Kawase Hasui (1883-1957)Showa era (1926-1989), dated 1937An oban tate-e print, titled along the left margin Nikko Yumoto onsen (Yumoto Spa, Nikko), depicting an elaborate branch of harunire (Japanese elm) framing inns nestled at the foot of mountains along the Yu River, the light from the windows reflected in the water, dated Showa juninen shichigatsu saku (Work of July, Showa 12 [1937]), published by Watanabe Shozaburo, with a Hanmoto Tokyo Ginza Watanabe mokuhan gaho seal along the lower right margin; signed Hasui with Kawase seal. 39cm x 27cm (15 1/8in x 10 5/8in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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Kawase Hasui (1883-1957)Showa era (1926-1989), dated 1952An oban yoko-e print, titled along the left margin Sakuradamon no harusame (Spring Rain at Sakurada Gate), depicting three visitors seen through the large wooden gate walking past cherry blossoms, light rain falls over the scene, the structure reflected in the shimmering water, dated Showa nijushichinen saku (Work of Showa 27 [1952]), published by Watanabe Shozaburo, with a 6mm round Watanabe seal at the bottom left corner; signed Hasui with Kawase seal. 26.3cm x 39cm (10 5/16in x 15 5/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Trevor Grimshaw (British 1947-2001) Portrait of T.S. Eliot, signed in the margin, graphite.12cm x 8cm (4.75in x 3.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition. There is some very light time staining and browning around the edges of the paper near the mount board. The drawing is framed and glazed.
Gerald Parkinson (British 1926-) "China Clay Boat", signed and dated '59, oil on board.44.5cm x 59cm (17.5in x 23.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition. There are one or two light surface scratches across the painting. The painting is framed but not glazed.
Theodore Major (British 1908-1999) Industrial Landscape, signed on verso, oil on board.32cm x 38.5cm (12.75in x 15.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition. The surface of the painting is dirty with dirt and grime across the surface and would benefit enormously from a light surface clean. The painting is unframed.
Theodore Major (British 1908-1999) Figure walking, signed on verso, oil on board.31.5cm x 38.5cm (12.5in x 15in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition. The surface of the painting is dirty with dirt and grime across the surface and would benefit enormously from a light surface clean. The painting is unframed.
Harold Riley (British 1934-) Manchester Cinemas and Theatres, to include "Victoria Theatre, Salford", "Princes Cinema, Monton", "Theatre Royal, Manchester", "Salford Hippodrome", "County Cinema, Broughton", "The Crown Theatre, Eccles", "Cromwell Cinema, Salford", "Salford Palace, Cross Lane", "Ardwick Hippodrome, Manchester" and "Langworthy Cinema, Salford", all signed, titled and dated '75 in pencil in the margins, all numbered 20 from the edition of 25, limited edition prints.various image sizes 28.5cm x 24.5cm (11.25in x 9.5in)Qty: 10Condition report:The prints are all in very good, original condition. There is some very light time staining and yellowing around the edges of some of the prints near the mount boards. The largest print has one or two very light surface scratches across the paper. The prints are all framed and bar three are all glazed. The original metal frames have some minor scuffs and scratches commensurate with age.
Trevor Grimshaw (British 1947-2001) Chimney, signed, unframed, oil on board.14cm x 14cm (5.5in x 5.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in good, original condition. There are some smooth vertical strips and areas across the surface of the painting where something may have been pressed against the surface whilst the paint was still wet. The surface appears slightly dirty and has one or two light surface marks. The painting is unframed.
Trevor Grimshaw (British 1947-2001) "Guitar II", titled and dated 2/7/75, signed on verso, graphite.9.5cm x 8cm (3.75in x 3.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in good, original condition. There is some light time staining and browning running parallel to the edges of the paper and one or two minor spots of foxing. The drawing is framed and glazed.
Trevor Grimshaw (British 1947-2001) "Guitar", titled and dated 2/7/75, signed on verso, graphite.9.5cm x 7.5cm (3.75in x 3in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in good, original condition. There is some light time staining and browning running parallel to the left and bottom edges of the paper. The drawing is framed and glazed.
Trevor Grimshaw (British 1947-2001) "Guitar I", dated 2/7/75, signed on verso, graphite.9.5cm x 7.5cm (3.75in x 3in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in good, original condition. There is some light time staining and browning running parallel to the edges of the paper and one or two minor spots of foxing. The drawing is framed and glazed.
Trevor Grimshaw (British 1947-2001) "Monoliths", signed three times and dated '80, graphite.26.5cm x 35cm (10.5in x 13.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition. There are some light surface marks and scratches across the paper and one or two minor spots of foxing. The drawing is framed but not glazed.
L.S. Lowry R.A. (British 1887-1976) "Huddersfield", signed in pencil in the margin, with the Fine Art Trade Guild blind stamp, from the edition of 850, published by Henry Donn in 1973, limited edition colour print.image size 45cm x 57cm (17.75in x 22.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in good, original condition with strong colours and no obvious faults to report. There is some very light time staining and browning around the edges of the print near the mount board. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
L.S. Lowry R.A. (British 1887-1976) "County Court, Salford", signed and numbered 56/75 in pencil in the margin, limited edition print.image size 24.5cm x 35cm (9.75in x 13.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in good, original condition. There is some very light time staining and yellowing around the edges of the print near the mount board and one or two minor spots of foxing in the margins. There is a small indent in the paper in the top margin. The print is framed and glazed.
John Maclauchlan Milne RSA (1886-1957)Sound of Iona signed and dated 'Maclauchlan Milne/37' (lower left), further signed and titled to artist label (verso)oil on canvas49 x 59.5 cm. (19 5/16 x 23 7/16 in.)Footnotes:Maclauchlan Milne was particularly drawn to Iona and Mull. The blue and green hues of the water, the white sand and the fantastic light appealed in the same way as did the luminous sunlight and seas of the South of France. Milne's earliest exhibited Iona pictures date from 1937, but he may have painted there alongside Cadell and Peploe earlier that decade, as he knew them in Paris in the 1920's. Iona became for them a source of artistic inspiration, and a totally different, but ultimately iconic, subject matter for them all to embrace.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Samuel John Peploe RSA (British, 1871-1935)Girl in white signed 'S J Peploe' (lower right)oil on canvas45.7 x 40.7cm (18 x 16in).Footnotes:ProvenanceWith T & R Annan & Sons Ltd., Glasgow.Sale; Christies, Glasgow, 20th Nov 1997, Lot 19ExhibitedGlasgow, McLellan Galleries, Memorial Exhibition of Paintings by S J Peploe R.S.A., February 1937, no.109.LiteratureAdrian Bury, Oil Painting of To-Day - Special Spring Number of The Studio, The Studio Limited, London, 1938Believed to be painted in 1927, the same year that he was elected as a member of the Royal Scottish Academy. It demonstrates the subtle palette characteristic of Peploe in the later 1920s. There is a focus on expressing the play of light upon form and colour. He was less concerned with conveying the emotion of model on this occasion, than he was with the shapes created by her pose and the delicate tones of the costume and skin.The tureen that is on the able on the left of the painting, appears to be the same item that takes centre stage in still life by Peploe, Lot 51.For further information on this lot please visit Bonhams.com
AN IMPORTANT AND EXCEEDINGLY RARE HUANGHUALI RECTANGULAR DAY-BED, TACirca 1550-1600The well-proportioned bed with a moulded frame of standard miter, mortise and tenon construction enclosing a soft-mat platform with five bowed stretchers underneath, above square-section corner legs ending in inward-turning hoof feet and joined by humpback stretchers. 213cm (83 7/8in) long x 63cm (24 7/8in) deep x 54cm high (21 2/in).Footnotes:約1550-1600年 黃花梨榻Provenance: Ming Furniture Ltd., New York, 1991David S. Utterberg (1947-2020) and Nayda Utterberg, Seattle Sotheby's New York, 16 March 2016, lot 227An important European private collectionPublished and Illustrated: S.Handler, 'Outstanding Pieces in Private Rooms: Chinese Classical Furniture in New American Collections', Orientations, January 1993, fig.4.S.Handler, Ming Furniture in the Light of Chinese Architecture, Berkeley, 2005, p.101.來源：1991年，前藏家購自紐約古董商明代家具有限公司美國西雅圖David S. Utterberg（1947-2020）及Nayda Utterberg伉儷舊藏紐約蘇富比，2016年3月16日，拍品編號227歐洲重要私人收藏出版著錄：S.Handler，〈Outstanding Pieces in Private Rooms: Chinese Classical Furniture in New American Collections〉，《Orientations》，1993年1月刊，香港，編號4S.Handler，《Ming Furniture in the Light of Chinese Architecture》，美國伯克利，2005年，頁101Classical and elegant in its linearity and simplicity, the present daybed is an exceptionally early and rare example fashioned from a single huanghuali plank of unusually large size. Due to its simple design and light weight, the raised platform was used since the earliest historical phases of Chinese history. It was a highly versatile piece of furniture, elevated above the draughts and dampness of the floor, and thus easily suited for both indoor and outdoor purposes. Platforms could be large enough to accommodate a group of people of just the right size for one, such as the present example. Unencumbered by railings, canopies and having to stay in one place, platforms (unlike couchbeds, canopy beds or even kang tables) are probably the very best and most classical examples of the elemental form of Chinese furniture. The oldest platforms in China appear to date to the Anyang period of the Shang dynasty (13th-11th BC). They were made in marble and bronze and supported precious bronze ritual vessels. By the Han dynasty, platforms indicated social status and served as seats for dignitaries. Numerous depictions of banquet scenes, in burials dating to around this period, show the most significant figures seated on raised platforms; see for example Wang Zengxin, 'Liaoyangshi Bangtaizi er hao bihua mu (Wall painting in tomb no.2, Bangtaizi, Liaoyang)', Kaogu, 1, 1960, p.22.By the Ming dynasty, platforms supported on four legs (as opposed to the more typical box-like construction of earlier periods) became highly popular and were constructed in various sizes. Platforms supported on four legs could be larger and heavier structures which were no longer easily moved. At this time, platforms were often referred to as 'Single-Sleeps' Dushui, which the Ming connoisseur Wen Zhenheng mentioned in his 'Treatise on Superflous Things' Zhang Wu Zhi. See Wen Zhenheng, Treatise on Superfluous Things, Nanjing, 1984, p.241. Although Chinese beds such as the present example have been referred to as 'day-beds' in the West, they were used for both daytime sitting and night-time sleeping. Paintings and woodblock prints dating to the Ming dynasty often depict scholars or court ladies sitting on their daybeds in garden settings or along riverbanks. See for example, 'Reclining on An Incense Fumigator' by Chen Hongshou (1599-1652), in the Shanghai Museum. Here, a lovesick court lady is depicted sitting on a platform with slender horse-hoof feet, appearing to converse with a parrot looking down from his elegant metal pedestal. In addition, a woodblock illustration by Ding Yunpeng (1547-c.1621) depicts a scholar joyfully ensconced with his book and scroll on a large platform. Leaning on a semi-circular armrest, he appears to be waiting for the refreshments being carried by his attendant. Finally, 'Waves on the Bank', a handscroll by Shen Zhou (1427-1509) shows a contemplative scholar seated on a platform in front of a large single-panel screen before the open door of his country retreat overlooking a small stream; see S.Handler, Austere Luminosity of Chinese Classical Furniture, Berkeley, 2001, p.117, fig.8.15, p.118, fig.8.18 and p.121, fig.8.22. The patrons of Ming furniture makers preferred simple lines and structural simplicity to elaborate carving and sumptuous decoration. In addition, at the time, the strength rather than the grain of the wood, was considered the most important feature of platforms, so they were often constructed with the wood obtained from the centre of the tree, which was less prone to warping if it had been aged and cured for a long time. See a related huanghuali single-bed, Ming dynasty, late 16th/early 17th century, displaying a waisted frame and lacking the side stretchers, illustrated by G.Ecke, Chinese Domestic Furniture, London, 1962, pl.19.15. Two other examples are illustrated by S.Handler, Austere Luminosity of Chinese Classical Furniture, Berkeley and Los Angeles, 2001, p.116 and by R.H.Ellsworth, Chinese Furniture: Hardwood Examples of the Ming and Early Ch'ing Dynasties, New York, 1971, no.38, p.146. Finally, a pottery miniature figure of a platform exhibiting a similar frame to the present example, in the Shanghai Museum, Shanghai, was unearthed from the Ming dynasty tomb of Pan Yuan Zheng (1589), illustrated by Wang Shixiang, Connoisseurship of Chinese Furniture, Hong Kong, 1990, vol.1, pl.1.3a.Furniture made of exceptionally large single-planks of huanghuali wood would have been extremely rare and expensive to make at the time, and is still highly expensive today. See, for example, a magnificent and very rare massive huanghuali plank-top pedestal table, 17th/18th century, which was sold at Christie's New York, 22 March 2013, lot 1323.榻為四面平式，羅鍋棖，有馬蹄，榻面鑲籐編軟屜，以五根硬木穿帶支承，結構簡練，工藝精巧。明式的榻，現存者多為有束腰式，如本例無束腰且以方材製作者，殊為罕有。床無圍曰「榻」。由於... This lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A VERY RARE ARCHAIC BRONZE RITUAL WINE VESSEL AND COVER, YOUEarly Western Zhou Dynasty, 10th century BCThe vessel of oval section fitted with a pair of loops attached to the arched handle ending with animal-mask terminals, cast in shallow relief on each side with a pair of kui dragons confronting an animal mask, all reserved on a leiwen band between two rows of circles, the cover similarly decorated beneath a segmented finial, both the inner body and cover cast with an eight-character inscription reading Menge Shou zuo fuyi zunyi, the surface with light malachite and cuprite encrustations. 30cm (11 6/8in) high. (2).Footnotes:西周早期，公元前10世紀 青銅夔龍紋獸首提梁卣The inscription Douge Shou zuo fuyi zunyi 鬥戈 守作父乙尊彝 may be translated as 'Dou made this precious ritual vessel as a sacrifice for ancestor Father Yi'.Provenance: Major-General Sir Neill Malcolm (1869-1953), KCB, DSOCaptain Dugald Malcolm (1917-2000), CMG, CVO, TD Sotheby's London, The Malcolm Collection: Ancient Bronzes, 29 March 1977, lot 17Hartman Rare Art, New YorkChristie's London, 10 December 1990, lot 2Christie's New York, 18 September 1997, lot 324 An important European private collectionExhibited: Dartington Hall, Exhibition of Chinese Art, 9 July- 14 August 1949, Catalogue, no.1Oriental Ceramic Society, Exhibition of Early Chinese Bronzes, 1951, Catalogue, no.70Published: Dartington Hall, Chinese Art, 1949, Catalogue, no.1Oriental Ceramic Society, Exhibition of Early Chinese Bronzes, 1951, Catalogue, no.70Y. Liu and Y. Lu, Jinchu yinzhou jinwen jilu (Corpus of Recently Discovered Inscriptions from the Yin & Zhou Dynasties), vol.3, Beijing, 2002, pl.597, p.57T. Wang and Y. Liu, A selection of early Chinese bronzes with inscriptions from Sotheby's and Christie's sales, Shanghai, 2007, pl.146Z. F. Wu, Shangzhou qingtongqi mingwen ji tuxiang jicheng (Corpus of Inscriptions and Images of Bronzes from the Shang & Zhou Dynasties), Shanghai, 2016, vol.24, p.131, pl.13217The Malcolm Collection of Chinese early bronzes, ceramics and works of art was one of the most important private collections of its type formed in England during the 1920s-1940s. As described by Captain Dugald Malcolm in the foreword to the 1977 Sotheby's catalogue, his father Sir Neill Malcolm first went to China in 1896. Starting from Leh in Kashmir, the journey to Beijing took seven months. His first purchases were made in Berlin in 1919 and then later when he served in Singapore (1921-1924). Between the First and Second World Wars he visited Beijing a number of times and made a few purchases, although the bulk of the collecting took place in London. Sir Neill Malcolm was a member of the Executive Committee of the 1935-1936 Exhibition at the Royal Academy and lent 16 pieces himself. Since 1953 and prior to being sold in 1977, the collection was on loan to London University, first to the Courtauld Institute and then at the Percival David Foundation, which made the collection available for study to scholars.來源：爵級司令勳章及傑出服務勳章获勋人Neill Malcolm少將（1869-1953年）舊藏聖米迦勒及聖喬治勳章三等勳爵士Dugald Malcolm上尉（1917-2000年）舊藏倫敦蘇富比，「Malcolm收藏中國青銅禮器」專場拍賣，1977年3月29日，拍品編號17紐約古董商Hartman Rare Art倫敦佳士得，1990年12月10日，拍品編號2紐約佳士得，1997年9月18日，拍品編號324歐洲重要私人收藏展覽記錄：Dartington Hall，「Exhibition of Chinese Art（中國藝術展）」，1949年7月9日-8月14日，《圖錄》，編號1倫敦東方陶瓷學會，「Exhibition of Early Chinese Bronzes（早期中國青銅器展）」，1951年，《圖錄》，編號70出版著錄：Dartington Hall，《中國藝術圖錄》，1949年，編號1倫敦東方陶瓷學會，《早期中國青銅器展圖錄》，1951年，，編號70劉雨，盧岩，《近出殷周金文集錄》，卷三，北京，2002年，頁57，圖版597汪濤，劉雨，《流散歐美殷周有銘青銅器集錄》，上海，2007年，圖版146吳鎮烽，《商周青銅器銘文暨圖像集成》，上海，2016年，卷24，頁131，圖版13217Malcolm氏的高古青銅器和陶瓷等中國藝術品收藏，乃是上世紀二十至四十年代英國最為重要的中國藝術私人鉅藏之一。如Dugald Malcolm上尉在1977年蘇富比專拍圖錄前言中所述，Neill Malcolm少將於1896年首次進入中國，但直至1919年才在柏林購入第一件藏品。其於1921至1924年在新加坡履職，一戰及二戰期間也曾多次造訪北京，購買古董，但其大部分收藏還是購自倫敦。1935至1936年，中國藝術國際博覽會於倫敦皇家藝術學院舉辦，Malcolm少將任執行委員會委員之一，並借展了所藏16件藏品。1953年Malcolm少將逝世後，其藏品先後出借於倫敦大學下屬的考陶爾德學院與大維德中國藝術基金會，供學者們研究學&... For further information on this lot please visit Bonhams.com
A RARE ARCHAIC BRONZE RITUAL WINE VESSEL AND COVER, HULate Spring and Autumn Period, late 6th-5th century BCThe slender pear-shaped body rising from a spreading foot, crisply cast in relief with four bands of S-scrolls with curled tips within plain borders, all below a band of upright flat-cast blades around the tall waisted neck, the shoulders set with a pair of taotie-mask loop handles suspending loose rings, each ring with a chain to a dragon-shaped handle, all under a light green encrustation. 36cm (14 1/8in) high. (2).Footnotes:春秋晚期，公元前六至五世紀晚期 青銅羽翅紋提梁鏈壺Provenance: an important European private collection來源：歐洲重要私人收藏According to the 'Rites of Zhou' Zhou Li, hu ritual vessels such as the present lot were used as wine containers during the performance of sacrificial ceremonies in Bronze Age China.Wine vessels were cast in a variety of designs. Vessels like the present example, set on a low ring foot patterned to resemble a twisted rope, with the lid attached to a long chain handle and four movable rings at the neck, have been mainly excavated from central and southern Chinese provinces including Henan, Hebei, Shandong, and Guangdong Province. These excavations have shown that actual ropes were passed between the rings around the neck and the corresponding ones on the lid, to hold the lid firmly in place while the vessel was being carried; see Wang Tao, Chinese Bronzes from the Meyingtang Collection, London, 2009, p.96; and J.So, Eastern Zhou Ritual Bronzes from the Arthur Sackler Collections, New York, 1995, vol.3, p.250.Compare with a related bronze hu vessel and cover, 4th century BC, of similar form and proportions but with an undecorated body, excavated from Qufu Xian M3 site in Shandong Province, illustrated by J.So, Eastern Zhou Ritual Bronzes from the Arthur M. Sackler Collections, New York, 1995, vol.3 p.277, fig.49.2. See also another bronze hu vessel and cover, 4th-3rd century BC, with flat-cast decorative bands and taotie-mask loose ring handles on the lower body, excavated in Jiangling Yutaishan, Hubei Province, illustrated in Ibid., p.287, fig.51.3.A very similar bronze ritual wine vessel and cover, hu, late Spring and Autumn period, late 6th-5th century BC, was sold at Christie's New York, 21 March 2014, lot 2023.長頸，口微侈，球形腹，圈足。蓋呈穹頂，上有雙環。肩部一對獸頭鋪首耳，上銜鍊和提梁。提梁扁圓，兩端飾獸首，與銅環套接而成的鏈相連。頸飾卷雲紋，肩上一周蕉葉蟬紋，腹飾四周羽翅紋。壺為酒器，形如本例的提梁鏈壺在中國中部及南部，包括河南、河北、山東、廣東等省份，皆有發現。考古出土的提梁鏈壺，提鏈大多穿過蓋頂銜環，使器蓋和器身連在一起，使用時不至缺失。參見汪濤著，《玫茵堂藏中國銅器》，倫敦，2009年， 頁96；及蘇芳淑著，《Eastern Zhou Ritual Bronzes in the Arthur M. Sackler Collections》，卷三，紐約，1995年，頁250。比較一例山東曲阜出土公元前四世紀青銅提梁鏈壺，形制類似本例，惟無紋飾，收錄於蘇芳淑著，《Eastern Zhou Ritual Bronzes in the Arthur M. Sackler Collections》，卷三，紐約，1995年，頁277，圖版49.2。另有一例湖北江陵雨台山出土公元前四至三世紀提梁鏈壺，下腹另有四隻鋪首銜環耳，出處同上，頁287，圖版51.3。一件春秋晚期，公元前六至五世紀晚期青銅提梁鏈壺，售於紐約佳士得，2014年3月21日，拍品編號2023，可資比對。For further information on this lot please visit Bonhams.com
A RARE LARGE HUANGHUALI FLAT-TOP RECESSED-LEG TABLE, PINGTOU'AN17th/18th centuryThe table top of standard miter, mortise and tenon construction, enclosing a two-board round-cornered floating panel supported underneath by dovetailed transverse stretchers, the cylindrical legs double tenoned into the top and cut to house the plain spandrelled apron, with two oval-sectioned stretchers joining each pair of legs. 221.5cm (87 2/8in) wide x 90cm (35 1/2in) high x 50.5cm (19 7/8in) deep. Footnotes:十七/十八世紀 黃花梨夾頭榫大平頭案Provenance: an important European private collection來源：歐洲重要私人收藏Made from prized huanghuali wood of attractively warm brown and amber tones, and set with a lively-grained two-board top, the present table is a remarkable example of one of the most versatile and popular designs in Chinese furniture. The popularity of this linear form is evident in its continuous popularity without any major evolution in the design. The elegant wood grain and the smoothly-finished joinery of the present example indicate that this table would have belonged to a high-ranking member of the court or a scholar. Recessed-leg tables were historically referred to as 'character one' tables yi zi zhuo shi, as the single horizontal stroke of the Chinese character for the numeral 'one' resembles this linear form. This design appears to have derived from standard wood building construction employed from as early as the Han dynasty. This particular design with side stretchers is known from as early as the Song dynasty (960-1279), when tables with bridle and tenon joints, a continuous apron with small spandrels, and double stretchers at the sides were produced. See two recessed-leg tables depicted in a painting entitled 'Country Boys Playing in Class', attributed to the Song period and illustrated by Wang Shixiang, 'Development of Furniture Design and Construction from the Song to the Ming', Chinese Furniture: Selected Articles from Orientations 1984-1999, Hong Kong, 1999, p.55, pl.35.Because of their light and simple form, these tables could be easily moved from one location to another. They were usually placed against the wall in the main hall of the family compound where important visitors were received and family ceremonies took place; hence these tables became representative of their owner's status and level of refinement and functioned as surfaces on which to display cherished antiquities, artefacts, scroll paintings, to practice calligraphy and painting, and even play the qin; see S.Handler, Austere Luminosity of Chinese Classical Furniture, Berkeley, 2001, pp.224-238. Compare with a huanghuali recessed-leg table, 17th century, illustrated by R.D.Jacobsen and N.Grindley, Classical Chinese Furniture in the Minneapolis Museum of Arts, Minneapolis, 1999, pp.122-123, no.40. A similar huanghuali recessed-leg table, 17th century, was sold at Christie's Hong Kong, 10 November 2015, lot 380. See also a rare huanghuali recessed-leg altar table, 18th century, which was sold at Christie's Hong Kong, 28 November 2012, lot 2028.黃花梨製，頂面標準榫卯攢邊框，鑲兩拼面心板，牙頭光素，腿子截面圓形，以兩根橫棖連接。結構清雅，渾厚圓實，木紋緻密，亮澤如蜜，盡現傳統中國家具之經典，細節間無不透露了原主人的顯赫身世。此類桌案歷史上被稱為「一字桌式」，蓋因平直的案形與漢字「一」相似。該造形似從漢代木造建築演化而來，宋代已可見此樣式，榫卯結構，沿邊嵌牙條，雙橫棖，並屢見於宋畫。參考明代仇英臨宋人畫冊之《村童鬧學圖》中所繪二條案，見王世襄著，〈Development of Furniture Design and Construction from the Song to the Ming〉，收錄於《Chinese Furniture: Selected Articles from Orientations 1984-1999》，香港，1999年，頁55，圖版35。平頭案由於質樸簡練，曲直合度，宜作多方用途，常於一戶正廳之中靠牆擺放，用以展示古玩字畫，從而成為主人身份地位的象徵。見S.Handler著，《Austere Luminosity of Chinese Classical Furniture》，伯克利，2001年，頁224-238。參考一件十七世紀黃花梨平頭案，見R.D.Jacobsen與N.Grindley著，《明尼阿波利斯藝術館藏中國古典家具》，明尼阿波利斯，1999年，頁122-123，編號40 。另有一件十七世紀黃花梨平頭案，與本例相似，售於香港佳士得，2015年11月10日，拍品編號380；及一件十八世紀黃花梨平頭案，售於香港佳士得，2012年11月28日，拍品編號2028，可資比對。This lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A VERY RARE ARCHAIC BRONZE COPPER-INLAID WINE VESSEL, BIANHUWarring States PeriodThe vessel with flattened oval sides raised on a spreading rectangular pedestal foot, the main faces cast in relief with panels of tight abstract curling patterns arranged in five horizontal bands within copper-inlaid borders, the sides similarly decorated and applied with two taotie masks suspending a ring handle, all below a narrow band on the waisted neck and a copper band on the flared mouth, the body covered with light-green encrustation. 33cm (13in) high.Footnotes:戰國 青銅羽翅紋扁壺Provenance: J.J. Lally & Co., Oriental Art, New YorkAn important European private collectionPublished, Illustrated and Exhibited: J.J. Lally & Co., Oriental Art, Archaic Chinese Bronzes, Jades and Works of Art, New York, June 1994, no.56來源：紐約古董商J.J. Lally & Co., Oriental Art歐洲重要私人收藏展覽著錄：J.J. Lally & Co., Oriental Art，《Archaic Chinese Bronzes, Jades and Works of Art》，紐約，1994年六月，編號56Bianhu vessels first appeared as in the Warring States period (457-221 BC), when they formed an important part of religious and cultural rituals aimed at presenting food and drink offerings to the ancestors of powerful families. At the time, various social and political changes were bringing old rituals to an end. One such change was the increasing presence in China of nomadic peoples, and it is likely that the bianhu was inspired by practical vessels used for carrying water on horseback; see J.Rawson, 'Ordering the Exotic: Ritual Practices in the Late Western and Early Eastern Zhou', in Artibus Asiae, vol.73, no.1, 2013, pp.5-76.The intricate interlacing designs noted on the present vessel testify to a highly-developed method of mechanical production that appears to have become the norm during the Eastern Zhou dynasty. At this time, elaborate designs were produced using 'pattern blocks' made of clay, which were carved as the masters from which to impress strips of negative design to fill out the moulds. This method enabled the production of a large number of similarly-decorated vessels, probably intended to impress a socially-prominent audience. In a world of competing courts, conspicuous displays of every kind was the order of the day. For example, the lavish content of the tomb of Marquis Yi of Zeng, the ruler of a small state on the borders of the Chu kingdom, yielded spectacular wine hu containers, in addition to a magnificent set of sixty-five bronze bells; see Hubei Sheng Bowuguan, Zeng Hou Yi Mu, Beijing, 1989.A bronze bianhu, Warring States period, unearthed in 1977 from the tomb of King Cuo of the Zhongshan state, contained an alcoholic drink, further proving the function of this type of vessel at that time; see Liu Jiansheng, Warring States Treasures- Cultural Relics from the State of Zhongshan, Hebei Province, Hong Kong, 1999, p.44, no.7.The lack of a lid on the present example may be explained because many of these covers were originally made from perishable or fragile materials, such as wood or pottery. See a bianhu and cover, Warring States period, excavated in 1975 at Sanmenxia Shangcunling, Henan Province, now in the Henan Provincial Museum, Zhengzhou, illustrated in Zhongguo Wenwu Jinghua Dacidian, Qingtong juan, Shanghai, 1995, p.241, no.864. Compare with two very similar bronze bianhu vessels, Warring States period, late 4th-early 3rd century BC, in the Compton Verney collection, Warwickshire, acc.no.CVCSC 0218.1-2.A, and the example in Rijksmuseum, Amsterdam, illustrated in Asiatic Art in the Rijskmuseum Amsterdam, Amsterdam, 1985, p.38, no.10.A very similar copper-inlaid bronze ritual wine vessel, bianhu, Warring States period, was sold at Christie's New York, 24 March 2011, lot 1257.壺呈扁圓形，侈口，短頸，溜肩，長方形圈足。肩飾一對鋪首銜環耳。腹部以赤銅作五層長方形格欄，兩側六層，格內飾細密繁縟羽翅紋，紋飾層疊，繁而不亂。扁壺為酒器，約始見於戰國。一說其形制源於北方游牧民族盛水的皮囊，東周時期隨各民族文化交流而傳入中原。參見J.Rawson著，〈Ordering the Exotic: Ritual Practices in the Late Western and Early Eastern Zhou〉，收錄於《Artibus Asiae》，卷73，第一刊，2013年，頁5-76。中國北方少數民族白狄族鮮虞部在今河北省境內建立古中山國，其戰國時期王陵中曾見一件扁壺，出土時仍有半壺酒液，進一步佐證了此類扁壺的用途。見《戰國雄風——河北省中山國王墓文物展》，香港，1999年，頁44，編號7。部分扁壺最初使用時或配以木製或陶製壺蓋，這些材料易腐易碎，無法經歷漫長歲月而保存。如現藏於河南博物館、1975年於河南三門峽上村嶺出土一件青銅羽紋扁壺，形制紋飾皆似本例，且出土時同樣無蓋。見《中國文物精華大辭典·青銅卷》，上海，1995年，頁241，編號864。主體密集往復的浮雕裝飾，應使用模印法，即以印模在尚未全乾的陶胎上連續印製鑄成，是戰國時期青銅紋飾的典型例證。參考兩件極似本例的戰國時期青銅扁壺，分別藏於英國Compton Verney莊園博物館，館藏編號CVCSC 0218.1-2.A；及阿姆斯特丹荷蘭國立博物館A... For further information on this lot please visit Bonhams.com
A FINE PAIR OF HUANGHUALI RECTANGULAR WAISTED CORNER-LEG STOOLS, FANGDENG17th/18th centuryBoth stools with a soft-mat seat set within the rectangular frame, above a short plain waist and plain apron, the whole raised on legs of square section joined by humpback stretchers and terminating in hoof feet. 60cm (23 2/8in) wide x 59cm (23 1/2in) deep x 52cm (20 1/2in) high. (2).Footnotes:十七/十八世紀 黃花梨有束腰羅鍋棖方凳成對Provenance: Peter Lai Antiques Ltd. (label)An important European private collection來源：香港古董商黎氏古玩（標籤）歐洲重要私人收藏Fashioned from thick members of light-coloured huanghuali, stools such as the present lot were highly prized during the Ming and Qing dynasties for their linear design and elegant simplicity.Stools have a long history in China, and archaeological evidence has shown that they were used from as early as the Eastern Zhou period (770-221 BC). In later times, the versatile function of stools enabled them to serve as seats for Buddhist deities, as seen in frescoes decorating Buddhist caves dating to the 4th and 5th century, as well as serving high-ranking members of society, visible in 7th to 10th century paintings. Although chairs had become common by the Song dynasty, stools remained in widespread use. Because of their relatively small size, stools could be easily moved between the halls of a courtyard house, or carried outdoors during scholarly gatherings to serve as seats or low tables. See, for instance, the large square stool set with a mat seat, depicted in 'Composing Poetry on a Spring Outing', a 12th/13th century painting attributed to Ma Yuan (active before 1189-after 1225). For a discussion about the evolution of stools in China, see S.Handler, Austere Luminosity of Chinese Classical Furniture, Berkeley and London, 2001, pp.82-102；see also Wang Shixang, Connoisseurship of Chinese Furniture: Ming and Early Qing Dynasties, Vol.1, Hong Kong, 1990, pp.27-33.A similar huanghuali rectangular corner-leg stool, 17th century, is illustrated by Wang Shixiang, Connoisseurship of Chinese Furniture, vol.2, Hong Kong, 2016, p.19, no.A3 and vol.1, pp.27-31. A pair of similar huanghuali stools, late Ming/early Qing dynasty, was sold at Christie's Hong Kong, 28 November 2012, lot 2007.方材，攢框裝軟屜，冰盤沿上舒下斂，至底壓一道窄平線，簡潔利落。有束腰，羅鍋棖。四足下端略向內兜轉，馬蹄內翻有力。杌凳在中國歷史悠久。考古發現表明東周就出現了此類坐具；公元四至五世紀的佛教石窟壁畫和七至十世紀繪畫作品中，也可見杌凳供神明及地位較高的社會成員使用的情形。宋代之後，椅子已非常普遍，但杌凳仍因其輕便小巧、使用舒適而廣為用於室內外各類場合。傳為馬遠所作之《春遊賦詩圖》中，文人逸士在溪林邊雅集賦詩，一人執筆書於案上，身後即設一隻鑲席面的大方杌凳。有關杌凳的詳細演化，參S.Handler著，《Austere Luminosity of Chinese Classical Furniture》，柏克萊，2001年，頁82-102頁，及王世襄著，《明式家具研究》，卷一，香港，1990年，頁27-33。參考一例十七世紀黃花梨杌凳，見王世襄著，《明式家具研究》，卷二，香港，2016年，頁19，編號A3。另見一對明晚期至清早期黃花梨杌凳，售於香港佳士得，2012年11月28日，拍品編號2007。This lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
ANONYMOUSChrysanthemums Beside a Brushwood Fence, River, and Pine Tree, Edo Period (1615-1868), circa 1700A six-panel folding screen painted in ink, mineral pigments, gofun (calcified crushed shell) and gold on paper applied with gold leaf, depicting chrysanthemums rendered in the moriage relief technique growing behind a brushwood fence beside a flowing river and pine tree partially hidden in gold clouds; unsigned. 380cm (149 1/2in) long x 168cm (66 1/8in) high.Footnotes:日本江戶時代，約1700年 河畔東籬菊 紙本設色 金箔地六折屏風Provenance: Liza Hyde, New YorkAn important European private collection來源：紐約Liza Hyde舊藏歐洲重要私人收藏This bold composition was created for the interior of a castle or perhaps a daimyo mansion in the new samurai city of Edo, in a tradition stretching back to the sixteenth century when screen pairs or screens like this were first ordered by leading warlords. It was painted using luxurious materials, with rich applications of crushed mineral pigments such as gunjo (blue) and rokusho (green) and extravagant passages of gofun (calcified and crushed clam shell powder) on a support of gold leaf on paper. Unfolded at night in a large formal space, a screen like this would have reflected the light of many candles or lanterns, casting a golden glow over the room and its occupants. In keeping with the Confucian ethos of the ruling military elite, the composition—almost certainly the work of the official Kano painting academy— combines the rugged majesty of a mature pine (a Kano staple) with a Chinese poetic theme: the 'Chrysanthemums by the East Fence' beloved of the poet Tao Qian (Tao Yuanming, 365-427), who retired mid-career to the classic Chinese scholar-hermit's life of obscurity, drinking, and versification. The chrysanthemum patch that he nurtured by the eastern fence of his estate was depicted in Chinese painting as early as the thirteenth century and the theme probably reached Japan around that time, a peak period for cultural exchange with the Asian mainland.For further information on this lot please visit Bonhams.com
A modern silver coloured hexagonal hall lantern, gothic lancet panels within stylised frond surround, three light fitment, 78cms high Condition Report: Generally good but will benefit from a clean ELECTRICAL GOODS. These are sold as 'antiques' only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Condition Report Disclaimer
A glass eight light chandelier, modern, with central bowl mounted stem and eight scrolling arms issuing each with dished scones, bowl pendant below approximately 132cms wide and 113cms high; together with its glass and chrome ceiling boss and red cloth covered shades. Condition Report: modern, generally seems to be in good condition, may benefit from a clean ELECTRICAL GOODS. These are sold as 'antiques' only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Condition Report Disclaimer
A set of thirteen moulded glass twin light wall appliques, late 20th century, glass with internal aventurine style gilt inclusions, with scroll arms supporting nozzles- issuing from brushed brass scrolling wall supports, arms each approximately 56cms long (13) Condition Report: Generally good condition- modern decorative. Some faux white candlestick mounts missing. ELECTRICAL GOODS. These are sold as 'antiques' only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Condition Report Disclaimer
George VI silver pedestal dish with pierced decoration, Sheffield 1950, 11cm diameter, 100g approx Condition: Badly tarnished and would benefit from a clean, appears to have light surface wear only - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Elizabeth II silver salver with pie-crust edge and standing on four claw feet, Sheffield 1973, 31.5cm diameter, 855g approx, together with an Elizabeth II silver table top box, London 1972, 18cm wide, both with presentation inscription Condition: Both items have large presentational inscriptions, some light surface scratches and knocks to the edges of box, etc - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Set of twenty-seven John Pinches silver Peter Scott commemorative medallions/ingots, 1730g approx Condition: Some ingots show sign of handling with light tarnish generally in good condition - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Elizabeth II silver goblet commemorating the 19th 100th celebration of The City of York, Birmingham 1970, together with an Elizabeth II silver egg cup, Birmingham 1962, 165g approx (2) Condition: Some light surface scratches - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Victorian glass carafe with double lip silver mount, London 1898, sponsors mark of John Grinsell & Sons, 24.5cm high with stopper Condition: Some scratches and very light clouding to the carafe, one handle has a fracture to the top running through the handle, possible replacement stopper and the stopper has nibbles to the edges - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Pair of Elizabeth II silver candlesticks in the 18th Century manner, Sheffield 1978, 19cm high, filled Condition: Some light surface scratches and very slight knocks to the raised edges, one candlestick has a slight lean. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Edward VII silver sugar caster in the mid 18th Century style, Sheffield 1908, 205cm high, 250g approx Condition: Some dents around the sides, some light surface scratches allover. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Elizabeth II silver salver with bead decorated edge, Birmingham 1974, 20.5cm diameter, 270g approx Condition: Some light surface scratches allover, no sign of inscription - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Pair of Elizabeth II silver candlesticks, Birmingham 1997, 17.5cm high, together with Edward VII silver mustard pot, Birmingham 1904 and an Edward VII silver pedestal dish, Birmingham 1909 Condition: Some light surface scratches and the bon bon dish and mustard pot are slightly out of shape - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Edward VII silver sauce boat with shaped rim and scroll handle and standing on three shell feet, London 1917, 21cm wide, 375g approx Condition: Slight depression on each foot, some light surface wear and scratches - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Victorian silver mounted glass hunting bottle, sponsors mark of George Unite, Birmingham 1867, 27.5cm high Condition: The chain which connected the lid to the bottle mount is missing, light scratches and cloudiness to the glass - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Victorian silver sugar bowl and cream jug, Sheffield 1895, highest 8cm high, 140g approx Condition: Both items have a monogram engraving, some light wear - **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Gold Coin - Victorian sovereign, 1887 Condition: Light scratches and surface wear present. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Quantity of silver and other Hanham Music Festival medallions together with a larger medallion awarded to L.G.M.H and Pass, 1948 Condition: Some being tarnished with light scratches present to all, please check the extra images provided which may show some signs of condition issues. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Coins - Collection of GB United Kingdom uncirculated coin collections, together with a collection of loose commemorative crowns, etc Condition: Some light scratching to some of the presentation packs, please see images - **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Bamboo water carrier having three metal bands and leather strap, 34cm high Condition: General condition consistent with age, light scratching, general nicks in places, please check the extra images provided which may show some condition issues. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Cased pair of serving spoons, having Derby style handles Condition: General wear with scratches present to the case, light scratches present to the spoons, no signs of any major damage to the ceramic handles. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Junghans glass cased desk clock, 8cm high excluding handle Condition: Movement not guaranteed or tested, light scratches present to the glass case, small chips present to the corners, please check the extra images provided prior to bidding. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Elkington & Co silver-plated biscuit barrel having bird/tree top scene decoration, 8cm high x 12cm wide Condition: Small dent present with light scratches in places, please check the extra images provided which may show some condition issues. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
First World War bayonet, stamped '70RE1, 172' to the guard, within brass and leather scabbard, blade approximately 46cm long, together with two powder flasks Condition: Light scratches present to the bayonet in various places, blade being tarnished in places, with general wear to the scabbard, please check the extra images provided prior to bidding which may show some condition issues, weapons and firearms are not included within house postage - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Small vintage 'Baker - Please Leave' tin sign with adjustable arms for orders, 18.5cm x 23.5cm Condition: Light scratches present, please check the extra images provided which may show some condition issues. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
20th Century part fishing rod, mounts marked 'Hardy Bros Ltd'; together with a wooden reel, sold as seen, together with part rod, etc Condition: Light scratches present to all pieces in various places with some stains, contents unchecked - sold as seen - please check the extra images provided prior to bidding which may show some condition issues or if you require any further information please telephone the salerooms and someone will be able to assist - **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Vintage waste paper basket having two loop handles, together with enamel 'Waste Paper' plaque, and a 'Danger' plaque Condition: Rust present to bin, and chips to the enamel sign with light scratches present, please check the extra images provided prior to bidding which may show some condition issues. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Simulated shagreen compact, 11cm approx with strap Condition: Light scratches present in places, please check the extra images provided prior to bidding which may show some condition issues. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
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