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Preisdatenbank abonnierenNewlyn, a copper candlestick embossed fish, stamped, 20.5cm high, a copper biscuit barrel, the cover embossed stylised dolphins, impressed mark JP in oval, 16cm high and a copper chamberstick of square form embossed fish, 21cm square CONDITION REPORT: Light and deep scratches, blemishes, tarnish, discolouration, split to chamberstick, oxide deposits present, dents consistent with age.
Geoffrey Baxter for Whitefriars, a small Drunken Bricklayer vase, in tangerine glass with textured finish, unsigned, 21.5cm high CONDITION REPORT: We can find no evidence of restoration and the vase appears to be in good condition overall. There is one tiny chip to the front of the bottom block but this does not detract. It is generally rather grubby, particularly to the inside where there is some sort of black residue which comes off with gentle wiping. The white marks just inside the top rim, which are clearly visible in our image, seem to be another residue of sorts and again we think they would come off with a wash or gentle wipe. The indented bubbles to the front centre block are filled with dust. There are some very tiny light scratches (visible only under UV light) in line with age and use as a vase, however we cannot see any cracks.
Lalique, a clear and frosted glass dish, 'Figurine et Fleurs' model 3002, heightened with sepia stained details, maiden surrounded by garlands of flowers, moulded LALIQUE signature and etched signature to underside of rim, 17cm diameter CONDITION REPORT: Small chip to front edge of rim at 11am, some tiny frits to side of rim. Light scratches to surface. In addition to the incised signature, there is also a raised moulded LALIQUE mark to the left of the maiden's feet
Ian Godfrey (1942-1992), an early stoneware vase with pale brown glaze with dark olive green pours running around the shoulder CONDITION REPORT: In good condition with no damage or restoration, some light surface scuffs ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
THE SHIP'S BELL FOR FOR THE SHANGANI, 1882cast in brass with clapper secured to bolted suspension -- 6¼in. (16cm.) diam; together with a six-spoke brass helm by Brown Brothers with wooden handles -- 43in. (109cm.) diam; and a brass bulkhead light with burner(3)Bell overpolished, name and date slightly worn. Helm lacking two wooden handles. Lamp oil burner loose.
A BUILDER'S MODEL FOR THE WOODEN TEA CLIPPER SHIP SPIRIT OF THE AGE, BUILT FOR T.A. GIBB OF LONDON BY JOHN PYLE, SUNDERLAND, 1854the 47in. hull planked and pinned in contrasting woods, with scored aft and deck sections, with saloon light, the bow inscribed with name and some foliate gilt decoration, loosely mounted on cradle stand, overall measurements -- 11 x 47 x 8in. (28 x 119 x 20cm.); together with coloured lithograph after Thomas Dutton published by Day & Son depicting Spirit of the Age underway, in verre églomisé frame -- 22½ x 26in. (57 x 66cm.) overall(2)Spirit of the Age was constructed of oak and teak and registered 878 old tons. She had a brief, fast life as did so many tea clippers of the day. Her maiden voyage to Sydney was timed at 73 days (beating an American clipper in a race) and her best passage out of Whampoa in 1856 was 100 days. In 1859 she collided with H.M. steam tug African in the mouth of Thames and, after repairs to bowsprit and figurehead, set sail for Shanghai. By the time she had reached the Sunda Strait, her leaks were uncontrollable and she was towed into Batavia where she was condemned.The model now lacks all fittings with witness marks for masts, etc., central deck section missing the starboard edge and is loose, foredeck replaced or missing original finish. Old wear and repairs.
'LIVES OF THE BRITISH ADMIRALS...'J. Campbell for John Murray, 1785, containing a New and Accurate Naval History, from the Earliest Periods ... with a continuation down to the year 1770, four volumes, engraved frontispieces by Hamilton and six folding maps by John Lodge, a little light browning, contemporary tree calf, rebacked, original labels, 8vo(4)
A PANORAMIC PHOTOGRAPH OF 'WARSHIP ROW', WHANGPOO RIVER, SHANGHAI, CIRCA 1925printed in sepia tone and featuring warships in the company of other shipping with buildings beyond, framed and glazed -- 7 x 59in. (17.5 x 150cm.)Viewed left to right can be seen H.M.S. Hawkins, Flagship of the 5th Light cruiser Squadron on the China Station from 1919 until the late 1920s; The French cruiser Jules Michelet; U.S.S. Huron; and in the distance the Japanese cruiser Shoho.Slightly faded overall.
ARR GEOFF SHAW (BRITISH, 1892-1970)The surrender of Hong Kong, 1945Signed ‘Geoff Shaw’ (lower right)Oil on canvas17 x 35in. (43 x 89cm.)Provenance: Parker GalleryThe Imperial Japanese occupation of Hong Kong began when the Governor of Hong Kong, Sir Mark Young, surrendered the British Crown colony of Hong Kong to the Empire of Japan on 25 December 1941 after 18 days of fierce fighting against overwhelming Japanese forces.The occupation lasted for three years and eight months until Japan's surrender on 15th August 1945, although the formal handover to the Royal Navy took place on 30th August. The population had shrunk by a million to 600,000 with Japanese atrocities consistent with those meted out to other occupied territories.Would benefit from a light clean
AN EXCEPTIONAL 8IN. RADIUS VERNIER SEXTANT BY WILLIAM DOLLOND, LONDON, CIRCA 1860the lacquered brass and partially oxidised T-frame retaining most of its original finish, the arc signed Dollond London and inscribed Silver above '70' with inset scale divided to 145°, vernier with magnifier on horizontal tangent screw adjustment, and glass light diffuser, braced index arm, mirrors and seven shades on oxidised frame section, handle with stand clamp accessory and three pin feet, contained within fitted keystone box of issue with complete accessories including five eyepieces, filter and pin, with maker's label inside lid, and securing hook -- 14in. (36cm.) diamExcellent condition throughout.
Mid 20th Century French oak bedroom chest on cabriole supports, 38ins wide, together with a pair of matching bedside cabinets, 19.75ins wideAll drawers run smoothly. One of the bedside cabinets has a fall front, not drawers. Generally in clean condition, no breaks or losses but does need a light clean and polish
19th Century French dark patinated and gilt bronze five light chandelier, the ceiling rose mounted with rams heads above rectangular link gilt chains, the circular fitting with winged female figure mounts, the candle arms in the form of flaming torches, 43ins drop x 24ins maximum diameterNeeds some tightening up and possibly re-wiring. It has five female figures and they are made of bronze
A gentleman's Accurist 7385 stainless steel chronograph watch. The watch having a blue sun burst face with two subsidiary dials, date aperture to three, tachymeter scale, set within a gilt stainless steel case on a bracelet strap. Case measures 46mm. Set within original box, box has some light water damage. NOTE: From a large single-owner collection of watches. Boxes and paperwork present where photographed, although we cannot guarantee boxes or paperwork are correct to their specific models. Buyers are reminded for the need to satisfy themselves prior to bidding and all lots remain sold ‘as is’, irrespective of description. Generally, all watches appear mint and unused, and in working order however this is not a guarantee.
Two vases - one is a half vase decorated with a Chinese landscape scene of a river and mountains and the other is a vase decorated with traditional Chinese people scenes. The half vase measures in height 22.5cm, and the smaller one measures 18cm. Condition report - the half vase has no apparent damage or restoration, light scratches to the paint work panel. The smaller vase has damage and restoration.
ÉMILE GALLÉ (Nancy, France, 1846 - 1904).Perfumer-atomizer, Art Nouveau, ca.1910.Cameo glass.Signed on the side.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 17 x 8.5 x 6 cm (glass); 22 cm (total with atomiser).Art Nouveau perfume atomiser designed by Emile Gallé in orange and red cameo glass, acid-etched with floral decoration.Undoubtedly, Emile Gallé was a man totally representative of his time. He was a poet, an artist par excellence, capable of translating his emotions and desires into matter, someone who found in the alchemy of glass, in its light, in its nuances, a form of language. Because of this talent and his mastery, his glassworks became the most famous in France around 1900.Émile Gallé began his career working for his father, who owned a glass and ceramics factory, producing designs with floral and heraldic motifs. Very interested in botany, he studied it in depth during his youth, alternating with drawing classes. Between 1862 and 1864, at his father's request, he travelled around Italy, England and Germany, taking an interest in the applied arts but also in subjects that he would later reflect in his works, such as music, philosophy and nature. On his return he settled in Meisenthal, where his family's glass furnaces were located, in order to fully learn the craft of glassmaking. He also travelled to London and Paris to see the collections of their museums. In 1874 he took over his father's factory and soon achieved great international success, winning prizes at international exhibitions and selling his works to important collections and museums. In 1878 he presented his first creations at the Universal Exhibition in Paris, many of which were inspired by the Japanese artists Hokusai (1760-1849) and Hokkei (1780-1856). In this important exhibition, Gallé discovered three techniques that were to prove decisive for his production: the remarques of the Pantin glassworks, the cameo engraved glass of the English (inspired by the Portland Glass in the British Museum) and the superimposition of layers of different coloured glass presented by Eugène Rousseau. He was the founder and president of the Nancy School, whose principles he always followed. He introduced all kinds of experimental and innovative techniques into his works, as well as some traditional ones. One of these was the introduction of metal sheets between the different layers of glass, thus enhancing the magical effect of his most exclusive pieces. As far as possible, Gallé imposed the characteristics of a style that evolved into free and refined expressions, applying an enormous variety of themes and decorative techniques on opaque and coloured glass, which continue to amaze to this day. Today, pieces by Émile Gallé can be seen in the Hermitage Museum in St Petersburg, the Metropolitan Museum in New York, the Musée d'Orsay in Paris, the Brohan Museum in Berlin and the Victoria & Albert Museum in London, among many others.
A HEAVY 9CT GOLD CHARM BRACELET WITH CHARMS AND SOVEREIGNS, curb link chain each link stamped 9.375, fitted with a heart clasp and safety chain, hallmarked 9ct London, fitted charms to include an articulated fish charm stamped 14k, a temple charm stamped possibly 14k, a gold back and front rectangular locket, a dog kennel charm which opens to reveal a dog, hallmarked 9ct, a yellow metal tortoise charm unmarked, a rectangular money charm with bank note Hallmarked 9ct London, five half sovereigns each soldered with scroll fixtures with dates to include 1893, 1902, 03, 06, 12, one half sovereign dated 1913 in a collet mount stamped 9ct, a full sovereign dated 1912 in a collet mount stamped 9ct, length 180mm, approximate total gross weight 83.9 grams (condition report: some slight wear to some of the charms and sovereigns, clasp in working condition although the arm is slightly misshapen, general overall light wear)
A 9CT GOLD AQUAMARINE PENDANT, a light blue-green pear cut large aquamarine stone, approximate total carat weight 20ct, approximate dimensions length 21mm x width 13mm, set in a four claw yellow gold mount, fitted with a large bail, suspended from a yellow gold Spiga chain, hallmarked 9ct Sheffield 1979, approximate length 460mm, approximate gross weight 6.7 grams (condition report: general light wear, minor abrasion to girdle and facets at the top of the stone, rain like inclusions visible under 10x magnification, overall condition very good)
A 9CT GOLD FIVE STONE RING, set with a row of three circular cut blue stones, interspaced with two circular cut opal cabochons, the gallery reads 'Always' and 'Forever', plain polished band, hallmarked 9ct Birmingham, ring size R, approximate gross weight 2.5 grams, together with a fitted vintage ring box (condition report: all stones are present and intact, general light wear, overall condition good)
A YELLOW METAL AQUAMARINE BAR BROOCH, set centrally with a circular cut aquamarine in a milgrain collet mount, openwork circular surround fitted onto a plain polished bar stamped 9ct, fitted with a brooch pin and an additional safety chain, approximate gross weight 3.1 grams (condition report: general light wear, some slight discolouration to the centre of the brooch, overall condition good)
A MID VICTORIAN MOURNING BROOCH, gold-plated oval design, black enamel with the words 'In Memory Of' around an agate and seed pearl centre piece, scroll detailed surround, personal engraving to the reverse reads ''Thomas Wilson, 29th June 1865', fitted with a brooch pin and additional safety chain with pin, approximate dimensions 39.2mm x 32.6mm (condition report: general light wear, would benefit from a gentle clean, brooch pin slightly misshapen but in working condition, overall condition good)
AN EARLY 20TH CENTURY OPAL AND DIAMOND DRESS RING, designed with three oval opal cabochons, showing flashes of blue, green and some slight red, interspaced with six graduating old cut diamonds, scroll detailed shoulders leading onto a plain polished band, stamped 18, ring size L 1/2, approximate gross weight 3.8 grams (condition report: general light wear, all stones are intact, would benefit from a gentle clean, opals have abrasion and may benefit from a re-polish, overall condition good)
A THREE STONE RING, three graduated circular cut blue stones, within a rose gold tone mount, bifurcated shoulders leading onto a plain polished band, unmarked, ring size N, approximate gross weight 3.4 grams (condition report: one stone has a chip, the others have some slight abrasion, general light wear to the shank, overall condition good)
A YELLOW METAL RING, designed as a crown set with a central cushion cut blue stone, with marcasite and paste detailing in a white metal mount, leading onto a tapered yellow metal shank unmarked, ring size J, approximate gross weight 2.9 grams (condition report: blue stone is untested, general overall light wear)
A YELLOW METAL DIAMOND RING, the ring head of a circular design set with three old cut diamonds and four rose cut diamonds, within a white metal mount, tapered shoulders leading onto a yellow metal knife edge band, stamped 18ct & Plat, ring size O, approximate gross weight 2.5 grams, together with a fitted ring box (condition report: general light wear, all diamonds are present, overall condition good)
A 9CT GOLD HINGED BANGLE, diamond cut pattern to one side, plain polished to the other, sliding clasp with additional safety chain, hallmarked 9ct Birmingham, approximate internal width 60.5mm, approximate gross weight 5.6 grams (condition report: opens and closes with ease, general light wear, overall condition good)
A LADIES 9CT GOLD 'DELVINA' WRISTWATCH, hand wound movement, square gold dial signed 'Delvina, Geneve, 17 jewels', baton markers, black hands, case back hallmarked 9ct London 1970, fitted with a textured articulated bracelet and fold over clasp, hallmarked 9ct London, length 210mm, approximate weight without movement 39.2 grams, together with an original 'Delvina' signed box (condition report: watch is working although time keeping is untested, general light wear, clasp in working condition)
A 9CT GOLD ROPE TWIST RING AND A YELLOW METAL CLUSTER RING, 9ct rope twist band, approximate width 2.6mm, hallmarked 9ct Birmingham, ring size N, approximate gross weight 2.4 grams, together with a yellow metal heart cluster ring set with a central green heart cut stone, in a surround of rose cut diamonds (one missing), leading onto a rose gold tone band, stamped 9ct, ring size U 1/2, approximate gross weight 3.2 grams (condition report: the heart cluster has signs of a re-size, one stone is missing, general light wear, overall condition good)
A YELLOW METAL AMETHYST PENDANT NECKLACE, designed with an oval cut amethyst dropper, double four claw set suspended from a plain polished yellow metal bar unmarked, drop length 38mm, suspended from a rose gold tone trace chain with an integrated push pin barrel clasp stamped 9ct, length 440mm, approximate gross weight 4.0 grams (condition report: general light wear, would benefit from a gentle clean, one link near the clasp has been replaced with a base metal)
A YELLOW METAL GEMSET BANGLE, yellow metal hinged bangle set with seven oval cut blue sapphires interspaced with eight colourless stones (possibly sapphires) prong setting leading onto a plain polished band, fitted with a push pin integrated box clasp and safety chain, unmarked, approximate gross weight 18.9 grams, together with a fitted box (condition report: general light wear, all stones currently intact, would benefit from a gentle clean, gold tested as 24ct)
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