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Tennants Auctioneers
Los 134

A Highland Light Infantry OR Shako, the dark blue cloth body with black lace upper band and diced lower band, black patent leather peak and white metal front plate with King's crown, with leather sweatband, lacks liner, pom pom, button and chin strap; a Highland Light Infantry Tam o'Shanter, with chequered band, black grosgrain tails and backed white metal badge with King's crown, the inner dated 1954; a Highland Light Infantry Glengarry, the staybrite badge with QEII crown (3)

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Tennants Auctioneers
Los 135

Two George VI General Service Caps, in khaki wool with quilted cotton linings, one badged to the Argyll & Sutherland Highlanders, dated 1946, the other to Highland Light Infantry, dated 1948; a Khaki Wool Tam o'Shanter, with white metal King's crown badge to the King's Own Scottish Borderers and stitched label for Meyer & Mortimer, by appointment to H.M. the Queen, lining torn; a George VI Glengarry, the diced band bound with black patent leather, with white metal King's crown badge to the King's Own Scottish Borderers, binding cracked and ribbon torn (4)

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Tennants Auctioneers
Los 138

A Gordon Highlanders Black Wool Tam o'Shanter, with diced band and white metal badge; eight Various British Post-1953 Wool Berets, to Queen Alexandra's Royal Army Nursing Corps, Royal Army Medical Corps, Royal Navy, Durham Light Infantry with earlier KC badge, Royal Scots Greys, the Green Howards, Adjutant's General Corps and King's Own Border Regiment (9)

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Tennants Auctioneers
Los 140

A Mid-20th Century Naval Officer's Wolseley Sun/Pith Helmet by Gieves Ltd., London, covered in light khaki cotton, with six panelled top, eight fold puggaree with narrow navy blue edging, leather liner marked 6¾, maker's green morocco label to the vent hole, with leather chin strap; two Second World War Pith Helmets, each covered in light khaki cotton twill with four panelled top, single hat band, leather chin strap and sweatband, one dated 1943 (3)

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Tennants Auctioneers
Los 167

A First World War Other Ranks Khaki Wool Service Cap, the brass cap badge with slider to the Royal Irish Rifles, with light blue concentric quilted cotton liner, lacks chinstrap and buttons

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Tennants Auctioneers
Los 171

Three Second World War Uniform Jackets, comprising a No.2 Service dress tunic to a Captain The Royal Scots (38" chest) with bronze collar dogs and rank pips; a battledress blouse to a Captain Royal Signals (46" chest); a khaki drill cotton tunic to a Captain Durham Light Infantry (36" chest) with with bronze collar dogs; a Pre-First World War OR's Scottish Doublet, (34" chest) in scarlet wool with brass General Service buttons, the inner paper label faintly dated 1913 (4)

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Tennants Auctioneers
Los 216

An 18th Century Indian Pesh Kabz, with 27cm tapering T section steel blade, the marine ivory grip carved with panels of figures on a ground of foliage, 38cm (af); two 19th Century Indian Pesh Kabz, each with tapering T section steel blade, one with orange stained bone earred grip, one with pique decorated horn earred grip, with leather scabbards; a Spanish Navaja Knife, with brass and ebony grip (4)1 - Blade in relic condition, extremely rusted, grip with large split and numerous age splits. 2 & 3 - Light pitting to blades. 4 - Orange rust pitting to blade with nicks to edge.

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Tennants Auctioneers
Los 294

PURCHASER MUST BE 18 YEARS OF AGE OR OVERA BAM .22 Calibre Underlever Air Rifle, no visible numbers, with blackened finish, the light wood stock with chequered fore-end and semi pistol grip, with rubber recoil pad; a Gamo .22 Calibre Break Barrel Air Rifle, numbered 0966802, the beech semi pistol grip stock with horizontally reeded fore-end; a .177 Calibre Break Barrel Air Rifle, numbered 082835, with black crinkle enamel finish, brown plastic pistol grip and stock (af); another Air Rifle, with revolving magazine (af) (4)1 - Action works, minor bruising to stock, clean condition. 2 - Action works, rust pitting to metalwork and flaking to the varnish of the stock. 3 - Action not working, pitting to metalwork. 4 - Action not working

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Tennants Auctioneers
Los 30

The Durham Light Infantry:- a UN Medal (Cyprus) and General Service Medal 1962, with clasp NORTHERN IRELAND, awarded to MAJOR D(David) A BOWER LI, court mounted, with two sets of miniatures and a further UN miniature, together with his cap badge, two collar badges, a pair of gilt mess dress buttons, a silver quaiche engraved with a strung bugle, four related collector's plates, three engraved glass goblets, an ice bucket, two place mats, four wood plaques to DLI, Royal New Zealand Infantry Regiment, 200 Hovercraft Trials Sqn., and British Defence Liaison Staff Canberra, and two publications Officers of the Durham Light Infantry 1758-1968, with presentation inscription to the above Major Bower from the author Malcom McGregor, and Subalterns Serving with the 1st Battalion Durham Light Infantry in Korea by Brian Tonkinson (qty)

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Tennants Auctioneers
Los 35

A First World War Military Cross, awarded to Second Lieutenant William Gilbert Dyer of the Durham Light Infantry, in case of issue, together with research material.Footnote :- Second Lieutenant William Gilbert Dyer, the vendor's late father-in-law, was awarded the MC for conspicuous gallantry and devotion to duty, leading his platoon forward no less than three times and causing heavy casualties to the enemy during the very severe fighting in France in 1918. He was wounded twice. Originally from West Hartlepool, Lieutenant Dyer was working in Canada at the outbreak of the War. When the call for Volunteers went out, he was turned down by the Canadian Army so he returned to England and after several attempts he enlisted with the 19th Durhams as a Private. He worked his way up through the ranks and was selected for a commission in November 1917. He died at the age of 80 in 1969.

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Tennants Auctioneers
Los 44

A Collection of Approximately Eighty Scottish Glengarry, Collar and Pouch Badges, mainly post-1953, including Highland Light Infantry, The Royal Scots, Argyll & Sutherland Highlanders, Scots Guards, the Cameronians, Royal Highlanders Black Watch, Gordon Highlanders, Liverpool Scottish, London Scottish, etc, in white metal, brass, bimetal and staybrite, also belt clasps

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Tennants Auctioneers
Los 45

A Collection of Thirty Three Mainly Pre-1953 Badges, including an Edwardian Highland Infantry glengarry badge with South Africa 1900-02 ribbon legend, a Second World War Highland Light Infantry plastic economy badge, a Highland Cyclists Battalion Territorial Forces glengarry badge, a four part cap badge to the Highland Light Infantry with later brooch fixing, a Victorian Bandsman's sleeve badge, two Victorian Army School of Musicians cap badges, a Galloway Rifle Volunteers cap badge, a 92nd Gordon Highlanders crossbelt badge, and twenty four various other badges (33)

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Tennants Auctioneers
Los 48

A Quantity of British Shoulder Titles, in brass and staybrite, including Somerset Light Infantry, 5th Dragoon Guards, Queen's Own Highlanders, 4th West Riding, Royals, Green Howards, Gloster, Parachute Regiment etc; also, a quantity of British military buttons, rank pips and crowns etc.

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Bourne End Auction Rooms
Los 244

Approximately 20 Myth & Magic figures and models by the Tudor Mint to include 'under Dragons Spell', 'Summoner of Light', 'Aurora Roadshow 96', and othersLocation:

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Bourne End Auction Rooms
Los 288

Two early 20th Century silk shawls, one black and one cream with crotchet fringes and extra long cream tassels. Location:RailCondition:two small stains-see additional photos for condition report, no apparent holes when held up to the light.

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McTear's
Los 19

ELIZABETH II HALF SOVEREIGN 2002 in boxCoin with signs of light handling. Please see images of box. 

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Dreweatts 1759
Los 476

ALFRED DUBUCAND (FRENCH, 1828-1894) A BRONZE MODEL OF TWO HARES 19TH CENTURY Signed to cast Dubucand 11cm wide, 9cm high Provenance: The Imogen Paine collection of rabbits Condition Report: Good and with very mild wear as per handling and age. Will benefit from light clean and wax. Base with mild wear from table contact and with blue ink spot Please see additional images for visual references to condition which form part of this condition report All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

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Dreweatts 1759
Los 748

A GILT BRONZE SIX BRANCH HANGING LIGHT IN THE GOTHIC TASTE IN THE MANNER OF WILLIAM COLLINS, CIRCA 1830 AND LATERIn the Gothic taste, formerly a colza lamp 115cm high, 90cm diameterProvenance: From the Private Collection of a titled family 

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Dreweatts 1759
Los 765

A LARGE PAIR OF EMPIRE STYLE SIXTEEN LIGHT CHANDELIERS LATE 20TH CENTURY Open pointed coronet surmounts above iron red coloured enamelled bowl applied with gilt metal star motifs, fir cone finial terminals, fitted for electricity 200cm drop approximately, 99cm wide across bowl and lights Provenance: From the Private Collection of a titled family 

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Dreweatts 1759
Los 614

AFTER ANTONIO CANOVA (1757-1822) THE THREE GRACES CONTEMPORARYWhite marble, on a mixed marble plinth 111cm high, 192cm high overall, the base top 85cm wide, 55cm deep Condition Report: This will require specialist courier/transport collection due to weight and scale.Wear, marks, knocks and scratches as per age, handling, use, and cleaning. There chips to top of figures plinth of edge- and several more to lower edge and corners. The pedestal/plinth support top edge with further chips. One finger tip has been reglued on. Natural flaws to marble and some hairlines visible under very strong light- notably upper arm of central figure- almost impossible to photograph. Some wear to plinth base. Overall slightly dirtyPlease see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

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Dreweatts 1759
Los 617

A PAIR OF FRENCH ORMOLU AND CUT GLASS CANDELABRA LATE 19TH CENTURY Of stepped three light form, with classical female figural supports each 59cm high, the bases 11cm wide

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Dreweatts 1759
Los 580

λ  H BOKLEN (GERMAN, 20TH CENTURY) A BRONZE GROUP OF THREE RABBITS 20TH CENTURY Signed to cast and numbered 5 base 16cm long, 15cm high Provenance: The Imogen Paine collection of rabbits Although as yet untraced, this may be a work by the German female artist Hilde BÖKLEN (1897-1987)Condition Report: Good and with very mild wear as per handling and age. Base with mild wear from table contact and with blue ink spot - will benefit from light clean and waxPlease see additional images for visual references to condition which form part of this condition report All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

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Bamfords Auctioneers & Valuers
Los 172A

Vinyl records/Lps and singles including Louis Armstrong the greatest hits, What a wonderful world, Frank Sinatra Twenty golden greats and New York New York, lvis Costello, The Electric Light Orchestra, Shirley Bassey, Bethoven etc. (approx 150 in total).

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Bamfords Auctioneers & Valuers
Los 227A

Royal Crown Derby paperweights, field vole, and wren, wren with gold stopper; Royal Copenhagen style nuthatch pair; Beswick models, Shetland pony, foal, fox hound; a North Light Boxer dog model; etc.

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Bamfords Auctioneers & Valuers
Los 250

Lionel Aggett (bn. 1938),Winter Light,signed, pastel, 24cm x 31.5cm.

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Bamfords Auctioneers & Valuers
Los 326

Art Books - Birds, Wildlife, and general reference - John Gould, Birds of Great Britain; Michael Warren, Shorelines; David Shepherd, An Artist in Conservation, signed copy, and David Shepherd, The man and his paintings, signed; Chris Rose, In a natural light; James Alder, Birds and flowers of the castle of Mey and Balmoral; Marianne North; Margaret Mee; etc, two boxes.

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Bamfords Auctioneers & Valuers
Los 408

An Artist’s professional floor-standing full-height easel, by Mabel, made in Italy, height adjustable, 187cm high; artists light, etc.

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Cheffins
Los 127

A pair of Chinese stools/stands, late Qing Dynasty/early Republic, the legs united by boldly scrolled stretchers51 x 44 x 44cmGenerally good with some light wear to edges and wear to top Chipping and stress cracks on some feet.

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Cheffins
Los 146

A large Japanese shibayama three-fold room screen, Meiji period, comprising three arched sections, the two side sections hinged, inlaid wood, elephant ivory, stained elephant ivory, bone and mother of pearl, with seven doves in flight near flowering bough, on light blue lacquered ground over foliate panels of fenhuang birds, the reverse with sparrows over sedge, the whole raised on sledge feet and castors 196 x 242cm (open) Sold in accordance with the Ivory Act 2018, submission number B8WVU3MFProvenance:From a Norfolk Country House Frontal panels all generally good, with small chips and losses e.g mother of pearl on the basal panels. Central panel with 22cm lacquer crack – centre top and another middle left 24cm crack. Central panel with black splatter staining near the base and slightly on left-hand panel on the base. Reverse panel with more significant shibayama losses including one entire sparrow and two leaves (except the stems). One wing of another sparrow is all that remains. Part of a bamboo rod section is missing. Some scratching and staining throughout.

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Cheffins
Los 176

Manner of Claude-Joseph Vernet A moonlit Mediterranean harbour scene with men loading logs into a boat beneath a castle on a rocky outcropoil on canvas44 x 54cmProvenance:From the estate of the late Barry Lock (1934-2021)The painting is executed in oil on a canvas support which has been lined. The canvas tension is good and the picture is in plane. The paint layers have a network of age cracks which have formed around the canvas weave. In areas, the cracks are slightly raised, however, there are no areas of loss or flaking at present. Under ultraviolet light extensive overpaint is evident across the surface covering cracks and wear. The retouching is well matched to the original and not evident in normal light. The varnish is slightly milky and semi-matte with a layer of surface dirt present. Framed 57.5 x 67.5cm

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Cheffins
Los 193

Charles Thornley (exh. 1858-1898) Views of Scarborough - A Misty Morning; and Eveningboth signed 'Thornley' (lower right) and one inscribed with title (to the reverse)oil on canvas34 x 29cm, a pairProvenance:Morning - Walkers Galleries, Harrogate, Yorkshire, from whom acquired in 1981;Evening - John Noott Picture House Gallery, Broadway, Worcestershire, from whom acquired in 1981Both paintings are executed in oil on canvas supports which have been lined. The canvas tension is stiff and the pictures are in plane. There is extensive overpaint in the sunset scene, some now visible with the naked eye as it has darkened overtime. Other areas are visible under ultraviolet light. The left hand side of this picture has suffered from wear and damage which has led to overpaint and some reinforcement of the composition. The other picture has some areas of overpaint but is in a better condition overall. The varnish layers are semi-matte and even.Framed 52 x 46.5cm

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Cheffins
Los 200

§ Clive Madgwick (1935-2005) The Watermeadows at Sudbury, Suffolksigned 'C Madgwick' (lower right)oil on canvas44.5 x 75cmProvenance:Merrick Gallery, Weston-Super-Mare, AvonOil on canvas which is unlined. Surface dirt particularly visible in the sky. Canvas tension is perhaps slightly slack. There is a diagonal mark or crease within the canvas texture left of the church - this can be seen in raking light or when examined at an angle. Retouchings in the top right corner in the sky have discoloured and yellowed. Framed 62.5 x 93cm

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Cheffins
Los 251

John Wootton (c.1682-1764) A bay Arabian stallion being led by a groom, a hound nearby, with a rider and grey horse watering on the far rightsigned indistinctly lower centre left 'J W...'oil on canvas65 x 116cmProvenance:Acquired by Algernon Dunn Gardner (1853-1929) from Fores of Piccadilly on 18th July 1913, as of 'The Darley Arabian',Thence by descentThough much later prints after the present painting identify the horse as the Darley Arabian and show the animal as having three white socks and a white blaze, recent cleaning and conservation showed two of the socks to be overpaint and the blaze was reduced to a star and thus in the opinion of David Oldrey, to whom we are grateful for assistance with this catalogue entry, the horse cannot be the great Arab stallion, the Darley Arabian. He proposes as an alternative bloodline that of the Leedes Arabian, which was a bay with a rear left white sock as was his son, Leeds (or Leedes) and thus the present animal which from the clothes of the accompanying figures must date from at least circa 1730, or later, is probably the grandson or great-grandson of the Leeds Arabian.Oil on canvas which has been lined. The canvas tension is good and the picture is in plane. The painting has a prominent network of age cracks, more noticeable in the sky where they have darkened with age. The paint layer is stable overall. There is some wear and abrasion to the paint layer. Areas of retouching are not extensive and are well matched to the original. The varnish is semi-matte and even with a light layer of dust across the surface. The frame is in a good condition.

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Cheffins
Los 262

Follower of John Crome Cottage near Yarmouthinscribed in later hand 'Given by Old Crome to his pupil, Mary Paget of Gr. Yarmouth' (to the reverse)oil on panel19 x 16cmProvenance:According to a later inscription on the reverse of the panel, given by the artist to his pupil Mary Paget of Great Yarmouth,Be descent to Reverend A T Paget by 1860,By descent to Sir James Paget (1814-1899); HRH Prince Frederick Duleep Singh, Blo Norton Hall, Norfolk, by 1921;Anon. Sale, Sotheby's, London, 21st November 1961, lot 151, as 'A Woodland Cottage at the Edge of a Pond', bt. by F L Wilder, By whom bequeathed to the present ownerLiterature:William Frederick Dickes, Norwich School of Painting, 1905, p. 58;Charles Collins Baker, John Crome, 1921, pp. 88, 130, 194;Norman L Goldberg, John Crome the Elder, 1978, pp. 183-184, no. 30Exhibited:Norwich, 1860, no. 130, as Cottage in Grove, lent by the Revered A T Paget;Norwich, Norwich Castle Museum, Crome Centenary Exhibition, 1921, no. 98, as 'Landscape in Oils, lent by HRH Prince Frederick Duleep Singh, Norton Hall, Norfolk' Goldberg (see Literature) dates the present painting to circa 1807-1808.The painting is executed in oil on a small wooden panel formed from a single board with vertical woodgrain. The panel and paint layers are in a good condition overall. There is a thick layer of glossy varnish present which has yellowed with age. There are scuffs and scratches across the surface of the varnish and a light layer of surface dirt.Framed 30.5 x 28cm

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Cheffins
Los 275

Willem de Klerk (1800-1876) Cattle watering in a stream signed 'W. de Klerk Dordt' (lower centre)oil on panel63 x 87cmProvenance:Cambridge Fine ArtThe painting is executed in oil on a wooden panel. The panel is in a good condition overall. There are small splits which have started to form at the edges of the panels, following the horizontal woodgrain, but the panel joins are sound. The paint layers are in excellent condition overall. The painting has been sensitively cleaned in the past with residues of old varnish present in the darker paint passages, there also appears to be localised areas of overpaint which fluoresce brightly under ultraviolet light. These do not appear to be extensive. The varnish is even, glossy and clear with a light layer of surface dirt present.93 x 117cm framedPlease note the 2nd image was taken in our saleroom under normal lighting conditions - without flash and with no spotlight.

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Cheffins
Los 292

Circle of Michael Dahl (1659-1743) Profile portrait of an unknown lady with a blue shawloil on canvas, circular48.5cm diam.Provenance:From the estate of the late Barry Lock (1934-2021)The painting is executed in oil on a canvas support which has been lined. The canvas is in plane and the paint layers are stable and secure. There are a few losses caused by impacts to the front of the painting. There is a network of overpaint across the surface, covering age cracks and abrasion. The varnish is very brittle and opaque cracks have occurred in localised areas. There is a light layer of surface dust.Framed 65 x 65cm

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Cheffins
Los 293

Circle of John Riley (1646-1691) Portrait of a lady, said to be Mrs Levinz, in a blue dress, seated three-quarter length before a landscapeinscribed on a later label on the reverse 'Sir Peter Lely / Mrs Levinz'oil on canvas, in a period frame123 x 97cmProvenance:Christie's, London, 4th September 2003, lot 26, as 'Circle of Michael Dahl'; Anthony Mould Ltd, from whom acquired by the present owner circa 2004The painting is executed in oil on canvas which has been lined. The picture is in plane with good tension. The paint layers are stable and secure. There is a network of age cracks across the surface which are prominent in the flesh tones where the cracks have darkened with age. The paint surface is slightly cupped. There is some pigment degradation in the sitter’s dress, the skirt now has a slightly yellowed appearance. Areas of retouching are main located in the dress. There are also fine touches in the sitter’s hair and background which are well matched to the original. The varnish is clear, even and glossy with a light layer of surface dirt.

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Cheffins
Los 294

Circle of Francis Hayman (1708-1776) Portrait of a lady in a white silk dress with blue bow and blue cloak, a string of pearls in her hair, in a painted ovaloil on canvas, in a carved and giltwood frame74 x 62cmProvenance:Presumably by descent within the Jackson family to Elizabeth Jackson, who married Thomas Berney of Bracon,Thence by descent to the present ownerThe sitter by family tradition was Grace Jackson (née Goldstone, c.1750-1798), later Lady Duckett, daughter and heir of London merchant, Gwyn Goldstone of Goldstone, Shropshire, and his wife Grace Duckett. In 1775, she married George Jackson (1725-1822), politician, Deputy Secretary to the Admiralty and patron of Captain James Cook. In 1791, her husband was created a baronet. Upon the death of her uncle, Thomas Duckett, in 1797, her husband assumed the name Duckett to secure the inheritance of the family Hartham estate at Corsham, Wiltshire, becoming Sir George Duckett, 1st Bt. From the dress, however, and fashion of the sitter, the latter cannot be someone born circa 1750. The painting is executed in oil on a canvas support which has been lined. There are localised areas of flaking and loss located at the edges of the picture, associated with framing and impact. The rest of the paint layers are in a good, stable condition. Overpaint is present, visible in ultraviolet light, mainly covering wear and abrasion in the background. The varnish is matte, dull and no longer adequately saturating the paint layers. There are matte spots and surface dirt present.

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Cheffins
Los 299

Prussian School, mid-18th century Portrait of King Frederick William I of Prussia (1688-1740) wearing the insignia of the Prussian order of the Black Eagle and holding a baton in a landscapeoil on canvas66 x 43cmProvenance:Bonhams and Brooks, London, 26th April 2001, lot 300, when acquired by the late Barry Lock (1934-2021)The present composition is closely based on the prototype of the monarch created by Antoine Pesne (1683-1757) and his studio.The painting is executed in oil on a canvas support which has been lined. The picture is in plane and the paint layers are stable and secure. A regular network of age cracks is present across the surface, prominent in the lighter paint passages. Under ultraviolet light, overpaint is visible, mainly located in the background and jacket with finer touches to the main figure. The overpaint is well matched to the original and the appearance of the picture is good. The varnish is glossy, even and clear.Framed 85 x 62cm

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Cheffins
Los 306

William Etty, RA (1787-1849) The Wrestlers (recto), and a study of a man with a staff (verso)signed in monogram (to the reverse)oil on millboard48.5 x 39cmProvenance:Thomas Agnew & Sons Ltd, London;Anon. sale, Sotheby Parke Bernet, New York, 25th January 1980, lot 332, when acquired by Malcolm Forbes (1919-1990),By descent to his son, Christopher Forbes (1951-),His Sale, Christie's, London, The Forbes Collection of Victorian Pictures and Works of Art, 19th-20th February 2003, session III, lot 309, when acquired by the late Barry Lock (1934-2021)Etty produced several life studies of men wrestling throughout his life. A larger version of the present composition, also on millboard (68.6 x 53.5cm) which Dennis Farr dates to circa 1840, is in the York Art Gallery (see Dennis Farr, William Etty, London, 1958, p. 163, no. 138). Farr also records another version of this subject on millboard (51 x 40cm) with a study of a male nude on verso, which was in 1958 in the collection of 'John Woodward Esq., Birmingham' and may be possibly identified with the present picture (ibid, no. 136). The painting is executed in oil on a thin cardboard support. The support is in plane and the paint layers are stable overall. There are areas of overpaint visible under ultraviolet light reinforcing shadows and some of the darker passages pf the composition. The varnish is thick and very glossy but has slightly discoloured over time. There are a few light scuffs across the surface.Framed 58 x 49cm

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Cheffins
Los 317

Dutch School, 1656 Portrait miniature of a lady wearing a black dress with double-layered white collar trimmed with lace and held with a yellow ribbon bow, a lace edged cap in her hairsigned with initials and dated 'I W / 1656' (lower right)oil on silver, oval7.5cmProvenance:Bonhams, London, 19th November 2008, lot 35, as 'The Monogrammist I W', when acquired by the late Barry Lock (1934-2021)Examined out of frame. Small loss top centre along the edge. Some wear and rubbing to the paint layer. Light surface dirt. Under UV, retouchings are present in the background, especially left of the sitter and in the lower centre in her dress. Does not appropriately fit its frame which is too big.

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Cheffins
Los 330

Peter Paul Lens (1714 - after 1754) Portrait miniature of a lady wearing a blue robe edged with ermine, pearl choker, her brown hair upswept beneath a white silk veilsigned 'PLens' (centre right)watercolour on ivory, oval, in an ebonised turned wood frame4.5cmProvenance:Bonhams, London, 30th May 2013, lot 26, when acquired by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. R7431YF2.The ivory appears slightly warped. Small paint loss to the left centre edge. Small retouching above the sitter's left shoulder near the veil - has slightly discoloured and now appears light blue. There is some black spotting to the background - especially the left hand side by the sitter's veil and left of her head - this area fluoresces under UV. Some of these appear to be discoloured retouchings and surface dirt. Not examined out of frame. 6.5 x 5.8cm framed.

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Cheffins
Los 332

Gervase Spencer (c.1715-1763) Portrait miniature of a gentleman, wearing blue coat with gold frogging, white figured waistcoat, chemise, stock and lace cravat, his powdered wig worn en queue and tied with black ribbonsigned and dated 'GS/ 1753' (lower right)watercolour on ivory, oval, in a gold frame4.5cmProvenance:Bonhams, London, 8th April 2010, lot 26;Bonhams, London, 21st November 2013, lot 24, when acquired by the late Barry Lock (1934-2021)Gervase Spencer was originally a gentleman's servant who was said to have taught himself the art of miniature painting. His work caught the eye of the writer George Vertue who described him in 1749 as "young man...who not long a few years ago was in the capacity of a footman to Dr. W [follows a flourish imaginable as 'ill'] - and now professes liming with some succes. which demonstrates a Genius pratizing by degrees of himself – and really is in a curious neat manner & masterly" (see George Vertue, 'Vertue's Note Book B. 4 [British Museum. Add. MS. 23,074]', in The Volume of the Walpole Society, 1933-4, vol. 22, pp. 143-62, p. 151).This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. HWRTV9J1.Not examined out of frame. Good condition overall. Some light surface dirt under glass particularly to the sitter's coat. Small paint loss visible along the bottom centre edge. There is a small area in the sitter's right shoulder which appears to show either some fading or possible small losses.

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Los 340

John Cox Dillman Engleheart (1784-1862) Portrait miniature of a gentleman, wearing a blue coat with gold buttons and white stocksigned and inscribed 'J D Engleheart / Newman Street / 18(2?)9' (to the reverse)watercolour on ivory, oval8cmProvenance:Bonhams & Brooks, London, 7th March 2001, lot 304;Ellison Fine Art, from whom acquired in 2019 by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. J9U1UQKF.Overall in good condition. Examined out of frame. Minor paint losses to the edges and a light scuff mark from the mount lower left. Does not fit properly into its frame - the right hand edge of the ivory can be seen.

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Los 343

Henry Bone, RA (1755-1834) after Sir Thomas Lawrence Portrait miniature of Sir Samuel Romilly (1757-1818)signed 'H Bone' (lower right); also signed and inscribed 'The late Sir Samuel / Romilly / London / Jan.y 1821. / Painted by H.y Bone RA / Enamel painter to / His Majesty after / the original by / Sir Tho.s Lawrence / P.R.A' (to the counter-enamel)enamel on copper, oval6cmProvenance:Ellison Fine Art, from whom acquired in 2013 by the late Barry Lock (1934-2021)A leading Whig law reformer, Sir Samuel Romilly (1757-1818) studied law and was called to bar in 1783. He was a vocal opponent of the slave trade and an advocate for reform in criminal law. In 1806, he was offered the post of Solicitor General although he had never sat in the House of Commons. He accepted and was subsequently knighted and brought into Parliament for Queenborough. In 1810, he successfully introduced a bill that abolished the death penalty for pickpocketing, housebreaking, and other trivial offences. He also helped to establish the principle that criminal defendants were innocent until proven guilty and introduced several bills which abolished cruel and unusual punishments, such as flogging and branding. Romilly's work paved the way for further legal reform in the 19th century. Tragically, in 1818, on hearing the news of the death of his wife, he committed suicide at the age of 61.The original by Sir Thomas Lawrence, dated to 1806-1810, is in the National Portrait Gallery London, inv. no. NPG L268.There are small losses along the edges. Previous retouchings have discoloured and now appear visible to the naked eye - along the bottom centre and right of the sitter. There appears to be some translucent residue to the sitter's collar which fluoresces under UV light. The glass is loose within the mount. 12 x 10cm framed

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Los 349

Frederick Buck (1771-1840)Portrait miniature of an officer of the light company, 16th (Bedfordshire) Regiment of Foot, circa 1810 watercolour on ivory, oval6cmProvenance:From the estate of the late Barry Lock (1934-2021)We are grateful to Christopher Bryant for his assistance with this catalogue entry.This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. PLZT9LH4.Ivory slightly warped. Small paint loss lower centre in the sitter's uniform. Some surface dirt along the edges. Little red spotting right of the sitter's head. Examined out of frame. 11.8 x 9.7cm framed.

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Los 353

French School, circa 1815 Portrait miniature of an officer in a white coat with high light blue collar and black stockwatercolour on ivory, circular5.5cmProvenance:Christie's, London, 30th April 1996, lot 137;Bonhams, London, 19th November 2008, lot 122, when acquired by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. 91KPBA6C.

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Los 366

Adam Buck (1759-1833)Portrait miniature of a naval officer in uniform, dark blue coat with gold trimmed facings and collar, gold epaulettes, frilled white chemise and black stockwatercolour on paper12.5cmProvenance:Bonhams, London, 21st November 2007, lot 282, when acquired by the late Barry Lock (1934-2021)Some light foxing. Little discolouration and fading to the bottom margin. Examined out of frame.|Unsigned but purchased from Bonhams as fully attributed to Adam Buck.

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Los 367

Henry Collen (1798-1879) Portrait miniature of John FitzGibbon, 2nd Earl of Clare, KP, GCH, PC (1792-1851) in peer's robessigned and dated 'From a picture by G. Hayter. H Collen 1825' (centre left) and inscribed on the reverse 'Earl of Clare's Picture / Lady Isabella FitzGibbon'watercolour on ivory8.5cmProvenance:Ellison Fine Art, from whom acquired in 2019 by the late Barry Lock (1934-2021)The sitter was the eldest son of John FitzGibbon, 1st Earl of Clare and Anne Whaley. In 1802, he succeeded to the titles of Baron FitzGibbon in the Peerage of Great Britain and Earl of Clare in the Irish Peerage. Educated at Christ Church, Oxford, he was active in the House of Lords from 1820, becoming a Privy Councillor in 1830. He served as Governor of Bombay from 1830-1835, as Deputy Lieutenant of the County of Limerick from 1846-1849 and afterwards was appointed Lord Lieutenant of the City of Limerick for the remainder of his life. In 1826, he married the Hon. Elizabeth Burrell, daughter of Peter Burrell, 1st Lord Gwydwyr and Priscilla Bertie, suo jure Baroness Willoughby de Eresby. The couple lived apart, Lady Clare moving to the Isle of Wight where she built a Catholic church at Ryde and a Priory at Carisbrooke. Lord Clare was a great friend of Lord Byron whom he met at Harrow School. Byron had claimed to love him "ad infinitum" and said that he could never hear the word "Clare" without "a murmur of the heart". Lord Clare died in 1851 without issue and was succeeded in his titles and estates by his younger brother.This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. 6QUX1LSV.Few light scuffs above the sitter top left corner. Otherwise good condition overall. 21 x 20cm framed

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Los 485

Three Chelsea-Derby coffee cups and stands, circa 1775, two pineapple moulded, one in cerise with laurel ribbon tied border and gilt dentil rims, the other with pink and turquoise mouldings beneath gilt festoons, one decorated with gilt trellis within turquoise borders and gilt dentil rims (6)Provenance: From the estate of the late Barry Lock (1934-2021)Cerise pineapple cup and saucer - nice condition, slight rubbing to gilding pineapple moulded cup and saucer - nice condition Trellis cup and saucer - mark to the cup has worn away but can be seen under a light 

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Los 493

A Derby armorial plate, circa 1820, the centre painted with the marital arms of Kemeys-Tynte and Swinnerton for Charles John Kemeys-Tynte (1800-1882), within a blue ground border gilt with scrolling acanthus25cm diameter; a Flight Barr and Barr Worcester crested coffee cup and stand, circa 1830, the broad blue border gilt with a border of scrolls and anthemions, reserved with the arms of Sophia, daughter of the Earl of Coventry and her husband Sir Roger Gresley, Bart stand15.5cm diameter (3)  Provenance:Jupiter Antiques, East Sussex From the estate of the late Barry Lock (1934-2021)Charles John Kemeys-Tynte (1800-1882) of Halswell in Somerset, Cefn Mably in Glamorgan and Burleigh Hall in Leicestershire, was Colonel of the Royal Glamorgan Light Infantry, MP for West Somerset 1832-7 and for Bridgwater 1847-65. He married on 18 July 1820, Elizabeth, daughter and co-heiress of Thomas Swinnerton of Butterton Hall, Staffordshire. She died on 10 May 1838 and he remarried on 15 April 1841.

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Los 499

An English porcelain tea bowl and saucer, inscribed in gilt Sir Francis Burdett MP, within gilt line bordersthe saucer 13.5cm diameterProvenance: From the estate of the late Barry Lock (1934-2021)The son of the Baronet of Foremark (1743–1794), Sir Francis Burdett was born in January 1770, near Repton, Derbyshire and is today remembered as a vociferous champion of reform and free speech and a passionate opponent of political corruption. Burdett’s independent nature was evident in his early years, when he was expelled from Westminster School. After his education at Christ Church, Oxford, and after travelling to France where he witnessed, first-hand, the early days of the French Revolution, Burdett entered Parliament in 1796, where he would continue to affect seismic and profound changes to British law and culture.Upon entering Parliament, Burdett was vocal and forthright in his opposition to William Pitt the Younger and as an advocate of popular rights. In addition to other causes, Burdett condemned the war in France, the suspension of the Habeas Corpus Act and, in his maiden speech, accused the government of ‘oppression of an enslaved and impoverished people’. As such, Burdett rapidly became a hugely popular figure amongst the electorate.In 1810, Burdett published a series of pamphlets in support of John Gale Jones - a radical orator who had been imprisoned at Newgate for his public censuring of the government’s decision to exclude members of the press from Parliament. A warrant was soon issued for Burdett’s immediate arrest and, following a two-day standoff in which Burdett barred himself into his home, he was publicly arrested by a military cavalcade. Perhaps, unsurprisingly, public support for both Burdett and political reform, more generally, tumefied and a spate of 'Burdett and Liberty' erupted across London. The present lot is one of a number of wares that were produced around the time of Burdett’s arrest and demonstrate the widespread public support for his cause. After his release, Burdett continued to champion a number of popular causes, though his popularity never recovered to the heights of that which he achieved during the time of his arrest. Following the death of his wife, Sophia Coutts, the second daughter of the wealthy banker Thomas Coutts, the inconsolable Burdett refused all food and died just ten days later.Slight light crazing in palces, saucer with a faint hairline crack to rim

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Los 59

A Chinese Provincial porcelain bowl, 17th century, with light blue glaze, centrally with an impressed seal mark, within waved and repeat line borders25.5cm diameterScuffing and markings throughout - some discolouration to the marks. Slight pitting to the glaze around the rim. Firing faults including burst bubbles, rim flakes, and firing cracks to foot rim.

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Los 631

A Scandinavian painted wardrobe, early 19th century, the domed cornice above two panelled cupboard doors painted with floral bouquets, raised on a plinth base177 x 138 x 49cmSome light wear, mainly to edges of cornice, generally in good condition overall~Back panels are loose and need attention, it is one piece and does not come apart for instillationSee images for interior 

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Los 642

A mahogany butler's tray on stand, 19th century, the tray galleried on three sides and raised on a cross-form base80 x 72 x 45cmTray with some minor dry splitting, general knocks and light scratching consistent with useStand straps have been re-attached, bidding the central strapFarme knockedSee images

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Los 66

A Chinese porcelain double gourd vase, 20th century, with intricate floral and ribbon pattern on a light green ground, seal mark of Qianlong40cm highOverall very good

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Los 701

A pair of Victorian rosewood yellow upholstered window seats, with lyre scrolled ends, on cabriole legs and brass castors62 x 100 x 35cmProvenance: From the estate of the late Barry Lock (1934-2021)General wear to the frame including knocks and light scratching, upholstery is in good conditionThe legs have been stuck to the frame with pins and glue residue evident,Both seats possibly made up out of 19th century elementsSee images

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Los 720

A pair of bronze and gilt triform candlestick lamps, circa 1830, with modern bulb fittings (not wired) and pleated silk shades29.5cm high, 54cm high including shadesWith modern bulb fittings, but not wired - There is a 10 mm internal tube going from light fixture to base / triform section so they can be wired through this.

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Los 760

A silk embroidered wedding dress, early 19th century, embroidered with foliate designs with a ruched necklineneckline to hem - 126cm, sleeve to sleeve - 124cm Originally conceived in 1825, the present lot was first used by Anna Eliza Davies (circa 1795 - circa 1881) during her wedding ceremony to Thomas Lewis-Lloyd of Nantgwyllt (1799-1870). Retained within the family, the dress was later gifted to Davies’ granddaughter, Louisa Lewis-Lloyd of Nantgwyllt, Radnorshire and Bloomfield, Narberth, Pembrokeshire (1867-1952). In the 1950s, the dress was bequeathed to Lewis-Lloyd’s great neice who later adapted the dress. In a manuscript note, the alterations are described thusly: “I converted the train into an evening dress to wear at the Spanish Embassy in Dublin, while staying with Lady Dunsany, co Meath. I was careful not to cut the train and the velvet band, zips and darts can all be carefully undone and the train replaced. I had to do this as end of war and no coupons for dress [sic].” Selvedge to selvedge of bottom of jacket- 178cmAcross the back of the jacket - 28.5cmSleeve length - 45cmDress straps front to back - 31cmNeckline of dress to hem - 128cmA number of small holes to both jacket and dress, some light staining to the armpit of the jacket and a number of small old repairs. The dress with some fraying to hem, some patch repairs, the velvet trim with loose stitches to the reverse, possibly having an adjusted hemline.Jacket: the length comprising four panels, exterior panels approx 38cm and 37.5cm selvedge to selvedge and the central panels each 50cmDress: comprising four panels measuring 49cm, 50cm x 50cm x 28cm (bisected by zip)

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Los 761

A Victorian rosewood fitted dressing box, dated 1867, by A. Campbell, London, the rectangular hinged cover with mirror lining and enclosing an assortment of silver lidded glass jars and containers (one base missing), centred by small sewing and other implements to a lift out compartment, a sprung drawer below39cm wideThe longest rectangular glass box is missing, silver cover only present.  Otherwise, in good overall condition, glass elements all in good undamaged condition, some light surface rust to accessories.

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