A Louis Philippe mahogany and gilt metal jardinière, circa 1850, the top with gallery around the aperture, on turned columnar supports united by a low stretcher, and with concealed castors, 88cm high, 89cm wide, 43cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and use,The liner with signs of wear and use, including old discolouration and oxidations, there is a central hole, presumably for drainage - this does not appear to lead anywhere at present. there is no plug or bung. Some dirt and deposits to the metal gallery, old polish deposits here too, One castor is detached but present - this would need re-securingSome old chips and losses, Colour is light overall, the image in the catalogue and online is a fair representation - the bases are slightly darker in colour. Condition Report Disclaimer
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A set of four gilt metal three light wall appliques in Louis XVI style, 20th century, the dentil cast and beaded sconces on scrolled foliate cast arms issuing from ribbon backplates each with central flambeau detail, with bow finials, 58cm high, 34cm wide, 16cm protuberanceCondition Report: Two of these are fitted with taller electrical sockets, and the finishes aren't entirely identical (one is brighter, likely polished, while the others are a little more subdued).One is fitted with a circular plate to the rear, possibly strengthening a weaker area.The surface to some of the branches has some casting irregularities, due to manufacture.Aside from this, and minor marks, knocks and scratches overall consistent with age, these are in presentable order. These lots are sold as decorative items, please have these tested by a certified electrician prior to use.Condition Report Disclaimer
A Victorian mahogany extending dining table, second half 19th century, with two additional leaf insertions, 75cm high, 126cm wide, 292 long (fully extended)Condition Report: The table is 201cm long unextended, the leaves are each 46cm long Marks, knocks, scratches, abrasions consistent with age and use, The colour is quite light and gingery on top, there is colour variation, The leaves are slightly darker in colour. Some variation too to the polished surface. Overall solid and stable Some 'stickyness' to the action. requires some manipulation to the top to close when no leaves are inserted. Condition Report Disclaimer
A pair of giltwood wall mirrors in George II style, late 20th century, 89cm high, 47cm wideCondition Report: Marks, knocks, scratches, abrasions consistent with age and use, Some dirt and discolouration to the gilded areas, this may in part be simulation of greater age than these mirrors truly posses, there is some light depletions to the plates but they are useable overall Some slight wear and losses to the gilded surface, some chips and losses and some joints opening upPlease refer to additional images for visual reference to condition Condition Report Disclaimer
A pair of giltwood wall mirrors in mid 18th century style, late 20th century, each with fanned feather surmount, 105cm high, 47cm wideCondition Report: Marks, knocks, scratches, abrasions consistent with age and use, Some dirt and discolouration to the gilded areas, this may in part be simulation of greater age than these mirrors truly posses, there is some light depletions to the plates but they are useable overall, one with a spot to the main plate - this is smaller than a 5p piece but is noticeableSome slight wear and losses to the gilded surface, some chips and losses and some joints opening upPlease refer to additional images for visual reference to condition Condition Report Disclaimer
A set of six Dutch monochrome engravings of sea shells and sea creatures, from Georg Eberhard Rumphius, Thesaurus imaginum Piscium Testaceorum, 18th century, later framed and glazed, 44 x 31cm overallCondition Report: Light handling creases. Light colour discoloration, but nothing particularly noticeable. Overall in ready to hang condition. Condition Report Disclaimer
An Italian or French gilt iron and moulded clear, amber and amethyst glass mounted six light chandelier, 20th century, of cage form, hung with moulded pendants and drops overall, approximately 86cm high, 60cm diameterProvenance: Private Collection from a Grade II listed Country House, OxfordshireCondition Report: Please note the drip pans are all absent from this lotThe gilding on the iron is quite distressed overall, which is possibly by design. Some of the thinner parts of iron are quite bent.Some pendants may be missing, others replaced, though the present arrangement is pleasing and symmetrical.A larger pear-shaped pendant has come detached, but is sold with the lot. This is possibly the terminal.There is currently no electrical wiring though there is evidence of previous wiring (open bolts) to the undersides of the sconces.The glass sconces bear some wax residue which could be cleaned, one or two have the sconces have minor chips to the edges.As noted above, the larger circular drip pans in the photograph are absent and not sold with the lot Condition Report Disclaimer
A dark green painted and parcel gilt console table, 19th century and later redecorated, 87cm high, 86cm wide, 45cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useThe marble with the usual light chips and losses to edges and extremities and the back, the underside with an old filled gouge. The marble appears to be more recent than the table base As catalogued the decoration is later, there are chips and losses in places through to underlying composition and timber in places Some wear through the gilt surface to underlying bole tooThe rear rail with various old holes from attaching and securing to a wall Some light signs of old old woodwormThe marble has not been on the console during the view but presented alongsidePlease refer to additional images for visual reference to condition Condition Report Disclaimer
A late 19th century Chinese pot and cover of bulbous form decorated with a garden scene, a figure being pushed on a cart, figures, trees and other objects in orange, green, pink and turquoise, 7 1/4"h, 7 1/4"diaCondition report: overall good, some pitting to the glaze throughout, there is a fire crack to the base of the finial on the lid, there is light discolouration to the base of the vase and inner lid, some distressed cracks around the applied 'handles', some wear to the base, no apparent breaks or cracks.
11 Senator Spring Albums 1850 - 1999. QV 1d reds used with mint plate 82 noted running through to 1963 -1999 Main value in the modern decimal commemorative issues in mint blocks of 4/6 also same in used for most issues. Many with traffic light and date codes. An amazing collection put together over the years, hard to replicate. FV £1200+
June 1946 - 1959 FDC. Starting with Victory leading onto 1951 light backgrounds issue 4d, 02/10/50 cat £200 and other cover in set x 2. Coronation. 1952 full set of covers for this issue including the scarce 9d.10d.11d cover. Southampton Experimental issue 1957. Commonwealth Games. Regional issues. You also get most sets of stamps in mint and used in album.
Mozambique. Natives of Lourenço Marques, their Homes and Customs, Lourenço Marques [Maputo]: Spanos & Tsitsias, c.1920s, 30 colour plates of local types, most captions in Portuguese and English, some light spotting to title, original half cloth, extremities somewhat rubbed, a few minor marks, oblong 8vo, together with: Views of Lourenço Marques, Lourenço Marques [Maputo]: Spanos & Tsitsias, c.1920s, 28 black & white plates from photographs of scenery (2 double-page), most captions in Portuguese and English, original half cloth, extremities somewhat rubbed, a few minor marks, oblong 8voQty: (2)
Nansen (Fridtjof, 1861-1930). A signed menu card, Oct 7, 1921, single sheet menu card for 'Luncheon to Dr. Nansen, National Liberal Club, October 7, 1921, printed to one side, signed to verso 'Fridtjof Nansen, Oct. 7th 1921', two paper tabs adhered to side at verso, light toning ans minor spotting, 156 x 98 mm, together with: Bull (Jacob B.) , Fridtjof Nansen, A Book for the Young, translated from the Norwegian by the Rev. Mordaunt R. Barnard, 1st edition, London: Isbister & Co., Ltd., 1898, map frontispiece, few monochrome illustrations, scattered spotting, hinges cracked, original pictorial cloth, extremitities slightly rubbed, 8voQty: (2)
Pereira (George). Peking to Lhasa, The narrative of journeys in the Chinese Empire made by the late Brigadier-General George Pereira, C.B., C.M.G., D.S.O., compiled by Sir Francis Younghusband, K.C.S.I., K.C.I.E., from notes and diaries supplied by Major-General Sir Cecil Pereira, K.C.B., C.M.G., 1st edition, Constable and Company Ltd., 1925, x + 294, plus single leaf of adverts at rear, 2 folding maps at rear, 33 plates after photographs, bookplate of Henry Courtney Brocklehurst to front pastedown, original dark blue cloth gilt, some light marks to covers (generally in good, bright condition)Qty: (1)NOTESYakushi (1994) P153 & T57a.
Stanley (Henry M.). The Congo and the Founding of its Free State: a Story of Work and Exploration, 2 volumes, 1st edition, London: Sampson Low, Marston, Searle, & Rivington, 1885, 42 wood-engraved plates (including volume I frontispiece), halftone frontispiece to volume II, 1 plan in text (listed as a plate), 5 folding maps, including 2 contained in rear pockets (1 with slight wear where folds cross), numerous black & white letterpress illustrations, publisher's catalogue at end of volume II, each with armorial bookplate of Sir T. F. Buxton, volume I front free endpaper verso with additional bookplate of the same plus ink manuscript signature 'Sir T. F. Buxton 1885', original pictorial cloth gilt, crudely rebacked with original (defective) spines relaid, some marks or stains, 8vo, together with: Allen (Captain William & Thomson, T. R. H.) , A Narrative of the Expedition sent by Her Majesty's Government to the River Niger, in 1841, 2 volumes, 1st edition, London: Richard Bentley, 1848, engraved frontispiece to each, two folding maps (each with a short closed tear), 14 engraved plates, including one folding, 6 dampstained, black & white letterpress illustrations, some light spotting, each with armorial bookplate of Sir Edward N. Buxton, Bart., that to volume I with previous tears (caused when transferred to new endpapers), that to volume II defective, modern blue-black morocco, gilt-lettered spines, 8vo, and a copy of The Expedition to Borneo of H.M.S. Dido ..., by Henry Keppel, 2 volumes, 2nd edition, 1846, in modern clothQty: (6)NOTESProvenance: Sir Thomas Fowell Buxton, 3rd Baronet of Belfield (1837-1915) was the grandson of his namesake, the 1st Baronet (1786-1845) who had founded the Society for the Extinction of the Slave Trade and for the Civilization of Africa in 1839. Through the Society, Buxton had promoted the Niger expedition of 1841. Sir Edward North Buxton, 2nd Baronet (1812-1858) was his son.
Stigand (C.H. & Lyell, D.D.). Central African Game and its Spoor, 1st edition, Horace Cox, 'Field' Office, 1906, monochrome plates, including many after photographs, 2 folding plates of elephant and hippopotamus tracks (one creased to outer edge, and with closed tear, without loss), bookplate of Henry Courtney Brocklehurst to front pastedown, original orange cloth, rubbed and some light soiling and marks, 4to, together with: Lyell (Denis D.). The Hunting & Spoor of Central African Game, 1st edition, Seeley, Service & Co., 1929, monochrome illustrations, mostly to text, bookplate of Henry Courtney Brocklehurst to front pastedown, original pale brown cloth, lightly rubbed, plus: Ward (Rowland), Records of Big Game with their distribution, characteristics, dimensions, weights and horn & tusk measurements, 5th edition, 1907, and 8th edition, 1922, monochrome illustrations, both original red cloth gilt, the 1907 signed to head of title by Courtney Brocklehurst, and dated 1908, the first title with inner hinges cracked and somewhat loosened, some light soiling to covers, and spine faded, second volume somewhat rubbed, 8voQty: (4)
Britton (John). Cathedral Antiquities. Historical and Descriptive Accounts, 5 volumes, London: M.A. Nattali, 1836, numerous engraved plates and plans, occasional scattered spotting, top edge gilt, contemporary half morocco, gilt decorated spines, extremities slightly rubbed, 4to, together with: ibid. , Picturesque Antiquities of the English Cities, London: Longman, Rees, Orme, Brown and Green, 1830, half-title, wood engraved vignette to title, numerous engraved plates, all edges gilt, contemporary dark blue morocco by W. Strong, gilt decorated spine, extremities slightly rubbed, 4to, Buckler (John C.) , Sixty Views of Endowed Grammar Schools, from Original Drawings, London: Thomas Hurst & Co., 1827, engraved frontispiece and plates, some spotting & offsetting, top edge gilt, contemporary red half morocco, gilt decorated spine, extremities rubbed, 4to, [Hawksworth, Miss J. & Prout, Samuel] , Relics of Antiquity; or, Remains of Ancient Structures, with other vestiges of early times in Great Britain [etched by Miss Hawksworth and others from drawings by S. Prout], London: W. Clarke, A. Molteno, C. Chapple, et al., 1811, numerous engraved plates, spotting and offsetting, edges untrimmed, contemporary half calf, spine and extremities rubbed, 4to Allom (Thomas, & Bartlett, W.H.) , Devonshire & Cornwall Illustrated ... with Historical and Topographical Descriptions by J. Britton & E.W. Brayley, London: H. Fisher, R. Fisher, & P. Jackson, 1832, additional engraved titles, two engraved county maps, numerous engraved plates, light scattered spotting, all edges gilt, ink stamp of Dartington Hall Library Devon Collection to front free endpaper, all edges gilt, contemporary dark green half morocco, gilt decorated spine, wear to joints and extremities, 4to, and other similar British topography relatedQty: (21)
Channel Islands - Viewbooks. Four viewbooks of the Channel Islands, circa 1850s-60s, comprising: 1. Harwood's Illustrations of Jersey, circa 1855, 38 engraved vignette plates, tissue guards, some spotting, all edges gilt, original gilt-blocked purple cloth, extremities a little rubbed, oblong 8vo, 2. Views of the Channel Islands, London: Rock & Co., circa 1850, 36 engraved vignette plates, scattered spotting, all edges gilt, original gilt-blocked cloth, faded, oblong 8vo, 3. Views of Jersey, London: Rock & Co., circa 1866, 41 engraved vignette plates, scattered spotting and occasional light finger soiling, all edges gilt, original gilt-blocked cloth, faded & worn, upper joint split, oblong 8vo, 4. The Island of Jersey, its Towns, Antiquities, and Objects of Interest, London: T. Nelson & Sons, circa 1860, 24 chromolithograph plates (including frontispiece, detached), hinges broken, original cloth with inset chromolithograph illustration to upper cover, oblong 12mo, together with two other viewbooks, The Premier Album of Ballarat Views, circa 1880 and Rigi, Lac des IV Cantons et Route du St. Gotthard, circa 1880Qty: (6)
Finden (E. & W.). The Ports, Harbours, Watering-Places, and Picturesque Scenery of Great Britain, illustrated by views taken on the spot, 2 volumes, London: George Virtue, circa 1841, 144 engraved plates, after Bartlett, Harding and Creswick, including frontispieces and additional titles (complete as list), some light toning to margins, sparce spotting, all edges gilt, contemporary red half morocco gilt, rubbed, corners showing, cloth sides marked, 4toQty: (2)
Lewis (Samuel). A Topographical Dictionary of England ..., Atlas volume only, London: S.Lewis and Co., 1831, folding engraved map of England and Wales and folding engraved plan of London, both toned with some light spotting, each with a short closed handling tear, 43 uncoloured engraved maps (including 13 folding), toning and spotting (mainly to margins and to final Yorkshire map), contemporary cloth, faded and marked, some wear to extremities, 4toQty: (1)
Moule (Thomas). The Landscape Album; or, Great Britain Illustrated, 2 volumes (1st & 2nd series), London: Charles Tilt, 1832 & 1834, 119 engraved plates by William Westall (complete, including frontispieces), occasional minor spotting, all edges gilt, publisher's dark green morocco with blind blocked decoration by Remnant & Edmonds of London, light wear to extremities, 8vo, with a duplicate of volume 2 in similar binding, together with: Ritchie (Leitch) , Scott and Scotland, London: Longman, Rees, Orme, et al., 1835, additional engraved title (Heath's Picturesque Annual, for 1835), and 20 plates after George Cattermole, some dampstaining, all edges gilt, publisher's maroon morocco gilt, extremities rubbed, 8vo, Ritchie (Leitch) , A journey to St. Petersburg and Moscow through Courland and Livonia, London: Longman, Rees, Orme, et al., 1836, 25 engraved plates after A.G. Vickers (including additional engraved title 'Heath's Picturesque Annual, for 1836'), some spotting, all edges gilt, publisher's maroon morocco gilt, extremities rubbed, 8vo, and four others, Finden's Landscape & Portrait Illustrations, to the Life and Works of Lord Byron, volumes 1 & 3 only, 1833 & 1834; Heath's Picturesque Annual for 1838 (Ireland) and Heath's Picturesque Annual for 1842 (Paris), both wornQty: (9)
Skelton (Joseph). Skelton's Engraved Illustrations of the Principal Antiquities of Oxfordshire, from Original Drawings by F. Mackenzie, Oxford: J. Skelton, 1823, large paper copy, engraved frontispiece (with "Subscription copy" printed at head), engraved title, county map and 49 plates, all on India paper (offsetting to tissue guards), engraved illustrations to text, ink stamp to verso of title, subscriber's list present, some spotting, Hartland Library bookplate and county library label to front endpaper (library ticket holder removed), contemporary dark green half morocco, elaborate gilt decorated spine, extremities slightly rubbed, folio, together with: Hall (Peter) , Picturesque Memorials of Salisbury ... to which is prefixed, a Brief History of Old and New Sarum, Salisbury: W.B. Brodie & Co., 1834, large paper copy, engraved frontispiece and 28 plates on India paper, occasional spotting, light dampstaining to lower outer blank corners, all edges gilt, contemporary gilt decorated dark green morocco, joints cracked at head & foot, scuffed and light wear, folio, Lysons (Samuel) , A Collection of Gloucestershire Antiquities, London: T. Cadell & W. Davies, 1804, engraved title, 110 engraved,etched & lithograph plates (11 hand-coloured), occasional spotting and toning, dampstain to fore-edge margins of leaves at front of volume, contemporary straight grain quarter morocco, cloth sides, joints cracked at head & foot, wear to extremities, folio, Cassell & Company Ltd. (publishers) , The Royal River: The Thames, from Source to Sea, Descriptive, Historical, Pictorial, Cassell & Company Ltd., 1885, photogravure frontispiece, wood engraved plates and illustrations, blind library stamp to title and ink stamp to verso, library label to front pastedown, top edge gilt, contemporary light brown half morocco, gilt decorated spine with dark green morocco labels, library number to spine leather to upper board, rubbed and scuffed, large 4toQty: (4)
Storer (James). History and Antiquities of the Cathedral Churches of Great Britain, 4 vols. in 2, 1814-19, additional engraved titles, numerous engraved plates, armorial bookplate of Benjamin Haworth to upper pastedowns, contemporary calf, elaborate gilt & blind decorated spines, gilt rule & blind rollwork border to boards, 8vo, and another copy of the same work, edges untrimmed, bound in four volumes, contemporary half calf, joints cracked, tall 8vo, together with: Newbery (F., & Carnan, T., publishers) , A Description of England and Wales, 10 volumes, (vol. 2 - 2nd edition, vols. 2-10 1st edition), 1769-1775, numerous engraved plates, some spotting, offsetting and browning, text-block to first volume split in two, contemporary calf, gilt decorated spines with contrasting morocco labels (some labels lacking), worn, 12mo, Dugdale (Thomas) , Curiosities of Great Britain. England & Wales Delineated, 4 volumes, London: L. Tallis, [1853?-1860], engraved frontispieces and titles, numerous engraved plates and double-page maps, near contemporary half calf gilt, 8vo, Storer (James) , Antiquarian and Topographical Cabinet, 10 volumes, London: W. Clarke, J. Carpenter & H.D. Symonds, 1807-11, engraved titles and numerous plates, occasional light spotting and offsetting, contemporary diced calf gilt, green morocco title labels (few lacking), extremities rubbed, 16mo in 8sQty: (30)
Viewbooks. 18 viewbooks for Lake District, Scotland, Devon & Cornwall, etc., mid 19th century, including: 1. Views of the English Lakes, Windermere: J. Garnet, circa 1861, engraved title, 29 engraved vignette plates by W. Banks & Son of Edinburgh, 2 publisher's advert leaves at rear (browned), front free endpaper slightly torn, all edges gilt, original blue cloth, blind blocked decoration and title in gilt, few marks & light fraying to extremities, oblong 8vo, 2. Views of the Scottish Lakes, Edinburgh: Banks & Co., circa 1860, engraved title, 15 engraved vignette plates, 2 publisher's advert leaves at rear, occasional spotting, all edges gilt, original green cloth, blind blocked decoration and title in gilt, extremities frayed, oblong 8vo, 3. Views in Devonshire and Cornwall, Exeter: Henry Besley, 1854, 54 engraved vignette plates, tissue guards, some spotting and toning, all edges gilt, original gilt blocked blue cloth, lower board detached & upper board near detached, covers dampstained and worn, oblong 8vo, 4. Views in the West Highlands, Edinburgh: Banks & Co., circa 1860, 18 engraved vignette plates, tissue guards, some dampstaining, hinges split, original cloth, rubbed, oblong 8vo, and other viewbooks for Devonshire, Newbury, Stratford on Avon, Malvern, Kenilworth Castle, Thame, Bristol, Chipping Norton, & Banbury, etc.Qty: (18)
Walpoole (George Augustus). The New British Traveller; or, a Complete Modern Universal Display of Great-Britain and Ireland: being a new, complete, accurate, and extensive tour, London: Alex. Hogg, 1784, engraved frontispiece, 48 engraved maps on 23 sheets (including 2 folding) and 85 engraved plates (many with two views), blank leaf after title with early ink manuscript index on verso (continued on loosely inserted sheet), subscribers list at rear, folding maps creased with some closed tears, light scattered spotting and some scarce marks, pp.203-227 with worming (and single wormhole continuing to p.291) at head of gutter, scarce early ink annotations, 1 plate partly detached (with associated closed tear to margin), 19th century half calf, worn, boards (and endpapers) detached, spine deficient, folioQty: (1)NOTESSold as a collection of maps/plates, not subject to return.
Bewick (Thomas). History of British Birds (Land & Water Birds), and a supplement, with additional figures, 4 volumes in two, Newcastle: Printed by Edward Walker, for T. Bewick, 1821, numerous wood engraved illustrations and vignettes, light scattered light spotting, contemporary half calf, neatly rebacked, gilt decorated spines with green morocco title labels, 8vo, together with: Ibid. , History of British Birds (Land & Water Birds), 2 volumes, Newcastle: Printed by Charles Henry Cook, for R.E. Bewick, 1832, wood engraved illustrations and vignettes, light armorial bookplate of Rev. Christopher Smyth of Little Houghton to upper pastedown (offset to front free endpaper), contemporary calf, gilt decorated spines, lightly rubbed to extremities, 8voQty: (4)NOTESRoscoe 24-25c (Land Birds supplement 1st edition) and 26-27c (Water Birds supplement 1st edition).
Bewick (Thomas). History of British Birds (Land & Water Birds), 2 volumes, 1st edition, Newcastle: Printed by Sol. Hodgson, for Beilby & Bewick, 1797-1804, half-title to volume 1 and bound with A Supplement to the History of British Birds, Parts I & II (Land & Water Birds), [2nd edition], Newcastle, 1821 [1822], numerous wood engraved illustrations and vignettes, some scattered light spotting, armorial bookplate of James Richard Wigram to upper pastedowns and his signature to upper blank margins of general titles to each volume, all edges gilt, 19th century calf by Francis Bedford, gilt decorated spines with contrasting morocco labels, upper joint of volume 1 & lower joint of volume 2 slightly cracked, 8voQty: (2)NOTESLand Birds - Roscoe 14b, price altered in manuscript from 13s to 18s. Water Birds - Roscoe 17b, variant A with vignettes at pp. 136, 269 & 359 in first state. Supplement to Land Birds - Roscoe 29b, includes green-headed bunting. Supplement to Water Birds - Roscoe 30b, includes young kittiwake.
Bewick (Thomas). History of British Birds (Land & Water Birds), 2 volumes, [3rd & 1st editions], Newcastle: Printed by Edward Walker, for T. Bewick, 1805 & 1804, numerous wood engraved illustrations and vignettes, occasional spotting mostly to margins, armorial bookplate of S.V. Dashwood to upper pastedowns, top edge gilt, remainder untrimmed, together with: Ibid. , A Supplement to the History of British Birds, 2 parts (Land & Water Birds), Newcastle: Printed by Edward Walker for T. Bewick, 1821, titles to both parts bound at front of volume, numerous wood engraved illustrations and vignettes, light spotting, armorial bookplate of S.V. Dashwood to upper pastedowns, top edge gilt, uniform 19th century dark green half morocco gilt, large 8voQty: (3)NOTESLand Birds - Roscoe 18b. Water Birds - Roscoe 17b. Supplement to Land Birds - Roscoe 29. Supplement to Water Birds - Roscoe 30.
Curtis (William). The Botanical Magazine; or, Flower-Garden Displayed, volumes 1-24 bound in 12, Stephen Couchman, 1793-1806, portrait frontispiece (a little spotting and offsetting to title) and 966 hand-coloured plates including some folding, scattered light offsetting and light browning but generally very clean, armorial bookplate of George Innes, College, Warwick, to each volume, old ownership inscription of Jane Eliz[abe]th Metford, Halesleigh to front free endpaper of volume 1, marbled edges, contemporary russia gilt, a little rubbed and faded on spines. 8vo (22.5 x 13.5 cm)Qty: (12)NOTESProvenance: 1) George Innes (1760-1842) was Assistant Master at Rugby School, 1783-1792, Master of King Henry VIII's School, Warwick, 1792-1842, and Rector of Hilperton, Wiltshire, 1798-1842. The remaining portion of his library was sold in London by Puttick and Simpson in 1851. 2) Jane Elizabeth Metford (1831-1907), Halesleigh, Somerset.
Houghton (Rev. William). British Fresh-Water Fishes, 1st edition, Edinburgh & Dublin: William Mackenzie, [1879], 41 colour wood-engraved plates (complete), a few text leaves detached with some fraying, occasional light spotting, bookplate, contemporary calf-backed boards, spine worn, rubbed title label detached (retained), boards detaching, some edge wear and stains, folioQty: (1)
* Indian snakes. Six watercolour studies of Indian snakes, circa 1850, watercolour on wove, including studies of spectacle snake, bull-headed snake, mourning snake, Peruvian snake, & spiral snake ('hydrus spiralis'), page numbers in manuscript to upper right corner, and caption & text written to verso of each, some light toning, leaf size 220 x 185 mm, together with a single issue of Nature, issue no. 620, vol. 24, Thurs. Sep 15, 1881Qty: (7)
Morris (F.O.) A History of British Birds, 6 volumes, 2nd edition, 1870, 365 hand-coloured plates (complete), occasional light spotting, armorial bookplates of Gerald C.M. Rouse, all edges gilt, contemporary brown half calf, spines with black labels and eagle decorations in gilt to compartments, spines and edges a little rubbed, 8voQty: (6)
Sweet (Robert). The Ornamental Flower Garden and Shrubbery, volume 1 only (of 4), 1852, half-title present, 80 engraved plates with contemporary hand-colouring (one folding), some light toning and occasional spotting, all edges gilt, contemporary straight grain calf, gilt decorated spine and rollwork borders to boards, joints cracked, rubbed and few marks, 8voQty: (1)
Watkins-Pitchford (Denys, 'B B'). Confessions of a Carp Fisher, 1st edition, London: Eyre & Spottiswoode, 1950, illustrations, a little light spotting, mainly to fore edges, original cloth, dust jacket, spine toned with small tears at ends, 8vo, together with Applin (Arthur). Philandering Angler, 1st edition, London: Hurst & Blackett, [1948], wood-engravings by Denys Watkins-Pitchford, occasional light spotting, partial offsetting to endpapers, original cloth (faded at spine ends), dust jacket, spine a little toned with tears at ends, a few light spots, 8vo, plus Brown (Wilfred Gavin). My River and Some Other Waters, 1st edition, London: Frederick Muller, 11947, wood-engravings by Reginald Lionel Knowles, original cloth, dust jacket, spine faded, a few chips and tears, 8vo, with other fishing related including A.J. Rudd's The Illustrated Guide to Fishing in the Norfolk Waters, 1896, By Meadow and Stream. Pleasant Memories of Pleasant Places, by the Amateur Angler, 1896, Sea Trout and Occasional Salmon, by Jeffrey Bluett, 1948 and Where to Fish 1951-1952. The Field Guide to the Fishing in Rivers and Lakes, edited by William G. Luscombe, [1952]Qty: (44)
* Ackermann & Co. (publishers). Railway Conveyances from Liverpool to Manchester, 1834, aquatint on wove, with contemporary hand colouring, faint central vertical fold, few discreet repairs to upper & lower margins, light spotting and toning, 410 x 425 mm, mountedQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS Four trains are shown travelling on the Liverpool & Manchester Railway, which was opened in 1830 under the supervision of its chief engineer, George Stephenson (1781-1848). The first locomotive shown is the 'Liverpool', hauling first-class carriages and a mail coach. The second is the 'Fury' hauling second-class carriages. The third is the 'North Star' hauling goods wagons and the fourth is the 'Jupiter', hauling carriages carrying livestock.
* Baynes (Thomas Mann, after). "View of the Canterbury and Whitstable Railway from over the Tunnel taken on the Opening Day, May 3rd 1830, To the Board of Directors this print is most respectfully inscribed by their obedient servant the publisher", Canterbury: Henry Ward, 1830, and "View of the Canterbury and Whitstable Railway from Church Street taken on the Opening Day, May 3rd 1830, To the Board of Directors this print is most respectfully inscribed by their obedient servant the publisher", Canterbury: Henry Ward, 1830, together a pair of lithographs by Charles Hullmandel after Thomas Mann Baynes, with contemporary hand colouring, the first showing a panoramic view of the city with crowds gathered on the embankments in the foreground and numerous figures in open railway wagons, some carrying flags, and the second showing the locomotive "Invicta" pulling open wagons filled with waving passengers with Whitstable to background, some light toning and spotting, both approximately 320 x 450 mm, mounted, framed & glazed, Frank T. Sabin gallery label to verso, together with Canterbury & Whitstable Railway Broadside , Opening of the Canterbury & Whitstable Railway. The following particulars of the opening ... extracted from the Kent Herald, it is presumed will not prove uninteresting to those who have kindly patronized the accompanying Views, [1830], single folio sheet of letterpress in double-column, detailing the opening event of the railway on May 3rd 1830, approximately 410 x 280 mm, mounted, framed & glazed, Frank T. Sabin gallery label to versoQty: (3)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS The Canterbury & Whitstable Railway opened in 1830 and was the first public passenger railway in the world and the first to carry passengers by steam. However, there was only one single track. Locke & Dixon were engineers under the direction of George Stephenson. Robert Stephenson & Co made the locomotive "Invicta" which hauled two trains at the opening. After the sale of "Invicta" in 1839, the line was worked by stationery engines before experiments were made with the "Atmospheric system. The Canterbury & Whitstable Railway was purchased by the South Eastern Railway in 1853 and the line closed in 1931. Robert Stephenson attended on the Opening Day and was a guest of honour at the dinner for over 150 people held at the Kings Head Hotel, Canterbury. Mr Robert Stephenson wrote on 6th May 1830 "I returned from Canterbury on Tuesday. The opening of the Canterbury Railway went off remarkably well without a single mishap".
* Brunel (Isambard Kingdom). The Steam Ship "Great Britain", 3500 Tons Register, 500 Horse Power. Proprietors Messrs. Gibbs Bright & Co. B.R. Mathews Esqre. To the People of Great Britain & the United States of America, This plate is respectfully dedicated by their obedient Servants, J. Skillicorn & Compy., Chester: printed by Evans, Gresty & Bunbill, [1843], large lithograph with contemporary hand colouring (lined to verso), occasional light surface wear to image, light toning and spotting, upper left corner of blank margin repaired, 580 x 840 mm, mountedQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS The SS Great Britain was at the time of construction the largest, longest and first iron-hulled, screw-propelled ship in the world. Taking over four years to build by local shipbuilder William Patterson, and overseen by Isambard Kingdom Brunel as Project Engineer. She was designed to transport passengers between Liverpool and New York City, being launched on 19 July 1843. In 1970 she returned to Bristol and remains there today in the original dry dock where she was made.
* Duncan (Edward). The Niger Expedition, Liverpool: S. Walters, London: Ackermann & Co., March 12th, 1847, aquatint on wove laid on card, contemporary hand-colouring, few repaired closed tears around edges of image, light toning & dust-soiling, 390 x 535 mm, mountedQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS The Niger expedition of 1841 was mounted by British missionary and activist groups in 1841-1842, using three British iron steam vessels to travel to Lokoja, at the confluence of the Niger River and Benue River, in what is now Nigeria. The British government backed the effort to make treaties with the native peoples, introduce Christianity and promote increased trade. The crews of the boats suffered high mortality from disease. The image shows the Niger Expedition vessels off Holyhead in 1841, with HMS Albert (Capt. H.D. Trotter, R.N.), HMS Sudan (Commander B. Allen, R.N.) and HMS Wilberforce (Commander W. Allen, R.N) at sail.
* Dutton (T.G.). The Peninsula & Oriental Steam Navigation Company's Screw Steam Ship "Himalaya", (Adam Kellock, Commander) the Largest Steam Ship in the World ... This Print is respectfully dedicated to the Directors of the P. & O. S. N. Compy., December 1853, lithograph on wove by Day & Son, contemporary hand-colouring, few creases to left side, lower corners & right side with short closed tears, light dust-soiling & minor spotting, 475 x 670mm, mounted, framed & glazedQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS
* Hunt (Charles). The "Enterprise" Steam Omnibus, Built by Mr Walter Hancock, of Stratford, for the London and Paddington Steam Carriage Compy. Commenced Running April 22nd 1833, London: Ackermann & Co., June 1833, aquatint after William Summers, with contemporary hand colouring, light toning, 370 x 470 mm, framed & glazed, Parker Gallery label to versoQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS The aquatint shows the steam omnibus "Enterprise" with a large engine underneath and driver at the front being driven at speed along a road. It can be seen overtaking a horse-drawn carriage beside it, with spectators standing on the side of the road. The Enterprise began a regular service between London Wall and Paddington via Islington. It was the first regular steam carriage service, and the first mechanically propelled vehicle specially designed for omnibus work to be operated. The engine worked on a crank and iron chains applied the power to the back wheels. The engineer Walter Hancock (1799-1852) was born in Marlborough, Wiltshire, the sixth son of John Hancock, a timber merchant and cabinet-maker. He served an apprenticeship as a watchmaker and jeweller in London. Hancock invented a steam engine in 1824 in which the ordinary cylinder and piston were replaced by two flexible bags, consisting of several layers of canvas bonded with a rubber solution, and alternately filled with steam. Between 1824 and 1836 he constructed a number of steam road vehicles at his Stratford works in East London. By 1840 interest in the development of steam-powered road vehicles had reduced, partly due to the road tolls imposed by the Turnpike Acts. See John Hickman, 'The engravings of Charles and George Hunt', Norwich 2017, p.314.
* Hunt (George). View on the Thames, shewing Goding's New Lion Ale Brewery, The Wharfs, Shot Factories, and the Lambeth end of Waterloo Bridge, London: John Moore, December 30th, 1836, aquatint by Geoge Hunt after Francis Calcraft Turner, printed in colour and finished by hand, thread margins, few short closed tears and surface abrasions, light toning, 450 x 620 mm, mounted, framed & glazedQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS Goding's Brewery (or Lion Brewery) was built in 1836, to a design by Francis Edwards. The Goding family brewery, headed by Thomas Goding, was very successful during the nineteenth century. The site was particularly desirable as there was a waterworks nearby, which the Godings bought and incorporated into the brewery in 1853. The water used for brewing was sourced from the five wells inside the building. The brewery was taken over in 1924 by the brewers Hoare and Co., of Wapping, and was badly damaged by fire in 1931, where it remained derelict until it was demolished in 1949. The Royal Festival Hall stands in its place today and the only evidence of the original brewery is the large lion visible on the top of the building, made of artificial Coade stone which now stands at the east end of Westminster Bridge on the South Bank, now known as the South Bank Lion.
* Lambert (M. & M.W.). Dublin & Liverpool Screw Steam Packet Company's Screw Steam Ship Despatch, James Cooper Commander, Newcastle Upon Tyne: M. & M.W. Lambert, circa 1830, lithograph on wove (lined to verso), with contemporary hand colouring, repaired closed tears to margins, light spotting & minor toning, 450 x 600 mm, mountedQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS
* New York. Fifth Avenue from 42nd Street, Looking South, New York: Max Williams, 1904, colour lithograph by R.A. Welcke after an 'old photograph' by John Bachmann 1879, repaired verticle closed tear to lower margin and caption, light toning and spotting, 400 x 510 mm, mountedQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS John Bachmann, a German immigrant, was an artist and lithographer, credited with coining the term "bird’s-eye view". Bachmann made bird's eye views of Civil War battle scenes as well as views of New York City from different locations. Max Williams was a New York City publisher, noted for his Currier & Ives prints, republished using the original lithographic stones.
* Parsons (Charles). Steamer Roanoke. New York & Virginia Steamship Company, New York: Endicott & Co., circa 1870, tinted lithograph after Charles Parsons, professional repairs to margins, long repaired tear at head of sheet and image, few light creases and surface wear, occasional dust-soiling, 345 x 530 mm, mountedQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS The original side-wheel paddle steamer "Roanoke" was built in around 1851 and was in service with the New York and Virginia Steamship Company. She served as a troop carrier for the Union Army in the American Civil War and ran on a commercial route from New York to Havana and New Orleans, but was captured by Confederate privateers and destroyed.
* Picken (T. & Walters, S, printer & artist). The "Great Eastern" Steam Ship, William Harrison Esqe. Commander. Constructed at the Eastern Steam Navigation Company's Works Millwall from the Designs and Under the Direction of Isambard Kingdom Brunel Esquire ... to whom the plate is most respectfully dedicated by his obedient Servant Samuel Walters, Liverpool: S & W. Walters, London: Lloyd Brothers, New York: William Stevens & Williams, Sept. 1857, lithograph on wove by Day & Son, two small areas of repair and some light dust-soiling, contemporary hand colouring, 440 x 730 mm, framed & glazedQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS
* Picken (Thomas). The Victoria Bridge, Windsor, Erected over the River Thames, for the Commissioners of Her Majesty's Woods, &c. Thos. Page, Engineer, London: Standidge & Co., [1851], colour printed lithograph, wide margins with few closed tears to edges, lined with tissue to verso, light dust-soiling, 420 x 580 mm, mountedQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS This view of the Victoria Bridge, Windsor was published in 1851, the date of opening. It shows a good view of Windsor Castle from the North-East, with 3 boats on the river and figures on the bridge and towpath.
* Reeve (Richard). To William Brand Esqr. F.S.A. Collector of His Majesty's Customs of the Port of Boston, Lincolnshire; This View of the Iron Bridge over the Witham is most respectfully inscribed by his much obliged and devoted Servant John Buckler, Bermondsey: J. Buckler, April 1808, aquatint on wove by Richard Reeve after John Buckler, with contemporary hand colouring, few short closed tears and fraying to blank margins and corners, lined to verso with archival tissue, light toning and few scuffs to image, 445 x 580mm, mountedQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS
* Stephenson (Robert). Conway Tubular Bridge. With the preparations for raising the second tube, London: John Weale, [1849], colour lithograph by Day & Son after George Hawkins, plate number XXXVI upper right, light spotting and creasing, 510 x 330 mmQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS The view shows the new bridge at Conway in north Wales with work on the new structure underway. The Conway Railway Bridge was designed by railway engineer Robert Stephenson in collaboration with William Fairbairn and Eaton Hodgkinson. It carries the North Wales coast railway line across the River Conwy between Llandudno Junction and the town of Conwy. Construction commenced in 1846 and opened in 1849, it is the last surviving example of this type of design by Stephenson.
* Walters (Samuel, after). The Transatlantic Steam Ship "Liverpool". Lieutenant R.J. Fayrer, R.N. Commander. On her First Voyage to New York, October, 1838, [Liverpool: Henry Lacey; London: Ackermann & Co., and New York: Appleton & Co., 1838], tinted lithograph by Thomas Fairland after Samuel Walters, with contemporary hand colouring, trimmed to margins with loss of imprint, light spotting, 395 x 520 mm, mounted, framed & glazedQty: (1)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS The Paddle steamer "Liverpool" was constructed of wood by Humble & Millcrest of Liverpool in 1837. It was the first transatlantic two funnel steamer. Launched on October 14, 1837, her maiden voyage Left Liverpool for New York on 20th October 1838 with 60 passengers, she was forced back into Cork by a severe gale. Staying until 6th November, she arrived at New York after 16 days on November 23. She made seven round voyages until the company was disbanded in 1840. The lithograph shows the "Liverpool" in full sail and steam, with a distant view of an east-bound ship of the American Black Ball Line.

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