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Preisdatenbank abonnierenPATRICIA URQUIOLA, for Moroso, Italy, a pair of Rift (full-size) armchairs in white leather with maker’s label, current RRP in leather £8000+ for a pairGood condition, some signs of use, light marks to leather, light discolouration, some creases to seats. Both have 'carelessness causes fire' labels to underside.
Collection of Six Vintage Sidelamps - To include various Lucas King of the Roads, Brass Butlers limited Atlantic, Moving Mazda 32C6-8V light, Stadium sidelamp and another unknown Sidelamp with a mirror. Please note this lot has the standard Ewbank's standard buyers premium payable on top of the hammer price and not the reduced rate for cars and motorbikes. Condition Report: Wooden stick Lucas lamp marked Lucas S.F.T.462
2002 Renault Avantime Dynamique. Registration number: HX52 LVA.Mileage: 143,666.This particular model is a Dynamique which has the 2.0 turbo petrol engine fitted with a 6 speed manual gearbox.High spec finished in Gris metallic grey with full cream leather interior.LPG gas system fitted making this example very economical.A very extensive service history file including evidence of a replacement turbo. The cambelt and clutch have been replaced. 4 new tyres just been fitted with a full service carried out.MOT valid until 27th of June 2024.ULEZ compliant.To satisfy your knowledge of the vehicles condition please come down to our viewing days as follows before the auction day on the 28th of March.Saturday 16th March: 10am - 2pm, Monday 18th of March: 9am - 5pm, Tuesday 19th of March: 9am-7pm. Wednesday 20th of March: 9am-5pm, Thursday 21st of March: 9am-5pm, Friday 22nd of March: 9am-5pm, Monday 25th of March: 9am - 5pm, Tuesday 26th of March: 9am-5pm, Wednesday 27th of March: 9am-5pm, Morning of the Auction on Thursday 28th of March.Please note that buyers premium is 10% plus VAT (total 12% inc VAT) on all cars and motorbikes, subject to a minimum of 150 plus VAT.Condition Report: Battery warning light is showing on the dashboard.
HGV " L" Plate, vintage metal sign and a Vintage Kenyons Akenco yellow painted and glass road lamp lantern light, bears Patent and Reg trade mark numbers. Please note this lot has the standard Ewbank's standard buyers premium payable on top of the hammer price and not the reduced rate for cars and motorbikes.
Collection of Nine Vintage Spotlights and other Lights - To include Notek Road Master spotlight, Lucifer Mirror back spotlight, Super AS Depose Mirror back spotlight, Marchant 640 spotlight, Lucas Fogranger 5Ft light, Hella IGM 3399 PN Fog light and others. Please note this lot has the standard Ewbank's standard buyers premium payable on top of the hammer price and not the reduced rate for cars and motorbikes.
1961 Jaguar 2.4 MK2 Petrol 4 speed manual with overdrive. Registration number: RDY 90.This is a local garage find owned by a Jaguar enthusiast since 1968.Showing 85,525 miles on the clock.Finished in pearl grey with full red leather interior. Wood dash with wood door inserts and rear seat .Original Jaguar tool kit.The history folder contains old previous V5's, Previous MOT certificates, couple of old service receipts and workshop manuals.The current owner was an engineer and avid Jaguar enthusiast self maintaining the MK2 since his ownership.MOT and tax exempt being a historic vehicle.This would make a great light recommissioning project.Only being sold unfortunately due to the current owner passing away.To satisfy your knowledge of the vehicles condition please come down to our viewing days as follows before the auction day on the 28th of March.Saturday 16th March: 10am - 2pm, Monday 18th of March: 9am - 5pm, Tuesday 19th of March: 9am-7pm. Wednesday 20th of March: 9am-5pm, Thursday 21st of March: 9am-5pm, Friday 22nd of March: 9am-5pm, Monday 25th of March: 9am - 5pm, Tuesday 26th of March: 9am-5pm, Wednesday 27th of March: 9am-5pm, Morning of the Auction on Thursday 28th of March.Please note that buyers premium is 10% plus VAT (total 12% inc VAT) on all cars and motorbikes, subject to a minimum of £150 plus VAT.Condition Report: The jaguar has been off the road for a number of years due to the owners illness. It has not been started so is being sold as a non runner needing recommissioning work to get it back into roadworthy condition.
* JEAN FEENEY, RED AND WHITE ANEMONES acrylic on canvas, signed, titled label versoframed and under glassimage size 31cm x 31cm, overall size 50cm x 50cm Label verso: Holroyd Gallery, Glasgow.Note: Whilst Jean lives in the heart of highland Perthshire, some of her greatest artistic inspiration comes from a very different part of the Scottish landscape. On her first visit to the West Coast in 1990, she fell in love with the landscape, light and colour there, and these have been at the centre of her creative output ever since. Although Jean’s love of art stems from childhood, it wasn't until much later, after a back injury, that she became an active artist. Her subjects focus on the raw beauty of some of the remotest areas in Scotland and beyond, and she is well known in the art world for her energetic and sculptural use of paint. Her trademark is strong and bold colour combined with energy, light and atmosphere. She cites her main influences as the Scottish colourists, the German expressionists and, of course, Van Gogh for his love of yellow and use of thickly applied and textured paint. Jean’s work is ever more popular both here in the UK and abroad, and is represented in many private and corporate collections throughout the world.
* COLIN FRASER (SCOTTISH b. 1956), BREAKING WAVES egg tempera on panel, signed, titled and dated 2000 label versoframed and under glassimage size 78cm x 108cm, overall size 107cm x 137cm Label verso: The Gatehouse Gallery, GlasgowComment: An outstanding and very large work by Colin Fraser and probably the largest example to be offered at auction.Note 1: By repute, the lady is the artist's wife. Colin Fraser's work rarely appears at auction but in 2021 Bonhams, London sold "Warm Light" (61 x 65cm egg tempera) by Fraser for £3000 (hammer) - lot 153, Modern British & Irish Art 28th April 2021 and in The Scottish Contemporary Art Auction of 10th November 2022 lot 61 "Early Morning Light" (a 67 x 46cm egg tempera) by Colin Fraser sold for £2200 (hammer).Note 2: Colin Fraser was born in Glasgow in 1956. He studied art in Brighton while in his twenties before moving to Lund in southern Sweden, where he lives with his wife and children. He exhibits regularly at the Royal Academy Summer Show, Catto Gallery and Petley Fine Art in London, Mira Godard Gallery in Canada as well as at galleries in New York and Glasgow. His work is held in numerous private and corporate collections throughout North America, the UK, Europe and Asia. Ever since his first exhibition in Brighton in 1978, Colin Fraser has worked almost exclusively in egg tempera, which has the benefit of being very long lasting, with examples over two thousand years old still in existence, and was the most widely used painting medium until the sixteenth century, when it was superseded by oils. However, it is also extraordinarily time-consuming. The painted surface must be built up layer by translucent layer, with the paint drying instantaneously and not amenable to manipulation afterwards, unlike oil paints. Although a notoriously difficult medium, it has become a firm favourite of Fraser’s, who says that the “restrictions have been paramount in helping me be more direct in my approach to the work, with the instant drying and transparency of the paint actively contributing to a higher level of spontaneity of execution”. Colin Fraser is particularly drawn to its vitality which reminds him “of the dynamism of the sun – never static, always changing”. “Observed light is usually what attracts me into the process of painting,” he says. “The surface of a work painted in tempera simply has a unique glow which cannot be imitated in other mediums”. Constructing each painting is an arduous process, each beginning with an idea or a chance observation followed by weeks of experimentation with arrangements and preparatory drawings. Many of his scenes are staged with strategic placement of chairs, diaphanous textiles and trays of fruit. He believes that the painter “chooses the content and the arrangement, and then it becomes a question of striving to achieve a particular mood”. The prestigious Catto Gallery (London) has staged highly succesful solo shows for Colin Fraser in 2015, 2017, 2019 & 2022.
* ETHEL WALKER (SCOTTISH b. 1941), STUDY IN WHITE NO. 36 oil on board, signed, titled label versoframed and under glass image size 68cm x 44cm, overall size 90cm x 66cm Exhibition label verso: The Contemporary Fine Art Gallery, EtonNote: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer) and in our December 2021 auction "The Lace Cloth" achieved £3000 (hammer).
* PETER HOWSON OBE (SCOTTISH b. 1958), ANGEL OF LIGHT RETURNING mixed media on paper, signed and dated '08, titled versomounted, framed and under glassimage size 30cm x 22cm, overall size 55cm x 47cm Condition of the picture is good overall, with no visible or known issues. The picture comes from a Private Scottish Collection.
* MARY DAVIDSON (SCOTTISH b. 1955), BLUE DISH WITH APPLES gouache on paper, signed, titled label versoframed and under glassimage size 21cm x 21cm, overall size 36cm x 36cm Artist's label verso.Note: Mary was born in Dundee and lived in Australia for a few years as a child. She lived in Glasgow for 12 years from 1986 before moving to West Lothian in 1998. Mary studied at Glasgow School of Art and has been exhibiting regularly since 1994. Since then she has taken part in many exhibitions, to wide acclaim, on both sides of the Atlantic and now has works in numerous private collections in Britain and abroad. She is an artist member of the Glasgow Society of Women Artists and the Paisley Art Institute and regularly exhibits at the R.S.W., R.G.I. and Laing Art Exhibitions. Her paintings are also exhibited in prestigious art galleries around the UK. Mary works mainly in oil. She paints a range of subject matters in an expressive manner that captures light and colour. She is perhaps best known for her still life paintings. Her work is in numerous corporate, private and public collections including Vanity Fair in New York; the Duke of Bedford collection; Gray's School of Art, Aberdeen; East Dunbartonshire Council and Cala Homes.
* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), SCUDDING WAVE mixed media on paper, signed, titled label versomounted, framed and under glassimage size 50cm x 62cm, overall size 71cm x 82cm Label verso: The Glasgow Art ClubNote: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The late Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.
* GILLIAN GOODHEIR DA (SCOTTISH 1945 - 2022) SNOWDROPS AT THE EDGE OF THE WOOD gouache on paper, signed and dated '01mounted, framed and under glassimage size 31cm x 31cm, overall size 66cm x 66cm Note: Gillian Goodheir was one of Scotland's best-loved artists and a regular exhibitor at good galleries around Scotland and the North of England. She was born in Glasgow and studied at Glasgow School of Art, specialising in Drawing and Painting. She graduated in 1967 then took a Post Diploma. She then taught art in Glasgow but in 1975 she and her husband moved to mid-Argyll where she lived and worked. Gillian Goodheir's paintings reflect her surroundings, the ever-changing weather and light in the west of Scotland but also the south of France where she spent a lot of time, when she could. As well as landscape she excelled in Still Life, combining flowers, textiles and decorative objects. Her preferred medium was gouache which she handled in a fluid spontaneous style, capturing light and colour. Her work is in collections throughout the U.K. (including six works in the Permanent Collection of the Palace of Westminster, London) as well as in the U.S.A., Canada, Hong-Kong, Holland, France and New Zealand.
* JOHN LOWRIE MORRISON OBE (JOLOMO) (SCOTTISH b. 1948), WINTER LIGHT, CORRYVRECKAN oil on canvas, signed, titled and dated 2008 versoframed and under glass image size 41cm x 41cm, overall size 65cm x 65cm Artist's label verso.Note: Jolomo remains one of Scotland's most celebrated contemporary artists. In The Scottish Contemporary Art Auction of 13th December 2020, lot 717 "Birlinn Leaving the Uists" by Jolomo sold for £7000 (hammer) and on 20th June 2021 lot 641 "Nick's Tug at Crinan" achieved £6000 (hammer). In our August 2021 auction, "Portnahaven, Islay" sold for £6000 (hammer). These being just three of numerous recent auction prices which reflect the strong and ever-growing collector demand from both the UK and abroad for the vibrant work of John Lowrie Morrison. In The Scottish Contemporary Art Auction of 28th September 2023 lot 38 LEE SHORE - NO LANDING ON STAFFA, sold for £8000 (hammer) setting a new auction record for a painting by John Lowrie Morrison.
An Italian style late 20th century Art Deco / Liberty inspired gilt metal & glass desk table lamp light. The lamp having a textured glacier shaped clear glass shade over a gilt metal & glass column. Raised on faceted shaped foot. Measures approx. 47cm tall x 10cm in diameter. Sold as untested.
Herbert Terry - Model 1227 - A early 20th century pre-war Anglepoise table / desk lamp light. The lamp having the original conical shade with cooling holes along the back with black paint finish throughout. Features a solid cast two tiered painted base The Anglepoise - Made by Herbert Terry & Sons to the front of the fork. Measures approx. 95cm tall when fully extended.
Todd White (American, b. 1969) - The Fighter - Embellished Canvas on Board. Limited edition No. 14/50. Framed. With CoA to back. Measures approx. 76cm x 40cm (30" x 15.5") The painting was released to celebrate the achievement of the legendary boxer, middleweight boxing champion Gennady Golovkin. The painting was countersigned by the boxer, Gennady Golovkin ‘GGG’. Michael Todd White (born October 10, 1969, in San Antonio, Texas) is a figurative expressionist painter. He has also been described as an avant-garde expressionist. White was named the official artist for the Grammy Awards by the Recording Academy in 2007. His painting appeared on the ceremony's invitation and program book and served as the official image for the event. His work was featured in the Inspirations of Oz Fine Art Collection, an exhibition commemorating the 70th anniversary of The Wizard of Oz. The collection toured designated cities all over the world including Miami, Los Angeles, Dubai, Japan, London, Toronto and Vienna. In 2010, White was chosen to provide sketches for Coca-Cola Light in Mexico. White's six sketches are depicted on different faces of Coca-Cola Light bottles and cans, each featuring his distinctive box signature. This was the first time that Coke had collaborated with a fine artist to depict artwork for its label.[citation needed] The bottles were released in August 2010. As a result of some of these career achievements White has earned international recognition and a lengthy list of celebrity collectors. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Maria Philippi for Soholm Pottery - A retro mid 20th century Danish studio art pottery lamp light. The lamp of cylindrical form with cobalt blue glaze finished with repeating geometric patterns. Makers marks to the base. Sold as untested. Measures approx. 43cm x 18cm diameter. Sold as untested.
Herbert Terry & Sons - Anglepoise lamp - 1208 prototype model designed by George Carwardine- A vintage 20th century circa 1930s white enamel anglepoise desk table lamp light. The lamp having a shaped conical shade over an articulated twin arm, raised on prototype squared base. Marked to underside L44-1-BLF. Sold as untested. Measures approx. 103cm tall when extended.
Herbert Terry - Model 1227 - A vintage 20th century Anglepoise table / desk lamp light. The lamp having a conical shade with cooling holes along the back. Features a solid cast two tiered base with The Anglepoise - Made by Herbert Terry & Sons to the front of the fork. Heavily polished. Sold as untested. Measures approx. 91cm tall fully extended.
Jasper Conran for Habitat - Klein - A selection of three early 2000s designer metamorphic candelabras / tea light holders. Each of polished metal construction having a series of spinning arms with disc tops. Each raised on circular bases. Labels present. Tallest measures approx. 62cm x 48cm diameter.
Alberto Meda & Paolo Rizzatto for Luce Plan - Fortebraccio D33 - A contemporary high end designer desk / table lamp light. The lamp having a pendent shade with grip handle supported by a polished steel adjustable arm. All raised on a weight black circular base. Maker's label present. Sold as untested. Measures approx. 78cm tall.
Ernest Gomme for G Plan - E Gomme era - Brandon Range - A vintage 20th century light oak dressing table chest compactum. The dressing table comprising of a tall cheval mirror adjacent to a chest of two drawers having shaped pull handles. All raised on splayed support. Measures approx. 150cm x 112cm x 47cm.
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