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534325 Los(e)/Seite
Dinky Supertoys 948 Tractor-Trailer Mclean, with windows, opening rear doors on detachable trailer, red cab, light grey plastic trailer, red plastic hubs, in near mint original bright condition, slight rubbing to one side decal, with a excellent original Supertoys blue/white striped illustrated box.
Two Sutcliffe tinplate clockwork model Bluebird Speedboats, 1950s, Bluebird 1 Wonder Speedboat in light blue and white the gold detailing, 28cm (11”) long, very good working condition, in plain card box with key, Bluebird 2 in cream, 30.5cm (12”) long, good working condition, rudder detached, in a fair pictorial box with key, (2 items).
Four Matchbox Moko Lesney Regular Wheels Models, 21a Long Distance Coach, light green, metal wheels, ‘London To Glasgow, mint, slight loss to both decals, B1 box is poor, missing one end flap, 21b Long Distance Coach, light green, metal wheels, ‘London To Glasgow, one part of decal missing, near mint, B2 box is excellent, 2 x 23a Berkeley Cavalier Trailer, pale blue, metal wheels, both in B2 boxes, one in fair condition, with fair box, plus 1962 20 page catalogue, some biro ticks. (5 items)
Two Boxed Sabra (Israel) 1/43 scale USA Super Cars, 8106 Ford Mustang, red body/interior spun wheel hubs and 8108 Buick Riviera, light metallic gold/white interor, spun wheel hubs, both near mint original condition, in perspex stackable pocket garages, with header cards, 8106 Perspex garage door loose, 8108 Perspex garage has tiny crack to the top. (2 items)
Two Matchbox Moko Lesney Major Packs, No. 4 Ruston Bucyrus Excavator, red side decals, without, rear decals, in mint original condition, No.7 Thames Trader Jennings Cattle Truck, red cab, light tan box trailer, knobbly grey plastic wheels, in mint original condition and No 3 accessory pack Garage yellow/green/ reddish brown roof, with metal connecting clip, in mint original condition, boxes are very good to excellent original condition. (3 items)
Corgi Major Toys 1126 Ecurie Ecosse Racing Car Transporter, metallic dark blue body, light blue lettering, cream interior, spun shaped wheel hubs, in near mint original condition, with an excellent original lift of lid box, some slight rubbing to corners of lid,17/6 in pencil, three inner packing pieces, instruction leaflet and Corgi club leaflet.
Four Matchbox Moko Lesney Regular Wheels Models, 4c Triumph Motorcycle & Sidecar, light silver blue body, in type B box, 6b Quarry Truck, yellow body, black plastic wheels, in type B box, 7a Horse Drawn milk float, orange body, metal wheels, one part of shaft where horse connects broken, in type B box and 9b Dennis Fire Engine, red body, gold trim, metal wheels, no 9 cast, in B type box, models are in near mint to mint original condition except for 7a which is fair, boxes are excellent. (4 items)
Matchbox Moko Lesney Major Pack No 2 Bedford Articulated Truck Walls Ice Cream, light blue cab, cream trailer, metal wheels, in mint original condition, No 1 Caterpillar Earthmover, yellow body, black plastic tyres, in mint original condition and No 3 accessory pack Garage yellow/green/ reddish brown roof, with metal connecting clip, boxes are fair to excellent original condition, small tear to picture side of box No 1. (3 items)
Three Boxed Vintage Corgi Cars, 222 Renault Floride, metallic light olive body, red interior, flat spun wheels, in excellent original condition, blue/yellow picture box is good, 232 Fiat 2100, pale pink, mauve roof, lemon interior, spun wheel hubs, in near mint original condition, slight paint loss to base, blue/yellow picture box is good and 234 Ford Consul Classic, beige body, pink roof, lemon interior, spun wheel hubs, in good original condition, some play wear, blue/yellow picture box is excellent. (3 items)
A pair of large patinated metal twin-light wall sconces possibly Birmingham Guild, shield shaped with applied stems of foliage, two floriform lights, set with central blue Ruskin stoneware heart, mounted on shield-shape wooden panel, unsigned, 50cm. high (2) ProvenanceJames Miles LtdPrivate collection.
Alciati (Andrea). Paradoxorum ad Pratum, libri Sex. Dispunctionum, lib. IIII. De eo quod interest, liber Vnus. In tres libros Codicis, lib. III...., Lyon: Sebastien Gryphius, 1532, printer's woodcut device to title, decorative woodcut initials, woodcut device to verso of final leaf, bound with Alciati (Andrea). [De verborum significatione libri quatuor: eiusdem In tractatum eius argumenti ueterum iureconsultor. commentaria, Lyon: Seb. Gryphius, 1530], lacking title (a1), woodcut device to colophon leaf, occasional early manuscript marginalia throughout volume, some toning and browning, light spotting and few marks, near contemporary vellum, crude reback and one corner repaired, amateur overpainting of binding in pale sage green cream paint, lacks ties, folioQTY: (1)NOTE:See Adams A624 for the 1537 edition of the Paradoxorum. First edition of the De Verborum Significatione, one of the most important legal commentaries of the early humanist era.
Heylyn (Peter). Cosmographie, in four Books. Containing the Chorography and History of the Whole World: and all the Principal Kingdoms, Provinces, Seas, and Isles thereof ... With an accurate and an approved Index ... much wanted and desired in the former, and now annexed to this last Impression, Revised and Corrected by the Author himself immediately before his death, London: printed by A[ndrew]. C[larke]. [and Thomas Dawks] for P. Chetwind, and A. Seile, 1677, imprimatur leaf present, additional engraved title stating 5th edition and with imprint 'London: Printed for Anne Seile..., 1677', letterpress title in red and black with annotation to verso 'I purchased this book of Mr Wheeler Bookseller Winchester May 11th 1830, Wm Churcher, Saint Cross, Hants', four folding engraved maps dated 1663 (Europe, Asia, Africa, and Americas), few short closed tears to maps at edges and fraying to lower margins, divisional titles present (with varying imprints dated 1676 and 1677), occasional light toning and minor scattered spotting, recent endpapers, contemporary blind panelled calf, modern reback, some wear to board corners, folioQTY: (1)NOTE:Wing H1695; Sabin 31655.
Qurʼan [French]. L'Alcoran de Mahomet. Traduit d'Arabe en françois par le Sieur Du Ryer, Sieur de la Garde Malezair, The Hague: Adrian Moetjens, 1683, engraved frontispiece (repaired to fore-margin), printer's woodcut device to title, six leaves sometime repaired to lower outer blank corners, light toning and scattered spotting, marbled endpapers, contemporary sheep, gilt decorated spine, lacking left half of title label, worn at head and foot of spine with loss of leather, binding rubbed, 12moQTY: (1)NOTE:Referenced by Willems - Elzevier, 1472.
Leupold (Jacob). Theatrum Machinarum Generale. Schau-Platz des Grundes Mechanischer Wissenschafften, das ist, Deutliche Anleitung zur Mechanic oder Bewegungs-Kunst..., Leipzig: Zufinden bey dem Autore und Joh. Friedr. Gleditschens seel. Sohn: Drucks Christoph Zunkel, 1724, half-title, title in red and black, 71 engraved plates, bound with Leupold (Jacob). Theatrum Machinarum Hydrotechnicarum..., Leipzig: Zufinden bey dem Autore und J. F. Gleditschens sel. Sohn: Druckts Christoph Zunkel, 1724, half-title, title in red and black, 50 engraved plates only (of 51, lacks final plate), plate 26 with repaired closed tear to upper margin, some light toning throughout, contemporary sheep, gilt decorated spine, light wear to joints and extremities, folioQTY: (1)NOTE:Norman 1339.The works form part of a comprehensive illustrated survey of engineering and technology. ‘Leupold was one of the major transmitters of the machine designs and technological images of Francesco di Giorgio Martini (1439-1501), the Sienese painter, sculptor and architect whose writings and drawings provided the chief source of inspiration … for several generations of engineers’ (Norman). The works above form part of a ten-volume series entitled Theatrum Machinarum, 'each volume of which is complete in itself. The volumes are more often found separately than together' (Norman).
Royal Academy Pictures. Being the Royal Academy Supplement of " The Magazine of Art”, 20 volumes, 1st edition, London: Cassell & Company, limited, 1891-1910, lacking 1892 volume, numerous monochrome illustrations, some light marginal toning, occasional light spotting, some worming to last few mages volume 1, half red Morocco, all edges gilt, covers and spines rubbed and marked, 4to, together with Abbey (J. R.), Scenery of Great Britain and Ireland in Aquatint and Lithography 1770-1860, Life in England in Aquatint and Lithography 1770-1860, 2 volumes, volumes 3 and 4 only, limited edition, London: Curwen Press, 1952-1953, numerous monochrome illustrations, original cloth in dust jacket price clipped, volume 4 lacking jacket, 253/500 and 67/400 respectively, large 4to, plus Nicolson (Benedict), Joseph Wright of derby Painter of Light, 2 volumes, 1st edition, London: The Paul Mellon Foundation for British Art, 1968, numerous monochrome illustrations, original cloth in dust jacket, covers and spines rubbed to head and foot, large 4to, and other late 19th early 20th century British art reference and related mostly original cloth in dust jackets some original wrappers, G/VG, 4to/large 4toQTY: (3 shelves )
Bunting (Edward). A General Collection of the Ancient Irish Music, Containing a Variety of Admired Airs Never Before Published, and also the Compositions of Conolan and Carolan; Collected from the Harpers &c. in the Different Provinces of Ireland [...] Vol. 1., London: Preston & Son, [1796], first edition, engraved title with 'E Bunting' countersigned in ink to lower right, preface, 36pp, engraved throughout, bound together with A Selection of the most Approved Highland Strathspeys, Country Dances, English & French Dances with a Harpsichord & Violincello Bass [...] by John Anderson, Perth and Edinburgh: J. Anderson, c 1790s, engraved title page and 36pp, engraved throughout, some light offsetting, lacking covers, folioQTY: (1)NOTE:For a very similar publication by John Anderson, see RISM AA 1036.
Canina (Luigi). Gli Edifizi di Roma Antica cogniti per alcune reliquie, descritti e dimostrati nell'intera loro architettura, volumes 1-4 (of 6), Rome: Stesso Canina, 1848-51, 312 engraved plates throughout the two plate volumes (including many double-page), scattered light spotting, contemporary half vellum gilt, contrasting morocco spine labels, marked and rubbed, a few light stains to covers, spines worn with title labels to volumes 2 and 4 mostly lacking, folio (57.5 x 41.5 cm)QTY: (4)NOTE:Brunet I 1540.A remarkably comprehensive survey of the architecture of Rome, including plates depicting the excavations of the Appian Way.
Belloguet (Andre). L'Europe Comique, Amuser Instruire, Cocasserie Dediée a la Jennesse, Paris, 1867, satirical lithographic map with contemporary hand-colouring, light overall toning, 450 x 640 mm, with another copy similar, but with repaired marginal tears and laid on later limp card QTY: (2)NOTE:The map appears to lack any overt political message and although it is dominated by the large face that is Russia, the latter is not depicted as dangerous or acquisitive of neighbouring states."An outlandish riot of different physiognomies and expressive faces whose shapes roughly follow the established political boundaries of contemporary Europe. Most dominant amongst them is the giant figure of Russia, a cultured and erudite gentleman sporting a wide-brimmed hat and wearing a monocle. This may perhaps symbolise Russia’s growing cultural self-expression in the fields of literature, music and the arts. Whether Belloguet’s map had any deeper meanings beyond mere cocasserie (foolery) is not at all clear. Certainly, it appears to lack any discernible political overtones and claims simply to “amuser et instruire” (amuse and instruct)." Bringing the map to Life: European satirical maps 1845-1945 - Roderick M. Barron.
Bewick (Thomas & John). Bewick's Woodcuts: Impressions of upwards of two thousand wood-blocks, London: L. Reeve, 1870, portrait frontispiece, numerous illustrations, a few plates detaching, bookplate, light spotting to endpapers, top edge gilt, original cloth gilt, spine ends repaired, some fading, folio, together with The Looking-Glass for the Mind; or intellectual mirror..., 1st illustrated edition, London: J. Crowder for E. Newbery, 1796, wood-engraved illustrations by Thomas Bewick pp. 49/50 lower corner torn away, closed tear to pp. 107/108, a little minor spotting, contemporary ownership signature at head of title, contemporary vellum, some dust-soiling and scratches, 8vo, plus The Poetical Works of Thomas Adams, Warkworth: Consisting of The Battle of Trafalgar and some miscellaneous pieces, 1st edition, Alnwick: printed by and for W. Davison, 1811, half-title,wood-engraved vignettes attributed to Thomas Bewick, light toning front and rear, all edges yellow, modern speckled calf by Henry Sotheran, 8vo, with others illustrated by or on Thomas Bewick including including Splinters, Historical, Sacred and Profane; partly from off that standard [tree], our blessed constitution. Fifth, sixth, seventh years, nineteenth century, Newcastle 1827, Fabulous Histories; or the history of the robins, by Mrs Trimmer. Designed for the instruction of children respecting their treatment of animals, 13th edition, 1821, Bewick Memento, with an introduction by Robert Robinson, Catalogue with purchasers' names and prices realised of the scarce and curious collection books, silver, plates... and Bewick Relics, sold at auction at Newcastle-upon-Tyne, on February 5th, 6th & 7th & August 26th, 1884, The Bewick Collector. A descriptive catalogue of the works of Thomas and John Bewick, by Thomas Hugo, 2 volumes, including Supplement, 1866-68, The Watercolours and Drawings of Thomas Bewick and his Workshop Apprentices, Gordon Fraser Gallery, 2 volumes, 1981, and Waiting for Death. An unfinished wood engraving by Thomas Bewick, Black Pennell Press, 1982 (limited edition 153/250) QTY: (28)
Shackleton (Ernest). South. The Story of Shackleton's Last Expedition 1914-1917, 1st edition, London: William Heinemann, 1919, folding map at rear (with small tape repair to verso), errata slip tipped-in, half-tone illustrations (with light marginal offsetting), usual toning to textblock, previous owner inscription 'J. Liddle, 1921' to front endpaper, original blue cloth blocked and lettered in silver, lower edges a trifle rubbed, contained in a later blue cloth solander box 8vo QTY: (1)NOTE:A bright copy.
Bourne (C. E.). The Heroes of African Discovery & Adventure from the earliest times to the death of Livingstone, 2 volumes, 1st edition, London: W. Swan Sonnenschein & Co., circa 1886, 2 colour frontispiece folding maps, numerous engraved illustrations, bookplate to the front pastedown of volume 1, some light spotting & toning, all edges gilt, original gilt decorated green & blue cloth respectively, spines lightly rubbed to head & foot, 8vo, together with:Robinson (Charles Henry), Nigeria Our Latest Protectorate, 1st edition, London: Horace Marshall and Son, 1900, colour folding map, monochrome illustrations, bookplate to the front pastedown, some light toning, top edge gilt, original red cloth, boards & spine lightly rubbed, 8vo, plusStanley (H. M.), My Kalulu, Prince, King, and Slave: a story of Central Africa, new cheap edition, London: Sampson Low, 1889, period inscription to the front pastedown, some light spotting & toning, all edges gilt, original gilt decorated red cloth, spine slightly faded & rubbed to head & foot, 8vo, and other mostly 19th century Africa & exploration reference, all original cloth, some gilt decorated, G, 8vo (45 volumes)QTY: (3 shelves)
Auvigny (Jean du Castre d'; Perau, Gabriel Louis & Turpin, François Henri). Les vies des hommes illustres de la France depuis le commencement de la Monarchie jusqu'à présent, 27 volumes, Amsterdam: et se vend à Paris, chez Knapen, Libraire-Imprimeur, au bas du Pont Saint Michel, 1739-1775, contemporary uniform marbled calf, gilt decorated spines, occasional light wear mostly at head of some spines, 12moQTY: (27)NOTE:An uncommon complete set of a work detailing the lives of many illustrious and famous men of France from the beginning of the monarchy up to the time of publication.
English Civil War - [Walker, Clement]. The High Court of Justice. Or Cromwells New Slaughter-house in England. With the Authoritie that constituted and ordained it, Arraigned, Convicted, and Condemned; for Usurpation, Treason, Tyrannie, Theft, and Murder. Being the III. Part of the Historie of Independencie: written by the same author, [London]: [s.n.], Printed anno Dom. 1651, 71, [1]pp., running title of D4 trimmed, title slightly dust-soiled and few minor marks, some light toning, minor damp-stain to lower outer corners of few leaves, disbound, 4to, together with:Commonwealth of England. The Humble Petition of divers well-affected Persons, delivered the 6th day of July, 1659. To the supreme authority, the Parliament of the Common-wealth of England. With the Parliaments answer thereunto, and sense thereupon, London: Thomas Brewster, 1659, 14pp., manuscript number to verso of title, without final blank B4, title slightly dust-soiled, light toning, disbound, 4to, plus a single leaf from a late 17th-century Book of Common Prayer (concerning Matrimony) bearing early manuscript name 'Thomae', small folioQTY: (3)NOTE:1. ESTC R203985; Wing W324D.2. ESTC R202521; Thomason E.989[11]; Wing H3463.
Egan (Pierce). Life in London; or, the day and night scenes of Jerry Hawthorn, Esq. and his elegant friend Corinthian Tom, accompanied by Bob Logic, the Oxonian, in their rambles and sprees through the metropolis, 1st edition, mixed issue, London: Sherwood, Neely, and Jones, 1821, half-title, vignette title, 36 hand-coloured aquatints by George Cruikshank, further smaller woodcut illustrations to text, 3 folding leaves of engraved music, 4 leaves of publisher's advertisements at rear, with additional 4 leaves of smaller format advertisements bound after, original paper wrappers bound-in at end, armorial bookplate of Bertram Freeman-Mitford to front pastedown, occasional light spotting, top edge gilt, remainder untrimmed, early 20th-century red crushed morocco gilt by Bedford, a few faint scuffs to lower cover, 8vo, together with:Carey (David). Life in Paris; comprising the rambles, sprees, and amours, of Dick Wildfire, of Corinthian celebrity, and his bang-up companion, Squire Jenkins and Captain O'Shuffleton; with the whimsical adventures of the Halibut family; including sketches of a variety of other eccentric characters in the French metropolis, 1st edition, London: John Fairburn, 1822, half-title, 20 hand-coloured plates by George Cruikshank, further smaller woodcut illustrations to text, original paper wrappers bound-in at end, armorial bookplate of Bertram Freeman-Mitford to front pastedown, occasional light spotting, top edge gilt, remainder untrimmed, early 20th-century red crushed morocco gilt by Bedford, a few scuffs to lower cover, 8voQTY: (2)NOTE:Abbey, Life in England, 281; Tooley 196 (first work). Tooley 129 (second work). Life in London is a mixed issue, with the footnote on page 9 but with the first engraved music leaf unnumbered and 'good-bies' on the first line of page 376.
Burton (Richard F.) The Memorial Edition of the Works of Captain Sir Richard F. Burton, 7 volumes, London: Tylston and Edwards, 1893-94, comprising Personal Narrative of a Pilgrimage to Al-Madinah & Meccah, 2 volumes; A Mission to Gelele, King of Dahome, 2 volumes, Vikram and the Vampire or Tales of Hindu Devilry; First Footsteps in East Africa or, an Exploration of Harar, 2 volumes, portrait frontispiece to volume I, 35 plates, mostly lithograph and chromolithograph, 6 maps and plans, 'The Fal' plate erroneously listed as facing p. 62 in volume I of First Footsteps in East Africa (this illustration not produced for this or earlier editions), light offsetting to titles, light spotting front and rear, bookplates to volumes I & II, top edge red, original cloth gilt, spine ends a little rubbed with a few small closed tears, 8vo QTY: (7)NOTE:Penzer pp. 54-55; 63-64; 73-74; 82-83.
Lawson (William). A New Orchard and Garden. Or The best way for planting, grafting, and to make the ground good, for a rich Orchard: Particularly in the North parts of England: generally for the whole kingdome, as in nature, reason, scituation, and all probability, may and doth appeare. With the Country Housewifes Garden for hearbes of common use, their vertues, seasons, profites, ornaments, variety of knots, models for trees, and plots for the best ordering of grounds and walkes. As also the Husbandry of Bees, with their seuerall uses and annoyances, all grounded on the Principles of Art, and precepts of experience, being the Labours of forty eight yeares of William Lawson, 1st edition, London: Bar: Alsop for Roger Jackson, 1618, pp. [8], 59, [1]; [2], 1-4, 7-25, [1], woodcut illustration to title (lined with archival tissue to verso), woodcut illustrations to text, black letter text, title to second part with imprint dated 1617, second part with separate pagination and lacking leaf K2 (p. 5/6), lower outer blank corner of final leaf torn and leaf lined to verso with archival tissue, repaired closed tear to D1, leaves D2-D3 misbound with M1-M3, some damp-staining mostly to margins, toning and light dust-soiling, modern brown buckram, 4toQTY: (1)NOTE:Provenance: Frederick Alkmund Roach OBE (1909-2004).Henrey 226; STC 15329.Frederick Roach was one of the most acclaimed fruit experts of the 20th century. He decided on a career in horticulture at the age of 10 while helping to run his father's rectory garden in Toft, Lincolnshire. During the Second World War Roach was part of the Dig for Victory campaign and, in 1946, he was made chief horticultural officer of the newly formed National Agricultural Advisory Service. He became successively regional fruit adviser for the South West and South East before taking the post of national fruit adviser. Retirement from the ministry in 1972 triggered a new career as a consultant to the UN Food and Agriculture Organisation and the World Bank. Roach's book, Cultivated Fruits of Britain, Their Origin and History (1985), is still regarded as a bible for many fruit experts. This was followed by the descriptive texts for Hooker's Finest Fruits, which was published by the Royal Horticultural Society in 1989. In 1966 he was awarded the Ridley Medal of the Worshipful Company of Fruiterers. The Royal Horticultural Society awarded him the Veitch Memorial Medal in 1978. Other illustrious winners of the award include Gertrude Jekyll (1928), Francis Kingdon-Ward (1934), Vita Sackville-West (1955), Harold Hillier (1957), Roy Lancaster (1972), David Austin (1994) and Stefan Buczacki (2010).
[La Chesnaye des Bois, Franois Alexandre Aubert de]. Dictionnaire universel d'agriculture et de jardinage, de fauconnerie, chasse, peche, cuisine et manege, 2 volumes, 1st edition Paris: David le jeune, 1751, half-title to volume 1 only, 13 folding engraved plates, pencil annotation to top margin of titles to both volumes, advertisement for 'Les Agremens de la Campagne..., 1751 pasted to verso of half title to volume 1, endpapers renewed, light spotting to a few leaves, 19th-century marbled boards, gilt title label to spine, spine uniformly faded to brown, 4to, together with:Liger, (Louis). La nouvelle maison rustique, ou Économie générale de tous les biens de campagne; la manière de les entretenir et de les multiplier; donnée ci-devant au public par le sieur Liger, 2 volumes, Paris: Desaint, 1777, 38 engraved plates (including 2 folding), contemporary manuscript annotation to final leaf and verso free endpaper to volume 1, OOO3 with marginal tear with loss not affecting printed area and G4 with long closed tear into text in volume 2, bookplate of the Bibliotheca Tiliana with their unobtrusive stamp on verso of title and on final leaf to both volumes, volume 1 lacking first free endpaper, light spotting to a few leaves, contemporary sheep, gilt decorated spines, refurbished to extremities and area of spine to volume 2, 4to QTY: (4)
Burgess (Anthony). A Clockwork Orange, 1st US edition, New York: W, W. Norton & Co., 1963, original cloth, dust jacket, spine faded with small tears and chips at ends, slight dust-soiling to rear panel, 8vo, together with Greene (Graham). Our Man in Havana, 1st edition, London: Heinemann, 1958, occasional light spotting, small ink stamp to front endpaper, original cloth, dust jacket, a few small chips and closed tears, 8vo, plus Chandler (Raymond). The Long Good-Bye, 1st UK edition, London: Hamish Hamilton, 1953, light spotting front and rear, original cloth (patches of fading to spine), dust jacket, some tears and losses, mainly to spine, 8vo, together with others including 1st editions of Evelyn Waugh's The Ordeal of Gilbert Pinfold, 1957, and A Tourist in Africa (title and 3 leaves detached), 1960 and others by Graham Greene, Agatha Christie, Anthony Powell, William Golding, et al QTY: (5 shelves)
[Vaughan, Henry]. [Silex scintillans: or, sacred poems and private ejaculations, 1st edition, London: Printed by. T[homas]. W[alkley]. for H: Blunden, 1650], lacking front blank, title and final blank (A1-2 & G8), letterpress marginal note to recto of B3 cropped (as often), verso of final text leaf with early manuscript markings and signature William Palmer, some light toning and minor dust-soiling, early-mid 19th-century half calf, blind decoration to spine, marbled boards, extremities lightly rubbed, small slim 8vo (14.5 x 8.5 cm)QTY: (1)NOTE:ESTC R148; Grolier/ Wither to Prior 897; Hayward 81; Wing V125.Rare. Records indicate that few examples of this work have appeared at auction. Silex scintillans, influenced by the works of his contemporaries Donne and Herbert, is Vaughan’s chief literary legacy and is widely regarded as being among the finest volumes of poetry of the era. ‘His finest lyrics challenge the best in their age; his achievements in rhythm have no peer until Hopkins’ (ODNB). 'Vaughan's finest poetry was published in this rare volume' (Hayward). Wordsworth rediscovered Vaughan's work at the end of the eighteenth century. The inclusion of 'Silurist' after the author's name on the engraved title alludes to his home county of Brecknockshire, which had been the area inhabited by the ancient British tribe of the Silures.
Handel (George Frideric). Six Overtures fitted to the Harpsichord or Spinnet, viz. Ariadne, Orlando, Sosarmes, Aetius, Porus, Esther, Compos'd by Mr. Handel. Being all proper Pieces for ye Improvement of the Hand on the Harpsichord or Spinnet, Fifth Collection, London: J Walsh, No. 519, [1734], engraved title and 24pp, engraved throughout, bound together with five further collections of Handel's Overtures printed by Walsh: Sixth Collection (Justin, Arminius, Atalanta, Alcina, Ariodante, Pastor Fido), No. 618, [1737], engraved title and 29pp, engraved throughout, Seventh Collection lacking engraved title and 25pp, engraved throughout, [Seventh Collection] (Xerxes, Pharamond, Alexander Severus, Alexander's Feast, Athalia, Berenice), [No. 650], [1739], Eighth Collection (Samson, The Sacred Oratorio [Messiah], Saul, Deidamia, Hymen, Pernasso in Festa), [1743], engraved title and 29pp, engraved throughout, Ninth Collection (Belshazzar, Occasional Oratorio, Joseph, Hercules, Semele, Saul), engraved title and 27pp, engraved throughout, Tenth Collection (Solomon, Susanna, Alexander Balus, Joshua, Judas Macchabeus, Solomon), egraved title and 26pp, engraved throughout, some light spotting to final few leaves, 19th-century black half calf over marbled boards, gilt title to spine 'Handel's Six Overture', rubbed and scuffed to spine and outer edges, 4toQTY: (1)NOTE:RISM H 1303; RISM H 1304; RISM H 1305; RISM H 1306; RISM H 1307; RISM H 1308.
Fine Bindings. Coleridge (Sarah). Memoir and Letters of Sarah Coleridge, edited by her Daughter..., 2 volumes, London: Henry S. King & Co, 1873, half-titles, engraved portrait frontispiece to both volumes, some offsetting to title pages, light spotting to first few leaves, armorial bookplate of John Theodore Merz to front pastedowns, silk endpapers, gilt turn-ins, all edges gilt, early 20th-century deep purple full morocco by Zaehnsdorf gilt, gilt lettering and decoration to spine compartments, joints a little rubbed, spines uniformly faded to brown, 8vo, together with:[Matthews, John]. Eloisa en dishabille: being a new version of that lady's celebrated epistle to Abelard. ascribed to Professor Porson, 1st edition, London: W. Hughes, 1822, pencil correction to p. 26, armorial bookplate and ownership label of William Phelps to front pastedown, contemporary quarter calf over red boards, gilt lettering to spine, a little rubbed, slim 8vo, (limited edition of 50 copies),Disraeli (Isaac). Miscellanies; or, literary recreations..., London: T. Cadell and W. Davies, 1796, large contemporary provenance inscription to title page over text, errata leaf to verso, recent quarter calf over marbled boards, gilt lettering to spine, 8vo,Swinburne (Charles Alfred). Sacred & Shakespearian Affinities being Analogies between the writings of the psalmist and of Shakespeare..., London: Bickers & Son, 1890, some pencil marginalia, gilt turn-ins, top edge gilt, 19th-century plum calf, gilt ruling to boards and spine, minor scuff marks to boards, 8vo, plus others in attractive leather bindings, mostly 8vo QTY: (24)
Lavater (John Caspar). Essays on Physiognomy, designed to promote the knowledge and the love of mankind, translated from the French by Henry Hunter, 3 volumes, 1st edition in English, 1789-98, half titles discarded, numerous engraved plates and vignettes (including four engravings by William Blake at pp. 127, 159 (facing), 206, & 225 of Volume I), occasional light toning or spotting, some offsetting, 2 leaves in volume II slightly protruding with edge-fraying and soiling (affecting fore-edge of 2 engravings), contemporary sprinkled half calf, worn, 4 joints cracked (volume III front hinge cracked and cover nearly detached), 4toQTY: (3)
Burton (Richard F.) The Highlands of Brazil, 2 volumes, 1st edition, London: Tinsley Brothers, 1869, wood-engraved frontispiece and title vignettes, folding map (with small tape reinforcement to verso) to volume 2, advertisement leaf at rear, occasional minor spotting and light marginal toning, original green cloth gilt, spines a little darkened and rubbed at ends, corners rubbed and bumped, some rubbed areas to upper cover gilt vignettes, 8vo QTY: (2)NOTE:Penzer pp. 78-80.
Dickens (Charles). Dickens Works, 17 volumes, London: Chapman & Hall, circa 1900, some minor toning, top edges gilt, contemporary uniform gilt decorated half calf, spines lightly rubbed, 8vo, together with:Lady Llanover, editor, The Autobiography and Correspondence of Mary Granville, Mrs. Delany:..., 3 volumes in 6, London: Richard Bentley, 1861, engraved illustrations, some minor spotting, top edges gilt, contemporary uniform gilt decorated green half morocco, 8vo, plusMurphy (Arthur), The Works of Sallust;..., London: printed for James Carpenter, 1807, engraved portrait frontispiece, some light toning & spotting, contemporary gilt decorated full calf, spine lightly rubbed, 8vo, and other 19th century literature & sets, all contemporary leather bindings, some French language, overall condition is generally good to very good, 8vo (80 volumes)QTY: (3 shelves)
Cruise (Richard A.) Journal of a Ten Months' Residence in New Zealand, 1st edition, London: Longman, Hurst, Rees, Orme, and Brown, 1823, hand-coloured aquatint frontispiece, a little light offsetting and spotting, original boards, paper label to spine, upper joint with small split at foot, 8vo, together with Woodard (David). The Narrative of Captain David Woodard and Four Seamen, who lost their ship while in a boat at sea, and surrendered themselves up to the Malays, in the Island of Celebes; containing an interesting account of their sufferings from hunger and various hardships, and their escape from the Malays, after a captivity of two years and a half, 1st edition, London: printed for J. Johnson, 1804, half-title, engraved portrait frontispiece in silhouette profile, 2 folding maps (one with short closed tear), 2 engraved plates, previous owner ink stamps to title and half-title, some light spotting and toning, original boards, paper label to spine, some soiling and edge wear, 8vo QTY: (2)
Young (Francis Brett). White Ladies, 1st edition, London: William Heinemann, 1935, signed by the author to the title page, some light toning, original blue cloth, 8vo, together with:Masefield (John), Right Royal, London: William Heinemann, 1920, limited edition 11/500, Enslaved and other poems, 1920, limited edition 263/250, The Taking of Helen, 1923, limited edition 549/750, all signed by the author to the limitation pages, some minor toning, original uniform quarter vellum, boards & spines lightly rubbed, 8vo, plus other late 19th & early 20th century fiction & related literature, including works by Edward Ardizzone, Compton Mackenzie, Osbert Sitwell, John Galsworthy, E. Phillips Oppenheim, all original cloth, some in dust jackets, G/VG, 8voQTY: (6 shelves )
Appianus (of Alexandria). Des guerres des Rommains, liures XI Assauoir, Le Libyque. Le Syrien. Le Parthique. Le Mithridatique. Le Illyrien. Le Celtique. Et cinq des guerres ciuiles. Plus le sixiesme desdictes guerres ciuiles, extraict de Plutarque. La tout traduict en francoys par feu Claude de Seyssel..., Lyon: Antoine Constantin, 1544, woodcut decorative border to title (close trimmed, small area of loss to upper margin, small closed tear to lower margin), engraved armorial bookplate of Monsieur Blondeau pasted to blank space on verso of D4, occasional contemporary manuscript underlining, light spotting to few leaves, printer's device to verso of final leaf, small ex-libris paper label to upper margin of front pastedown, 17th-century calf, gilt decoration and morocco title label to spine, somewhat rubbed and worn, 4to QTY: (1)
Dickens (Charles). The Life and Adventures of Nicholas Nickleby, 1st edition in book form, London: Chapman and Hall, 1839, engraved portrait frontispiece, upper margin of title with ownership signature of Archibald Travers dated 1839, 38 etched plates by Phiz (Hablot Knight Browne), dust-soiling, toning and offsetting to plates and two with repaired closed tears, near-contemporary red half calf, joints rubbed, 8vo, together with:Dombey and Son, 1st edition in book form, London: Bradbury and Evans, 1848, engraved frontispiece, additional title and 38 engraved plates by Hablot Browne, some spotting, toning and offsetting mostly to plates, contemporary brown half morocco, gilt decorated spine, joints and extremities rubbed, 8vo, Our Mutual Friend, 2 volumes, 1st edition, London: Chapman and Hall, 1865, half-titles discarded, frontispieces, 38 engraved plates, some spotting, toning and few marks, contemporary half calf gilt, lacking title label to volume 2, rubbed and light wear, 8vo, Sketches by Boz, Illustrative of Every-Day Life and Every-Day People, new edition, Philadelphia: Lea & Blanchard, 1839, 20 engraved plates by George Cruikshank (including frontispiece), upper pastedown with armorial bookplate of James Reynolds-Peyton and ownership label of Alice Reynolds-Peyton, original cloth, gilt-blocked spine, some fading and wear, frayed at head and foot of spine, 8voQTY: (5)
Royal Carriages. An Album of Illustrations of Imperial & Royal State Carriages. Together with other carriages of deceased statesmen; and the funeral cars of Wellington and Nelson; also the four original locomotive engines used on railways in England, London: The Worshipful Company of Coach Makers and Coach Harness Makers of London, 1899, numerous monochrome illustrations, light toning to title and endpapers (front endpaper with marginal tape reinforcement), all edges gilt, original morocco-backed boards, spine rubbed, folio, together with [Tongue, Cornelius}, "Cecil", Hunting Tours; descriptive of various fashionable countries and establishments, 1st edition, London Saunders, Otley and Co., 1864, half-title, 2 colour lithograph plates, original cloth spine (faded) and covers bound at rear, previous owner inscription, 1902 at front, top edge gilt, later blue half calf by Sotheran, spine faded to green, a little rubbed, 8vo, plus others including Road Scrappings: Coaches and Coaching, by Captain M. E. Smith, 1882, Coaching Days and Coaching Ways, by W. Outram Tristram, 1888, Driving, by His Grace the Duke of Beaufort, 3rd edition, 1890 and others, bull-fighting related etc QTY: (27)
Lewis (T. R. & D. D. Cunningham). The 'Oriental Sore,' as observed in India, Calcutta: office for the Superintendent of Government Printing, 1877, complete in 59 pages, ex-British Medical Library copy with associated stamps, some light toning, contemporary blue cloth, boards & spine lightly rubbed, slim 8vo, together with:Mackenzie (Morell), Hay Fever and Paroxysmal Sneezing..., 5th edition, London: J. & A. Churchill, 1889, period inscription opposite the frontispiece, some light toning throughout, ex-library copy, original brown cloth, boards & spine slightly rubbed, 8vo, plusCongreve (Richard), The Catechism of Positive Religion..., 3rd edition, London: Kegan Paul, Trench, Trübner, & Co., 1891, done minor toning, Index pasted down to the front endpaper, original green cloth, spine very lightly rubbed to head & foot, 8vo, and other mostly 19th century medical reference, mostly original cloth, some ex-library copies with associated marks, G/VG, 8voQTY: (3 shelves )
Mozart (Wolfgang Amadeus). Three Sonatas for Piano Forte, 1st English edition, London: printed & Sold at Bland & Weller's Music Warehouse, 23 Oxford Street, [1793], engraved titlepage with large vignette of a mother and child weeping by a carved stone relief bust of Mozart, 40pp. of engraved music (numbered 2-41 with first page blank), some light marginal soiling, untrimmed, original blue plain wrappers, stitched as issued, some loss to lower quarter of upper wrapper, and to edges of rear wrapper, large slim folio, together with two other pieces of engraved music: Nicola Sampieri, Le Roi a La Chasse, a favorite piece of music composed by Signor Sampieri, [London: engraved vignette title to upper wrapper, depcting a hunt, two pages of engraved music (numbered 12-13), some soiling and fraying to edges, slim folio, and Hugh Dolphin, A Trip to Margate, a new comic song descriptive of the progressions of a Steam Packet, in her outward bound passage from the Tower Stairs to Margate Pier, London: printed & Published for the Proprietor by C. Mitchell, 13 Southampton Row, Russell Square, 4pp. of engraved music and text (the latter with marginal illustrations), unbound, slim folioQTY: (3)NOTE:First English edition of Mozart's Piano Sonata No. 2 in F Major (K.280), Piano Sonata No. 4 in E flat (K.282) and Piano Sonata No. 5 in G Major (K.283).
Shaw (Henry). Dresses and Decorations of the Middle Ages, 2 volumes in one, London: William Pickering, 1843, pictorial and printed titles to each volume (volume I additional title with hand-colouring), 94 plates, most hand-coloured, many heightened with gold, numerous black & white and hand-coloured decorations and illustrations to text, scattered spotting (mainly to text and foredge), flyleaves spotted, hinges cracked before/after flyleaves, front pastedown with bookplate of James Smith, and with booksellers (and binder?) ticket William Brown, 26 Princes Street, Edinburgh, both marbled pastedowns with leather borders decorated with elaborate gilt-tooled rolls, all edges gilt, late 19th century red/brown morocco gilt, covers and spine with decorative gold-tooling, some fading, lightly rubbed, rear cover slightly marked, large thick 8vo, together with Presuhn (Emile), Les Decorations Murales de Pompei, Leipzig: T.O. Weigel, 1878, 24 chromolithographs with numbered tissue guards (as list, but without plan of Pompeii), extra-illustrated with a further 37 similar chromolithographed plates (apparently relating to Pompeii), occasional spotting (mainly to blank margins), 3 numbered plates detached, with edge-fraying and some chips, plate 24 with small hole to blank fore-margin, title with ink ownership inscription at top, hinges cracked, near contemporary red cloth, worn, front cover gilt-lettered Peintures de Pompei, large 8vo, plus Waldheim (R. von, publisher), Vorlagen fur Textil-Arbeiten, vorwiegend nach entwurfen der hervorragendsten meister der neuzeit ..., Vienna, [1880], title in red & black, 42 woodcut and chromolithographed plates, two plates spotted, the remainder with occasional light spotting mainly to blank margins, 1 leaf of text, front pastedown with bookplate 'Rousdon, Devon', hinges cracked, contemporary maroon half morocco, rubbed and faded with some marks, front cover with gilt title, large slim 8vo, with 4 others: Some Drawings of Ancient Embroidery, by Mary Barber, London & Manchester: Henry Sotheran, 1880; Gray's Elegy, the Borders designed and illuminated by Lady Willoughby, London: Day & Son, [1866]; The Cromlech on Howth, a poem, by Samuel Ferguson, with illuminations from the Book of Kells & of Durrow, and drawings from nature, London: Day & Son, [1861]; The Book of Song, London: Chappell, [1847?], various conditions, all large 8voQTY: (7)
Taylor (Jeremy). The Great Exemplar of Sanctity an Holy Life according to the Christian Institution:..., 3rd edition, London: printed by R. Norton, 1657, engraved title plus 8 engraved folding plates plus, some light toning & minor wear, early 19th century full calf, boards & spine rubbed with a small amount of loss to the front board, folio, together with:Nightingale (Florence), Notes on Nursing what it is, and what it is not, 2nd issue, London: Harrison, [1959?], contemporary library endpapers, title page detached, some toning & light marks, contemporary blue library cloth, boards & spine slightly rubbed & marked, slim 8vo, plusOrwell (George), Animal Farm, a Fairy Story, reprinted, London: Secker & Warburg, August 1945, some light marginal toning, original green cloth, spine slightly faded, slim 8vo, and other other miscellaneous 19th century & modern literature & reference, including Le Chic Parisien, 2 volumes, circa 1900, numerous colour & monochrome plates, contemporary red quarter morrocco, folio, some leather bindings, mostly original cloth, overall condition is generally good to very good, 8vo/folioQTY: (6 shelves & a carton)
Nasmyth (James & James Carpenter). The Moon: considered as a planet, a world, and a satellite, 1st edition, London: John Murray, 1885, 25 monochrome plates plus further in-text illustrations, some minor marginal toning, original decorated blue cloth, boards & spine lightly rubbed, 8vo, together with:Mrs. Ward, Microscope Teachings: descriptions of various objects of especial interest and beauty adapted for microscopic observation, 1st edition, London: Groombridge and Sons, 1864, 16 hand coloured plates, bookplate to the front pastedown, some light toning & minor spotting, all edges gilt, original gilt decorated red cloth, boards & spine slightly toned & rubbed to head & foot, 4to, plusBillinghurst (Percy J., illustrator), A Hundred Fables of Aesop from the English version of Sir Roger L'Estrange, London: The Bodley Head, 1899, numerous monochrome illustrations, later inscription to the front endpaper, some light toning & spotting, original decorated cloth, boards slightly marked & rubbed to head & foot, 8vo, and other 19th century & Victorian fiction & non-fiction literature, including natural history reference, mostly original cloth, some leather bindings, overall condition is generally good to very good, 8vo/4to (approximately 200 volumes)QTY: (6 shelves )
Vakhtangov (Yevgeny, director). Printsessa Turandot. Teatral´no-tragicheskaii kitaiskaia skazka v 5 aktakh [Princess Turandot. A Dramatic Tragic Chinese Tale in 5 Acts], Moscow: Gosizdat, 1923, two full-page photographic portraits of Vakhtangov, 12 full-page colour plates of stage designs, 14 photographic plates (all with tissue guards), numerous photographic illustrations to the text, including images of the production and sketches for costumes and scenery by Ignaty Nivinsky, contemporary ownership inscription in purple ink to front endpaper in Russian, original publisher''s illustrated printed wrappers with avant-garde design to upper cover by Nivinsky, some wear, with fraying and tears to spine and margins with some small losses, light browning to outer edges and spine, 4to (33 x 25 cm), together with two other titles printed in Russian language: Lermontov's Demon, illustrated by Alfred Eberling, St. Petersburg, M. O. Vol'f, 1910, and Gollerbach & Farmakovski, La Porcelaine d'Art Russe, Recueil d'articles sur la manufacture de porcelaine de l'etat, Leningrad, 1924, both with some marks and fraying to edges, small square 4to/large 4to respectivelyQTY: (3)NOTE:Compton 106; Hellyer 134; Rowell & Wye 493. First edition of this commemorative account of Vakhtangov´s famous 1922 production of Princess Turandot at the Third Moscow Arts Theatre, which became one of the symbols of a new theatrical era, with costumes and stage sets by the Russian graphic artist, painter, illustrator, theatrical designer, interior designer and architect Ignaty Nivinsky (1881-1933), who had also designed the set for August Strindberg´s Erik XIV in 1921."In 1923 a commemorative volume was devoted to Vakhtangov's colourful production of Carlo Gozzi's Princess Turandot for the Third Studio of the Moscow Arts Theatre. Unfortunately he died of illness without seeing this production, which he directed from his hospital bed. Costumes and decor were by Ignaty Nivinsky who was also responsible for the book, providing a cubist design for the cover, printed in pastel shades of yellow, blue, pink and green. The publication which includes colour plates as well as photographs, gives an idea of the look of the production..." (Compton).
Rackham (Arthur, illustrator). The Ingoldsby Legends or Mirth & Marvels, by Thomas Ingoldsby, London: William Heinemann, 1909, tipped-in colour plates plus numerous monochrome in-text illustrations, lacks frontispiece, some light toning, original gilt decorated blue cloth, spine faded & rubbed with small tears to head & foot, large 4toPeter Pan in Kensington Gardens, by J. M. Barrie, London: Hodder & Stoughton, 1906, 50 tipped-in colour plates, later inscription to the front pastedown, some minor toning, original gilt decorated red cloth, spine slightly faded & rubbed to head & foot, large 4to, together with:Carroll (Lewis), Alice's Adventures in Wonderland, 75th thousand, London: Macmillan and Co., 1885, 42 monochrome illustrations by John Tenniel, pencil inscription to the half-title, some minor toning, all edges gilt, original gilt decorated red cloth, spine slightly rubbed & faded, 8vo, plusChesterton (G. K.), The Ballad of the White Horse, 1st edition, London: Methuen & Co., 1911, some very minor toning, original gilt decorated green cloth spibe very lightly rubbed to head & foot, 8vo, and other early 20th century & modern fiction & illustrated literature, mostly original cloth, some in dust jackets, G/VG, 8vo/4toQTY: (3 shelves )
Slade (Felix). Catalogue of the Collection of Glass formed by Felix Slade, with notes on the history of glass making by Alexander Nesbitt, printed for private distribution, 1871, 22 chromolithograph plates, some heightened in gold, monochrome illustrations, some light spotting, top edge gilt, contemporary olive half morocco, joints and edges a little rubbed, folioQTY: (1)Provenance: This copy was owned by Thomas Jones of Hinton House, first cousin of Felix Slade. It has been passed down by descent since 1871.

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