GEORGE HENRY HARLOW (ENGLISH 1787-1819) PORTRAIT OF DAME CATHERINE 'KITTY' BOLTON Oil on canvas 51.5 x 34.5cm (20¼ x 13½ in.)Kitty Bolton was born at Wells-next-the-Sea Norfolk, daughter of Susannah Bolton, the sister of Admiral Horatio Nelson. She married her first cousin Captain Sir William Bolton on 18th May 1803 at the Piccadilly home of Emma Hamilton. Nelson's sister Charlotte (later Duchess of Brontë) and Emma's daughter Emma Carew were witnesses. Kitty is depicted here in what is probably her wedding gown, she wears Neapolitan coral bracelets and an unusual coral wedding ring, perhaps a gift from Lady Hamilton and Nelson, recently returned from Naples. Condition Report: The canvas has been lined and cleaned. Light rubbing and abrasions to the framing edges. Light craquelure throughout. Inspection under UV reveals scattered retouching and infilling throughout. There is also a heavy varnish.Condition Report Disclaimer
534338 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
534338 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
534338 Los(e)/Seite
JOHN WILLIAM WATERHOUSE RA (BRITISH 1849-1917) A PORTRAIT OF A YOUNG GIRL Oil on canvas Signed with initials (lower right) 51.5 x 41.5cm (20¼ x 16¼ in.)Provenance: Sale, Christie's London, 26 March 1982, lot 79This freely painted portrait of an unidentified girl seems to be too informal to be a commission and as Peter Trippi points out, `Artists are more free to experiment while posing children and members of their own families' (John William Waterhouse, 2003, p.209). The sitter is reminiscent of the girl depicted inThe Easy Chair (Sale Sotheby's London, 30th November 2000, lot 48, £113,000), an oil sketch of a girl seated in the artist's wicker chair. Both pictures share the same tonal range. The bold brushstrokes that define the portrait are similar to a portrait of the artist's godson Nino William Physick, son of his half-sister May, painted in the 1890's.`Waterhouse purchased primed canvases and brushed upon them the main lines of his composition with dark flowing paint mixed with an easy to handle medium. He then laid the basic tonal range relationships of thinned translucent colour such as pale green or fawn.' (P. Trippi, J.W, Waterhouse 1849-1917, The Modern Pre-Raphaelite, 2008, p.19) We are grateful to Peter Trippi for his help in preparing his catalogue entry. Condition Report: The canvas has been lined. Craquelure throughout. Inspection under UV reveals light scattered retouching, which is largely confined to the right edge.Condition Report Disclaimer
λ SIR FRANK BRANGWYN (BRITISH 1867-1956) SEATED ARAB AT A TABLE Oil on board 25.5 x 23.5cm (10 x 9¼ in.)Provenance: Count William de Belleroche (No. 39 in collection) Sale, Christie's, London, 8 June 1962, lot. 42 Meir Berk Sale, Phillips, London, 2 April 1996, lot 59 Sale, Chiswick Auctions, London, 3 November 2021, lot 670 Literature: The present work will be included in the forthcoming catalogue raisonné being prepared by Dr. Elizabeth Horner, Frank Brangwyn, catalogue raisonné, cat. no. 2949. We are grateful to Dr Horner for her assistance with preparing this catalogue entry. Condition Report: Rubbing and abrasions to the framing edges. Some light surface scratches throughout. Some light scattered retouching throughout which can be seen both under UV and in natural light.Measurements with the frame are 42.5 x 51cm.Condition Report Disclaimer
CIRCLE OF SIR ANTHONY VAN DYCK PORTRAIT OF KING CHARLES I (1600-1649) Oil on canvas 60 x 48cm (23½ x 18¾ in.) Provenance: Phillip Mould Ltd, 29 Dover Street, London An accomplished version of one of Van Dyck's finest full length portraits of Charles I. Condition Report: The canvas is relined and presents a subtle craquelure across. UV light reveals various retouches, most evidently a patch of restoration of about 5 cm wide on the lock of hair on the sitter's left shoulder, and a similar one of about the same size on the lock of hair on the left o the sitter's right ear. Various, but minor retouches, are present on the right shoulder, and in the background area. There are also small retouches on the sitter's nose and above the right eyebrow: such retouches are of about 1cm, and there are a few. To conclude, the canvas presents an uneven varnish across the whole surface. Condition Report Disclaimer
FLEMISH SCHOOL (17TH CENTURY) CRUCIFIXION Oil on panel 104 x 71.5cm (40¾ x 28 in.) Condition Report: The panel has two beams on the verso which cradle the painting. The panel presents various visible crack; starting from the left: the first crack starts from the top border and ends on the foot of the crossed man on the left; the second crack starts from the top, crosses the right hand of Christ, and continues in a straight line to the bottom; the third crack, similarly, passes from Christ's left arm and follows to the bottom; the forth crack follows the pole of the crucified on the right; while the last crack starts from the top right corner and ends at the bottom, crossing by St. John's cloak. UV light reveals various retouches scattered across. The most visible are the ones covering the abovementioned cracks, especially the first, third, and forth crack, where the applied paint is thick enough to see without UV light. Furthermore, there is a restoration of about 6cm long on the right to Christ's pelvis, and various retouches on the dress of Mary Magdalen, of which some of them up to 3cm wide; other a present above the head of Christ, on the body of the crucified man on the left, and a few more on the borders. To conclude, a thick varnish is applied unevenly across the whole surface. Condition Report Disclaimer
MILDRED ANNE BUTLER (IRISH 1858-1941) PEACOCKS Watercolour Signed (lower right) 26.5 x 35.5cm (10¼ x 13¾ in.) Condition Report: Some possible discolouration to the sheet but this is very light and barely noticeable. The colours are good. Some light undulation to the sheet under the glazed frame. Overall the work looks to be in good condition commensurate with age.Condition Report Disclaimer
λ  GEORGE OWEN WYNNE APPERLEY (BRITISH 1884-1960) MAGDA Oil on canvas Signed (upper left); further titled and dated '1942' (verso) 62 x 49.5cm (24¼ x 19¼ in.) Condition Report: The canvas has not been lined. Stretcher marks are partially visible. Some rubbing, scuffs, and abrasions to the framing edges. Inspection under UV light reveals no evidence of restoration or repair. Overall, the work appears to be in good condition commensurate with age. Condition Report Disclaimer
CIRCLE OF SIR NATHANIEL DANCE-HOLLAND (BRITISH 1735-1811) PORTRAIT OF LORD ROBERT CLIVE WITH THE BATTLE OF PLASSEY IN THE BACKGROUND Oil on canvas 43 x 35.5cm (16¾ x 13¾ in.) Provenance: Sir Richard Sutton (1773-1802), and by descent through the Pulteney familyThe painting derives from Nathaniel Dance-Holland's portrait held at Powis Castle, where are hung other similar versions. Adorned with the ribbon of the Order of the Bath, Clive stands proudly before a battle, possibly identifiable with the Battle of Plassey, a decisive moment in Clive's military career which granted him the control of Bengal. Condition Report: The canvas is relined and presents a subtle craquelure across the surface. UV light reveals a thick layer of varnish. There are a few spots of retouching in the background area, a small one on the left arm and on the right arm. Furthermore, some brownish dirt marks are also present on the right leg. Condition Report Disclaimer
CHARLES JONES (BRITISH 1836-1892) WINTER PASTURES Oil on canvas Signed with monogram and dated '64' (lower right) 59 x 90cm (23 x 35¼ in.) Condition Report: The canvas has been lined and cleaned. Craquelure throughout, some of which has been in-filled but this is largely undetectable in natural light. Inspection under UV reveals scattered retouching and in-filling throughout. Overall the work appears to be in good restored condition.Condition Report Disclaimer
JEAN BAPTISTE OLIVE (FRENCH 1848-1936) LA MÉDITERRANÉE PAR TEMPS DE MISTRAL Oil on board Signed (lower left) 39 x 31cm (15¼ x 12 in.)Provenance: Pierre Lintilrac, Vichy (stamped verso) Gavin Graham, London Condition Report: Some light patches of surface dirt throughout. There is a vertical line of retouching (approx. 10cm) to the upper right quadrant starting just to the left of the sail boat which can be seen in natural light. One or two further, very small spots of retouching, visible under UV light.Condition Report Disclaimer
FLEMISH SCHOOL (CIRCA 1700) A HUNTING STILL LIFE Oil on canvas 88 x 117cm (34½ x 46 in.) Condition Report: The canvas is relined and presents a subtle craquelure, mostly visible on the upper right corner. UV light reveals an uneven varnish scattered across and various retouches. Most evidently, long patches of paint have been added near the borders of the canvas, such as a 8 cm long restoration on the left border; further retouches are scattered cross the background area, such as above the dead stag, where most of the black area has been restored. Further brushstrokes of restoration are visible on the head, around the ear, and on the legs, while a big patch of retouching of about 8 cm wide is present on the animal's stomach: a similar patch on near the back, close to the right back leg. Furthermore restorations are present on the birds, on the gun, and on the horn in the upper left corner. Condition Report Disclaimer
JEAN BAPTISTE GREUZE (FRENCH 1725-1805) PORTRAIT OF A CHILD IN A BLACK AND WHITE DRESS Oil on panel 38 x 30cm (14¾ x 11¾ in.) We are grateful to Dr. Yuriko Jackall for her assistance with preparing the catalogue entry Condition Report: The panel presents a thick uneven varnish. UV light reveals various retouches across the whole panel, such as on the black cloth of the child's right arm; such retouches are of about 2cm long and cover most of the black cloth. Retouches are also present on the right white sleeve, with one of about 5 cm long. A similar size retouch is also present on the right of the sitter's shoulder, above which, always in the background area, are two spherical retouches of about 2cm diameter. There have been extensive restorations on the chin, nose, and mouth of the sitter; some of the retouches are of about 3 cm wide. Extensive retouching is also present on the eyebrows and eyes, and on the area of flesh between the eyes. There are also various retouches on the hair, especially on the left, near the curls, and near the crown of the head, where there is a large patch of restoration of about 5cm wide. In the background area above the head, there is also a large patch of retouching of about 4 cm diameter. To conclude, the panel presents a thin crack which crosses the whole panel, and passes just next to the right eye. Such crack has been covered with a thin layer of paint. Condition Report Disclaimer
λ  GEORGE OWEN WYNNE APPERLEY (BRITISH 1884-1960) PAN'S SON Watercolour Signed (lower right); further titled and dated '1945' (verso) 49.5 x 23cm (19¼ x 9 in.) Condition Report: Some very light staining to the framing edges but this is barely noticeable. Otherwise, the work appears to be in good, original condition commensurate with age. Condition Report Disclaimer
THOMAS LUNY (BRITISH 1759-1837) H.M.S BELLEROPHON OFF TORBAY WITH THE DEFEATED EMPEROR NAPOLEON ABOARD '26 JULY 1815' Oil on canvas Signed and dated '1828' (lower right) 84 x 127cm (33 x 50 in.)Provenance: Quester Gallery, Stonington, Connecticut Sale, Christie's South Kensington, London, Maritime Art, 12 June 2013, lot.35 H.M.S Bellerophon is one of the most renowned ships in British history. She fought valiantly in the battle of Trafalgar under Captain John Cook, who died aboard during the battle. Nevertheless, Thomas Luny paints her in her most memorable action: the capture of Napoleon after the battle of Waterloo under the commandership of Captain Maitland. Here, Napoleon is being taken to Torbay, where he was held captive before being sent to Plymouth, from where conveyed to exile on the island of St. Elena. Condition Report: The canvas has been lined and cleaned. Some very fine craquelure scattered throughout. Stretcher marks are also faintly visible. Some light rubbing and abrasions to the framing edges. Inspection under UV reveals very fine, light, scattered retouching which is mainly confined to the sky. Overall, in good restored condition.Condition Report Disclaimer
FRENCH SCHOOL (18TH CENTURY) THE STAG HUNT Oil on canvas 36.5 x 30cm (14¼ x 11¾ in.) Condition Report: The canvas has been relined and is on a new stretcher which is providing good support. A strip of primed and unpainted canvas is visible along the upper edge, but is hidden under the frame. There is fine surface cracking across the image, but the paint layer is stable, if a little thin in places, Under UV light there are some scattered spots of restoration in the sky. It has been cleaned and re-varnished. Condition Report Disclaimer
An amber bead necklace 102 g together with a graduated amber bead bracelet 48 g and three further beaded necklaces, a silver cheroot holder, a diamond chip set drop etc together with four Garrard & Co jewellery boxes and a further jewellery box, the inside inscribed "Missiaglia" CONDITION REPORTS Both beaded strings of amber beads have some losses to the edges of the beads variously - see images for examples. The Garrard boxes - the long thin fitted box is a bit scuffed and has the cover coming away to the back hinge. Otherwise all have general wear and tear conducive with age and use. See images for further details. The large single bead is 37gms, and approx 5cm x 3cm . See images of it under light for veins etc.
An 18ct gold Eterna-Matic 3000 wrist watch, circa 1970, case width 32mm, signed gold tone dial with baton hour markers, gold tone and black hands, centre seconds and date aperture at 6 o'clock, 21 jewel automatic movement, calibre 1500K, leather strap and gold plated Eterna buckle. Condition - appears in working order, winding, ticking and advancing fine, general wear throughout, including marks around edge of dial, light scratches etc. case back weight 11g.
A 9ct gold Girard-Perregaux Gyromatic wrist watch, circa 1960s, case diameter 34mm, 39 jewel automatic movement, later leather strap and buckle. Condition - mark to dial at signature, general wear including pitting, light marks and scratches etc. winding and ticking, slightly stiff to advancing but is working.
Lemania HS9 British Royal Navy Fleet Air Arm Military issued mono push button chronograph wrist watch, circa 1950, stainless steel case, diameter 38mm, signed white dial with Arabic numerals, luminous dot hour marks and luminous numerals 12 & 6, two subsidiary dials and Broad Arrow, centre seconds and luminous index hands, manual wind chronograph movement, calibre 15CHT, unmarked, later leather strap. Condition - winding and ticking, though stopping when held upright, push button start/stop and reset working, hands advancing, dial appears clean with the unaided eye, some wear on closer inspection with a 10x loupe including minor pitting, wear to markers and corrosion to luminous markers, case with light scratches etc. strap
A Seiko Pogue stainless steel chronograph automatic wrist watch, ref. 6139-6002, circa 1972, case width 41mm, signed golden dial with yellow rotating inner bezel, day/date aperture and minute subsidiary, stainless steel case with "Pepsi" bezel, double push buttons and inset crown, 17 jewel automatic movement calibre 6139, stainless steel H link bracelet strap. Condition - appears in working order, winding, ticking, start/stop and advancing fine, minor wear including light scratches etc. Week days in French and English.
Austrian Ulan's Officer's Tunic light blue, wrap over, plastron front tunic with high black Astrakhan fur collar and gilt cord wrap. Maroon gauntlet cuffs. Lower angled pockets with maroon edged, scallop flaps. Single cord shoulder strap to the left side. Black quilted lining. Plain, white metal buttons. Collar with some damage.
Deactivated M53 Yugoslavian Light Machine Gun 7.62 mm, 24 inch, hidden barrel. Front flash hider. Pierced, square form barrel shroud. Top mounted leaf sight. Blackened body. Lift up loading flap with Yugoslavian crest. Lower grip frame with black composite, ribbed slab grips. Small, removable blackened wooden butt. Press steel bi-pod legs. Leather sling. Exact copy of the German MG42. Complete with current cert.
Three WW2 American Caps consisting service dress cap with woollen khaki crown and body. Green mohair band. Brown leather peak and chinstrap. Brass US eagle badge. Leatherette sweatband ... 2 x Garrison caps. Khaki crown and body. One with light blue piping and embroidery parachute badge. The other with black and gilt piping. 3 items.
WW1 Period French Officer's Tunic, Kepi And Accessories all items framed with label "French Officer Verdun Area 1917-18". Consisting light blue, single breasted, high collar tunic. Red collar tabs with white metal 9. Turn back cuffs with gilt braid rank lace. Brass French Artillery buttons ... Light blue kepi with black patent peak and chinstrap. The front with white metal 9 ... Pair of white metal spurs ... Pair white leather gloves ... Pressed tin, small oil tin. All contained in a black painted frame.
Two Officer Coloured Field Service Caps consisting Royal Artillery example. Red crown and body. Black curtain. All with gilt cord edging. Two, front, brass KC Royal Artillery buttons. Bullion embroidery flaming grenade (some damage) ... Royal Corps of Signals example. Light blue crown. Black body and curtain, all with gilt cord edging. Two front brass Signals buttons. Bullion embroidery, KC Royal Corps of Signals badge. 2 items.
Modern Army Air Corps Service Dress And Mess Dress consisting khaki, Officer's service dress tunic. Patch chest pockets with buttoned flaps. Lower hidden pockets with plain flaps. Bullion embroidery Major's rank. Plated AAC collars. Anodised buttons. Left chest with medal ribbons including MBE ... Matching trousers ... Black mess jacket with light blue, high collar. Gilt piping. Black twisted shoulder cords with Major's rank ... Light blue mess waistcoat with gilt piping ... Dark blue overall trousers with red side lines. 5 items.
Deactivated MKI* Bren Light Machine Gun 25 inch, .303 barrel with front flash hider and side mounted sight. Top wooden carrying handle. Blackened body with rear, side mounted dial sight. Body marked 1943 with issue stamp. Top mounted, curved magazine. Wooden pistol grip and butt with steel butt plate. Blackened bi-pod. Contained in its wooden transit box. Complete with current deactivation cert.
Deactivated WW2 Russian Degtyarev DP Light Machine Gun 7.62 mm, 28 inch, blackened barrel. Front flash hider. Hooded sight. Rear ladder sight. Blackened pierced barrel shroud. Blackened rear body with lower fitted cocking handle. Rear dated 1944. Blackened, lower trigger guard. Rear wooden butt with internal oil bottle. Tubular bi-pod legs. Removable blackened steel disc magazine, spare disc magazine. Complete with current cert.
Deactivated MK1* Light Machine Gun .303, 25 inch barrel with front flash hider and side mounted sight. Top, wooden carrying handle. Blackened body with side mounted dial sight. Body marked "Lithgow 1943". Top mounted, curved, removable magazine. Wooden pistol grip and butt with steel butt plate. Blackened bi-pod. Webbing sling. Complete in its wooden transit box. Complete with current cert.
WW2 ATS Working Overall light, khaki cotton, single part fastened front. Right waist with open top pocket. Rear fastened waist belt. Issue label dated 1945. Together with a pair of khaki, fine cord, wide leg breeches. Slash hip, open top pockets. Issue label "Pantaloons Cotton Cord OR". Both items in clean condition.
Continental glass and brass plafonnier light fittingearly to mid 20th Century, in the form of a basket with flowers and all supported by a brass ring, 34cm diameter; together with a French pink pressed glass plafonnier shade, moulded signature 'Degue', 34.5cm diameter (2) Overall wear, marks and scratches, consistent with age and use. The shade just in need of suspension chains and bolts for attachment.
Victorian silver batchelors teapotwith angular trophy style handle, bearing marks for James Deakin & Sons (John & William F Deakin), Chester, 1894, 13cm high, 308g approx overall The teapot has an engraved monogram. The hallmarks are slightly rubbed in places but are legible. The handle appears to have been painted. Age related wear and signs of use. Some scratches in places. Light tarnish throughout. Otherwise seems ok.
Collection of Royal Worcester plates decorated with fish, comprising 'Hogfish', signed P. M Lee to the front and marked to the reverse, 23cm across, 'Sergeant Major', signed M. Holloway to the front and marked to the reverse, 23cm across overall, Spanish Hog fish', 23cm across, 'Barbel' by Harry Ayrton, 23cm across, 'Chub' by Harry Ayrton, 23cm across, 'Blue head' by Harry Ayrton, 23cm across, etc (8) All with overall light signs of use and display wear. Minor wear to the gilding. Scratches and some knife marks in places. The chub dish has a hairline crack.
A Richard Harris (Ironbridge) Studio glass bowl on circular foot base inscribed "Jonathan Harris Ironbridge England 2003" to base as well as label, 16 cm high, an Isle of Wight glass squat vase with floral decoration bearing label to base 11 cm high, an Orrefors glass vase of petal form signed to base 10 cm high and a further studio glass vase with stylised landscape decoration indistinctly signed to base 10 cm high (4) CONDITION REPORTS All items have general wear and tear conducive with age and use to include some light surface scratching and all in need of a clean with the exception of the indistinctly signed bowl which appears to have an area of white paint on it or suchlike. See images for further detail.
A brass ball of mistletoe four branch hanging light in the Art Nouveau taste, set with glass beads, on large hanging hook, 40 cm high CONDITION REPORTS Unknown if working. Some of the "berries" are loose and there appear to be a couple missing (ie empty wires). In need of a good clean. Some damage throughout, particularly in the areas where it has been pinned using the brass holders. Otherwise general wear and tear conducive with age and use. See images for further detail.
An oak bookcase cabinet in the Georgian style, the moulded cornice over two glazed doors enclosing adjustable shelving on a base of two fielded panel doors to plinth support 94.5 cm wide x 38 cm deep x 198.5 cm high CONDITION REPORTS There is an area of filling to one of the areas of moulding on the right hand glass door panel. The knob handle on the top is a replacement and needs to be glued in more efficiently. Both locks have a section missing and there is no key. Shelves appear to be replacements, not solid wood. The lower doors have had their holding mechanisms/pinning mechanisms removed and have been patched where they originally were and a replacement bolt has been put in the centre. The shelf has a holding hole drilled in it. There is some wear to the varnish, some knocks, bumps, light scratches all conducive with age and use - see images for more details.
A Lalique "Coquilles" opalescent glass bowl, 20.8 cm diameter CONDITION REPORTS Is filthy and in need of a good clean. Has some light surface scratches and a slightly deeper scratch to the edge of one rim. Otherwise general wear and tear conducive with age and use. See images for further detail.
A pair of Wood & Sons Burslem "Elers ware" vases with stylised floral and foliate decoration in the Art Nouveau taste 27.5 cm high CONDITION REPORTS Both vases are in need of a good clean. One has a rough mark / slightly heavy scratch to its shoulder area. Otherwise both general wear and tear conducive to age and use to include some light surface scratching, firing / glaze faults etc. See images for more details.
A set of twelve circa 1780-1820 hand coloured French botanical prints depicting various dandelion type plants, each plate size 37 cm x 23 cm, frame size 49 cm x 30 cm CONDITION REPORTS There are areas of foxing and some discolouration throughout the majority of the pictures, however, this does not show up too much because of the paper type and colour anyway. A couple of the pages have creases which are very flat. There are some thunderbugs, etc. under the glass. Frames have light wear and tear to include some surface scratches and a couple of bumps, etc. See images for further detail.
A Weirauch HW77 .22 air rifle with 3-9 x 32 telescopic sight and Dauntsey Guns green / black canvas sleeve CONDITION REPORTS Overall in basically sound condition. The barrels slightly worn / browned - requiring arguably re-blacking though not a necessity, purely cosmetic. Woodwork has few light scratches conducive with age and use. See images for further detail.
ALGERNON THOMPSON (BRITISH 1880-1944) "Colonel Isaac", study of a huntsman on horseback, oil on canvas, signed and dated 1932 lower left, 51 cm x 61.5 cm, together with another by the same hand "Mrs Isaac", study of woman on side saddle, signed and dated 1932 lower right (2) CONDITION REPORTS The pictures themselves have light wear and tear conducive with age and use. The frames have losses throughout to the paintwork. Crazing etc. Glass is in need of a good clean. Provenance - direct from the family. Otherwise general wear and tear conducive with age and use. See images for further detail.
A Victorian silver bullet-shaped tea pot with all over floral and foliate embossed decoration (by Jonathan Round, Sheffield 1886) 16.5 cm high, 22.3 oz Ivory Ref No. KW9U6T1B CONDITION REPORTS Has clearly been used from the condition of the interior. No dents or damage visible. Handle is solid. Hinge works well. Hallmarks are clear. Otherwise general wear and tear to include light surface scratches, tarnishing, etc. conducive with age and use. There are some splits to the ivory spacers. See images for further detail.
A set of three brass wall lights in the Art Nouveau taste, together with a pair of brass hanging twin branch rise and fall lamps in the circa 1900 taste, one with replacement shade, together with a brass wall mounted adjustable reading light with lace decorated shade No'd, "RD315340" and three further modern wall lights (2 boxes)
Loading...-
534338 Los(e)/Seite