Manner of Giovanni Antonio Canal (Canaletto) (1697-1768) Italian Pageantry on the Grand Canal, VeniceOil on canvas, 59cm by 87cmFairly stiffly relined, cleaned and revarnished. Some relatively light surface dirt and discoloured varnish now in evidence. Some likely general strengthening throughout sky with some further delicate retouches evident, especially within sky immedately above the far horizon and to a lesser extent elsewhere, presumably to old craquelure. Further delicate retouches elsewhere and fine strengthening to reflections in particular, and less consistently to other isolated parts of the body of water. More concentrated patch of overpainting within the underside of the moored gondola to the right of that which bears the team of white shirt-wearing gondoleers on the right hand side of the composition, the patch of retouching being approximately 0.5cm wide by 1cm in length (see images). Otherwise in a broadly stable and presentable state of preservation.
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A. Roland Knight (1879-1921) The day's catch, trout, creel and rod on the river bankSigned, oil on canvas, 34.5cm by 52cmIn restored condition generally. Stiffly re-lined, cleaned and re-varnished, surface is somewhat flattened and the paint is thin in places as a result of the restoration process. Some light surface dirt and discoloured varnish now in evidence. Some fairly minimal and delicate re-touching within the lower left hand corner, within the basket, and scattered elsewhere. Areas of fine stable cracquelure. Small patch of more seperated fine cracquelure just left of the lower fin of the centrally positioned fish.
Matthew Ridley Corbet ARA (1850-1902) Travelling rustic boys before a village Monogrammed, signed to overlap canvas verso, oil on canvas, 39cm by 49cmThe artist was elected ARA in 1901, therefore the present work is assumed to date from 1901 or 1902 Glazed. Original canvas. Light surface dirt and discoloured varnish. Very slight buckle to lower right hand corner and area. Slight stretcher shadow horizontal upper. Otherwise in a good and presentable state of preservation.
Frederick Mansfield Lutyens (1860-1924) Bay horse being held by a groom in a bowler hat Signed and dated (18)92, oil on canvas, 70cm by 90cmThis work was historically known to depict Woolwinder although the dates appear to disprove that. Provenance: Brigadier-General Edward William David Baird CBE DL JP (1864-1956), Kelloe House, Berwickshire His sale J&R Edmiston Auctioneers, On site at Kelloe House, 12th-14th December 1956, either Lot 640 or Lot 641 Where purchased by the current vendor's father Original canvas. Small loss to upper edge (see image). Pin holes to upper corners with further small loss to upper left hand corner. Stretcher shadow. Craquelure across surface which is more pronounced in certain areas, for example lower right hand corner and within stretcher upright right hand side. Light surface dirt and discoloured varnish. Canvas slightly adrift. Retouching to vertical right hand side stretched shadow which is slightly discoloured and evident. Less visible and prominent retouching to upper horizontal stretcher shadow. Some fine and sporadic retouching and infilling to craquelure to the body of the horse. Some possible strengthening to definition and outline of the standing gentleman's attire. Some possible strengthening through green of the landscape. Three vertical lines of differing lengths to landscape between the head of the standing gentleman and the nose of the horse, and another immedately above the hind legs of the horse, which appear incongruous but are seemingly by design. Overall appearance of image somewhat flat. Otherwise in a generally presentable state of preservation.
Tony de Wolf (b.1961) Belgian"Chinese Dish, Venetian Glass, Mandarin"Signed, oil on panel, 49cm by 69cm In an overall very good state of preservation. Light surface dirt and discoloured varnish. However, there is a small cluster of circular-shaped indentations to the surface within the background just right of the upper body of the decanter, and which would appear to be damage caused by bubblewrap? pressing against a slightly wet surface of either paint and/or varnish (see image).
George Weatherill (1810-1890)Whitby Harbour Signed, pencil and watercolour with scratching out, together with a further example by the same hand depicting Tate Hill Sands, Whitby, Lower Harbour, 11.5cm by 20cm & 12cm by 21cm respectively (2) framed as a set of two Provenance: Walker Galleries, Harrogate First example: Moderate time staining to sheet which is significantly more pronounced towards outer edges against slip. Associated tempering of colour overall with some possible additional light fading, but painted in the artist's characteristically muted palette. No evidence of cockling. Not examined out of the frame.Second example: Relatively light to moderate time staining across sheet which is slightly more pronounced in some areas of the sky particularly those which are less worked. Associated tempering to overall colour depth but the blue, for example used to highlight windows in particular, retains a good degree of freshness. That in the sky possibly more on the grey side. No evidence of cockling. Not examined out of the frame.
Percy Morton Teasdale RCamA (1870-1961) "The First Ship" Signed, oil on canvas, 125.5cm by 100cmProvenance: Purchased by relatives of John Wood from the artist's studio at Robin Hood's Bay Private collection, UK Relined, cleaned and revarnished. Retains reasonable to good surface and impasto. Light surface dirt and discoloured varnish now in evidence. A few tiny surface nicks, mostly near to the left hand side edge. Small patch of mostly vertical retouching approximately 35cm from upper left hand corner and 2-3cm from left hand side edge, which is 0.5cm by 2cm overall. Retouching to lower left hand corner and a small patch approximately 10cm to the right of this which measures 0.5cm by 2cm overall. Further virtually circular patch of retouching or restoration below and just right of the "e" of the signature, roughly 2-3cm in diameter. Minor retouching to right hand side edge at approximate height of the bench which the fisherman sits upon. Possible other minor retouching elsewhere but otherwise in a broadly good, stable and highly presentable state of presentation. Provenance as provided by repute. No further notable provenance known to date.
Alfred Augustus Glendening Snr. (1840-1921)Haymaking at Luccombe, Isle of WightSigned, oil on canvas, 39cm by 64cm There are five related and undated works of the same scene known to this and listed on the Alfred Augustus Glendening database. The present work will also be added bringing the number to six. It is presumed that any undated works to be after 1909. We are grateful to David Coulthard and Alice Munro- Faure for their assistance in cataloguing this lot. Glazed. Original canvas. Relatively light surface dirt and discoloured varnish. An amount of probable fine and slightly discoloured retouching across the glimpse of the sea, which is mostly visible by eye. Otherwise there is little to discern by way of restoration or intervention with a UV light, but does not entirely proclude some further minor retouches. Otherwise in a broadly good, stable and presentable state of preservation.
George Weatherill (1810-1890)"Nearing Whitby Harbour"Signed, watercolour heightened with white and scratching out, 33.5cm by 52cm Light to moderate time staining across sheet, with associated slight tempering of overall colour. Slight cockle to upper edge, mostly left hand side. Some possible further relatively light colour reduction, but executed in the artist's characteristically more muted palette. Not examined out of the frame.
Arthur A Friedenson (1872-1955) “Sketch from Wareham Common” (1910) Signed, inscribed and dated July 1910 verso, oil on board, 32cm by 39cmProvenance: Hewson & Forster, Sheffield In an overall good and highly presentable state of preservation. Cleaned and revarnished. There is little to discern under a UV light or by eye in the way of restoration, which does not entirely preclude the possibility.
Lionel Dalhousie Robertson Edwards (1878-1966) Lady Electra being led by a groom Signed and dated 1944, oil on canvas, 49.5cm by 65.5cm Sold together with a letter from artist to the previous owner Mr Bull referring to the painting and including two vignette scale sketches. In a broadly very good and original state of preservation. Minimal retouches to upper left and right hand corners in addition to centre top, probably to disguise historic pin holes. Two pin holes to lower right hand corner, and one to left. Further pin hole(s) to lower edge centre, with associated circular mark to wet paint. Pin hole to right hand side edge centre. Slight buckle to lower left hand corner, possibly with debris between stretcher and canvas. Very slight buckle to upper left hand corner. Light surface dirt and discoloured varnish. Otherwise in an original and presentable state of preservation.
William Edward Webb (1862-1903)"Queen's Dock, Liverpool"Partial inscription to stretcher verso, oil on canvas, 29cm by 44.5cmRe-lined, cleaned and re-varnished. Retains reasonable surface. Re-touch to upper left hand corner and sporadic and delicate re-touching to sky in upper left hand corner area. More notable or consistent patch of re-touching/ overpainting to the left of the top sail of the tall masted ship, which is approx 1cm by 0.5cm overall and visible by eye. Small amount of re-touching to lower left hand corner. Two further and more consistent patches of re-touches which are approx 1cm by 1cm overall within the water approx centre and just left of centre below the tall masted ship and towards the lower edge. Further patch of restoration / re-touching within the sky, approx 2cms above the cathedral tower and approx 1 cm by 1cm overall and is visible by eye. Stretcher shadow which is most prominent along top edge with a patch of cracquelure within the sky on the right hand side of stretcher shadow, which has a tiny loss and paint is slightly lifting. Further isolated areas of cracquelure elsewhere. Light surafce dirt and discoloured varnish. Otherwise in a broadly good and presentable state of preservation.No known notable provenance to date.
Rodger McPhail (b.1953)"Pinkfooted Geese over the Estuary"Signed, watercolour heightened with white, 35.5cm by 51.5cm Provenance: The Tryon Gallery, LondonIn an overall very good and clean state of preservation. Some possible very light time staining to the sheet but not with any real visible evidence. No evidence of cockling. Not examined out of the frame.
Attributed to John Cyril Harrison (1898-1985)Eagle owl and assorted song birds in a pine treeSigned, watercolour heightened with white, 33cm by 23cmSome relatively light time staining across sheet. Colours would appear to be slightly on the muted side, for example the blue behind the birds in the upper left hand corner and that which denotes the background below the prominant branch look slightly on the grey side, although this may be by the artist's execution. Fairly significant time staining and foxing across the mount, the depth of which would not appear to currently interfere with the main image itself. No evidence of cockling. Not examined out of the frame.
Alfred Pollentine (1836-1890)Gondolas on a Venetian canalSigned, oil on canvas, 39cm by 59cmRelined, cleaned and re-varnished. Re-touching along upper left hand side edge above buildings, upper left hand corner and upper left hand side top edge for approx 12-15cms. Patch of demi lune shaped re-touching approx centre of upper edge which is roughly 1-1.5cm at widest point. Re-touch to upper right hand corner. Re-touches/ overpainting to sky on the left hand side and right hand side of the dome and top finial which are approximately 1.5cm in irregular length by 0.5cm and 1cm respectively. Likely repair with associated re-touching in a slightly curved formation through the row of upper arched top windows above the sail of the boats on the left hand side and is approx 4 cms in length and 0.5cms wide max. A further, essentially horizontally arranged area of re-touching/ restoration approx centre of the front pillars of the portico and is approx 3cms in length and 0.5-1cm wide. Parts of signature probably strenthened. One small approx 1cm overall patch of re-touching within the sky towards left hand side of the canvas and further re-touches to the sky above the buildings on the right hand side which runs vertically above the second flat roof and is approx 1cm wide by 4cm long overall. Some general strenthening to the black and darker paint across the lower right hand side composition and lower left hand side composition. Minor re-touches elsewhere etc. Vertical scratch with slight reveal of canvas approx 1 cm in length towards the upper edge, within the sky above the domed building. Light surface dirt and discoloured varnish.
Edouard Léon Cortès (1882-1969) French "Les Champs Élysées"Signed, oil on canvas, 31.5cm by 44.5cm Provenance: Burlington Paintings, LondonIn an overall very good and highly presentable state of preservation. Cleaned and revarnished, some possible extremely light surface dirt now in evidence. Not examined with a UV light.
George Weatherill (1810-1890)Whitby Harbour from the Old BatteryShipping off Whitby Whitby Harbour, Low Tide First and last signed, watercolour, 11cm by 19.5cm, 10.5cm by 19cm & 11cm, by 20.5cm respectively (3) framed as a set of three Provenance: Walker Galleries, Harrogate Condition report running from left to right.Left example: Light to moderate time staining to sheet with some associated tempering of the colour. Otherwise colour depth broadly good but possibly slightly reduced. No evidence of cockling. Not examined out of the frame.Middle example: More pronounced time staining across sheet with very small sized consistent foxing spots beginning to form. Associated tempering of colour as a result of this with pigment also reduced in vibrancy. No evidence of cockling. Not examined out of the frame.Right example: Moderate time staining across sheet with associated tempering of colour. Sporadic foxing spots beginning to form. Some otherwise possible light reduction to colour vibrancy, but generally in fair to good order. No evidence of cockling. Not examined out of the frame.
George Weatherill (1810-1890)Whitby Harbour Signed, pencil and watercolour heightened with white and scratching out, 45cm by 69cm Relatively light to moderate staining across sheet with associated slight tempering of overall colour. Odd patch of more pronounced staining, ie within the sky above the buildings beside the abbey. Some further relatively light overall reduction to colour. Odd possible foxing spot beginning to emerge. No evidence of cockling. Not examined out of the frame.
Neil Cawthorne (1936-2022) "The Trial"Signed, oil on canvas, 35.5cm by 50cm (unframed) Provenance: Private Yorkshire collection. Purchased directly from the artist. In an overall good and original state of preservation. A couple of extremely minor and superficial surface scuffs towards upper left hand corner and possibly elsewhere as a result of the work being unframed. Light surface dirt. Not examined with a UV light.
Ernest Higgins Rigg (1868-1947)Loaded hay cart and haymaking at sunset Signed, oil on canvas, 65cm by 90cm Rectangular patch repair to reverse of canvas with associated retouches to front of canvas which is broadly rectangular shaped, situated just below and centre of the rustic figures outstretched hay rake, and is approximately 1cm by 1.5cm overall. Relatively light surface dirt and discoloured varnish. Otherwise in a broadly good state of preservation.
Follower of Sir Godfrey Kneller (1646-1723)Portrait of a young beauty at rest in a rocky landscape, holding a handful of flowersOil on canvas, 125cm by 100cmRelined, cleaned and revarnished. Canvas retains a reasonable to good amount of flexibility. Some relatively light surface dirt and discoloured varnish now in evidence. The paint is slightly flattened and thin in places as a result of the restoration process. Some minor rubbing/abrasion to outer edges from a small degree of movement within the frame. Superficial, very slightly curved surface scratch to lower right hand corner which is roughly 30cm in length. Two to three further essentially horizontally arranged surface scratches within lower left hand side corner and extending across the canvas by approximately 30cm plus (see images). Areas of isolated, varying sized craquelure. Scattered retouching throughout background. Finer, more delicate retouching and infilling across the face and shoulder/chest area, with the shadowy parts of her chin and neck having received a slightly more consistent approach, presumably to old flaked paint. Scattered retouching of a mostly small scale, ie no more than 2cm in length, mostly across her left hand side of the chemise. Further sporadic and mostly delicate retouching to the flesh of her arms and hands with the odd slightly larger patch of intervention. Otherwise in a broadly good, stable and presentable state of preservation. For more information please contact the department.
Alfred Augustus Glendening Snr. (1840-1921) Seashore Initialled and dated (18)71, oil on canvas, 21cm by 38cmWe are grateful to David Coulthard, Alice Munro-Faure and Robin McInnes for their assistance in cataloguing this lot. In restored condition. Fairly stiffly relined and revarnished. Some relatively light surface dirt and discoloured varnish now in evidence. Widely spaced, stable craquelure essentially to sky. Tiny loss to upper right hand corner. Some fairly consistent strengthening and retouching through sky. Area of overpainting to centre foreground across the exposed sand and receding towards the rocks which has slightly discoloured and is evident by eye in a slightly pink incongruous hue. Otherwise in a stable and presentable state of preservation.
Great Western Railway card luncheon box. GWR HOTELS AND CATERING DEPARTMENT LIGHT LUNCH BOX with adverts on the sides for the Fishguard and Tregenna castle hotels, measures 7in x 5.25in x 2.25in and is in excellent condition and maybe a sole survivor. Together with a GWR RD (Refreshment Department) Luncheon Basket fork.
Worksplate THE DREWRY CAR Co. LTD. ASSOCIATED WITH ROBERT STEPHENSON & HAWTHORNS LTD. NEWCASTLE-ON-TYNE, LOCO No. 2577 204HP 1956, CITY WALL HOUSE, LONDON E.C.2. Ex British Railways Class 04 shunter originally numbered 11215 becoming D2245 Feb 1959. New to 50B Neville Hill Nov 1956 and withdrawn from 50D Goole Dec 1968. Sold into preservation at the Derwent Valley Railway and then moved to the Battlefield line, Shackerstone in 1978. Currently at the Derwent Valley Light Railway. Oval cast brass, face restored measures 8in x 5in. Note this is the rare pattern of the BR Drewry supplied loco plates.
Shedplate 70F Fratton April 1955 to November 1959, then Bournemouth September 1963 to July 1967.The ex LBSCR and LSWR joint shed housed just twenty locos while using this code. Ex LSWR shed Bournemouth was home to 40 locos including 7 Bullied Light Pacifics and 9 Merchant Navies. In lightly face cleaned condition with correct casting marks to the front and BR(S) Eastleigh triangle on the back.
Shedplate 72A Exmouth Junction 1950- September 1963. This ex LSWR shed to the east of Exeter had over 120 locos allocated throughout this period. At its peak it had 33 Bullied Light Pacifics and 7 Merchant Navies as well as 5 of those exotic Z class 0-8-0 tanks. In September 1963 it received the WR code 83D. In restored condition with the BR(S) Eastleigh triangle cast into the back and typical Southern region casting marks on the front. Vendor removed it from E1 class 32697.
A boxed Asahi Pentax Microscope Adapter II for 35 mm SLR Camera with instruction booklet, a boxed Microscope Illuminator 12V Ac or DC and an incomplete illuminator light having adjustable focus lense and multi-leaf aperture adjustment and an adjustable current controller with upright illuminator support (scrap). N.B. Not to be connected to mains.
An Oak and Mahogany cased longcase / grandfather clock having light and dark-wood stringing, the painted face with Roman numerals having an inset date register and decorated to the corners with well-depicted pink Rose blooms, the 30 hour movement striking the hours on a bell. 75 3/4" high, 21 1/8" wide and 10" deep approx. Running at the time of lotting.
Poul Henningsen, Louis Poulsen, frühe Tischleuchte Modell PH 3/2Poul HenningsenLouis PoulsenDesign 1927Frühe Tischleuchte Modell PH 3/2. Entwurf 1927, Ausführung um 1930. Stand in Messing, Schirme in Kupfer. H. 47 x D. 30 cm. Bezeichnet mit 'PH-3, Patented'.Literatur: Tina Jørstian & Paul Erik Munk Nielsen, Light Years Ahead, The Story of the PH Lamp, Copenhagen 1994, Abb S. 147 ff..
Pierre Soulages (1919-2022), Oil on Canvas. Image Size: 47 1/8 by 39 1/4 inches (120 by 100 cm) All measurements are approximate. Signed (lower right and reverse). Pierre Soulages, born in 1919 in France, is a pioneering figure in the world of abstract art. Best known for his work in "outrenoir" or "beyond black," Soulages explores the limitless depths of black through his distinctive use of texture, light, and form. His bold, monochromatic canvases are characterized by dynamic, gestural brushwork that creates a sense of depth and movement. With a career spanning more than eight decades, Soulages has left an indelible mark on the abstract art landscape, and his innovative approach to the color black has earned him international acclaim, cementing his status as a modern master. Please read our policy carefully:. 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Giuseppe Santomaso (1907-1990), Oil on Canvas. Image Size: 47 1/8 by 39 1/2 inches (120 by 100.5 cm) All measurements are approximate. Signed (lower left). Giuseppe Santomaso (1907-1990) was an Italian abstract artist whose innovative approach transcended conventional artistic boundaries. Renowned for his mastery of color and form, Santomaso's works exude a sense of dynamic energy and a harmonious interplay of shapes. A prominent member of the post-war European avant-garde, Santomaso's art reflects a deep exploration of the relationships between light, space, and texture. His abstract compositions often evoke a sense of depth and movement, inviting viewers to engage with the interplay of elements. Santomaso's contributions to abstract art left an indelible mark, fostering a new perspective on visual expression and expanding the horizons of artistic possibilities. His legacy continues to inspire artists and admirers alike, showcasing the power of abstraction to convey complex emotions and ideas. Please read our policy carefully:. 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
FORD RANGER LIMITED 4X4 TDCI ON SALE / RESERVE MET 12.11.2014 '64 REG' *ALL NEW FACELIFT MODEL* LCV - PICK-UP TRUCK * LIMITED EDITION * 3198cc 'TDCI - DIESEL' 6 SPEED MANUAL - 200 BHP BLACK METALLIC PAINTWORK MOT UNTIL: SEPTEMBER 4th 2024 (NO ADVISORIES ON LAST MOT) 4x4 ALL TERRAIN VOSA VERIFIED MILEAGE 'LIMITED EDITION' *MASSIVE SPECIFICATION* LCV - 4X4 PICK-UP TRUCK LWB - DOUBLE CAB VERSION 3.2 TDCI 'DIESEL' UPGRADED 200 BHP !!! 5 SEATER MODEL FULL LEATHER INTERIOR TRIM POWER ASSISTED STEERING REMOTE CENTRAL LOCKING A.B.S - BRAKES TRACTION CONTROL CABIN AIR BAGS SATELITE NAVIGATION *RARE* CD PLAYER - RADIO BLUETOOTH HANDSFREE AIR CONDITIONING HEATED SCREEN LEATHER 'HEATED' SEATS ELECTRIC WINDOWS ELECTRIC MIRRORS MULTI-FUNCTION STEERING WHEEL CRUISE CONTROL FUNCITON ON-BOARD TRIP COMPUTER AUTO LIGHT FUNCTION COLOUR CODED EXTERIOR PACKAGE UPGRADED EXTERIOR STYLING PACKAGE SIDE RUNNING ENTRY / EXIT BOARDS UPGRADED ALLOY WHEELS DROP-DOWN REAR TAIL-GATE HEAVY DUTY LOAD LINER REAR ROLL BAR (FINISHED IN CHROME) PARKING SENSORS REVERSING CAMERA ASSITANCE (WITH REAR GUIDENCE LINES) FULL TOW PACKAGE PLUS ALL STANDARD EQUIPMENT RUNS AND DRIVES VAT STATUS: PLUS VAT @ 20% (CHARGED ON THE HAMMER PRICE) COLLECTION FROM: SALES ADDRESS MILEAGE ONLY: 143326 - WARRANTED PAYMENT METHOD: BACS TRANSFER ONLY (NO CASH / CARD PAYMENTS) PAYMENT DEADLINE: 5PM TUESDAY 14th OF NOVEMBER 2023 (unless the reserve is met or bid accepted before, then the paymemt deadline will be 5pm the following day) *IF YOU ARE UNABLE TO ABIDE BY THESE PAYMENT TERMS, DO NOT BID* DELIVERY: AVAILABLE UPON REQUEST Auctioneers Remarks: Eml Displayed V5c - To Apply / Follow Suspension Knock Advised To Be Transported Away TO REQUEST A VIDEO OF THIS LOT, PLEASE EMAIL US AT info@josephjamesandpartners.co.uk (PROVIDING YOUR NAME, THE LOT INFORMATION AND MOBILE TELEPHONE NUMBER) All bids submitted are valid and taken as provisional if reserve has not been met. For Buyer Premium / VAT Charges, Please Refer To 'Additional Fees' Late Payment Will Result In Receiving Late Payment Fees, Charged At A Daily Rate Of 3% +VAT Of The Total Payable Invoice
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534297 Los(e)/Seite