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534325 Los(e)/Seite
A Georg Jensen silver Moonlight Grapes necklace, model number 96A by Harald Nielsen, designed as links of leaves and berries to a circular clasp with safety catch, stamped and numbered to clasp, 44.5cm long overall, with an additional two links length, within a Georg Jensen box, CONDITION REPORT: Overall grubby and would need a good clean, some light wear but overall in god order. Two leaf links have been removed from the necklace to shorten it and one of the attaching rings has cracked or been cracked to remove it from the necklace.
A Victorian silver card case, Yapp & Woodward, Birmingham 1854, of serpentine form and engraved with flowers, 10cm, with a silver topped glass toilet jar (2) CONDITION REPORT: Calling card case- Hallmarks legible. Cover sits rather loose. Some light surface scratching. Dented to corners. Jar- Some small nicks. Overall good.
A 9ct gold Jaeger Le Coultre, Automatic wristwatch, the circular champagne dial with gilt batons, numbered to the back of the case '33149', (drilled) later attached strap Note: The back of this watch has not been opened for inspection. CONDITION REPORT: The watch is currently not running when would and we cannot guarantee that it is in working order. No box or paperwork. Dial clean, some minor scratches to the case commensurate with age and light wear. Overall looks clean. Back of the case has been drilled and filled. Your attention is drawn to our important notice regarding Trevanion & Dean's sale of watches found in our Terms & Conditions, please read this prior to bidding.
A Gentleman's stainless steel Omega Speedmaster Automatic chronograph wristwatch, circa 1999, black dial with three subsidiary dials, tachymetre bezel, Speedmaster emblem verso and numbered '56082900', attached Hirsch blue leather strap, within original box and with warranty card and Omega papers CONDITION REPORT: Currently working and keeping good time, dial 3.8cm diameter, showing light signs of wear but no obvious damage or major concerns. with original case and box but there is a strip of wear to the red case on the cover and susbstantial wear to the base of the case. Your attention is drawn to our important notice regarding Trevanion & Dean's sale of watches found in our Terms & Conditions, please read this prior to bidding.
A Victorian silver tea caddy, Maurice Freeman, London 1899, the rectangular box and cover embossed in high relief with a Dutch figural landscape, hinged cover, 8cm H x 7.5cm W x 5cm D , 4.7ozt CONDITION REPORT: Silver worn to sections of high relief allowing light through. General tarnishing. Hallmarks legible.
A Victorian papier mache snuff box titled 'Barrownet', 8.5cm diameter with a further circular snuff box, 9cm diameter and a rectangular ebonised snuff box, 6cm wide (3) CONDITION REPORT: Barrownet: chip to rim (about 2.5cm) and one smaller. Generally grubby, some fading and rubbing to image and light age wear throughout. Orther circular box with a cracqueleur to the image on the top, grubby and with general light age wear throughout. Small box with general age wear rubbing etc.
A 19th century Derbyshire fluorspar Blue John pedestal bowl, the circular bowl raised on a ringed stem and spreading circular base, 15cm H, 15.5cm diam of bowl, 10.75cm diam of base CONDITION REPORT: Appears to have been made in three sections, the bowl, the stem and the base - joined together with a glue which has degraded a little and has a little flaking - perhaps a little messy to the underside of the bowl. The stem may have been re-stick to the base as it is a little 'messy' here also (see image). Some light surface scratches and light wear, mostly to the underside of the base (see additional image). Natural fissures within the stone, one small nick at the rim which is mostly filled in with age dirt, but no obvious breaks. The base has not been drilled.
A NEW MAP OF TROPICAL AMERICA NORTH OF THE EQUATOR, comprising West Indies, Central America, Mexico, New Canada and Venezuela, by H. Kiepert and published Dietrich Berlin 1858, sixty five sections linen backed, 105cm x 175cm, in slip case CONDITION REPORT: Map with some browning along the horizontal fold lines. Minor corner lifting / creasing to a few of the map sections. Canvas ok but lightly browned. Map slightly curved when folded together. Caser with general light age wear, old ink name rubbed out to the makers label.
THE PETER RABBIT MUSIC BOOK, book 1 with six easy pieces, printed by J&W Chester and FRederick Warne & Co, c1937; PETER RABBITS COOKERY BOOK, 3rd, 1984 and a 1937 Beatrix Potter calendar decorated with Hunca Munca (only Sept to Dec moths present (3) CONDITION REPORT: The music book is lightly grubby externally and with some light foxing. Light pencil notes to the top edge of the top cover. Edges with general light wear. . Internally lightly browned, some finger marks and off pencil numbering. Cookery book with flight browning and foxing. Biro name and date written on the back of the front cover. Calendar incomplete.
A collection of small silver, to include; a vesta case Chester 1919, with engine turned detail and vacant cartouche, 5.2cm x 4.4cm, a snuff box Harry Hayes Birmingham 1900, of rounded form with profuse scroll detail, 8.2 x 5.8cm and two further silver boxes, gross weight 4.9ozt (4) CONDITION REPORT: Chester vesta - exterior appears good with slight surface scratches. Hinged cap working. Hallmarks legible. Rounded snuff box- General external tarnishing. Cover slightly warped/misshapen to edges. Gilt lined interior. Some light dents to corners. Hallmarks legible. Circular pill box- Hallmarks legible. Initialled to cover. Oval white metal box- Rather crude appearance.
Oliver Clare (1857-1927), Oil on canvas, Still life of fruit, Signed in red lower right, 24cm x 19cm, Framed and glazed CONDITION REPORT: The frame and image appear to be original to one another. The canvas appears to be in original untouched condition. Lightly grubby with a craqueleur to the paint surface. Clearly signed. Frame with general wear throughout, some gilt paint touching up to the moulded edge on all sides and some loss to the gesso on the back left front corner. Other corners with general light wear.
A Victorian infantry officers sword, with 90cm acid etched blade with crowned VR cipher, pierced guard and wire bound fish skin grip, with scabbard (as found) CONDITION REPORT: Tarnishing to blade. Tip is blunt. Blade chasing shows wear. Blade with three nicks/sections missing to the edge. Guard rusted and worn. Fish skin grip appears good with some signs of light wear. Blade flexes. Scabbard rusted.
A Victorian 1895 pattern British Infantry Officers levee sword with etched blade, fish skin grip handle, blade 82cm long, steel scabbard CONDITION REPORT: Tarnishing to blade. Tip is blunt. Blade with floral chasing and VR cypher. Guard with some signs of rusting and mottled tarnishing. Fish skin grip appears well with some signs of light wear. Tassel with some loose threads and some staining. Blade flexes. Scabbard scratched and tarnished.
A late George III rolled paper scroll work tea caddy, of navette shape, decorated throughout with foliate motifs, lacking front panel, 13cm H x 19cm W CONDITION REPORT: Interior worn. Gilt paint showing areas of flaking especially to edges. Cover spilt where attached to hinge and with small section lacking. Central silk panel extensively perished. Some scroll work sections missing. Some light blemished and denting to high points. See further images for clarification.
A Victorian ebonised walnut octagonal centre table in the manner of Lamb of Manchester, with turned and spiral fluted legs and fitted castors, 74cm H x 121cm W CONDITION REPORT: The top has two old hair line cracks but these are none threatening. The top is made in two sections and the join line down the middle is visible. Top with patina of light scratches and wear. Edge of top with slightly heavier wear. Base with general light wear etc.
A late 19th century French Louis XVI style inlaid rosewood and walnut secretaire of small proportions, with marble top above a fall enclosing a fitted interior, over three drawers, on scroll legs, 103cm H x 48cm W x 35cm D CONDITION REPORT: Marble with some shallow chips to the back and scratches to the top. Lock probably replaced to the secretaire fall front - the leather has been damaged. There is no key for this piece. General light age wear externally, overall ok.
An 18ct synthetic sapphire and diamond ring, the oval sapphire, approx. 8.3 x 7mm, in a milligran mount, set to either side with three old cut diamonds, total estimated weight of diamonds approx. 0.60cts, all milligrain set in white precious metal to a palin band of yellow precious stamped '18ct', size P Condition Report / Extra Information Sapphire - synthetic, curved banding visible, wear to facet edges, light abrasions.Wear to milligrain mount.Small chips to diamonds (only visible with 10x loupe).Band thin.Marks worn.
An 18ct emerald and diamond ring, the square emerald cut emerald, approx. 5.7 x 5.7mm, set to either side with a round brilliant cut diamond, total estimated weight of diamonds approx. 0.76cts, with tapered shoulders and plain band hallmarked London 1989, size O, cased Condition Report / Extra Information Overall width approx 2.5cm.Small graze and scratch to emerald table.Very minor nibbles to facet edges (all only visible with a x10 loupe).Light wear to mount and band, consistent with occasional wear.
A large late 19th Century Thomas Webb and Sons Queens Burmese Fairy Night Light dome, hand enamelled with flowering boughs over the graduated pink to yellow ground, complete with a Clarkes Patent pressed flint glass base, height 13cm, together with a similar Pyramid size example hand enamelled with maple boughs, both S/D. (2)
A late 19th Century cameo glass oil lamp by John Walsh Walsh. The pedestal ovoid body mounted on a classically decorated brass base with lion mask and pierced decoration rising to a conforming brass collar with further cameo capped paraffin reservoir fitted with a brass gallery and plain chimney. The body cased in white over deep cranberry and cut with a flowering blossom bough between stiff leaf and arched borders, complete with a tapered ovoid light shade with relief moulded opalescent tears to a graduated citron to ruby, height 56cm.
An 18th Century Newcastle light baluster wine glass circa 1750, the large round funnel bowl engraved with the Arms of Holland above a slender baluster stem with upper bladed and ball knop with internal tear above an angular shouldered baluster stem with basal ball knop, raised to a shallow conical foot, height 23cm.
An 18th Century drinking glass circa 1750, the round funnel bowl engraved with a man hanging from the gallows with the letters A and B and the word Justice verso, relating to Court Martial of Admiral Byng, above a multi series air twist stem and conical foot, height 16cm. Notes - A quiet, shy man, the unfortunate John Byng was no coward - he faced his death with cool courage - but he seems to have been too cautious, passive and defeatist for command in the British navy. He went to sea at 13 and rose up the ladder to captain at 23 and rear admiral at 40.Aged 50 in 1756 when the Seven Years' War broke out, Byng, now a full admiral, sailed with ten ships of the line to Gibraltar. His orders were to prevent the French in Toulon from capturing the British stronghold of Fort St Philip on the island of Minorca, and to this end he was to carry a detachment of 700 men from the Gibraltar garrison to Port Mahon.When Byng reached Gibraltar, however, he discovered that the French had already landed a sizeable force on Minorca and were besieging the fort. He and his council of war decided against landing more troops and he wrote to the Admiralty to explain that carrying out his orders would not stop the French and would be a needless waste of manpower.The letter, which arrived at the end of May, aroused consternation and fury in London. George II said flatly: 'This man will not fight!' Then came news of an inconclusive encounter in June between the British fleet under Byng and the French, from which the French had sailed away scot free, and late in June Fort St Philip surrendered. Byng was summoned home and put under arrest on arrival. Mobs went about chanting 'Swing, swing Admiral Byng' and the court martial, which convened at the end of December, was reported in detail in all the newspapers. Byng was charged with 'failing to do his utmost'. He defended himself, but the court found against him and with the utmost reluctance sentenced him to death.The government ignored the court's unanimous recommendation to mercy and George II declined to use his prerogative to spare Byng. In a howling gale in Portsmouth harbour that March day a heavy coffin was hoisted on board the Monarch at 7am. It was already inscribed, 'The Hon. John Byng, Esqr. Died March 14th 1757.' The admiral himself followed and by 11am boats were bringing officers from every warship in the harbour and numerous other vessels were heaving up and down filled with eager spectators.At noon Byng came out on deck in a light grey coat, white breeches and a big white wig. He had been persuaded with difficulty to be blindfolded, on the grounds that it would not be fair to the firing party to have to see his face. He was escorted out onto the quarter deck, 'with a stately pace and a composed countenance' according to the Evening Post, to see nine marines in their scarlet uniforms lined up in three rows. The rear row were in reserve. In front of him was a cushion and a heap of sawdust, sodden from the rain.He knelt on the cushion, tied the blindfold round his head and held up a neatly folded white handkerchief in his right hand. After a few agonizing moments he dropped the handkerchief, the six marines fired and the admiral fell gently on his side. He was fifty-two.The rights and wrongs of the matter have been disputed ever since, but Byng was not a political victim and Voltaire's comment in Candide, that 'in this country, it is good to kill an admiral from time to time, in order to encourage the others' probably hit the nail on the head.
A 19th century brass monocular microscope, by Powell & Lealand of 170 Euston Road, London, incomplete but with tripod foot, mechanical stage, rotating triple lens and mirror reflector, h.38cm; together with a quantity of apparently unrelated microscope lenses, accessories and parts, to include Chapman & Bull top light, most in leather cases but some loose (a lot)

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534325 Los(e)/Seite