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Preisdatenbank abonnierenA CASED SILVER HANDLED SHOE HORN, BUTTON HOOK AND GLOVE STRETCHER SET, polished silver handles with beaded rims, hallmarked 'Boots Pure Drug Company' Birmingham 1910, within a fitted case (condition report: the button hook is broken from handle, will require some attention, general light wear)
SEVENTEEN ITEMS OF GENTLEMEN'S CLOTHING AND A HAT, comprising two navy blue Jaeger 100% wool over coats, five tweed jackets, makers names include Hackett, M&S, Barutti 'Harris Tweed', two red waterproof Silversea Expeditions jackets, Ben Sherman brown leather jacket, Timberland showerproof jacket, three woollen overcoats, maker's names include Samual Windsor, a white and brown pin striped suit by Hackett, size 42R and a claret coloured hat by The Susquehanna Hat Co. size 56 (17 + hat) (Condition Report: most are in good condition, signs of light to medium wear, mostly size M/40 to 42 chest size)
A NAVY BLUE BURBERRY RAINCOAT AND A BURBERRYS WAX JACKET, comprising raincoat size 48 Regular, a green wax jacket with traditional Burberry check lining size M, together with a red woollen Polo Ralph Lauren scarf and a navy blue 'The Susquehanna Hat Co.' 100% fur felt Mason hat size 55, (4) (Condition Report: signs of light to medium wear, no damage)
A YELLOW AND WHITE METAL PASTE SET DOUBLE LOCKET PENDANT, of an oval form one side with a photo of an eye, the other side with lock of blonde hair, within a colourless paste set surround, bow detail, fitted with a paste set bail, stamped 925, length including bail 62mm, width 30.0mm, approximate gross weight 11.6 grams (condition report: general light wear)
AN AMERICAN 'GORHAM' STERLING SILVER CIGARETTE BOX, 20th century marks, polished rectangular form, hinged cover with a wooden interior, signed to the base 'Gorham, Sterling', stamped 314, approximate dimensions length 14.5cm x width 9cm x depth 4.3cm (condition report: surface scratches, general light wear, would benefit from a gentle clean and polish, opens and closes flush)
ALFRED WAINWRIGHT (BRITISH 1907-1991) 'SKIDDAW LITTLE MAN', a pen and ink drawing depicting a Lake District landscape with waterfall to the foreground, signed and titled to lower margin, approximate size 20cm x 17cm, Condition Report: light mount burn to the edges of the drawing (artist resale rights apply)
AN EARLY 20TH CENTURY, SILVER HEART SHAPE SOVEREIGN CASE, foliate pattern with engraved cartouche, push button hinge release cover, hallmarked 'Thomas Bishton' Birmingham 1908, fitted with a suspension loop, length including suspension loop 56mm, approximate gross weight 20.0 grams (condition report: general light wear, opens and closes with ease, clasp working)
AN AMERICAN 'GORHAM' STERLING SILVER TRAY, 20th century marks, of a rectangular form with wavy outline, signed to the base 'Gorham, Sterling', stamped 765, approximate length 25.3cm x width 12.5cm, approximate gross weight 8.74 ozt, 271.9 grams (condition report: would benefit from a gentle clean and polish, light tarnishing, overall condition good)
A GENTS GOLD PLATED 'OMEGA' WRISTWATCH, round silver dial signed 'Omega, Geneve', baton markers, date window at the three o'clock position, gold plated case with stainless steel case back, approximate case width 34mm, fitted with a stretch link bracelet (condition report: working at time of cataloguing, although time keeping is untested, we cannot guarantee the working order of any watch, general light wear, would benefit from a gentle clean and polish, some wear to the plating in places, case back has not been removed)
William Phillip Barnes Freeman (1813-1897), oil on board, 'Costessey Bridge', unsigned details verso, ornate gilt frame, 19 x 29cmBoard with long, horizontal splits from right side, longest reaching over halfway, clearly visible but partially concealed by attached old canvas at rear. Unsigned; not cleaned. Frame with a series of light splits, none too serious.
Three Tunbridgeware boxes, two decorated with perspective cube marquetry, the third with floral tesserae mosaic, largest 15.5cmFirst image, back left some tessera missing, seen only when held to the light at the right angle; key missing. Back right vertical split to hinged cover, top to bottom; numerous light scuffs throughout; lined interior stained. Small box cover polish worn with some light scratches.
Francesco Gilbert after Antonio Correggio (1489-1534), oil on canvas, 'The Mystic Marriage of St Catherine of Alexandria', 27 x 23cmHonest untouched condition, would probably benefit from a light clean, slight stretcher marks showing along with some other light fine craquelure, housed in what looks to be the original 19th century moulded gilt frame which is a little rubbed, label of attribution and pencil inscription to the stretcher.
A Le Verre Francais glass mushroom table lamp, signed to the base, 39cm high Stem with a 25mm rub to broadest point of shoulder; metal fitting with rusted screw and not removed; clear signature; electric bulb tested and working. Shade with rubs and light scratches around footrim; further light scratches including 5cm vertical scratch close to the top. Shade also signed but not so clearly due to scratches caused by the metal leaf-shape fittings.
mixed media on paper, signed, titled label verso mounted, framed and under glass image size 50cm x 62cm, overall size 71cm x 82cm Label verso: The Glasgow Art Club Note: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The late Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.
Keith Reynolds (American, B. 1929) "Japanese Warships Nagara and Isuzu" Signed lower right. Original Oil painting on Canvas Board.Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which appeared on the Republic of the Marshall Islands 45c Japanese Warships Nagara and Isuzu stamp issued September 23, 1994. April 1922 marked the launching of the light cruiser Nagara. Characterized by its long, narrow hull, this vessel was capable of sailing at a top speed of 36 knots. The following year the Isuzu took its maiden voyage as well. In the same class as the Nagara, the Isuzu was once captained by Isoroku Yamamoto, famed World War II admiral of the Japanese fleet. When the island of Tarawa fell to the Allies in November 1943, these ships quickly became involved in troop movements around Kwajalein and Mili islands in the Marshalls. However, in February 1944 the Japanese lost Kwajalein as well. Image Size: 14 x 24 in. Overall Size: 20 x 24 in. Unframed. (B14776)
Don Balke (North Carolina, B. 1933) "Western Meadowlark and Indian Paintbrush" Signed lower right. Original Watercolor on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This art was originally published in the limited edition collection of philatelic proofcards issued by Fleetwood and the National Audubon Society for the Wildlife of the 50 States. In plumage there is little to distinguish the Western Meadowlark from its Eastern counterpart. Both have streaked upper parts, a yellow breast with a black V, and white outer tail feathers. The Westerner, however, is somewhat paler. In the realm of song, all resemblance ceases. Unlike the Easterner's plaintive, whistled song, the Western Meadowlark's phrases contain hints of the wood thrush and the Baltimore oriole, with some of the bobolink's exuberance added for good measure. Both species of Meadowlarks overlap in the central states, but do not inter-breed. Females apparently choose their mates on the basis of their distinctive call notes. The Indian Paintbrush is one of a group of plants that seem, at first glance, to bear bright flowers, but a closer look shows that appearances are sometimes deceiving. Actually the tubular creamy flowers, about one inch in length, are almost hidden by the sepals, which are tipped with orange red, and light-red bracts, which are one-to-two inches long. The real leaves are green. They, and the rest of the plant, are covered with short fine hairs. This member of the figwort family grows to about two feet in height, and near the ground it divides into stalks which in turn have little branches. This Wyoming plant resembles a paintbrush. Image Size: 11.75 x 14.25 in. Overall Size: 20.25 x 24.25 in. Unframed. (B05670)
1944-45 ARMY V NEW ZEALAND RUGBY UNION & ARMY V EGYPTIAN XI FOOTBALL Played at the Alexandra Municipal Stadium Egypt 4 Page programme that covers two games, one Rugby Union & the second Football Rare item in good condition for age and paper type with some folds, light marks & couple of small nicks Ref K
2001-02 WEST BROMWICH ALBION PROMOTION TO PREMIER FULLY SIGNED SHIRT Shirt was signed after the Crystal Palace game when Albion were promoted for the first time to the Premier League Autographed by all the team, subs & manager. Vendor tell us that this was a match worn shirt during this season but there are no patch's on the sleeves, also there are a few light splash marks which again the vendor informs us that these are from Champagne that were used in the after match celebrations. We cannot confirm that the above is correct except for the signatures which are genuine, the shirt also has all the correct numbering etc Ref MH
An unusual 1:6 scale model Leyat Helica built by Bob Ashwell, circa 1980, with remote control and starter assembly,a well modelled 'Aero-car', wire frame chassis, skinned Balsa wood ribbed bodywork, hand-painted dark blue with coachlining, the propeller ring fitted with model lamps , complete with correct rear wheel steering and 30cm diameter wooden propeller, offered for sale with remote control and starting device. Footnotes:Starting Sequence:Open driver's door and find the wire that plugs into the charger. When connected to charger, plug the charger into wall socket, turn on, and a red light will come on, this is then charging. Leave overnight to charge, then remove charger. Flick the small switch (next to steering wheel) for on. Model diesel goes in fuel tank in front of windscreen, the pipe with the small silver dot is the filler the other pipe is the overflow to show when the tank is full. Turn on the transmitter and it is ready to be started. The prop starter needs to be attached to a 12v battery and start using the torque starter on the propeller hub, keep fingers out the way, to turn off smother the carb with finger. Use only model diesel fuel with the syringe provided.This lot is subject to the following lot symbols: ◊◊◊◊ £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
A PAIR OF BOCONCEPT 'RICO' OTTOMAN'S Saddle formed seat, upholstered in light gray fabric 40cm high x 63cm wide Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
LOUIS VUITTON Beuteltasche "UNDERGROUND", Koll.: F/S 2010. Limited Edition. Rosafarbenes Leder mit Monogram Prägung, hellgrünes, genarbtes Leder mit goldfarbener Hardware, Doppelhenkel, Außenfach mit Reißverschluss, dekoratives Perlendekor und abnehmbarer Schulterriemen in Grau aus Textil. Innenraum mit einem Reißverschlussfach. Staubbeutel anbei. Gebrauchsspuren, Abrieb an den Kanten und Flecken vorhanden. 21 x 39 x 20 cm.| LOUIS VUITTON pouch bag "UNDERGROUND" , coll: S/S 2010. Limited Edition. Pink leather with Monogram embossing, light green, grained leather with gold-coloured hardware, double handle, outer compartment with zip, decorative bead decoration and detachable grey textile shoulder strap. Interior with a zip compartment. Dust bag enclosed. Signs of wear, abrasion on the edges and stains. 21 x 39 x 20 cm.
HERMÈS Handtasche "SAC BIRKIN SELLIER 30". Koll. 2022. Casaque Rouge Sellier / Bleu Indigo / Rose Texas in Epsom Leder mit silberfarbener Hardware. Sehr guter Erhalt, bis auf leichte Kratzer auf der Hardware. Full Set (Box, Staubbeutel, Raincase und Rechnung anbei.| HERMÈS handbag "SAC BIRKIN SELLIER 30". Coll. 2022. Casaque Rouge Sellier / Bleu Indigo / Rose Texas in Epsom leather with silver hardware. Very good condition except for light scratches on hardware. Full set (box, dust bag, rain case and invoice attached
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