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534297 Los(e)/Seite
Los 373
Northern European Style (Contemporary)"The Imperial Falcon"Gilded bronze on a granite base, 33cm highThe size includes the base.The base is 10cm wide and 6cm highThe bird is 26.5cm high and 25cm wide.In good overall condition, light giltware throughout probably by design. Minor surface scratches. Marble base with minor edge flakes.
Los 390
Republic of Fritz Hansen: Swan Lounge Chair, designed by Arne Jacobsen,grey suede upholstery, four star cast aluminium swivel base, labelled and dated 2006,77cm highOverall very good. Structurally sound and fully operational. Some light marks to upholstery but generally excellent. Light scuffs and scratches to the metal.
Los 412
Pastoe: Three Amsterdammer Roll Top Cabinets, designed by Aldo van den Nieuwelaar (1944-2010)grey lacquer, ribbed rollar doors, the smallest with three horizontal shelves, the other two with four horizontal shelves, smallest labelled,37cm wide, 37cm deep, 170cm hightallest unmarked, 37cm wide, 37cm deep, 205cm highOverall good condition. Some light surface wear and scuffs. Rollers sliding. Tallest dark cabinet with two white marks on the front right edge at the top.Two shelves fixed at 33.5cm and 104cm from the base board, shelves inbetween are adjustableSmaller with only lower shelf fixed at 33.5cm above base board
Los 424
Maria Josette Orsto (1962-2020) AustralianAboriginal designAcrylic on canvas, together with a further aboriginal painting in yellow and ochre, 196cm by 58cm and 201cm by 59cm respectively (2)The works are unframed.Both works have some light surface dirt but are in good overall condition. The white example has some scuffs to the outer edges lower right side.
Los 435
Fritz Hansen: Six Series 7 Chairs, deigned by Arne Jacobsen,pearl colour shells, on four chromed legs, labelled and moulded manufacturers mark, dated 2006,77.5cm highAll in overall good condition. Structurally sound and free from breaks. One chair not quite four square, will need some adjustment. Very light surface wear.Seats steam bent plywood with sprayed lacquer.
Los 101
After Laurence Stephen Lowry RBA, RA (1887-1976)"Britain at Play"Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 47cm by 61cmFaded, slight cockling to the paper. Feint areas of sporadic foxing spots in evidence to the margins. Some very light surface dirt and debris trapped under the glass. Not examined out of the frame.
Los 104
Fred Cecil Jones (1891-1956) "Richmond"Signed and inscribed, mixed media, 25cm by 37cmSome light surface dirt, slight time staining to the paper. Extensive cockling to the paper, in particular to the lower left. Areas of sporadic small sized foxing spots in places, in particular to the blue jacket of the man standing on the cart, lower right, the grey horse and to areas of the background. A number of vertical water marks? to the right hand side down through the sky through into the labrador. Good colour depth. Some light surface dirt and debris trapped under the glass. Grubby mount. Not examined out of the frame.Framed size 45cm by 55cm
Los 149
Maggi Hambling (b.1945)"A hunchback wandered by the bare earth"Signed, inscribed and numbered 5/6, etching and aquatint, 26.5cm by 26cmPin hole to each of the top corners. Cockling to the paper. Some time staining in evidence, in particular to the margins. Areas of glue to the upper and lower margins where the work has been glued to the mount at some stage. See images. Some light surface dirt and debris trapped under the glass. Crease approximately 4cm to the lower right through the lower section of the tree.
Los 219
Tracey Emin CBE RA (b.1963)"I Felt You and I Know You Loved Me" (2012)Embroidered linen napkin with hand signed and dated swing tag, from an edition of 50, 45cm by 45cm Slight fading to the text. Slight time staining to the napkin with some light surface dirt and debris trapped under the glass. Many sporadically scattered thunder flies. Creasing to the napkin. Not examined out of the frame.
Los 208
Gered Mankowitz FRPS (b.1946)"Jimi Hendrix, Purple Haze"Signed and numbered 157/500, silkscreen, 83cm by 64.5cmOverall sheet size 102.5cm by 77cm Slight cockling to the paper. The work is not stuck down. Time staining to the margins and large sized foxing spots mostly where the mount has been. Handling crease upper right Superficial surface scratch approx 4cm within the black of his right shoulder. Some light surface dirt and debris trapped under the glass. See additional images.
Los 121
Edward Bawden CBE, RA (1903-1989)"Redcliffe Road"Signed, inscribed and numbered 7/40, etching, 18cm by 12cmSlight time staining to the paper. The odd very small sporadic scattered foxing spot in evidence. Some light surface dirt and debris trapped under the glass with the odd thunder fly tapped to the mount. Not examined out of the frame.
Los 220
Tracey Emin CBE RA (b.1963)"I Could Have Really Loved You" (2012)Embroidered linen napkin with hand signed and dated swing tag, from an edition of 50, 45cm by 45cmSlight fading to the text. Slight time staining to the napkin with some light surface dirt and debris trapped under the glass. Many sporadically scattered thunder flies. Two small foxing spots to the centre above the heart. Creasing to the napkin. Not examined out of the frame.
Los 116
Allen Tortice (b.1948)Figures in a Northern TownSigned and dated 1987, oil on board, 56.5cm by 74cmIn an overall very good state of preservation. Oil on canvas board and the weave is showing through in places by execution. Light surface dirt and possible discolouration to varnish, but not to a notable degree.
Los 135
Pat Douthwaite (1934-2002) Scottish Anguished head study in profile Signed and dated (19)90, charcoal, 74cm by 53cmProvenance: Purchased directly from the artist Slight cocking to the paper. Large sized foxing spots in evidence in particular to the face. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Los 164
George Birrell (b.1949) Scottish"Sea Cove"Signed, inscribed verso, oil on board, 49cm by 54cmSome light surface dirt. Areas of shrinkage/ craquelure in places, in particular to the dark blue and purple of the lower section, dark blue of the roof and within the pale blue to the upper right corner, upper left corner, and to areas within the boats. See images.
Los 171
Ken Howard OBE, RA, RBA, NEAC (b.1932) Figures on a beach Signed, oil on canvas, 38cm by 35cmProvenance: Harrogate Fine Arts, Harrogate Some light surface dirt. Some minor debris trapped under the glass. Stain to the lower left corner of the slip. Otherwise in good overall condition. Not examined out of the frame.
Los 161
Jeremy le Grice (1936-2012)"Night Ferry II"Signed, inscribed verso and dated (20)07, oil on board, 60cm by 60.5cmSome surface dirt. Slight rubbing to the outer edges of the board. Scratch approximately 6cm to the left of the top edge. Sticky splash marks upper right to the right of the light house. See images. Chips and knocks to the frame.
Los 218
Tracey Emin CBE RA (b.1963)"For You I Love For You I Breathe" (2012)Limited edition embroidered linen napkin with hand signed and dated swing tag, from an edition of 50, 44cm by 55cm Slight fading to the text. Slight time staining to the napkin with some light surface dirt and debris trapped under the glass. Many sporadically scattered thunder flies. Creasing to the napkin. Not examined out of the frame.
Los 192
Martin Mooney (b.1960) “Still Life with Rose Patterend Bowl and Jug” Initialled and dated 1996, oil on panel, 80cm by 45cmProvenance: Waterman Fine Art, London Some light surface dirt. The painting has slightly dropped in the frame. Two small areas of paint loss to the lower left corner and two tiny ones to the right of this within the table cloth. Areas where the texture of the panel is showing through. The odd brush bristle trapped within the paint. Some areas of fine craquelure within the lower left, a small area where the paint is lifting slightly within the left of the table cloth and one to the right side. Otherwise appears in good overall condition.
Los 193
Willem Dolphyn (1935-2016) Belgian “The Artist Reflected” Signed and dated 1996, oil on panel, 48cm by 58.5cmProvenance: W.H. Patterson Fine Arts, London Sold together with a copy of "Willem Dolphyn" by Monique H.N.M Werschuren, 1985, Antwerp In an overall very good state of preservation. Tiny chip/ abrasion along top edge just left of centre. Very light surface dirt and discoloured varnish. Not examined with a UV light.
Los 137
Dame Laura Knight RA, RWS, RE, RWA, PSWA, DBE (1877-1970) Bareback rider Signed, etching, 26.5cm by 13.5cmSlight time staining to the paper. Very slight cockling to the paper. Some very light surface dirt and debris trapped under the glass. Appears in good overall condition. Not examined out of the frame.
Los 100
After Laurence Stephen Lowry RBA, RA (1887-1976)"The Reference Library"Signed, with the blindstamp for the Fine Art Trade Guild, a black and white reproduction, 27cm by 36cmSlight time staining to the paper. The odd sporadic scattered foxing spot. Some light surface dirt and debris trapped under the glass. Time staining to mount. Not examined out of the frame.
Los 185
Philip Naviasky (1894-1983) Still life of jug and assorted vegetables Signed, oil on canvas, 48cm by 59cmIn an overall very good state of preservation. Very light surface dirt and discoloured varnish which is a fairly high gloss finish. There is the odd stable single fine line of cracquelure and a few possible very tiny losses in the upper left hand corner, but may just be absence of paint by execution. Not examined with a UV light. An image of the signature can be found on the website.
Los 127
Dame Elizabeth Violet Blackadder DBE, RA, RSA (1931-2021) Scottish"Irises"Signed, inscribed and numbered 30/80, lithograph, 76cm by 96cmThe print is float mounted. The paper has a deckled edge.Slight cockling to the paper.Medium sized very faint foxing spots to the lower left side and one to the centre of the left edge, and one to the top edge. The odd scattered very faint foxing spot. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Los 221
Tracey Emin CBE RA (b.1963)"I Promise to Love You" (2012)Embroidered linen napkin with hand signed and dated swing tag, from an edition of 50, 45cm by 45cmSlight fading to the text. Slight time staining to the napkin with some light surface dirt and debris trapped under the glass. Many sporadically scattered thunder flies. Creasing to the napkin. Not examined out of the frame.
Los 115
GÜNTER KRAUSS Ring mit 20 Brillanten von zus. 1,36 ct, Light Yellow/VS, RSG 18K, 17,7 gr, RW: 59, 21. Jh., leichte Tragespuren, mit Herstellermarke, inkl. orignal Zertifikat (2002). (7)| GÜNTER KRAUSS ring with 20 brilliant-cut diamonds of 1.36 ct, light yellow/VS, 18K RSG, 17.7 gr, ring size 59, 21st century, minor signs of wear, with maker's mark, incl. original certificate (2002).
Los 1613
PECHSTEIN, HERMANN MAX (1881-1955) „Frauenkopf (Lotte)“, in einer Tusche-Pinselzeichnung auf dünnem, bräunlichem Papier hat M. H. Pechstein seine erste Frau Lotte porträtiert und die Zeichnung u. re. mit Bleistift eigenhändig monogrammiert und datiert: „HMP 1910“. HxB: 32/24 cm (56/42 cm mit Rahmen). Am oberen Rand unter Passepartout montiert, Papier gebräunt / fleckig, um einen früheren Passepartoutausschnitt lichtrandig, zwei Ränder mit Abrisskante, alle Blattecken fachmännisch angesetzt. Anbei originales Unterlagepapier, hier von Martha Pechstein, der zweiten Ehefrau des Künstlers dieses Unterlagepapier von Ihr sign. und bezeichnet: „Frauenkopf von Pechstein“, sowie eine Expertise der Enkelin Max Pechsteins (in Kopie).Diese Tuschezeichnung wird in der Dokumentation zur Max Pechstein Urheberrechtsgemeinschaft zum werk von Max Pechstein unter dem Titel „Frauenkopf (Lotte)“, 1910 geführt. | PECHSTEIN, HERMANN MAX (1881-1955) "Frauenkopf (Lotte)", in an ink brush drawing on thin, brownish paper, M. H. Pechstein portrayed his first wife Lotte and monogrammed and dated the drawing by his own hand in pencil at lower right: "HMP 1910". HxW: 32/24 cm (56/42 cm with frame). Mounted at upper margin under passepartout, paper browned / stained, light margins around an earlier passepartout cutout, two margins with tear-off edge, all corners of the sheet expertly repaired. Enclosed original backing paper, here by Martha Pechstein, the artist's second wife, this backing paper signed and inscribed by her: "Frauenkopf von Pechstein", as well as an expertise by Max Pechstein's granddaughter (in copy).This ink drawing is listed in the documentation on the Max Pechstein copyright community for the work of Max Pechstein under the title "Frauenkopf (Lotte)", 1910.
Los 103
Rotary, Elite, a modern gentleman's 9ct gold cased round wrist watch. The light yellow dial with raised gilt baton indicators and hands and a date aperture at 3, 33.5mm diameter two-piece screwed case with post 2000 London laser hallmarks, on a black crocodile strap, the movement not examined Condition Report: We do not guarantee any watch for accuracy.
Los 104
Hanhart, a WWII German pilot's wrist watch, No. 111794. The black dial with luminous skeleton Arabic numerals, and two subsidiary dials for running seconds and 30 minutes, the 40mm three piece screw case with a brass case and serrated bezel, the chrome-plated steel back marked 'Bodenedelstahl', 'Wassergeshutzt' and 'Stossfest', ('Stainless steel base', 'Water protected/proof' and 'Shock Proof') and numbered '111794', un-named three-quarter plate lever movement with conforming number '111794' Condition Report: We do not guarantee any watch for accuracy. Overall fair condition. Heavy wear and tear to the case in that the plating is mostly worn off. The screw back has lost some of the plating and shows shallow pits to the bottom-right quarter and to a lesser/smaller extent at about '9', '11' and '12 o'clock. The inside of the back of the case with some signs of 'shallow' or 'surface' rust. The movement is fully wound and as such is not running however the balance staff is ok as the balance oscilates and runs for a couple of seconds before stopping after a little 'gentle coaxing'. Hence it would benefit from a full and compehensive overhaul. Lacking the push-button to operate the Chronograph, and other parts missing from the movement (see photographs) so we do not know if the stop watch functions. The set hands is functioning. The dial is in pretty good condition looking with a 10X loupe, though it requires a full clean. both hands have lost most of the luminous paint and appear tarnished. The 'glass' with scuffs and light wear and tear. Overall in honest 'Barn Find' condition. Found by the family within their father's miscellaneous box of keepsakes.
Los 108
A Mikimoto cultured-pearl single row necklace. The 72 uniform 5.5-5.75mm diameter round beads, knotted on a yellow metal and half-cultured-pearl single bead open-lobed round clasp stamped '9Kt', approx. 50cm long overall (19 3/4 inches); in a Mikimoto blue-leather bound box Condition Report: Overall good condition for age, general wear and tear commensurate with age and use. The light-cream beads with a good lustre and suface about pique 2
Los 110
A vintage Mikimoto cultured-pearl single row necklace. The 57 very slightly graduated beads graduated approx. 7.0-7.5mm diameter, knotted on a Mikimoto 18ct gold and small cultured-pearl single bead stylised ribbon bow clasp stamped '750' and with import hallmarks for London 1997, the necklace approx. 45cm long overall (17 3/4 inches); in a Mikimoto red-leather bound case and an outer card box Condition Report: Overall good condition for age, general light wear and tear commensurate with age and light use. The white/light-cream beads with a good lustre and about pique 1.
Los 125
A 1920's platinum, sapphire and diamond ring. Centred with a pale pastel-blue round mixed-cut sapphire approx. 0.73cts, in a four claw setting between tapered baguatte diamond shoulders, on a D-section shank stamped '10% Irid Plat', size L+, 3.5g gross Condition Report: The ring in overal very good condition for age though would beneft feom a general light clean and polish. The sapphire is a pleasing shade of light pastel blue and appears the same colour under varying light conditions. the stone measures approx. 5.9mm diameter, 2.5mm deep. The diamonds are bright and lively and eye clean.
Los 139
A late Victorian gold, half-pearl and diamond hinged bangle. The pierced front in the form of five graduated half-pearl lozenges with old-cut diamond accents and with a beaded border, on a three row back hoop stamped with a maker's mark 'AG' and '18ct', internal width approx. 56mm, internal height approx. 46mm, 31.2g gross Condition Report: Overall good condition for age, general light wear and tear commensurate with age and use.
Los 19
A late Victorian silver campana shaped three piece cruet set. Each with two leaf-capped flying scroll handles, a moulded band and stepped foot, the mustard in the form of a small trophy-cup with a domed cover, mark of Elkington & Co, Birmingham 1898-1900, the three 185g gross; together with two associated silver small spoons, various dates and makers and another plated; in a brown leather cartouche shaped fitted case with velvet and blue silk lining marked 'Elkington & Co.' Condition Report: Overall good condition for age general light wear and tear commensurate with age and use, All of a good solid guage, both the salts interiors require a good clean and show traces of former gilding. The mustard 'wobbles' very slightly on a flat surface.. Marks good though the maker's mark on one salt rubbed but legible. Spoons good. Box good, hinge solid, closes with a satisfying 'snap', some of the interior a little worn and spoon elastics are stretched and one broken. general external scuffs including on the top front 'crease' (see photos) as expected for a box in use for 120 years.
Los 2
A pair of silver two branch/three light candelabra. Each with beaded nozzles, floral embossed capitals, knoped stems and round bases, maker's mark of W I Broadway & Co, Birmingham 1975, 23.5cm high overall, 26cm wide (9 1/4 x 10 1/4 inches), loaded Condition Report: The pair weigh 1367grams gross including the 'Filled'/loaded bases
Los 204
A modern 18ct white and yellow gold and diamond three stone ring. The three round brilliants approx. 0.54cts total, in white 'bead-topped' four claw settings on a yellow D-section shank with hallmarks for Birmingham 2004, size L+, 6.7g gross Condition Report: Overall good condition for age, general wear and tear commensurate with age and light use. Diamonds bright, colour about K/L, clarity about SI. Each stone measurea spprox. 3.7mm diameter
Los 210
A modern 18ct white and yellow gold, sapphire and diamond three stone ring. Centred with an oval native-cut sapphire approx. 0.94cts, between round brilliant diamonds each approx. 0.18cts, all claw set in white on a yellow gold square-section shank with hallmarks for Birmingham 2003, size N, 5.1g gross Condition Report: Overall good condition for age, general light wear and tear commensurate with age and light use, would benefit from a good clean. Sapphire, mid-blue, measures approx. 7mm x 5.1mm x 2.8mm. Diamionds each measure approx. 3.7mm diameter, colour about L/M, clarity about SI2-I1
Los 230
An Art Deco sapphire and diamond shaped-oval cluster ring with diamond shoulders. The central cluster with a central calibre sapphire three stone band within an eight-cut diamond eight stone shaped surround and single stone open shoulders, on a D-section shank with knife-edge shoulders, stamped '18ct' & 'Plat', size M, 3.4g gross Condition Report: Overall good condition for age, general wear and tear commensurate with age and use, no obvious evidence of any repair or sizing, however the marks are both a little compressed. The eight-cut and single-cut diamonds are a little '0ff colour' with a bown-ish-yellow-ish tint, one shoulder stone has a gletz at one facet junction. The sapphires are a 'light ceylon' colour and have some light abrasion to the fcet edges. none of the aboves information is obvious to the naked eye and only visible with a 10X loupe.
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534297 Los(e)/Seite