534297 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenCHINESE MUTTON JADE PENDANT,carved as a temple bell bearing taotie mask, key fret and archaistic motifs flanked by twin pierced chilong chasing the Sacred Pearl, 7cm high7.3cm long, 4.8cm wide, 0.6cm deep at widest point to base; light general wear but otherwise good condition;additional images available
CHINESE SANDALWOOD CARD CASE,carved in relief with figures, 11cm high, also a Victorian mother of pearl card case and tortoiseshell card case inlaid with fruiting vines in mother of pearl (3)Hinges broken on mother of pearl and tortoiseshell cases. Do not close flush. Chip to one corner of mother of pearl case and some surface wear, including nibbles and a few scuffs. White metal inlays have spots of tarnish. Tortoiseshell has damage to top corners, and a section of wire is missing to central decoration. Some small flecks of loss to mother of pearl inlay and general surface wear to exterior. Fabric interior of both is slightly frayed. Sandalwood case has some light general surface wear but in otherwise good condition; lid mechanism is stuff but in good working order and closes flush. Additional images available.
CHINESE BLUE AND WHITE 'DRAGON' BOWL,19th century, the interior with dragon roundel, the exterior with dragons chasing the Sacred Pearl, six character Kangxi mark to base, 13cm diameterRings true, glaze gritting around rim, pitting around rim but glazed so probably present from manufacture, light scratches to bowl interior, a few light scratches to exterior, has not been pitted with a level rim, there is 'tilt' and is not even when viewed straight on, otherwise appears good, additional images available
CHINESE LIDDED VASE,late 19th century, painted with mounted combat scene against crackled ground between bronzed bands, the lid with bronzed Fo Dog finial, character mark to base, 32cm highTail of Fo dog has a chipped area of loss. Some imperfections in the glaze per original manufacture, including some pitting and glaze skips. Some light general surface wear, in keeping with age and use, including some buildup of dust and grime. Additional images available.
CHINESE YELLOW MONOCHROME GLAZED DISH,six character Yongzheng mark within double ring in underglaze blue to base, 15cm diameterCrazing present to the interior and exterior. A few light hairlines to rim. A couple of firing imperfections, per original manufacture. Additional images available.
CHINESE CIRCULAR BOWL,Qing dynasty, with pinched cafe-au-lait rim, decorated in polychrome enamels with landscape, pavillions and figures, unmarked, 22.5cm diameterRings true, some light glaze scratches, light rubbing and general wear, some minor firing imperfections but overall good, additional images available
JAPANESE SATSUMA LIDDED VASE BY KUSUBE,Meiji Period (1868-1912), decorated with bijin and children in garden settings with Mt. Fuji to background in panels against gilt blue ground, two character signature to base, 21.3cm highRubbing to gilt, particularly finial; tightly crazed(; tiny nick to cover rim interior but otherwise only light general wear, no other visible issues
TWO CHINESE BAMBOO INCENSE BURNERS,the first carved with ducks amongst lotus blooms, the second with figural mountain landscape, the latter with six character signature, 24.3cm highSplit to the bottom of the carved landscape scene burner. Two small splits to the top banding of burner with two ducks. Some light general surface wear, in keeping with age and use, including a few minute nibbles to the wood. Additional images available.
CHINESE COPPER ALLOY SNUFF BOTTLE,bearing white metal Fo Dog masks to shoulders and inlaid to both sides with Taotie masks in silver, unmarked, 6cm highSpoon present, some light surface wear, variations in colour to finish, variations in colour to inlay, light general wear over all, additional images available
A CHINESE TEA DUST GLAZED HU VASE,twin handled, of octagonal outline, unmarked, 35.5cm high, on octagonal hardwood standTwo large chips to rim, firing crack to rim interior, two hairlines to one of the wider sides, firing crack to one of the narrower sides, further light general wear overall, additional images available; hardwood base with numerous splits and further wearProvenance: from a private individual based in Ayrshire
Music collection of signed CD sleeves complete with discs, 12 in total. Titles Include Kayla; Never Stop Believing, Esther O Connor, Another World; Keith Donnelly Live, The Poise; Yob to Snob, Lorenz; Turn the Beat Around, Nathan Pacheco, Land of My Fathers, The Paul Hayes Collection; Credit Card Christmas, Paul Baber, Emissary of Light; Songs from The Peace Concerts, Nicola Farnon; That's The Bottom Line and RoccoIf Freud Knew the Steps. Each item is signed by the artist, either on the sleeve/ disc or both. Most are dedicated. All come in a plastic case, some cases hinges lose. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
British Film Actress Liz Fraser Signed 4x3 Light Blue Signature Piece. Signed in black marker pen. Great Signature. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
A LARGE PERSIAN KASHAN CARPET, hand-knotted, the raspberry field with large scalloped dark blue medallion with pale blue edge, enclosing a light orange inner medallion with pink central motif on a cream ground, the field with all-over design of vases and scrolling foliage, with stepped pale blue corners, the broad main border of dark blue with similar design of vases and foliage, enclosed with two narrow cream borders, the whole edged by a raspberry guard stripe. 391cm by 287cm
A WILLIAM MOORCROFT POTTERY VASE, squat baluster form with a long flared neck, 'Plum Wisteria' pattern, tubelined and hand-painted in tones of purple, white and green, to a blue ground, blue washed signature and impressed 'Moorcroft' and 'Made in England' marks. 15cm highCONDITION REPORTUsual all-over crazing, a small pale 'frit' noted to one white 'plum', a matte appearing patch to the squat body, light surface scratching, no noted restoration.
A MOORCROFT POTTERY VASE, globular form with a flared neck, 'Clematis' pattern, tubelined and hand-painted in tones of purple and yellow, on a green ground, green washed and impressed 'Moorcroft' and 'Made in England' marks, 13cm high; together with A MOORCROFT POTTERY VASE, globular form, 'Clematis' pattern, tubelined and hand-painted in tones of purple and green, to a graduated blue ground, Queen Mary paper label, blue washed and impressed 'Moorcroft' mark, 10.5cm high. (2)CONDITION REPORTGreen vase: light surface wear, 'pop' noted to tubelining. Globular vase: 'pop' noted to inner neck rim, usual all-over crazing. No noted restoration.
A FINE ROYAL CROWN DERBY PEDESTAL EWER, BY DESIRE LEROY, of shouldered ovoid form, with a waisted neck and scroll handle, raised on a square pedestal base, painted with medallions depicting trophies suspended from garlands of flowers to a blue and turquoise ground heightened with gilt swags and foliate, red 1891-1940 factory mark, no date cypher. 27.5cm highView 360 degree spin: https://sarlydro.sirv.com/ELSTOB%2027TH%20MAY/X09.spinCONDITION REPORTA small hairline running from the edge of the hole to the underside and through the factory mark, no other noted hairlines, some surface scratching noted to dark blue ground on the body, very light rubbing to gilding. Unsigned, no noted restoration. Overall in good condition
A WALTER MOORCROFT FLAMBÉ POTTERY VASE, squat baluster form with a long flared neck, 'Clematis' pattern, tubelined and hand-painted in tones of red and green, blue washed initials and impressed 'Moorcroft' and 'Made in England' marks. 20cm highCONDITION REPORTTwo small unglazed areas noted to one flower (between 2-3mm long), a small chip (3mm) to the undersize of the footrim, usual all-over glazing and light surface scratching, no noted restoration.
AN EARLY 19TH CENTURY ENGLISH CREAMWARE PUNCH BOWL, the well with a transfer printed design of a ship within figural panels of a maritime theme, the exterior with panels of rural life. 10cm by 24cmCONDITION REPORTSome surface scratching to the designs, scratching and losses to the painted rim, light crazing
A 19TH CENTURY CHINESE FAMILLE ROSE ZODIAC BOWL, of scalloped form, the exterior painted with the twelve signs of the zodiac amongst flowers and pine trees, with a turquoise glazed well, bears red six character mark to base. 5.5cm by 15cm CONDITION REPORTLight surface wear and rubbing to the design, light crazing and surface scratching to well, no noted damage or restoration
AN 18TH CENTURY CHINESE EXPORT BLUE AND WHITE MEAT DISH, rectangular with canted corners, painted with insects to the border, the centre with a tree, foliage and objects. 37cm by 29.5cmCONDITION REPORTSurface dirt and light scratches, overall in very good condition, the glaze on the base is pitted
ALAN GRAINGER, AN ACORNMAN OAK STOOL, the adzed heart-shaped seat raised on three faceted tapering splayed legs, with carved acorn signature. 36.5cm high, 27.5cm wide, 32cm deepView 360-degree spin: View 360-degree spin: https://sarlydro.sirv.com/elstob%20furniture%20june%2002/x07.spinCONDITION REPORTWater damage noted to top, light general wear.
A GERMAN INFANTRY OFFICER'S PATTERN LION HEAD SWORD, the gilt hilt with Nazi insignia, the lion head inset with red glass eyes, the blade unmarked, with black-painted metal scabbard and unrelated portepee. 99cm overallCONDITION REPORTA copy, not an original. Light cosmetic wear including rubbing to gilding and some surface scratching to scabbard.
A WILLIAM MOORCROFT POTTERY VASE, squat form with a flared neck, 'Columbine' pattern, tubelined and hand-painted in tones of purple and yellow, on a green ground, Queen Mary paper label, 7.5cm high; together with A MOORCROFT POTTERY BOWL, 'Hibiscus' pattern, tubelined and hand-painted in tones of pink and green, to a green ground, impressed 'Moorcroft' and 'Made in England' marks, 4cm high, 11.5cm wide. (2)CONDITION REPORTVase: usual light crazing. Bowl: light surface scratching to well. No noted restoration.
A 19TH CENTURY SPECIMEN MARBLE PLAQUE, circular form and inset with various hardstone tiles, including amethyst, lapis lazuli, malachite and jasper, within Ashford black marble borders and an outer border of white and fossil marble. 15.5cm diameter, 2cm deepCONDITION REPORTOne long, white scratch across tiles (approx 4cm), some other light surface scratches, a few (approx 3) tiles hairlined, chip to underside edge.
A WORCESTER KAKIEMON COFFEE CUP AND SAUCER, CIRCA 1770-1775, decorated in the 'Kakiemon' pattern with reserves of flowers to a blue scale ground, heightened in gilt, blue square fret mark. (2) Coffee cup 6.5cm high, saucer 12cm diameterCONDITION REPORTTwo glaze chips noted to the inner rim of the cup, the largest 4mm wide approx, the saucer with a faint underglaze firing crack noted to one of the outer reserves, light surface wear.
A WORCESTER PORCELAIN 'EUROPEAN RUINS' TEACUP AND SAUCER, CIRCA 1765, printed and enamelled with figures amongst ruins, heightened in gilt, blue crossed swords marks. (2) Teacup 5cm high, saucer 13.2cm diameterCONDITION REPORTTeacup with two noted glaze chips to rim and some nibbles, saucer with small fault (rough and uneven) to rim, both with light rubbing to gilding and some surface scratching to the enamelled designs.
A MID-CENTURY STAGE LIGHT, BY MOLE-RICHARDSON, ENGLAND, type 406, number 7094, with 'FLOOD' and 'SPOT' settings, with handle to the top, the studio lamp spotlight for film or theatre sets, restored and rewired but retaining original external patina, with later adjustable tripod stand. Stand legs 109.5cm high (excl. lamp, not extended)CONDITION REPORTLamp casement retains original external patina. Rewired and in working order (not tested)
A CLARICE CLIFF BIZARRE AUREA PATTERN LYNTON SOUP BOWL AND SAUCER, AND A MILK JUG AND SAUCER, Clarice Cliff Bizarre Wilkinson Ltd backstamps. (4)View 360 degree spin: https://sarlydro.sirv.com/ELSTOB%2027TH%20MAY/X61.spinCONDITION REPORTBoth with light surface scratching to the painted designs.
A PILKINGTON ROYAL LANCASTRIAN LUSTRE VASE BY RICHARD JOYCE, of squat form with a short flared neck, decorated with green-gold lustre sprays to a cobalt blue ground, JR monogram, impressed marks, 2366. 9.5cm high View 360 degree spin: https://sarlydro.sirv.com/ELSTOB%2027TH%20MAY/X35.spinCONDITION REPORTLight surface scratching
ROBERT THOMPSON OF KILBURN, A PAIR OF OAK AND JAPANNED METAL WALL LIGHTS, rectangular form, with scrolling brackets and amber glass shades, with carved mouse signatures. (2) 34.5cm by 8cm, 24cm from wallCONDITION REPORTSome light scratching to the japanned metal, the rims of the glass shades with very minor nibbles, oak with some light surface wear and one with 'WT' written in pencil to the back.
A WALTER MOORCROFT POTTERY VASE, squat baluster form with a long flared neck, 'Leaves and Berries' pattern, tubelined and hand-painted in tones of purple, red and green, to a blue-green ground, blue washed initials and impressed 'Moorcroft' and 'Made in England' marks. 15.5cm highCONDITION REPORTUsual all-over crazing, light surface scratching, a small 'pop' noted to tubelining, no noted restoration.
LALIQUE FOR COTY FRANCE, A ‘L’ORIGAN’ CIRCULAR POWDER BOX AND COVER, blue stained moulded glass, the interior moulded ‘Lalique Depose’, the exterior ‘Trade mark Coty France’ with facsimile Coty signature. 5cm by 9cmView 360 degree spin: https://sarlydro.sirv.com/ELSTOB%2027TH%20MAY/X55.spinCONDITION REPORTThe bowl with a small fault/nibble to the moulding join at the rim, light surface wear.
A JUGENDSTIL WMF (WURTTEMBERGISCHE METALLWARENFABRIK) BRITANNIA METAL DESK INK STAND, the central inkwell with glass liner beneath a hinged cover, spaced by trays, cast in low relief with a stylised design. 7.5cm by 34cmView 360 degree spin: https://sarlydro.sirv.com/ELSTOB%2027TH%20MAY/X40.spinCONDITION REPORTThe back edge at the centre turned upwards, light general wear.
A CARTER STABLER ADAMS POOLE POTTERY ‘YO’ PATTERN JARDINIÈRE, CIRCA 1930S, of squat form with a short cylindrical neck, impressed back stamp, painted marks for Anne Hatchard, 18cm by 26cm; together with A STANFORD HALL STUDIO POTTERY VASE, BY DAVID HINSON, of ribbed globular form with a short cylindrical neck, impressed artist’s mark, 15cm high. (2)CONDITION REPORTPoole pottery vase: two faint hairlines to the neck rim, light general crazing. Stanford Hall vase: good overall condition.
A 19TH CENTURY ENGRAVED BRASS TEA CADDY, rectangular form and raised on four ball and claw feet with lion mask ring handles, the hinged lid engraved 'Richard Marsh Kings Sutton', flanked by lighthouses and within a decorative border, the sides engraved with panels depicting a swan and figures within decorative borders, with two division interior. 9.5cm by 18.5cm by 12cmCONDITION REPORTTwo back corners of the lid slightly bent downwards, light general nicks along the edge of the lid, general surface scratching and some patches of discolouration.
A PAIR OF MOORCROFT LARGE POTTERY VASES, of baluster form, tubelined and hand-painted with Sally Tuffin's 'Red Tulip' pattern, beneath a slight flambé glaze, retaining Moorcroft labels, impressed and painted factory marks. (2) 30.5cm highCONDITION REPORTFairly heavy crazing, noticeable mainly to the light grounds.
AN EARLY 20TH CENTURY SMALL ROYAL WORCESTER RETICULATED PEDESTAL EWER, BY GEORGE OWEN AND HARRY CHAIR, painted with garlands of flowers to an ivory ground beneath a pierced border, heightened with gilt and jewelled in white enamel, with a mask-capped scroll handle and wavy rim, raised on a square pedestal base, signed ‘H. Chair’, very indistinct incised marks to base, puce factory mark, date cypher 1908, '1144'. 16.5cm highView 360 degree spin: https://sarlydro.sirv.com/ELSTOB%2027TH%20MAY/X18.spinCONDITION REPORTThe wavy rim has been restored (appears to be two ‘lobes’ restored), with a subsequent glaze chip of approx 4mm x 3mm; the interior of the spout with a patch of brown discolouration under the glaze, with two similar marks to the lower body and the pedestal, light surface wear and scratching, minor rubbing to the gilt beading.
AN 18TH CENTURY WALNUT AND ELM HIGH-BACK OPEN-ARMCHAIR, with yoked crest rail above a pierced splat, drop-in seat, raised on square-section legs joined by stretchers. Height of back 115.5cmView 360-degree spin: https://sarlydro.sirv.com/elstob%20furniture%20june%2002/x11.spinCONDITION REPORTNo traces of worm noted, light surface wear reflecting age and use, no noted damage or repair.
A WORCESTER PORCELAIN TEAPOT AND STAND, CIRCA 1770, of globular form with a flower head finial, painted with floral sprays and winged insects, with the matching fluted hexagonal stand. (2) Teapot 15cm highCONDITION REPORTLight surface scratching, mainly to the stand, a few small glaze chips to the stand.
RENÉ LALIQUE (FRENCH, 1860-1945), 'ÉTÉ SURTOUT QUATRE SAISONS' STATUETTE, clear moulded glass, frosted and polished, modelled as a kneeling female nude clutching wheat, stencilled ‘R. Lalique France’. 19cm high. View 360 degree spin: https://sarlydro.sirv.com/ELSTOB%2027TH%20MAY/X52.spinCONDITION REPORTSome grazing and nibbling, fairly heavily to the hair, some rubbed patches including to her chin.
AN 18TH CENTURY LARGE DUTCH DELFT BLUE AND WHITE VASE, of ribbed octagonal baluster form, with conforming rim and foot, decorated with reserves of chinoiserie flowers and feathers, the base with marks for Johannes Van Duijn, (a/f). 46cm highCONDITION REPORTThe neck rim with significant damage with an area of various cracks, the body with usual pops to glaze and some light crazing.
Loading...
