An Edwardian gentleman's travelling case by Asprey, in dark red leather, the rectangular hinged cover with inset central gilt loop handle and monogram 'L.C.M.W.' enclosing a detachable tray with two small square boxes marked 'LIGHT' and 'INK', a small pen tray, a blotter, a leather file for implements containing later scissors, penknives, button hook, etc, the interior of the case cover with drop out flap marked '1907-1909 H.T.N.H.O' and 'ASPREY LONDON', revealing a six division notelet grid, the case locks stamped ' ASPREY 166 BOND STREET', with key and semi-secret locking mechanism 43cm wide, 29.5cm deep 18cm high and a brown leather outer protection case and strap for travelling, and a gator skin writing case and wallet with fold over flap 31cm x 23cm (2)
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An Elizabeth II Royal Air Force Officer's dress sword by Wilkinson, London:, the straight acid etched blade with crown and eagle decoration signed to ricasso as per title and numbered to the blade back '98421' over a gilt brass hilt decorated en suite and crown and 'ER' cipher, wire bound fish skin grip and cast eagle's head pommel, in a gilt brass mounted black leather scabbard with double suspension loops, blade length 82cm (light rusting to blade)
A British 1822 pattern Light Infantry Officer's sword by J G Nutting, London:, the slightly curved pipe backed blade signed as per title over steel hilt with single quillon and three bar guard, wire bound fish skin grip and plain backstrap, in a steel scabbard with double ring suspension, blade length 90.5cm.
A FINE 'FORCE 10' DIAMOND NECKLACE, BY FRED, 2014Composed of two articulated lines of round brilliant-cut diamonds crossing over at the centre, one line embellished with a 'force 10 link' set with a pear and brilliant-cut diamond within a frame of similarly-cut diamonds, mounted in 18K gold, diamonds 18.22cts total, signed Fred, numbered, maker's mark, French assay mark, with maker's case and box, inner diameter approximately 13.00cmAccompanied by a copy of invoice dated November 18th 2014 stating: 319 round brilliant-cut diamonds: G-VS - 17.56cts total, 1 brilliant-cut diamond 0.27ct G/VS2, one pear-shaped diamond 0.39ct G/VS2Fred Samuel (1908-2006) established his jewellery brand in 1936 in Paris, where he spent much of his professional life. Originally from Buenos Aires, born into a family that dealt in precious stones, it was no surprise he conceived a passion for cultured pearls and won recognition as a leading expert in the field. Fred imbued his designs with the energy of South America, saying my creations are inspired by the life, the light, the movement, the energy. His passion for life and light is expressed in his jewellery through the use of coloured gemstones and playful motifs. During World War II, Fred Samuel fled Paris and became an interpreter for the Allies. The name Fred was adopted by the brand post war, after it was imposed by German occupiers instead of 'Fred Samuel' because of the Jewish origins of its founder.Describing himself in 1936 as a ‘Contemporary Creative Jeweller’, he staked a claim for modernity based on striking jewellery, pieces with rounded, curvaceous lines. Fred became famous for jewels designed by Jean Cocteau and for its famous clients, such as Marlène Dietrich and the royal family of Monaco, including princess Grace. In 1966 Fred Paris was the inventor of cable jewellery 'Force 10' (made of stainless steel) and this feature is still very prominent today in ring, bracelet, pendant and necklace designs.As the brand grew new stores were opened across the world; 1976 Monte Carlo, 1981 Cannes, 2001 Tokyo and 2007 Beijing, Dubai and Bogotá. The company became the property of LVMH in 1996 and Fred collaborated with Kate Moss for the design of an exclusive collection in 2012.Fred Paris designed the iconic 23 heart-cut ruby necklace interlaced with diamonds, which was gifted to Julia Roberts by Richard Gere in the film Pretty Woman. The last major film for which Fred Paris provided jewellery was Casino Royale starring Daniel Craig, featuring the star collection pendant and earrings.The two beautiful diamond set pieces are perfect examples showcasing the Force 10 feature. The double strand cross over diamond collar, with the Force 10 link off set from the centre is a very glamorous and modern piece, that could be worn both day or night, accompanied by the spectacular pave-set diamond ring. Both pieces have a pear and round brilliant diamond set in the centre of the Force 10 link, adding extra sparkle and artistry to the pieces.
A 19TH CENTURY DIAMOND, ENAMEL AND PEARL BANGLEThe cross over hinged bangle set with a button-shaped pearl on each terminal, decorated with foliate motifs and light blue enamel, set with a central row of graduated old cushion-shaped diamonds, mounted in 18K gold, diamonds approximately 0.80ct total, French assay marks, inner diameter 5.5cm
A LADY'S STAINLESS STEEL 'CLIPPER' WRISTWATCH, BY HERMES7-jewel quartz ETA movement, the circular white dial with Arabic numerals, to a circular-shaped stainless steel case with openwork shoulders, H crown, stainless steel buckle signed Hermes, light blue leather strap signed Hermes, dial, case and movement signed, with maker's case, case no. 17140**, Ref no. CL42**, length 20.7cm, case width (including crown): 2.6cm
A ROCK CRYSTAL, ONYX AND DIAMOND 'TORCHON' NECKLACE, BY SEAMAN SCHEPPSComposed of fluted rock crystal links, interspersed by further rock crystal and onyx discs, accented by five round brilliant-cut diamond rondelles, mounted in 18K gold, maker's mark for Seaman Schepps, length 97.5cmPlease note that this necklace can also be worn separately as two necklaces, lengths 46cm & 52cm.Jewellery designer Seaman Schepps is the embodiment of the American Dream. Schepps was born into an immigrant family and grew up in tenements on the Lower East Side of New York. His marvellous jewellery designs took the American market by storm in the 1930s allowing Schepps to rise through the social strata.With his pioneering designs including chunky brooches, barberic bracelets and bubble earrings, Schepps defined a new style of the American woman and his jewellery featured on the covers of top fashion publications such as Vogue, Harper's Bazaar and Look. He counted Katherine Hepburn, Coco Chanel, Elsa Schiaparelli, the Duchess of Windsor and Andy Warhol, as well as members of the Du Pont, Mellon and Rockerfeller families, all among his clients. In the late 1930s and early 1940s, Schepps began to experiment with rock crystal. Carving and engraving the precious stone, he created pieces in which it complimented and counterbalanced other precious gem stones such as emerald or jade. He also produced exquisite examples which allowed the rock crystal to shine in its own light, similar in design to the present lot (albeit a contemporary piece inspired by the designs of the founder). Rock crystal enjoyed a resurgence in the 1960s when Schepps created further pieces of clean simplistic design such as the barrel ear clips and ring and the familiar shell ear clips composed solely of rock crystal paired with yellow gold. After Schepps’ death in 1972, Patricia Schepps Vaill continued to make jewellery in her father’s style, often using elements from pieces he had designed. Vaill developed a new look in jewellery aimed at appealing to a younger clientele. After twenty years at the helm of her father’s company, Vaill retired and passed the baton to Jay Bauer and Anthony Hopenhajm who have continued to produce jewellery in the unique Schepps style.Today’s designs continue to draw on the Schepps archives which contain over 5,000 detailed jewellery renderings, and 650 moulds. The pieces created in the workshop continue to be made with cutting-edge methods and inventive, unusual materials. Classic pieces are rendered in new materials and signature materials are used for bold new styles. The flagship store on Park Avenue at 58th Street continues to attract socialites, movie stars, royalty and trend-setters who are drawn to Schepps’ innovative use of exotic materials. Today, some 50 years after his death, he continues to inspire modern jewellers.
Transfer print in colors of light green, blue and aqua.A beautiful Art Deco Doulton Burslem earthenware advertising dish or tray, produced ca. 1920 for the Sneyd Collieries and Brickworks of Staffordshire, England. The colorful central design features a young bathing beauty posing next to a swimming pool, a popular 1920s motif, with the design applied by transfer printing and then hand tinted. Green decorative striping to rim. Stamped to base ROYAL DOULTON ENGLAND WITH THE COMPLIMENTS OF THE SNEYD COLLIERIES AND BRICKWORKS CO. LTD, BURSLEM, STOKE-ON-TRENT, STAFFORDSHIRE. Issued: c. 1920 Dimensions: 3.75"W x 5"L Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear
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