dj); Treasures From The National Library Of Ireland 1994 (dj); Lead Kindly Light - Celebrating 150 Years of Percy French (dj); Jim Fitzpatrick Celtia (signed) and C.S. Lewis and the Island of his Birth by Sandy Smith (6)
James Joyce Interest - Yeats, Joyce and Beckett, New Light on Three Modern Irish Writers by McGrory & Unterecker, 1976, dj; James Joyce A to Z by Fargnoli & Gillespie, 1995, dj; James Joyce & The Mullingar Connection, 1975, dj; La Roma di Joyce, Joyce's Rome, 1998 and James Joyce's Dubliners, An Annotated Edition by John Wyse Jackson and Bernard McGinley, 1993, dj (5)
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