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Preisdatenbank abonnierenERCOL; a light elm drop leaf dining table and three elm seated spindle back dining chairs (4).Additional InformationThere is discolouration and fading to top throughout with variants in colour. Chairs heavily worn and scuffed throughout. In genera, heavy wear and tear. Also indents and scratches to the table.
Iceland : 1873-1995 a substantial and valuable mint (much of later is unmounted) and used (often both and some light duplication) collection OFFERED INTACT and displayed in a handsome pair of Lighthouse albums with slipcases; highlights incl. 1873 4sk fine mint, 3sk unused, 8sk and 16sk used (these with faults), 1876-95 perf. 12½ 5a unused, perf. 14 incl. 16a brown mint and used, 40a mint, Official to 20a mint and used, 1882-95 to 50a and 100a used, 1896-1900 perf. 12½ 3a small figure mint, 16a mint and used, 25a (4) mint, Official 3a and 4a fine used, 10a mint, 1902-04 incl. 5a, 6a (4) mint, others to 1k mint and used, 20a strip of three one with error mint (toning), 1902-03 Gildi overprints perf. 14 x 13½ 100a mint (2), perf 12½ to 16a mint, 25a mint and used, 25a inverted overprint marginal example unmounted mint, 1902 (Nov) Official set mint and used, 1907-08 perf 12½ incl. 5a, 6a (2), 10a (3) mint, 1k and 2k mint and used, 5k mint, 1911 Sigurdsson set mint and used, 1912 set used, 1920 to 2k (3) and 5k (2) used, 1k mint with spur on '1', 1921-30 surcharges good range incl. 1k on 40a mint (2) and used (2), 10k on 2k mint and used, high values with Tollur cancels, 1925 Pictorial set mint, 1928-29 Air sets (2) mint, 1931-33 Pictorial set mint, 1930 Millenary set complete mint, 1931 Zeppelin set mint, further 1k with spur on '1' mint, 1931-37 incl. 40a mint (tone spot), 1k mint, 2k used, 1931-33 Falls set mint, 1934 Air set mint and used, 1935 Revenue 10 on 75a mint, 1936 Official set mint, 1937 Jubilee miniature sheet mint (2), 1939 Worlds Fair set mint sand used, 1939-47 Statue incl. 5k perf. 11½ (3, two unmounted), 1940 opts to 2k (2) mint, 1944 Proclamation set in imprint blocks of four unmounted mint, and most others for the period, mainly good to fine. (approx 2850 stamps). HEAVY LOT - OVERSEAS BIDDERS PLEASE ENQUIRE FOR SHIPPING COSTS [US5]
Mexico : (SG 533-560) 1934 National University Fund Airmail Set of 8 values (Scott C54-61) 20c-20P very fine mint original gum - the rare 20P very light hinge, signed (light pencil manuscript) and exceptional centring to 10P and 20P. Scott cat US$2,685 (GBP£2,100), A RARE SET Cat £1500 (image available) [US2]
Great Britain - QV (line engraved) : (SG 3 PL 11) 1840 Penny black plate 11 letters S-E, guaranteed genuine. Greyish-black shade typical to plate 11, four quite even margins, completely clear at right hand side example, reverse - very light 'eleven' pencil annotation, very fine used by cleanly cancelled black maltese cross, even colour, excellent definition, carries (UPA CERTIFICATE) - rarely offered in fine used four margins condition, a quick on-line search reveals few available, particularly lightly cancelled as this and confirms rarity. Cat £4600 (image available)
Great Britain - QV (line engraved) : (SG 36(Scott 18)) 1857 Paper no longer blued, P16 Wmk large crown Die II 1d rose-red letters L-F, very fine mint large part original gum, light gum creasing, hinge traces example, particularly well-centred with superb colour and appearance. A Beauty. Rare so fine Cat £2800 (image available)
Great Britain - QV (surface printed) : (SG 135) 1867-83 10 shilling greenish grey letters B-G, white paper watermark anchor 'GEORGE ST EDIN(BURGH) (18)83' steel CDS cancel North-East, clear of profile. Light 'Richter' + dealer's proofer's signature upon reverse, neither affects appearance. Beautifully centred superb colour example with excellent perfs and no faults, simply stunning stamp, as close to perfection as one could ever hope to expect. London retail up to £4,000+, catalogue value includes CDS well-centred premium. Exhibition quality. Cat £7875 (image available)
Great Britain - QV (surface printed) : (SG 186) 1888 Wmk 'Orbs' £1 brown-lilac letters R-A fine colour well-centred lightly used single cancel premium catalogue value example, design clear of perforation, light annotation reverse should not be addressed, a charming high value in very fine condition Cat £6750 (image available)
Great Britain - QV (surface printed) : (SG 186a) 1888 £1 brown-lilac wmk 'orbs' letters T-A, rare frame broken variety, very fine used exceptional even deep colour, importantly lightly cancelled clear of corner letters and frame break variety, perfectly centred too, design clear of perfs upon all four sides, premium catalogue value example, light boxed plus 'SHEFFIELD' MY 20 (18)89 large part CDS. Charming example of the rare 'orbs' watermark frame broken rarity Cat £13500 (image available)
Bradbury Wilkinson Collection : CANADA HEAD ESSAY: King Edward VII 1d 'SPECIMEN', recess printed in purple, a scarce imperforate block of eight on thinned gummed paper (right stamps with light crease), the lower right stamp appears to be printed double, unmounted mint. (image available) [US2]
Great Britain : 1902-84 (and a few QV spotted), a messy but useful collection in seven albums or stockbooks, highlights incl. 1902-11 to 10s. (2, sound), £1 (2, one with some shorter perfs, other is quite nice), KGV unsorted Seahorses with 2s.6d (28), 5s. (13), 10s. (3), £1 (cds used, few shorter perfs but nice looker), 1925 Wembley set mint, 1924 and 1925 Wembley 1d cards and 1½d letter cards unused, masses of part sorted material in stockbooks with light to moderate dupliacation, strong KGVI, Wildings, Postage Due and much else; Two S.G. 'Special Stamps' printed albums with mainly QE mint sets to 1984 etc. See scans.. HEAVY LOT - OVERSEAS BIDDERS PLEASE ENQUIRE FOR SHIPPING COSTS [US1]
Great Britain - QV (surface printed) : (SG 153) 1873-80 4d sage-green, IMPERF IMPPRIMATUR HORIZONTAL PAIR, EK-EL, sheet margin with imprint at right '…el, 2s per …', light gum wrinkles, small tone spot on one stamp and in margin, o/wise very fresh, fine l.m.m. RARE. Cat £6400 (image available) [US5]
Great Britain - KGV : (SG 411/3N70(3)) 1915 10/- De La Rue, the rare Bright 'Cambridge' Blue seahorse shade, an exceptionally fine mint full original gum exceedingly light hinge example which appears almost unmounted mint, superb in colour, well centred with just a hint of a few irregular perfs so typical of this scarce printing. Comparable examples researched on-line yield an unmounted mint example offered for £10,000, another example offered for circa £7,000 which had irregular perfs and was not as fresh, this example being exceptionally fresh and of superb colour accompanied by clear 1977 RPS photo-certificate of authenticity 'within the shade band' stating Bright Cambridge Blue N70(5) - now N70(3). SG catalogue £9,500 as hinged, retails in the region of £7,000 if you can find one so fine, BUT the one key difference is that this example appears to be the best centred we have seen, in our research we've not seen better. We've only handled one or two examples of this key rare shade within the past twenty years (RPSL Certificate) Cat £9500 (image available) [US2]
Aeroplane Photographs, approx. 300 b/w photographs of aeroplanes most presented in plastic sleeves, some annotated to the reverse. Examples include Malmo Aviation, Eastern, Egypt Air, Interior Airways, TWA, Frontier, Golden West, Mexicana, Air France, Iberia etc. also includes some photographs of light aircraft (vg) (approx. 300)
Cigarette cards, Smith's, Footballers (Titled, light blue backs), 12 type cards, all North East teams, Newcastle United (6) McCraken (no 4), Low (no 10), Lawrence (no 77), Hay (no 117), Shepherd (no 125) & Hibbert (no 132), Sunderland (3), Mordue (no 97), Holley (no 116) & Thompson (no 128), Hull City (1) Wright (no 22) & Middlesbrough (2) Williamson (no129) & McLeod (no 149) (all vg) (12)
Cigarette cards, Smith's, Footballers (Titled, light blue backs), 16 type cards, all Yorkshire teams, Sheffield United (3) Leivesley (no3), Hardinge (no 33) & Kitchen (no 119), Bradford City (5) Spiers (no 13), O'Rourke (no 44), Torrance (no 56), Bond (no 148) & Campbell (no 150), Bradford (2), Dainty (no 29) & Kivlichan (no 147), Sheffield Wednesday (3), Spoors (no 5), Wilson (no 16) & McLean (no 135), Barnsley (2), Downs (no 89) & Taylor (no 24) and Huddersfield (1) Mutch (no 17) (all vg)
Music Memorabilia, Talking Heads / David Byrne, large collection of posters, shop display / advertising material and collectables relating to Talking Heads and David Byrne. Titles inc. Little Creatures, Stop Making Sense, Remain in Light, Road to Nowhere, Fear of Music, Speaking in Tongues, True Stories, Naked, And She Was, Once in A Lifetime, (Nothing But) Flowers, Rei Momo, uh-oh etc. Lot includes printers draft version of limited edition cover for Talking Heads (Nothing But) Flowers 10" single (1998). Sold with draft/working copy of Pete Frame 'Talking Heads' family tree, marked 'Warner Bros Press Office 1982' showing changes and corrections. 2 x Rei Momo tour T-Shirts etc., promotional carrier bags, Limited Edition CD David Byrne with 48 page book by Jean Baptiste Mondino etc. Lot also inc. a few unrelated music / entertainment posters (generally gd/vg, most posters rolled) (65+)
Cigarette cards, Smith's, Footballers (Titled, light blue backs), 11 type cards, all Midlands teams, Derby County (3) Bloomer (no 72), Bauchop (no 107) & Garry (no 120), Glossop (1) Fitchie (no 55), Leicester Fosse (2) Henry (no 115) & Mearns (no 142), Nottingham Forest (2) Needham (no 49) & Cantrell (no 93) & Notts County (3) Montgomery (no 20), Cantrell (no 93) & Iremonger (no 122) (all vg) (11)
Cigarette cards, Smith's, Footballers (Titled, light blue backs), 12 type cards, mostly London teams, Chelsea (3), Calderhead Junr. (no 61), Fairgray (no 130) & Molyneux (no 141), Clapton Orient (1) Dalrymple (no 75), Fulham (2) Sharp (no 137) & Coleman (no 140), Tottenham Hotspur (3) Lunn (no 71), Middlemiss (no 94) & Collins (no 112), Woolwich Arsenal (2) Greenaway (no 52) & Common (no 96) and Bristol City (1) Wedlock (no 114) (all vg) (12)
§ David Hockney (British B.1937) Paper Pools Signed and dated '80 and numbered 453/1000 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York, bears blindstamp, on Arches Cover paper, lithograph; Together with 'Paper Pools', the accompanying book, signed by the artist in red ink and stamp numbered 453 on the justification, with blue canvas covers and original slipcase (Dimensions: 26.5cm x 23cm (10.5in x 9in) (2))(26.5cm x 23cm (10.5in x 9in) (2))Footnote: Think of David Hockney, and immediately picture the sunshine-soaked, boldly-hued scenes of California homes and swimming pools that he is widely known for. After formative years spent in comparatively dreary Yorkshire, Hockney was immediately captivated by the bold colours and widespread luxury of Los Angeles. Private swimming pools were an extravagance in the U.K., but in the City of Angels, Hockney found them everywhere: he had discovered a subject. Paper Pools is a book chronicling a very specific moment in Hockney's creative process, a short period in 1978 when on route to California from England, he made a de-tour to Tyler Graphics studios in upstate New York, to visit friend and previous collaborator Kenneth Tyler. Here he was introduced to a new medium, the paper pulp process. This involved dyeing wet pulped rags, which were then applied in various ways to recently-created and still wet paper, until they were finally fully pressed and dried; there were opportunities for the artist to manipulate the application of colour at all stages. The result was a cross between paper-making, print-making and painting. Hockney found learning this new technique and its specific restrictions, creatively freeing. He realised the process could be very conducive to variations on a theme, and the swimming pool and the effects of different lights and movements on the water was captivating him once again - as he swam in and looked at Tyler's outdoor pool each day. In the resulting series, Paper Pools, Hockney creatively addresses a formal, and paradoxical problem: how to depict the elusive, ever-changing qualities of a body of water, in a flat, stationary, two-dimensional form. There is something conceptually satisfying in such a water-heavy process being used to attempt this. In these works, colour does not sit, it is fused, completely integrated into the medium. Water is the same; light and movement are subsumed into it, and thus its appearance and qualities change. The beautiful book fully illustrates this process, with a reflective text written by Hockney and accompanied by various illustrations - reference polariods he took of the swimming pool in different lights, line drawings capturing the physical process, reproductions of each work in the series as well as some in-process photographs; of the works still at the wet pulp stage before they were pressed. There is a vivid sense of the finished product, but also of the process that went into it: physical effort, litres of water, eclectic equipment, artistic imagination and a strong feeling of camaraderie. To celebrate the publication of the work, Hockney produced a six-colour, hand-drawn lithograph, which he signed and numbered. It revives his favoured subject, boldly depicting the swimming pool and diving board in strong colours. The gently rippling water is depicted with surface watery, wavy marks, overlaying the deeper, overlapping shadows - there is depth and movement, as Hockney manipulates different effects of lithographic mark-making. Paper Pools is a celebration of the artistic innovation and imagination of a very particular moment in Hockney's career, but also an encapsulation of some of the key themes and subjects of his wider oeuvre.
§ Dominic Willsdon (British Contemporary) I miss the light northern rain, i miss the seasons Etching and aquatint, 4th state, signed and inscribed 14.1.92 in pencil to margin (Dimensions: 81cm x 60.5cm (31.75in x 23.75in))(81cm x 60.5cm (31.75in x 23.75in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
A George III wine funnel, mustard pot and two sugar castersthe funnel marks rubbed, the larger caster by Nathan & Hayes, Chester 1902 The wine funnel plain, both casters of light-house form, and a Victorian silver pierced silver mustard pot, by Charles Reily & George Storer, London 1838, weight 28oz. (4)For further information on this lot please visit Bonhams.com
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