James Duffield Harding, RA, British 1797-1863- Boulogne Sur Mer; pencil heightened with white on orange paper, inscribed and dated 'Boulogne Sur Mer France 1849' (lower left), 21.5 x 28.5 cm. Provenance: Spink & Sons, London.; Their sale, Christie's, London, 25 May 1971, lot 150 (part) (£36.75s).; Private Collection, UK.Condition Report: Framed, mounted, and glazed. Unexamined out of frame. Minor marks and scuffs to the frame generally. Likely browning/discolouration to the sheet, and minor spots of foxing in areas. Light marks and creases consistent with handling. Otherwise in fair condition overall.
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William Lionel Wyllie RA RI RE, British 1851-1931- The Rock of Gibraltar; Westminster and Blackfriars Bridge from St. Paul's and Untitled Harbour Scene, c.1920s; three drypoint etchings on wove, each signed in pencil, each plate 37.7 x 16.2cm (framed) (3)Condition Report: Each framed, mounted, and glazed, and unexamined out of frame. Minor marks and scuffs to the frames generally. Evidence of browning/discolouration to the sheets in areas, alongside spots of foxing and further marks to the sheets. Light cockling to the sheets generally. No evidence of creasing, folding, or tearing. Otherwise in fair condition overall.
William Bennett, British 1811-1871- Bodiam Castle, Sussex, 1860; watercolour on paper, signed and dated 'W Bennett / 1860' (lower right), 36.7 x 54.4 cm. Condition Report: Framed, mounted, and glazed. Unexamined out of frame. Minor marks and scuffs to the frame generally. Very light creasing and marks in areas, consistent with handling. Possible minor discolouration and spots of foxing in areas. Otherwise in good condition overall.
Théophile Emile Achille De Bock, Dutch 1851-1904- Figures on a country lane; watercolour on paper, signed 'Th. de Bock' (lower left), 65 x 45 cm. Condition Report: Framed and glazed. Unexamined out of frame. Minor marks and scuffs to the frame generally. Areas of discolouration/browning to the sheet. Possible light creases/marks to the sheet, consistent with handling. Otherwise in fair condition overall.
Thomas Heaphy, British 1775-1835- Studied of Boys; pencil on paper, inscribed 'William Bull' (centre right), 22.4 x 17.8 cm. Provenance: Agnew & Sons Ltd., London; Private Collection, UK. Exhibited: London, Agnew & Sons Ltd., 125th Annual Exhibition of Watercolours and Drawings, 1998, no.53. Condition Report: Framed, unexamined out of frame. Minor marks and scuffs to the frame generally. Spots of foxing across the sheet, alongside marks and discolouration/browning generally. Light creases in areas, including a horizontal crease towards the upper edge, with a possible minor tear to the upper left edge. In fair to poor condition overall.
F. Lock, British School, mid 19th century- Portrait of a lady, seated, with a red brooch; watercolour heightened with white on paper, signed and dated 'F. Lock. 1845' (lower right), 23.5 x 19 cm.: British School, 19th century- Portrait of a man in blue uniform; watercolour and bodycolour on paper, 16 x 11.6 cm.: George Duchescne, French School, 19th century- View of a lake, with statues; watercolour on paper, tondo, signed 'Geo Duchesne' (lower right), dia. 24 cm.: British School, 20th century- View of Venice; watercolour, signed (lower right), 26.8 x 22.6 cm.; M. Chinchen, British School, 20th century- View of boats; watercolour on paper, signed 'M. Chinchen' (lower left), 14.6 x 30.5 cm., five (5) Condition Report: All framed and glazed, and unexamined out of frames. Minor marks and scuffs to the frames generally. Evidence of discolouration/browning and foxing to some of the sheets, particularly to the lead image. Light creases and minor marks generally, consistent with handling. Otherwise in fair condition overall.
Charles J. Basilus, British school, mid 19th century- Portrait of William Cosmo Gordon; watercolour on paper, signed and dated 'Chas. J. Basilus / 1843' (lower right), bears old inscribed label to the reverse, 27 x 23.5 cm. Condition Report: Framed, mounted, and glazed. Unexamined out of frame. Minor marks and scuffs to the frame generally. Spots of foxing to the sheet in areas, alongside areas of discolouration/browning. Light marks and creases in areas consistent with handling. Otherwise in fair condition overall.
Arthur Ernest Vokes, British 1874-1964- Fishermen by a beached vessel on the shore; and Figures at a market; watercolour and bodycolour on paper, one signed with monogram and dated '1903' (lower right), 12 x 16.9 cm., two (2) (ARR) Condition Report: Framed and glazed, and unexamined out of frame. Minor marks and scuffs to the frames generally. The sheets lie flat in the mounts. Minor spots of foxing and possible areas of damage in areas. Minor marks and light creasing consistent with handling. Otherwise in fair condition overall.
Stephen Gayford, British b.1954- Botanical illustrations, including Wild Rose; Variegated Iris; St. Bruno's Lily; Meadow Saffron; Snow Gentian; Scarlet Pimpernel; Crocus; and Alpine Clematis; watercolour and gouache on paper, each signed 'Stephen Gayford' and titled to the lower edge, 24 x 18 cm. and smaller. (ARR)Condition Report: All framed, mounted, and glazed. All unexamined out of frame. Light marks and chips to the frames generally. Possible very light creasing and cockling to some of the sheets, and light marks consistent with handling. Otherwise in very good condition overall.
Robert Charles Goff, British 1837-1922- View of Florence; etching, signed 'R. Goff' in pencil (lower right), faintly signed and dated 'R. Goff 1912' within the sheet, 20 x 30.5 cm.Condition Report: Framed and glazed, unexamined out of frame. Some marks and scuffs to the frame in areas. Light cockling to the sheet within the frame. Possible discolouration/browning to the sheet, and spots of foxing in areas. Otherwise in fair condition overall.
TRISTRAM ELLIS (1844-1922). THE FORTH BRIDGE, EDINBURGH. Signed and dated 1881, watercolour and pencil heightenmed with white 59 x 120.5cm. Provenance: By descent in the family of Sir John Fowler (1817-1898), Chief Designer and Engineer of the Bridge. The date may seem to be incorrect as the bridge was only completed in 1890. However, this drawing was commissioned by Fowler and it was drawn from plans before the construction was commenced. This ambitious watercolour shows the bridge as a creation in shiny steel (it was the first major structure in the United Kingdom to be constructed in steel) whereas, of course, it was eventually painted in a red oxide colour (now known as `Forth Bridge Red`). The 45 acres of metalwork require half a million litres of paint. *CR Some fading and discolouration; needs a clean to improve light-staining.
GIOVANNI BATTISTA SALVI, IL SASSOFERRATO (1609-1685). His studio. THE MADONNA IN PRAYER. Oil on canvas 49.5 x 38cm. * This subject was Salvi's most popular theme and it was imitated frequently during his lifetime. Drawing upon the inspiration of Raphael, Guido Reni and (inevitably) his teacher Domenichino, the image's widespread dissemination throughout Italy coincided with a rise in demand for images celebrating the cult of the Virgin during the latter part of the 17th Century. *CR Lined; some craquelure; scattered retouching; needs a light clean.
FRANCES MABEL HOLLAMS (1877-1963). TAFFY, A SADDLED DAPPLED GREY IN A FIELD. (d) Signed, oil on panel 30 x 40cm. Provenance: The horse was the property of the vendor's late father when he was joint Master of the Taunton Vale Hunt. By descent in the family of the artist. *CR Some slight craquelure; needs a light clean.
FRANCES MABEL HOLLAMS (1877-1963). LORD HARRINGTON'S `BACKBITER`. (d) Signed with initials, inscribed with title upper left, bears inscribed label verso `Study of a Foxhound/Miss F. Mabel Hollams/ Puttenden Tonbridge, oil on panel 23 x 32cm. Provenance: By descent in the family of the artist. *CR Horizontal crack upper right; needs a light clean.
JAMES BROWN (1863-1943). LANDSCAPE (SKETCH). Signed `P. Conway`, also signed and inscribed on a label verso 39 x 44cm. * Paul Conway was a pseudonym that Brown used for a while, apparently to acknowledge his mother's maiden name. Brown was a friend of James Bolivar Manson and Lucien Pissarro, the influence of the latter being apparent in many of his landscape subjects. *CR Lined; a little associated retouching; needs a light clean.
SET OF ERCOL VINTAGE STICK BACK CHAIRS. A set of five Ercol light elm and beech stick back chairs, each stamped underneath '1960, 2056', 79cms high. (5). *CR These have been well used, one seat is a little faded, they all have marks and scratches in places, two have had spindles re glued back into place. Overall they need a little attention.
ERCOL DROP FLAP TABLE & FOUR DINING CHAIRS, & A ROCKING CHAIR. A vintage light elm and beech drop flap table (112cms by 123cms fully extended), also with four Ercol dining chairs with cushions (97cms high), and an Ercol rocking chair (85cms high). (6). *CR Table, generally a good colour, it has been used and has some marks and scratches in places. Chairs, faded and dry and need some attention Rocking Chair, faded over time.
ERCOL TEA TROLLEY & PLATE RACK. A three tier light elm and beech tea trolley, raised on roller castors (74.5cms high, 70.5cms across by 45.5cms at widest point). Also with an Ercol plate rack with two shelves (96cms across, 49.5cms high). (2). *CR Trolley, generally in good condition. The odd small mark to the top surface with a touch of surface loss, a few marks to the beech supports and in other places as you would expect over time. Plate rack, seems in good condition.
WEDGWOOD TRI COLOUR JASPER WARE LIDDED VASE. A 19thc lidded vase with four small vignettes of cherubs on a dark red ground, with a light blue ground, and with white borders including swags and mask heads around the body. With a small dome top cover, impressed mark to the base 'Wedgwood'. 26.5cms high. *CR Base of lid restored, there is a general craquelure to the body, one vignette has a small chip to the edge, some discolouration around the base section.
GRAINGER LEE & CO WORCESTER PEDESTAL VASE, BELLEEK MENU HOLDER & ENGLISH CUP & SAUCER. Circa 1812-1839, the campana shaped urn hand painted with a panel of flowers against a light green ground. With pierced gilded handles and mounted on a square plinth, the inside painted to imitate marble. Painted mark to the base in red, 'Grainger Lee & Co'. 24cms high. Also with a Belleek First Period menu holder (7.5cms high), and a 19thc English cup and saucer painted with birds and insects on a blue ground (saucer 13.5cms diameter). (4). *CR Grainger - One of the lips around the rim is chipped, one of the handles I think has been restored near the birds head (has a matt finish and looks darker than the other), base has a scratch to the green ground, small chip to corner of base rim, a little gilding loss in places Belleek, couple of the ends of the twigs I think have small chips/nibbles Cup and saucer, cup is cracked from the rim down, saucer has some heavy crazing to teh base and some wear to the gilding.
COLLECTION OF JAPANESE CLOISONNE. A large mixed lot including a small pair of vases designed with flowers on a green ground (12cms high), a pair of vases decorated with birds and insects on a light blue ground (15cms high), and a variety of other items including vases, boxes, dishes, clock face etc. *CR Not available.
An early 20th century plated five-light four scroll branch Corinthian column candelabrum with beaded detachable nozzles and matching drip pans, on a stepped and beaded square base, height 64cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George V silver Corinthian column three-light twin-scroll branch candelabrum, each urn shaped sconce with beaded nozzle above a beaded drip-pan, on a stepped and beaded square base, Birmingham 1927 by Britton, Gould & Co, weight of top section only 843g, height 46cm (minor faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of plated four-light candelabra, each with putto stem and fruiting vine decorated branches, on a scroll moulded triform base, height 50.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Enchanting lead crystal figure that shines in a crystal light sand with frosted tusks. This piece was the SCS annual edition piece which comes with a crystal moonlight title plaque in the shape of a lotus flower, engraved with the name of the piece and the designers signature. Artist signature and date etched to side. Swarovski etched backstamp. Plaque measures: 1.5in H. Figure measures: 4.5in H. This item has its original box. Box measures: 9.25in L x 9.5in W x 6.5in. Certificate of Authenticity included. Artist: Elisabeth AdamerIssued: 2013Manufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Glazed finish figure depicting woman dressed in dark and light pink with bow accents holding a basket of flowers and green bonnet. Part of the Harradine Classics series. Royal Doulton backstamp. Artist: Leslie HarradineIssued: 1945 - 1952Dimensions: 7.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Three clear crystal flowers on a crystal base, the centers of each flower filled with small light yellow crystals. Swarovski etched mark. Part of the Secret Garden group themed series. Issued: 20th c.Dimensions: 6.25"L x 6.5"W x 3"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lead crystal 1st generation zodiac sheep in crystal silver shade captured skillfully with gleaming light smoked topaz eyes. Resting gracefully on a clear crystal base with engraved name in English and Chinese seal script in matte finish. Swarovski etched backstamp. Artist: W Qian and Z Shao FeiIssued: 2010-2018Dimensions: 2.25""L x 2.5""W x 3""HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

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