Kate Sherman Pines, 2022 Oil on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About Kate Sherman grew up on the Jurassic coast of Dorset. After graduating with a degree in Fine Art she continued her painting practice while working in the London art scene, before deciding in 2005 to paint full time. She lives and works in Sussex. The paintings, all oil on panel, originate from photographs she has taken of her surrounding landscape. This photographic source is important because the paintings capture a reflective notion of memory, of the emotional distance between a real landscape and a photograph, between experience and longing. It is a poignant and quiet melancholy reminiscent of Edward Hopper, that is expressed both by the portrayal of sparse unpopulated landscapes containing elemental traces of man, and by her restrained palette which is often suffused in a reserved northern European light of chalky blues and pink-blushed greys. Select Exhibitions/Awards 2021 Figurative Art Now, Mall Galleries, London 2020 Discerning Eye Exhibition, Mall Galleries, London 2020 The Seventh View, C24 Gallery, New York 2019 Discerning Eye Exhibition, Mall Galleries, London 2019 Coast, ONCA Gallery, Brighton 2018 Forest, Reuben Colley Fine Art, Birmingham 2018 Wells Art Contemporary, Wells, Somerset 2018 Royal Academy Summer Exhibition, London 2018 Blossom & Forest, Rowe & Williams Gallery, Yoxford 2017 Downland, The Jointure Studios, Ditchling 2016 Rendlesham, Onca Gallery, Brighton 2015 National Open Art Exhibition, RCA, London 2015 Moving Images, The Jointure Studios, Ditchling 2015 Royal Academy Summer Exhibition, London 2012 Monte Azul Contemporary Art, Costa Rica 2010 Rowley Gallery, London, Mixed Exhibition 2009 Town and Country, Kate Sherman and Nicholas Wrigglesworth, Zimmer Stewart Gallery, Arundel Gallery Representation Cavaliero Finn Gallery Ltd Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Laura Collins Shy Di, 2022 Gouache and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Education 2021 Master of Fine Arts in Painting + Drawing, The Art Institute of Chicago 2015 Graduate Certificate in Women and Gender Studies, DePaul University 2013 Master of Arts in New Media Studies, DePaul University 2008 Bachelor of Fine & Applied Arts in Painting, University of Illinois School of Art + Design 2003 Early College Program, The School of the Art Institute of Chicago Select Exhibitions/Awards SOLO EXHIBITIONS The Real Housewives Pointing Fingers, Bravocon - The Real Housewives Museum, New York, NY, 2019 Anna Wintour Double-Crossing Her Legs, THNK1994 Museum, New York, NY, 2018 Warm & Fuzzy: A Solo Exhibition by Laura Collins, Night Light Studios, Chicago, IL, 2018 The Real Housewives Pointing Fingers, THNK1994 Museum, New York, NY, 2017 The Olsen Twins Hiding From The Paparazzi, THNK1994 Museum, New York, NY, 2016 Laura Collins Solo Exhibition, Gallery 2622, Milwaukee, WI, 2014 Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Laura Collins Diana With Her Hand On Her Chin, 2022 Gouache and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Education 2021 Master of Fine Arts in Painting + Drawing, The Art Institute of Chicago 2015 Graduate Certificate in Women and Gender Studies, DePaul University 2013 Master of Arts in New Media Studies, DePaul University 2008 Bachelor of Fine & Applied Arts in Painting, University of Illinois School of Art + Design 2003 Early College Program, The School of the Art Institute of Chicago Select Exhibitions/Awards SOLO EXHIBITIONS The Real Housewives Pointing Fingers, Bravocon - The Real Housewives Museum, New York, NY, 2019 Anna Wintour Double-Crossing Her Legs, THNK1994 Museum, New York, NY, 2018 Warm & Fuzzy: A Solo Exhibition by Laura Collins, Night Light Studios, Chicago, IL, 2018 The Real Housewives Pointing Fingers, THNK1994 Museum, New York, NY, 2017 The Olsen Twins Hiding From The Paparazzi, THNK1994 Museum, New York, NY, 2016 Laura Collins Solo Exhibition, Gallery 2622, Milwaukee, WI, 2014 Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Lee Madgwick The Barn, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Lee Madgwick's (b. King's Lynn, Norfolk 1980) mysterious and emotive paintings depict scenes of abandonment, seclusion and dereliction. Both his urban and rural pictures portray parts of the modern landscape that are often overlooked by many (with occasional sprinklings of surrealism). With an undercurrent of mischievous menace throughout, the subject matter is at once thrown into question. Who inhabits these places? What lives do they lead? What is happening or about to happen? "I would describe my work as imagined realism. I hope to achieve a sense of drama in my paintings, presenting a familiar image yet placing it in an intimate, moody and possibly unlikely setting. A narrative is very important - but intentionally never fully explained. I like to leave it for the viewer to come up with their own interpretation." Lee paints on canvas in oils and acrylics. A play of light is used to generate an abundance of seemingly inexplicable moods to contrast with a brooding sky. Lee has exhibited throughout the UK including London and Edinburgh as well as Dublin, Amsterdam, Rome, Milan, Stockholm, Madrid, Singapore and New York. His work features in private art collections around the world. Education 2003 Graphic Design Norwich University College of the Arts Select Exhibitions/Awards Solo Exhibitions 2021 - Brian Sinfield Gallery, Burford, Oxfordshire 2021 - Hybrid Gallery, Honiton, Devon 2019 and 2017 - White Noise Gallery, Rome, Italy 2018, 2015, 2011, 2009 - Byard Art, Cambridge 2016 - Hybrid Gallery, Honiton, Devon 2014 - Langham Gallery, Bloomsbury, London 2005 - Doric Arts Gallery, King's Lynn Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Lee Madgwick The Retreat, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Lee Madgwick's (b. King's Lynn, Norfolk 1980) mysterious and emotive paintings depict scenes of abandonment, seclusion and dereliction. Both his urban and rural pictures portray parts of the modern landscape that are often overlooked by many (with occasional sprinklings of surrealism). With an undercurrent of mischievous menace throughout, the subject matter is at once thrown into question. Who inhabits these places? What lives do they lead? What is happening or about to happen? "I would describe my work as imagined realism. I hope to achieve a sense of drama in my paintings, presenting a familiar image yet placing it in an intimate, moody and possibly unlikely setting. A narrative is very important - but intentionally never fully explained. I like to leave it for the viewer to come up with their own interpretation." Lee paints on canvas in oils and acrylics. A play of light is used to generate an abundance of seemingly inexplicable moods to contrast with a brooding sky. Lee has exhibited throughout the UK including London and Edinburgh as well as Dublin, Amsterdam, Rome, Milan, Stockholm, Madrid, Singapore and New York. His work features in private art collections around the world. Education 2003 Graphic Design Norwich University College of the Arts Select Exhibitions/Awards Solo Exhibitions 2021 - Brian Sinfield Gallery, Burford, Oxfordshire 2021 - Hybrid Gallery, Honiton, Devon 2019 and 2017 - White Noise Gallery, Rome, Italy 2018, 2015, 2011, 2009 - Byard Art, Cambridge 2016 - Hybrid Gallery, Honiton, Devon 2014 - Langham Gallery, Bloomsbury, London 2005 - Doric Arts Gallery, King's Lynn Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Georgia Peskett Voile III, 2022 Oil and Pastel on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education Epsom School of Art and Design Select Exhibitions/Awards Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation Cupola Gallery Sheffield, Rise Art London, Singulart Paris Statement about AOAP Submitted Artwork Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Georgia Pesket Voile IV, 2022 Oil and Pastel on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education Epsom School of Art and Design Select Exhibitions/Awards Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation Cupola Gallery Sheffield, Rise Art London, Singulart Paris Statement about AOAP Submitted Artwork Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Georgia Pesket Voile V, 2022 Oil and Pastel on Card Signed verso 10 x 15cm (3¾ x 5¾ in.) About Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education Epsom School of Art and Design Select Exhibitions/Awards Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation Cupola Gallery Sheffield, Rise Art London, Singulart Paris Statement about AOAP Submitted Artwork Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Georgia Pesket Bathroom Study VII, 2022 Oil and Pastel on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education Epsom School of Art and Design Select Exhibitions/Awards Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation Cupola Gallery Sheffield, Rise Art London, Singulart Paris Statement about AOAP Submitted Artwork Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Katherine Perrins Washing 1, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Contemporary painter currently focusing on themes of the domestic and maternal Education Falmouth College of Art (Art foundation and BA) City and Guilds (MA Fine Art) Select Exhibitions/Awards Finalist For the Graduate Art Prize, 2017, Artist development Bursary Award, Somerset Art Works 2019/20 Close House- 'Between Still and Life' 2020 Royal Academy Summer Exhibition 2022 Gallery Representation Close House Ltd Statement about AOAP Submitted Artwork This piece is based on a larger series entitled 'Washing'. It investigates the movement and ripple of light through a series of children's clothing hanging outside to dry. I wanted to focus on light in these pieces and connect the work to broader concerns within my practice of the temporal experience of motherhood. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Sadie Tierney Explorer (Matterhorn), 2022 Japanese Woodblock on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About A graduate of the Royal College of Art, London, the artist works in a tradition of painter printmakers who abstract shape and colour to explore subject matter and express human emotion. Objects and places where form is linked to feeling, metaphor and movement or change are explored through celebratory use of colour and line. The vibrant and expressive paintings use drawings made in situ as their source material. Sadie Tierney lives and works in the UK. COLLECTIONS Portsmouth Museum & Art Gallery National Museum, GdaÅ„sk, Poland, The Bronx Museum of the Arts, New York, Otter Collection, University of Chichester, Swindon Museum and Art Gallery, The Royal West of England Academy, Bristol, Clifford Chance, Baker & MacKenzie, The Royal Navy, Eton College, Royal College of Art Education Royal College of Art, London (MA), Newcastle University (BA) Select Exhibitions/Awards SELECTED EXHIBITIONS (SOLO): 2021 The Mountains are Calling, Rabley Gallery, 2019 Round Tower (solo), Portsmouth, 2017 From Here to There, Eton College 2017 The Night, The Light, and the Half Light, Rabley Gallery 2007 Ships and Sunsets, Rabley Gallery 2003 Funfair, Angela Flowers Ireland 1999 New Prints, Flowers East SELECTED EXHIBITIONS (GROUP): 2022 Royal Academy Summer Exhibition, London Original Print Fair 2021 RWA Annual Open Exhibition, Bristol, 5 January - 11 April Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, National Museum in GdaÅ„sk, Poland Royal Academy Summer Exhibition Woolwich Contemporary Print Fair 2020 London Original Print Fair, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner) 2019 Royal Academy Summer Exhibition, Printfest Printmaker of the Year, Ulverston National Original Print Exhibition, London 2018 RWA, Sawdust and Sequins: The Art of the Circus 2017 Art Basel Miami, London Art Fair Gallery Representation Works on Paper with Rabley Gallery Statement about AOAP Submitted Artwork Mountains have a fascination for artists from Ruskin, Turner, Hiroshige. The geological drama, awe and power of inhospitable places, the contrast with low lying habitats where most if the population dwell. "In the mountains, in the snow, I am much more aware of my own mortality and the tiny fragile place I hold in space and time. The mountain series are about awe, fear and vitality." (ST) Fujisan - A powerful symbol of a nation, sometimes crystal clear at other times lost in haze and fog, symmetrical and timeless -it is as if it has always been there and always will be. "I felt blessed to have seen it at all, and the feelings of awe, transcience and feeling tiny in the enormity of its presence stayed with me and is still informing an ongoing series of work." (ST) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Sadie Tierney Explorer 2 (Matterhorn), 2022 Japanese Woodblock on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About A graduate of the Royal College of Art, London, the artist works in a tradition of painter printmakers who abstract shape and colour to explore subject matter and express human emotion. Objects and places where form is linked to feeling, metaphor and movement or change are explored through celebratory use of colour and line. The vibrant and expressive paintings use drawings made in situ as their source material. Sadie Tierney lives and works in the UK. COLLECTIONS Portsmouth Museum & Art Gallery National Museum, GdaÅ„sk, Poland, The Bronx Museum of the Arts, New York, Otter Collection, University of Chichester, Swindon Museum and Art Gallery, The Royal West of England Academy, Bristol, Clifford Chance, Baker & MacKenzie, The Royal Navy, Eton College, Royal College of Art Education Royal College of Art, London (MA), Newcastle University (BA) Select Exhibitions/Awards SELECTED EXHIBITIONS (SOLO): 2021 The Mountains are Calling, Rabley Gallery, 2019 Round Tower (solo), Portsmouth, 2017 From Here to There, Eton College 2017 The Night, The Light, and the Half Light, Rabley Gallery 2007 Ships and Sunsets, Rabley Gallery 2003 Funfair, Angela Flowers Ireland 1999 New Prints, Flowers East SELECTED EXHIBITIONS (GROUP): 2022 Royal Academy Summer Exhibition, London Original Print Fair 2021 RWA Annual Open Exhibition, Bristol, 5 January - 11 April Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, National Museum in GdaÅ„sk, Poland Royal Academy Summer Exhibition Woolwich Contemporary Print Fair 2020 London Original Print Fair, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner) 2019 Royal Academy Summer Exhibition, Printfest Printmaker of the Year, Ulverston National Original Print Exhibition, London 2018 RWA, Sawdust and Sequins: The Art of the Circus 2017 Art Basel Miami, London Art Fair Gallery Representation Works on Paper with Rabley Gallery Statement about AOAP Submitted Artwork Mountains have a fascination for artists from Ruskin, Turner, Hiroshige. The geological drama, awe and power of inhospitable places, the contrast with low lying habitats where most if the population dwell. "In the mountains, in the snow, I am much more aware of my own mortality and the tiny fragile place I hold in space and time. The mountain series are about awe, fear and vitality." (ST) Fujisan - A powerful symbol of a nation, sometimes crystal clear at other times lost in haze and fog, symmetrical and timeless -it is as if it has always been there and always will be. "I felt blessed to have seen it at all, and the feelings of awe, transcience and feeling tiny in the enormity of its presence stayed with me and is still informing an ongoing series of work." (ST) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Sadie Tierney Fujisan 1, 2022 Japanese Woodblock on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About A graduate of the Royal College of Art, London, the artist works in a tradition of painter printmakers who abstract shape and colour to explore subject matter and express human emotion. Objects and places where form is linked to feeling, metaphor and movement or change are explored through celebratory use of colour and line. The vibrant and expressive paintings use drawings made in situ as their source material. Sadie Tierney lives and works in the UK. COLLECTIONS Portsmouth Museum & Art Gallery National Museum, GdaÅ„sk, Poland, The Bronx Museum of the Arts, New York, Otter Collection, University of Chichester, Swindon Museum and Art Gallery, The Royal West of England Academy, Bristol, Clifford Chance, Baker & MacKenzie, The Royal Navy, Eton College, Royal College of Art Education Royal College of Art, London (MA), Newcastle University (BA) Select Exhibitions/Awards SELECTED EXHIBITIONS (SOLO): 2021 The Mountains are Calling, Rabley Gallery, 2019 Round Tower (solo), Portsmouth, 2017 From Here to There, Eton College 2017 The Night, The Light, and the Half Light, Rabley Gallery 2007 Ships and Sunsets, Rabley Gallery 2003 Funfair, Angela Flowers Ireland 1999 New Prints, Flowers East SELECTED EXHIBITIONS (GROUP): 2022 Royal Academy Summer Exhibition, London Original Print Fair 2021 RWA Annual Open Exhibition, Bristol, 5 January - 11 April Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, National Museum in GdaÅ„sk, Poland Royal Academy Summer Exhibition Woolwich Contemporary Print Fair 2020 London Original Print Fair, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner) 2019 Royal Academy Summer Exhibition, Printfest Printmaker of the Year, Ulverston National Original Print Exhibition, London 2018 RWA, Sawdust and Sequins: The Art of the Circus 2017 Art Basel Miami, London Art Fair Gallery Representation Works on Paper with Rabley Gallery Statement about AOAP Submitted Artwork Mountains have a fascination for artists from Ruskin, Turner, Hiroshige. The geological drama, awe and power of inhospitable places, the contrast with low lying habitats where most if the population dwell. "In the mountains, in the snow, I am much more aware of my own mortality and the tiny fragile place I hold in space and time. The mountain series are about awe, fear and vitality." (ST) Fujisan - A powerful symbol of a nation, sometimes crystal clear at other times lost in haze and fog, symmetrical and timeless -it is as if it has always been there and always will be. "I felt blessed to have seen it at all, and the feelings of awe, transcience and feeling tiny in the enormity of its presence stayed with me and is still informing an ongoing series of work." (ST) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Sadie Tierney Fujisan 2, 2022 Japanese Woodblock on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About A graduate of the Royal College of Art, London, the artist works in a tradition of painter printmakers who abstract shape and colour to explore subject matter and express human emotion. Objects and places where form is linked to feeling, metaphor and movement or change are explored through celebratory use of colour and line. The vibrant and expressive paintings use drawings made in situ as their source material. Sadie Tierney lives and works in the UK. COLLECTIONS Portsmouth Museum & Art Gallery National Museum, GdaÅ„sk, Poland, The Bronx Museum of the Arts, New York, Otter Collection, University of Chichester, Swindon Museum and Art Gallery, The Royal West of England Academy, Bristol, Clifford Chance, Baker & MacKenzie, The Royal Navy, Eton College, Royal College of Art Education Royal College of Art, London (MA), Newcastle University (BA) Select Exhibitions/Awards SELECTED EXHIBITIONS (SOLO): 2021 The Mountains are Calling, Rabley Gallery, 2019 Round Tower (solo), Portsmouth, 2017 From Here to There, Eton College 2017 The Night, The Light, and the Half Light, Rabley Gallery 2007 Ships and Sunsets, Rabley Gallery 2003 Funfair, Angela Flowers Ireland 1999 New Prints, Flowers East SELECTED EXHIBITIONS (GROUP): 2022 Royal Academy Summer Exhibition, London Original Print Fair 2021 RWA Annual Open Exhibition, Bristol, 5 January - 11 April Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, National Museum in GdaÅ„sk, Poland Royal Academy Summer Exhibition Woolwich Contemporary Print Fair 2020 London Original Print Fair, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner) 2019 Royal Academy Summer Exhibition, Printfest Printmaker of the Year, Ulverston National Original Print Exhibition, London 2018 RWA, Sawdust and Sequins: The Art of the Circus 2017 Art Basel Miami, London Art Fair Gallery Representation Works on Paper with Rabley Gallery Statement about AOAP Submitted Artwork Mountains have a fascination for artists from Ruskin, Turner, Hiroshige. The geological drama, awe and power of inhospitable places, the contrast with low lying habitats where most if the population dwell. "In the mountains, in the snow, I am much more aware of my own mortality and the tiny fragile place I hold in space and time. The mountain series are about awe, fear and vitality." (ST) Fujisan - A powerful symbol of a nation, sometimes crystal clear at other times lost in haze and fog, symmetrical and timeless -it is as if it has always been there and always will be. "I felt blessed to have seen it at all, and the feelings of awe, transcience and feeling tiny in the enormity of its presence stayed with me and is still informing an ongoing series of work." (ST) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Martin Davis Work-Life Balance Dice, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Martin Davis is an ex-firefighter turned artist. After university he spent more than 30 years in the fire & rescue service, during which time he found painting was a perfect antidote to the operational stresses of his working life. He committed himself fully to his art in 2008 after retirement and has spent the last 14 years finding his distinctive artistic voice. Martin is by admission an instinctive artist. Education He graduated from the University of Birmingham in 1976 (2.1 Economics) but in terms of art he is almost wholly self-trained, his only formal qualification being an Art GCE "O" level from his schooldays. Even so his artwork is bought by private collectors around the world and he has secured gallery space throughout the UK as well as in his native Derbyshire where he works from his home studio in Swanwick. Select Exhibitions/Awards Notable events: "Looking to the stars" Group Exhibition, Hornshaw Gallery, Brick Lane Gallery Annexe, Sclater Street, London 2016 Midlands Open Art Exhibition 2016, Tarpey Gallery, Castle Donington, Derbys Pentrich Revolution Bicentenary Group Exhibition 2017, various locations throughout the year Derbyshire/Nottinghamshire Great Sheffield Art Show 2017 & 2019, Open exhibition, Millennium Gallery, Sheffield. Summer/Autumn & Winter Exhibitions, D31 Art Gallery, Doncaster, 2021 Contemporary Portraits, Fronteer Gallery, Sheffield, 2021 Royal Cambrian Academy of Art Open Exhibition, Conwy, 2022 Salon Contemporary Arts 2022, Museum of Making, Derby 2022 Royal Academy Summer Exhibition 2022, London, Flux virtual Summer Exhibition 2022, Gallery Representation Salon Contemporary Arts, Derby Leabrooks Arts Complex, Leabrooks, Derbys Courtney Gallery, Ashbourne Derbys Hornshaw Gallery, London Statement about AOAP Submitted Artwork "Flying the Flag" is a good example of my figurative art as it is inspired by light, colour and a certain feeling in the composition which is almost wistful and surreal. My compositions are often associated with distant memories from childhood, here of hazy summers and the play of light and shadows. "Work-life balance dice" I guess is a still life, but a rapidly executed one. Much of my inspiration comes from words and phrases and modern concepts. I love to use the play of words against an image when on suggests the other, even out of it's usual context. Language and visual art are natural bedfellows. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Martin Davis Flying The Flag, 2022 Acrylic and Gesso on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Martin Davis is an ex-firefighter turned artist. After university he spent more than 30 years in the fire & rescue service, during which time he found painting was a perfect antidote to the operational stresses of his working life. He committed himself fully to his art in 2008 after retirement and has spent the last 14 years finding his distinctive artistic voice. Martin is by admission an instinctive artist. Education He graduated from the University of Birmingham in 1976 (2.1 Economics) but in terms of art he is almost wholly self-trained, his only formal qualification being an Art GCE "O" level from his schooldays. Even so his artwork is bought by private collectors around the world and he has secured gallery space throughout the UK as well as in his native Derbyshire where he works from his home studio in Swanwick. Select Exhibitions/Awards Notable events: "Looking to the stars" Group Exhibition, Hornshaw Gallery, Brick Lane Gallery Annexe, Sclater Street, London 2016 Midlands Open Art Exhibition 2016, Tarpey Gallery, Castle Donington, Derbys Pentrich Revolution Bicentenary Group Exhibition 2017, various locations throughout the year Derbyshire/Nottinghamshire Great Sheffield Art Show 2017 & 2019, Open exhibition, Millennium Gallery, Sheffield. Summer/Autumn & Winter Exhibitions, D31 Art Gallery, Doncaster, 2021 Contemporary Portraits, Fronteer Gallery, Sheffield, 2021 Royal Cambrian Academy of Art Open Exhibition, Conwy, 2022 Salon Contemporary Arts 2022, Museum of Making, Derby 2022 Royal Academy Summer Exhibition 2022, London, Flux virtual Summer Exhibition 2022, Gallery Representation Salon Contemporary Arts, Derby Leabrooks Arts Complex, Leabrooks, Derbys Courtney Gallery, Ashbourne Derbys Hornshaw Gallery, London Statement about AOAP Submitted Artwork "Flying the Flag" is a good example of my figurative art as it is inspired by light, colour and a certain feeling in the composition which is almost wistful and surreal. My compositions are often associated with distant memories from childhood, here of hazy summers and the play of light and shadows. "Work-life balance dice" I guess is a still life, but a rapidly executed one. Much of my inspiration comes from words and phrases and modern concepts. I love to use the play of words against an image when on suggests the other, even out of it's usual context. Language and visual art are natural bedfellows. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Sophie Wake Miniature Vase w/ Birds, 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About I am a contemporary British artist, working from my studio in Ashburton, Devon I worked for almost 20 years as a busy freelance illustrator. Today however my fine art practice responds to the rhythms of meditation and ancient tree tea ceremony which has become a fundamental companion to my creative approach.Guided by direct somatic experience my works are instinctive and intuitive, each one a process of deep self enquiry and profound reflection. Working with oil on canvas or gouache on paper, my paintings imbue a liminal quality, a sense of in-betweenness that delights in intangible wordlessness. My fine art practice has become suffused with my spiritual practice. Any subject matter is treated as divine, iconic, and dances, uninhibited in its own light. Birds rejoice in liberation, female figures bathe in their own inner beauty and freedom. Influences of Shamanism, African rock art, Ancient clay models, and Greek pottery can be felt throughout the collections, which celebrate the power of storytelling and basic human emotion in simple and authentic form. Education Brighton University, BA Hons in Graphic Design & Illustration, graduated 1996. Select Exhibitions/Awards 2017 Best Artists Open House Newcomer award 2018 HERD selected for the Royal Academy's 250th Summer Exhibition by Grayson Perry for his hand-curated Yellow Room. 2019 Best Artists Open House award for my solo show Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Joy Hillyer Edge I, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Joy Hillyer's paintings aim to convey a sense of place, of placement and exploration within the landscape. She is concerned with the ambiguity of the liminal: the juxtaposition of the real and the imagined; the interplay between essence and symbol, between light and darkness; the ephemeral and the enduring. Her work often uses her photographs as a starting point or as the 'outer shell' for her painting. These may be of the natural world or the urban landscape. Particular events or echoes of memory convey layers of meaning within a deceptively pared down landscape. Some paintings refer more overtly to the tradition of landscape painting with an echo of Romanticism and the Sublime; others are on a smaller scale and focus on a detail. Some images reference a political or ecological issue. They reveal a sharpness, a tension and energy that is unsentimental. Colour is as important as form. Hillyer's work inhabits the shifting boundary between landscape and abstraction. It rarely includes figures: instead the individual is invited into a solitary experience of what Peter Doig describes as 'between the actuality of the scene and something that is in your head'. Education 2012 - 2014 Advanced Painting Practice at Morley College, London Select Exhibitions/Awards 2022 Royal Academy Summer Exhibition 2022 'The (very) local landscape, Waterstones, Salisbury 2020 'Fresh Water'. Group show, Sarum College, Salisbury. cancelled (Pandemic) 2020 Wiltshire Creative Summer Show, Salisbury 2020 'Mountain Refuge'. Solo show, Sarum College, Salisbury, 2019 'Experiencing Landscape'. Solo show, Sarum College, The Close, Salisbury 2018 Espacio Gallery, London. Group Show 2018 'Moving on'. Solo show, Little Cloisters, Westminster Abbey 2018 'Borders'. Solo show, Winchester Cathedral 2018 'Liminal'. Solo show, Cheyneygates, Westminster Abbey 2017 Discerning Eye Exhibition, The Mall Galleries, London 2016 'Counterpoint'. Solo show, Cheyneygates, Westminster Abbey 2015 'When our eyes see further than our hands can reach'. Solo show, Cheyneygates, Westminster Abbey 2014 'Into the Deep'. Group Exhibition, Morley College 2013 Solo show, Hall Farm, Lincolnshire 2013 Rootstein Hopkins Drawing Exhibition, Morley Gallery Statement about AOAP Submitted Artwork Images of liminality originating high up in the Swiss Alps Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Joy Hillyer Edge II, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Joy Hillyer's paintings aim to convey a sense of place, of placement and exploration within the landscape. She is concerned with the ambiguity of the liminal: the juxtaposition of the real and the imagined; the interplay between essence and symbol, between light and darkness; the ephemeral and the enduring. Her work often uses her photographs as a starting point or as the 'outer shell' for her painting. These may be of the natural world or the urban landscape. Particular events or echoes of memory convey layers of meaning within a deceptively pared down landscape. Some paintings refer more overtly to the tradition of landscape painting with an echo of Romanticism and the Sublime; others are on a smaller scale and focus on a detail. Some images reference a political or ecological issue. They reveal a sharpness, a tension and energy that is unsentimental. Colour is as important as form. Hillyer's work inhabits the shifting boundary between landscape and abstraction. It rarely includes figures: instead the individual is invited into a solitary experience of what Peter Doig describes as 'between the actuality of the scene and something that is in your head'. Education 2012 - 2014 Advanced Painting Practice at Morley College, London Select Exhibitions/Awards 2022 Royal Academy Summer Exhibition 2022 'The (very) local landscape, Waterstones, Salisbury 2020 'Fresh Water'. Group show, Sarum College, Salisbury. cancelled (Pandemic) 2020 Wiltshire Creative Summer Show, Salisbury 2020 'Mountain Refuge'. Solo show, Sarum College, Salisbury, 2019 'Experiencing Landscape'. Solo show, Sarum College, The Close, Salisbury 2018 Espacio Gallery, London. Group Show 2018 'Moving on'. Solo show, Little Cloisters, Westminster Abbey 2018 'Borders'. Solo show, Winchester Cathedral 2018 'Liminal'. Solo show, Cheyneygates, Westminster Abbey 2017 Discerning Eye Exhibition, The Mall Galleries, London 2016 'Counterpoint'. Solo show, Cheyneygates, Westminster Abbey 2015 'When our eyes see further than our hands can reach'. Solo show, Cheyneygates, Westminster Abbey 2014 'Into the Deep'. Group Exhibition, Morley College 2013 Solo show, Hall Farm, Lincolnshire 2013 Rootstein Hopkins Drawing Exhibition, Morley Gallery Statement about AOAP Submitted Artwork Images of liminality originating high up in the Swiss Alps Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Sophie Wake Mother Earth (Sketch), 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About I am a contemporary British artist, working from my studio in Ashburton, Devon I worked for almost 20 years as a busy freelance illustrator. Today however my fine art practice responds to the rhythms of meditation and ancient tree tea ceremony which has become a fundamental companion to my creative approach.Guided by direct somatic experience my works are instinctive and intuitive, each one a process of deep self enquiry and profound reflection. Working with oil on canvas or gouache on paper, my paintings imbue a liminal quality, a sense of in-betweenness that delights in intangible wordlessness. My fine art practice has become suffused with my spiritual practice. Any subject matter is treated as divine, iconic, and dances, uninhibited in its own light. Birds rejoice in liberation, female figures bathe in their own inner beauty and freedom. Influences of Shamanism, African rock art, Ancient clay models, and Greek pottery can be felt throughout the collections, which celebrate the power of storytelling and basic human emotion in simple and authentic form. Education Brighton University, BA Hons in Graphic Design & Illustration, graduated 1996. Select Exhibitions/Awards 2017 Best Artists Open House Newcomer award 2018 HERD selected for the Royal Academy's 250th Summer Exhibition by Grayson Perry for his hand-curated Yellow Room. 2019 Best Artists Open House award for my solo show Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Amy Shelton Fragment of Honeybee I, 2022 Golden Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Amy Shelton has created a celebrated body of work which interrogates the fault lines ravaging the natural world with a quiet documentary methodology. Her meticulously crafted artworks have been exhibited at galleries and public venues across the UK and internationally, bringing compelling and pertinent environmental stories to light. Through collaborations with leading scientists, writers and researchers across disciplines, Shelton's artistic practise focuses on and celebrates the interconnectedness of unseen ecosystems and their delicately adjusted interweaving relationships. Education Shelton studied History of Art (University of Manchester) and an MA in Fine Art (University of Plymouth) Select Exhibitions/Awards Selected exhibitions: Invited exhibitor for Royal Academy of Arts Summer Exhibition (2022), MAKE SW Artful Craft; Exploring the nature of craft, art, and design in the 21st century curated by Peter Randall Page (2022), Royal Albert Memorial Museum and Art Gallery 'Biophilia' (2021), Eden Project. Core Building. PLAN BEE. Wolfgang Buttress, Kurt Jackson and Amy Shelton (2019), DAAD Gallery, Zimmerstraße 90/91, Berlin. Florilegium: Honey Flow & Melissographia (2015), Royal Botanic Gardens Edinburgh, Bee Works (2015). Public commissions: The Bedside Biophilia commissioned by Great Ormond Street Hospital (2021), Princesshay Honey Flow commissioned by Crown Estate (2016), Public collections: The Exeter Florilegium purchased by Royal Albert Memorial Museum and Art Gallery (2022), Great Ormond Street Hospital Collection (2021), Florilegium Quadriptych purchased by Wellcome Collection (2014), Gallery Representation TIN MAN ART www.tinmanart.com Statement about AOAP Submitted Artwork The drawings were made for the artists' book Melissographia, a collaboration between Amy Shelton and author John Burnside in response to the emerging story of catastrophic pollinator losses worldwide. Polymer gravure etching editioned by Simon Marsh Printed in gold ink on Somerset velvet white 300gsm paper Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Markus Vater Birds, 2022 Ink and Pencil on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About Markus Vater was born 1970 in Düsseldorf. His practice is diverse and includes : Drawing, painting, animation, video, sculpture and performance. He is Professor for Painting/Drawing and interdisciplinary Studies at the HBK Essen. Education 1992 Kunstakademie Münster 1994 - 1998 Kunstakademie Düsseldorf 1998 - 2000 Royal College of Art London Select Exhibitions/Awards Markus Vater took part in numerous exhibitions. Among others at the Kunstmuseum Bonn, Museum Gertsch in Switzerland, at the Kunsthalle Mannheim, the Royal Academy in London, at Museum Kunstpalast in Düsseldorf, the Wilhelm Hack Museum in Ludwigshafen and recently at the Sprengel Museum in Hannover. He had shows with Timothy Taylor, Vilma Gold, ibid-projects, Anthony d'Offay and Centre of Attention in London, with Sies+Hoeke Gallery in Düsseldorf, Gallery Johnen in Cologne and Galerie Schoettle in Munich. Recently at Galerie Rupert Pfab in Düsseldorf, at Union Gallery in London. Between 1995 and 2003 he has been part of the art collective hobbypopMuseum. His works are in the Falkenberg Collection Hamburg , the Graphic Collection of the Museum Kunstpalast Düsseldorf, the Collection of the Wilhelm Hack Museum Ludwigshafen and the Collection of the Franz Gertsch Museum Switzerland among others. In 2003 he received the prestigious Villa Romana Scholarship for Florence. Gallery Representation Galerie Rupert Pfab in Düsseldorf , Galerie Peter Zimmermann in Mannheim Statement about AOAP Submitted Artwork The works are from a series of Ink drawings, that try to capture light and air and transparency, rather than objects. The subject matter is something transient. Something that is there only for a moment. It deals with the beauty and fragility of being. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Markus Vater Hovering Bird, 2022 Ink and Pencil on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About Markus Vater was born 1970 in Düsseldorf. His practice is diverse and includes : Drawing, painting, animation, video, sculpture and performance. He is Professor for Painting/Drawing and interdisciplinary Studies at the HBK Essen. Education 1992 Kunstakademie Münster 1994 - 1998 Kunstakademie Düsseldorf 1998 - 2000 Royal College of Art London Select Exhibitions/Awards Markus Vater took part in numerous exhibitions. Among others at the Kunstmuseum Bonn, Museum Gertsch in Switzerland, at the Kunsthalle Mannheim, the Royal Academy in London, at Museum Kunstpalast in Düsseldorf, the Wilhelm Hack Museum in Ludwigshafen and recently at the Sprengel Museum in Hannover. He had shows with Timothy Taylor, Vilma Gold, ibid-projects, Anthony d'Offay and Centre of Attention in London, with Sies+Hoeke Gallery in Düsseldorf, Gallery Johnen in Cologne and Galerie Schoettle in Munich. Recently at Galerie Rupert Pfab in Düsseldorf, at Union Gallery in London. Between 1995 and 2003 he has been part of the art collective hobbypopMuseum. His works are in the Falkenberg Collection Hamburg , the Graphic Collection of the Museum Kunstpalast Düsseldorf, the Collection of the Wilhelm Hack Museum Ludwigshafen and the Collection of the Franz Gertsch Museum Switzerland among others. In 2003 he received the prestigious Villa Romana Scholarship for Florence. Gallery Representation Galerie Rupert Pfab in Düsseldorf , Galerie Peter Zimmermann in Mannheim Statement about AOAP Submitted Artwork The works are from a series of Ink drawings, that try to capture light and air and transparency, rather than objects. The subject matter is something transient. Something that is there only for a moment. It deals with the beauty and fragility of being. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Susie Hamilton Dachshund 1, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition,Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College. Education BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize. Gallery Representation Paul Stolper, London Statement about AOAP Submitted Artwork These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Susie Hamilton Dachshund 2, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition,Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College. Education BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize. Gallery Representation Paul Stolper, London Statement about AOAP Submitted Artwork These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Susie Hamilton Dachshund 3, 2022 Acrylic and Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition,Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College. Education BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize. Gallery Representation Paul Stolper, London Statement about AOAP Submitted Artwork These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Susie Hamilton Terrier, 2022 Acrylic and Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition, Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College. Education BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize. Gallery Representation Paul Stolper, London Statement about AOAP Submitted Artwork These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
A Japanese wood netsuke of a tiger, Meiji eraModelled seated, its head turned back to the left, its tail curled forward to the front leg, indistinct signature.3cmFootnote: For similar examples of netsukes modelled as tigers see Bonhams The Edward Wrangham Collection Part II, lot 79 and Part IV, lot 73, London 2011 and 2013 respectively.Light surface wear overall, not disfiguring.
A Chinese blue and white bowl and stand from the Vung Tau cargo, KangxiOf lobed form and decorated with panels of dense flowers and foliage.Bowl 11.4cm dia, stand 15.7cm dia. (2)A private English collector. Christie's Vung Tao Cargo, Amsterdam, 1992, lot 841 (bearing label), thence to Robert McPherson Antiques. Acquired by the vendor through private sale in 2005.Bowl: Light glaze wear/erosion. Fritting to the rim. Small chip and associated hairline to the rim. Small star fracture near base.Stand: Light glaze wear/erosion. Small section of the rim visibly repaired. Further fine hairlines to rim and across centre. Small chip to the underside of the rim.
A small Chinese blue and white teapot from the Vung Tau cargo, KangxiOf globular form with plain loop handle and domed cover, decorated with shaped panels of flowers, rocks and birds.8cm high.A private English collector. Christie's Vung Tau Cargo auction, Amsterdam, 1992. Gardiner-Houlgate, Bath, 25 March 2011, lot 63. Acquired by the vendor from Robert McPherson Antiques, 2011.The Vung Tau wreck was discovered in 1990 and excavated by Australian diver Michael Flecker. The vessel was believed to date to circa 1690, From the hoard of over 48,000 objects, Christie's selected 28,000 items of porcelain which were sold at their Amsterdam rooms in 1992. A mere 15 teapots of this type were offered in Christie's auction, arranged in five lots from 223 to 227.Light glaze wear/erosion.
Vacheron & Constantin. An aluminium open face keyless wind pocket watch together with a further aluminium pocket watchDate: Circa 1945Movement: 17-jewel Swiss lever, cut and compensated metallic balance, No.455197Dial: Silvered, applied polished Arabic numeral hour markers, black outer minute track, subsidiary seconds at 6, polished Breguet style handsCase: Polished round, snap on back engraved 'Presented to George Hodson by Aluminium Limited 1947', No.286909Signed: Case, dial & movementSize: 44mm Accompaniments: Vacheron & Constantin box, metal chain, brochure, further aluminium pocket watch bearing the name George Hodson, Chairman of British Aluminium LimitedFootnotes:In the mid 20th Century Vacheron & Constantin were commissioned with the difficult job of making a series of watches predominantly out of aluminium. Despite being so notoriously lightweight, Vacheron & Constantin were able to succeed and the case and plates of these watches were all made out of the material. The result was an exceptionally light but sturdy watch as found with the current lot. These watches were then gifted to important members of the various aluminium companies, often upon their retirement. The history of aluminium production is an interesting tale of cartels comprising global superpowers all pushing for dominance of key markets. There were three main cartels of the early to mid 20th century - Aluminum-Industrie A. G. Neuhausen (AIAG), The Aluminum Co of Amercia (Alcoa) and Alliance Aluminum Compagnie (AAC). The current lot has a presentation to George Hodson who is recorded as being the Resident Assistant Manager in Basel in 1931 until at least 1945 for AAC and along with Ludwig Braasch 'constituted, at least until 1939, the entire executive staff of Alliance'. Also included in the lot is a further aluminium pocket watch with the hour markers spelling out the name of George Hodson. LITERATUREThe Light Metals Industry in Germany, United States Government Printing Office, Washington, 1945For further information on this lot please visit Bonhams.com
LONDON - THAMES TUNNEL -- ZEICHNUNGEN UND NOTIZEN v.d. Arbeiten an dem Gange unter der Themse v. Rotherhithe nach Wapping, London. Magdeburg, bei Robrahn u. Co., in Commission bei F. Rubach, 1827. 13 letter pressed lvs. W. lithogr. ti., fold. lithogr. panorama, 2 lithogr. maps (1 double-p. & 1 fold.), 1 fold. table w. cold. lithogr. strip of paper dep. geological cross-section, and 8 full-p. lithogr. illustr. (incl. 1 w. die-cut overlay). 16°-obl. Cont. limp wrps. (1 illustr. loose, some light foxing, but in v.g. condition). NOTE:The Thames Tunnel, also called Wapping-Rotherhithe Tunnel was designed by the French emigré Marc Isambard Brunel and completed in 1843 after 18 years of construction. It was the first subaqueous tunnel in the world and was for many years the largest soft-ground tunnel.
BÜCH, B. Zingbaar water. (c. 1980). Typoscript on 19 loose leaves on light blue printed paper of 'De Arbeiderspers' for Sub Signo Libelli. -- Added: XEROXED POEMS. (1978). 16 lvs. -- And: M. INNEMEE. "Büch 'n Rolling Stone". 2008. Silkscreen print. 283 x 283 mm. Annotated 2/25 and titled, signed & dated in pencil. Framed, glazed and under passepartout.
ITALY -- "PANTHEON, Het, van buiten te zien" - "HET COLOSSEUM" - "BUITENZIJDE van het Colosseum" - "CAMPO VACINNO" - "TEMPEL VAN NEPTHUNUS te Pesto" - "OVERBLIJFSELS van een' Griekschen Tempel, te Egesta" - And 10 similar, all taken from Stolberg's 'Reis door Duitschland, Zwitserland, Italië en Sicilië', 1798-1801. Engr. by D. Vrijdag. Diff. sizes, largest 263 x 355, smallest 233 x 280 mm. All multiple folded. (5 w. some light staining).
MERKEN, L.W. v. Het nut der tegenspoeden, brieven, en andere gedichten. Amst., P. Meijer, 1762. W. engr. front., engr. ti-vign. Cont. blind-tooled vellum. Spine raised in compartments. (Paste-downs partly loose, otherwise very good interior condition). -- A. POIRTERS. Het masker v.d. wereldt afgetrocken. 12e druk. Antw. (= Amst.), J. Stichter, 1688. W. engr. ti.-p & 26 engr. Cont. vellum. (Light waterstaining). -- J. LUIKEN. Des menschen begin, midden en einde; vertoonende het kinderlyk bedryf en aanwasch in eenënvyftig konstige figuuren, met goddelyke spreuken en stichtelyke verzen. Amst., Erven v. F. Houttuyn, 1772. W. engr. ti., engr. portr. & 51 engr. emblems. Cont. vellum. -- G. de BONARELLI. Fillis van Scirus, herderspel. Vert. d. K.J. de With. Amst., A. Wor, 1728. W. engr. ti., engr. ti-vign. & 5 engr. plates. Cont. blind-tooled vellum. -- And 5 o. (9).
WENDINGEN. Jg. XII, 1: H.C. VERKRUYSEN. Beeldend werk van S. Jessurun de Mesquita. 1931. 24 pp. 4°. Owrps. Lithogr. cover des. by S. Jessurun de Mesquita. (Slight crack visible in upper outer corners, spine w. some very light wear marks, some mild foxing to cover, but a good copy). - Le Coultre 12-1d.
COPTIC -- KROPP, A.M. Ausgewählte koptische Zaubertexte. Geleitwort v. J. Capart. Vorrede v. W.E. Crum. Brux., 1930-31. 3 vols. xix, 123; xv, 285, (1); xii, 252, (4) pp. Sm-4°. Owrps., uncut. (2 spines a bit dam., some light foxing). -- Added: W. WESTENDORF. Koptisches Handwörterbuch. 1965/77. Owrps. -- And 5 o. on the subject. (9).
DARWIN, Ch. Biologische meesterwerken. Bew. d. H. Hartogh Heys v. Zouteveen & T.C. Winkler. (1e-)4e dr. Arnh./Nijm., Gebr. E. & M. Cohen, n.d. (c. 1890). 7 vols. W. portr. of the author & num. ill. in text. Or. gilt h. mor. binds. (Vols. 1 and 7 in need of repair, the others w. some light wear to spines, but in all a fairly good set). -- And 2 o. (9). NOTE:1: Het ontstaan der soorten; 2-3: Het variëeren der huisdieren en cultuurplanten. 2 vols.; 4-5: De afstamming van den mensch en de seksueele teeltkeus. 2 vols.; 6: Het uitdrukken der gemoedsaandoeningen bij den mensch en de dieren; 7: De reis van de "Beagle".
A Bahr & Proschild 585 character baby, with blue sleeping eyes, dimple in chin, original light brown mohair wig, bent-limbed composition body, cream dressing and bonnet, gilt metal Baby brooch and underclothes --19in. (48cm.) high (eyeballs and mechanism has become unstuck, so parts are set and wrapped inside head)
A rare Lucy Peck poured wax bridal shoulder-head doll, with head turned to the right, inset pale blue glass eyes with a darker edge to iris, painted eyelashes, light brown painted brows, down turned mouth, modelled ears, inset brown hair held in a bun, slender neck, slightly raised breasts, stuffed body with indistinct stamp to front, probably reads ‘From Mrs Peck The Doll’s Home 131 Regent Street W’, wax limbs held with brass eyelets, the right arm fully bent, the left slightly bent, finely modelled fingers and toes, wearing original cream two-part ribbed silk wedding gown with long train the underside trimmed with lace, high necked boned bodice with full puffed sleeves, trimmed with fine muslin and waxed flowers, a corsage and bouquet pinned to the front of dress, corset, chemise, long petticoat, wool petticoat, cream silk underskirt and drawers -22in. (57cm.) high (dress stained and starting to fray in places, staining to underclothes, fading to face, some hair possibly replaced)
An A W Kister mid 19th century bisque shoulder head patriotic doll, with blue painted eyes, red eyelid line, pale brown brows, finely moulded mouth, blonde painted and moulded centre-parted hair falling in ringlets, stuffed body with light brown kid gloves, original red, white and blue costume comprising blue silk bodice with white muslin upper, gilt buttons and trim, red and white striped silk full skirt, red sash, glazed cotton petticoats, muslin drawers, white stockings bound with blue and white ribbon and one slipper -19 1/2in. (49.5cm.) high
A fine Simon & Halbig bisque shoulder head doll, with blue painted eyes with dark rim to iris and white highlight dot, black eyeliner, red eye lid line, light brown single stroke brow, exposed ears with piercing into head, the blonde painted and moulded centre-parted hair sweet up and held by a black painted bow, falling in long ringlets down the neck, front of shoulders impressed S 9 H, rigid large bottomed kid body, nicely modelled china arms, white cotton chemise, petticoat and drawers, knitted socks -21in. (53.5cm.) high
A Simon & Halbig bisque shoulder head doll, with blue painted eyes with dark rim to iris and white highlight dot, black eyeliner, red eye lid line, light brown single stroke brow, exposed ears, blonde painted and moulded hair held back with a black painted hair band and falling in curls at the nape of the neck, stuffed body, bisque limbs with black painted boots with red laces and petticoat -17 1/2in. (44.5cm.) high (tips of boots chipped and retouched)
A Francois Gaultier pressed bisque fashion doll, with blue glass eyes, dark rim to iris, light brown brows, closed pink mouth with dark pink accents, pierced ears, blonde mohair wig on cork pate, fixed neck, shoulders impress F 2 G, gusseted kid body, yellow silk jacket with FG woven label, ribbed skirt with bustle and train, matching hat both with blue silk and lace trim, petticoat and drawers -16 1/2in. (42cm.) high (missing two fingers, some fraying to skirt)
A Simon & Halbig 151 character girl doll, with dark blue painted eyes, single stroke light brown eyebrows, open/closed mouth with slight mouth and top row of teeth, facial moulding, brown mohair wig, jointed composition body, white muslin dress with lace trim, underclothes, pale blue satin shoes marked HH and a straw boater -15in. (38cm.) high (small flake to top of body)
An unmarked bisque headed character doll possibly DeFuisseaux, with blue painted eyes, black top eyeliner, closed rosebud mouth, button nose, single stroke light brown eyebrows, brown mohair wig, jointed composition body and a homemade asymmetrical dress made from a piece of hand painted flower silks -16in. (40cm.) high (hairline crack down back of head)
IMPORTANT ANNOUNCEMENT - PLEASE NOTE THAT THIS DOLL HAS A PIECE OUT OF HER FOREHEAD AND GLUED, THIS IS UNDER THE HAIRLINE. NEW ESTIMATE £300-400 A German bisque headed 136 bebe-type child doll, with fixed blue striated eyes, pink shaded lids, light brown feathered brows, closed mouth with slight gap between, shading to inner lips and accents to outer edge, dimple chin, blonde hair wig on plaster pate, eight ball jointed composition body with fixed wrists, teal and grey/green dress with matching hat and underclothes -14 3/4in. (37.5cm.) high
IMPORTANT ANNOUNCEMENT - this doll's damage is more significant, the cracks down the back of head are actually a glued break that runs right around her neck. These don't show when looking directly at her face. A Kämmer & Reinhardt 101 Marie character girl doll, with blue painted eyes, light brown single stroke eyebrows, closed pouty mouth, light brown mohair wig, jointed composition body, red wool dress with black trim, underclothes and knitted hat -20in. (50.5cm.) high (two cracks down back of head and slight wear to body)
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