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VINTAGE & LATER FURNITURE PARCEL (5) - to include a button upholstered spoonback reproduction mahogany armchair, 85cms H, 62cms W, 50cms D, reproduction burr walnut half-moon hall table with carved detail, on slender supports, 74cms H, 64cms W, 36cms D, Lloyd loom style lidded top linen basket, 62cms H, 42cms W, 33cms D, two light wood side chairs with drop-in upholstered seats and an upholstered top lidded blanket box (ex-washstand), 49cms H, 84cms W, 41cms D
MODERN WHITE/OFF WHITE BEDROOM FURNITURE & FITTINGS - a mixed quantity to include a three drawer dressing table with sit-on mirror, 126cms H overall, 121cms W, 45cms D, two drawer bedside chest, 66cms H, 50cms W, 35cms D, a French style caned back and upholstered bedroom armchair, 102cms H, 63cms W, 50cms D, two reeded curtain poles with rings and cone shaped end caps, 160cms L approximately, a mixed quantity of wrought iron style light fittings
Pair of modern silver and silver gilt holy water scoops, the handles in the form of eagles with outstretched wings, together with a pair of similar scoops, the handles in the form of lions rampant to commemorate St. Paul's Cathedral and Queen Elizabeth II Silver Jubilee respectively, 32.5oz tAll in good condition, no damages or repairs, none have boxes and could do with a light polish
15ct Gold sapphire and split pearl bangle with a star, crescent and fleur de lis motif and Etruscan style shoulders, in the original fitted case, internal dimensions 54mm x 46mm approximately, 8gThe bangle is in good condition with only light wear consistent with its age. Restoration and small crack to shoulder as shown in photos.
Three items of 20th century Chinese ceramics, comprising two large plates, one with a bright floral design, and with a red character mark to the underside 33cm diameter, the other with butterflies, and multi-coloured foliate scrolling design on a blue ground with yellow border, blue character mark to the underside, 30.5cm diameter, together with four stackable bowls with a cover, red carrying handles, the design, butterflies, with multi-coloured foliate scrolls, 27cm high (3)Please see additional images attached.Largest floral plate - minor wear to the decoration, some light scratches and minor marks commensurate with age and use. The underside marked and with light stains, some firing marks/damage to the underside of the rim, a small chip to the raised base.Blue ground plate - some wear tot he decoration, evidence of some re-painting.Stacking bowls - appear in good condition, some minor wear to the rims due to stacking, some very minor marks.
Frank Lewis Emanuel, signed oil on canvas, extensive coastal landscape by moonlight, inscribed on artisits label verso ' Moonrise ', 60cm x 103cmHas not been re-lines but has been cleaned in past. Overall condition is ok with only light losses of paint to edges but once framed these would be under the frame.
Winifred Nicholson, British 1893-1981 - Flowers; crayon on paper, 33.5 x 48.7 cm (ARR) Provenance: Sotheby's, London, 30th September 1992, lot 117 (unsold - according to the inscription on the reverse of the frame);with Elena Gaputyte;private collection, purchased from the estate of the above (according to the inscription on the reverse of the frame); private collection Note: Elena Gaputyte ran the Sail Loft Gallery, St. Ives, and was familiar with the celebrated artists of the era, such as Ben Nicholson, Peter Lanyon and Barbara Hepworth. This late work by Winifred Nicholson demonstrates the artist totally liberation of colour from form, the scene built up of energetic waves of pure colour. The artist was particularly interested in an understanding of light and translucency, and in later works such as this she experimented with a prism to explore of rainbow colours in everyday objects. This work was most likely made in Greece, where the artist visited frequently from the 1960s and which was the focus of numerous of her exhibitions, including at the Redfern Gallery in 1964.
Sandra Blow RA, British 1925-2006 - Untitled; ink, pastel and paper collage, signed lower right 'Blow', 10.5 x 16 cm (ARR) Provenance:with Belgrave Gallery, St Ives (according to the label on the reverse);private collectionNote:Blow is considered to be one of the pioneering abstract artists of the 1950s who introduced a new form of expressive painting to Britain, often using everyday discarded materials such as sawdust, sackcloth and plaster, as well as paint. Although considerably younger than many of her contemporaries of this early period, she was at the forefront of the abstract movement.Her later period shows her skilful techniques towards creating abstract form, light, space, texture and rhythm.Condition Report: Floated and held in a glazed, white washed frame, with minor scuff marks. Wear to corners of work. Collage material lifting very slightly at bottom corners. Painted surface in good condition and colours fresh throughout.
Edward Middleditch, British 1923-1987 - In the Park, 1949; oil on canvas, signed, titled and dated on the reverse 'E.C. Middleditch In the Park, 50.5 x 32.5 cm (ARR) Provenance:Bonhams, Richard Attenborough: A Life Both Sides of the Camera, 21st October 2015, lot 76 (as 'People in a park); with Christopher Kingzett Fine Art, London (according to the label on the reverse of the frame); private collection Condition Report: Held in a wooden frame with minor scuffs. Glaze has slightly yellowed, commensurate with age. Light rubbing to canvas in lower left and right corners. Small raised area on right side midway, possibly thicker weave of canvas or primer. Light staining to back on canvas.
The original artwork for the 1908 London Olympic Games gold medal winner’s diploma by the artist Sir (John) Bernard Partridge (1861-1945), signed & dated 1908 in Roman numerals lower right, additionally signed by Lord Desborough (President of the British Olympic Council), mixed media drawing, framed & glazed The official report for the 1908 London Olympic Games includes a passage about Bernard Partridge's work in designing the prize medals and the prize winner's Olympic diploma. ''In addition to his design for medals, Diplomas of two kinds were also designed by Mr. Bernard Partridge for the Council, and are reproduced in this Report. The first design, for prize-winners only, representing a winged Victory between the figures of Hellas and Britannia, was exhibited in the Royal Academy, and was awarded in its larger form to winners of gold medals, and in a slightly smaller form to winners of silver and bronze medals. Each winner of a gold medal also received the smaller form of this diploma for presentation to his Club or Association as a memorial of his success. The second design, representing Victory seated, was worked out in black and red, and formed a Diploma of Merit, which was awarded by the various Associations controlling each series of events in the Games to athletes who achieved a high standard of excellence without getting first, second, or third in their competition. In a certain number of restricted cases this diploma was also awarded to officials and other for services rendered to the British Olympic Council in the organisation of the Games. It was thought right not to confuse the design in either class of medal by too long an inscription, so the event for which each prize-medal was awarded was incised upon the edge of its rim, with sufficient space left for the addition of the winner's name. The same inscription was placed on the box containing each medal. The 250 gold medals ordered by the Council were placed in red boxes, 260 silver in dark blue boxes, and 260 bronze in yellow boxes. The large diplomas accompanying gold medals were rolled up in tubes, 20 1/2 inches long, of red, and the club diplomas were placed in deep crimson tubes, 18 1/2 inches in length. Dark blue and yellow tubes (also 18 1/2 inches long) were provided für second and third prize diplomas respectively. The diplomas of merit (of which 500 were ordered) were placed in light blue tubes, 17 inches long. The Commemorative Medals, being larger than the prize medals, were easily distinguishable, apart from the use of various coloured boxes for each class of these awards.''
England World Cup 1966 three signed World Cup Willie FDC's, official issue of Football Association, signed by Bobby Moore, Alf Ramsey, Alan Ball, each signed to light part of image, each is fixed with England World Cup Winners stamp and franked Harrow & Wembley 18th August 1966 the first day of issue of stamps, (3)
Model Kits - a collection of boxed Red Box 1:72 scale military model kits, to include RB72022 British Royal Marines Light Infantry, RB72040 Men-at-Arms and Retinue, RB72027 French Infantry, RB72035 Chinese Boxers, RB72019 Russian Sailors, etc. All boxed in original packaging and appearing unused (1 box)
Model Kits - a collection of boxed Hä 1:72 scale military model kits, to include 8073 1805 Russian Light Infantry,, 8278 WW2 Japanese Bicycle Infantry, 8236 WWI Indian Infantry, 8271 Dervish Warriors, 8265 WW2 American Tank Riders, 6006 Saxons, 6005 Picts, 6008 Visigoths, etc. All boxed in original packaging and appearing unused. (2 boxes)
Model Kits - a large quantity of boxed Strelets R model kits, to include 118 French Hussars in Egypt, 066 Jacobites, M030 British Light Infantry, M050 Anglo-Saxons Before Battle, 106 Early French Carabiners, 0072 German Uhlars etc. All boxed in the original packaging and appearing unused. (1 box)
Model Kits - a collection of assorted plastic model kits of various scales and makers to include; Heller 1/72 scale Churchill Tank, Mirage Hobby 1/72 scale US Light Tank M3, Ace Models T-55 Battle Tank and others. Kits generally appearing unused, but remain unchecked for completeness. (1 box)
Model Kits - a large collection of boxed Hä 1:72 scale military model kits, to include 8206 Frontier Light Horse, 8302 Napoleonic Spanish Line Infantry, 8209 Zulu Wars British Mounted Infantry, 8288 Colonial British Dragoons, 8182 Natal Native Horse, etc. All boxed in original packaging and appearing unused. (1 box)
Model Kits - Approximately eight Pegasus (The Military Museum Collection) boxed model kits, to include No. 7672 BA-6 Soviet Armored Car, No. 7610 German Army Trucks, No. 7620 Panzer _z-38T Light Tank, No. 7401 U.S.M.C. in Vietnam circa 1965, etc. All in original boxes, with the majority still factory sealed. (8 kits, 1 box)
A pair of four-light candelabraA pair of four-light candelabra, 950/1000 silver, chiseled decoration in relief "Lion's Fauces", stem in the shape of an urn and removable serpentines with fire covers in relief "Swan", zoomorphic feet, Austrian, signs of use, restorations, bruises (one bent) and minor defects, warranty mark (1866-1922) and JL makers mark, without Portuguese marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 56 cm; Peso - 2.008 g.
NOOMI BACKHAUSEN & POUL BRANDBORGEnsemble formé d'une applique à trois feux et de deux appliques simplesGrès émaillé et métal laqué. Signé et estampille de l'éditeur.Set bestaande uit een drielichts wandlamp en twee wandlampenGeglazuurd steengoed en gelakt metaal. Set of a three-light wall lamp and two single wall lampsGlazed stoneware and lacquered metal. Signed and editor stamp.Années 1960.Ed. Bornholmsk Søholm. H: 24cm L: 52cm D: 24cmFor further information on this lot please visit Bonhams.com

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534325 Los(e)/Seite