BRU Puppenautomat, Ende 19. Jh. Mädchen am Spinnrad stehend, im Nacken gemarkt "BRU", Porzellankurbelkopf, festsitzende, blaue Glasaugen, geschlossener Mund in Herzform, durchstochene Ohrlöcher, blonde Perücke (nur noch stellenweise erhalten). Der Körper besteht aus einem Holzgestell (tlw. mit Watte umwickelt), die Hände aus Porzellan. Die helle Baumwollkleidung ist ergänzt, der Körper in Kleid und Unterhosen eingenäht. Die Puppe steht auf einem quadratischen, mit grünem Samt überzogenem Podest. Das Musikwerk spielt eine Melodie beim Drehen des eingesteckten Schlüssels und die Puppe hebt beide Arme nach oben und bewegt den Kopf nach links. Der Spinnfaden war in die Handfläche geklebt, hängt nun lose. Eine Handfläche mit Kleberesten und Fadenrückständen, die Andere mit einem kl. Brandriss. Klebereste an der Perücke, Kinn min. berieben, (ähnelt einem Grübchen), Alters- bzw. Lagerspuren. H 40 cm (mit Sockel).| BRU doll machine, late 19th century, Girl standing at the spinning wheel, marked "BRU" on the back of her neck, porcelain crank head, fixed blue glass eyes, closed heart-shaped mouth, pierced ears, blonde wig (only partially preserved). The body consists of a wooden frame (partly wrapped with cotton wool), the hands are made of porcelain. The light cotton clothing is supplemented, the body is sewn into the dress and underpants. The doll stands on a square pedestal covered with green velvet. The musical mechanism plays a melody when the inserted key is turned and the doll raises both arms and moves its head to the left. The thread was stuck in the palm of the hand, now it hangs loose. A palm with glue residue and thread residue, the other with a small fire crack. Glue residue on the wig, chin slightly rubbed (similar to a dimple), signs of age and storage. H 40 cm (with base).
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PICASSO, PABLO (1881-1973) "Teller aus dem Service Poisson" Edition Madoura 1947, Keramik, heller Scherben, polychrom bemalt und glasiert, auf der Rückseite: "Madoura Plein Feu / S / 39 / Edition Picasso", D: 23 cm. Leicht krakeliert.Provenienz: "CHRISTIES, 30 Jan - 7 Feb 2020, Online 17515, Picasso Ceramics Online, Lot 100"| PICASSO, PABLO (1881-1973) "Plate from the Poisson Service".Edition Madoura 1947, ceramic, light-coloured body, polychrome painted and glazed, on the back: "Madoura Plein Feu / S / 39 / Edition Picasso", D: 23 cm. Lightly crazed.Provenance: "CHRISTIES, 30 Jan - 7 Feb 2020, Online 17515, Picasso Ceramics Online, Lot 100".
LEICA M3 MIT BELICHTUNGSMESSER, 1954-1958, Ser. Nr.: 781800, Objektiv Summicron 1:2/50 (1280290). Normale Alters- und Gebrauchsspuren, löst aus. Anbei Belichtungsmesser „Leica-Meter“ und Bereitschaftstasche.| LEICA M3 WITH EXPOSURE METER,1954-1958 Ser. No .: 781800, Summicron 1: 2/50 lens (1280290). Normal signs of age and wear, triggers. Enclosed light meter "Leica-Meter" and ever-ready case.
2 Orientteppiche BIDJAR/PERSIEN, 1970er Jahre: 1.) 161x113 cm und 2.) 92x75 cm. Beide Teppiche zeigen ein großes Hexagon im Innenfeld und sind durchgehend mit einem (Fische im Teich) Rautenmuster durchgemustert. Der größere Teppich zeigt in der hellbeigen Hauptbordüre eine schönes Schildkrötmuster. Schöne gekochte Pflanzenfarben. KP ca. 2500.-€. Normale Gebrauchsspuren| 2 Oriental carpets BIDJAR/PERSIA, 1970s: 1.) 161x113 cm and 2.) 92x75 cm. Both carpets show a large hexagon in the inner field and are patterned throughout with a (fish in a pond) diamond design. The larger rug shows a nice turtle pattern in the light beige main border. Beautiful boiled vegetable colors. KP ca. 2500.-€. Normal signs of use.
Leporello Xi Wang Xi Tu "Die Freudenbilder des Kaisers", CHINA, um 1900 Faltbuch mit 12 chinesischen Erotik Shunga Malereien, sogenannten "Frühlingsbildern" oder "fröhlichen Bildern", leichte Farben auf Gewebe, auf Papier, außen Stoffdeckel, 33,5x31,5 cm. Alters- und Gebrauchsspuren, besch.| Leporello Xi Wang Xi Tu "The Emperor's Pleasure Pictures", CHINA, c. 1900. Folding book with 12 Chinese erotic shunga paintings, so called "spring paintings" or "happy paintings", light colors on tissue, on paper, outside cloth cover, 33,5x31,5 cm. Signs of age and use, dam.
Summicron M 2/35 mm, um 1969 1) Leitz, Canada. Nr. 2341700, stark gebrauchte Optik, Mechanik noch gut, unter Punktlicht zeigt die Frontlinse Putzspuren und das Innere der Optik diverse Beläge. Mit Dose. (3-4/3-) - Und: 2) Sonnenblende 12585. (2-/3) Start Price: EUR 100 Summicron M 2/35 mm, c. 1969 1) Leitz, Canada. No. 2341700, heavily worn lens, mechanism still good, pinpoint light test shows cleaning marks on the front lens and various coatings on interior optics, with plexi box. (3-4/3-) - And: 2) Hood 12585. (2-/3) Start Price: EUR 100
Deckkappe für Leica M 3 Leitz, Wetzlar. Noch ohne Nummer, im Schräglicht schwache Druckspuren im Lack des Namenszug sichtbar. Sonst neuwertig. Start Price: EUR 600 Top Plate for Leica M 3 Leitz, Wetzlar. Unnumbered, faint pressure marks in paint finish, name visible in oblique light, otherwise near-mint. Start Price: EUR 600
4 Fassadensäulen für Schaustellergeschäfte, um 1930 4 verschiedene Fratzen, geschnitztes und bemaltes Holz, jeweils zweiteilig, Augen mit Porzellanfassungen für farbige Glühbirnen, Höhe jeweils 157 cm. Selten zu findende Jahrmarktdekoration. Start Price: EUR 350 Four Carousel Façade Decorations, c. 1930 Four grimacers of carved and painted wood, each in two parts, eyes with porcelain sockets for colored light bulbs, height all 62 in. Scarce fairground decoration. Start Price: EUR 350
Original-"Steampunk"-Lampe Zeitgenössische industrielle Skulptur aus Manometern, Ventilen, einem Thermometer von Weksler, Stahlrohren und einem Speichenrad mit 40 cm Durchmesser, mit 2 Lampen, eine nach oben gerichtet und eine nach unten, in Drahtgehäusen, Höhe 83 cm, 110 Volt, moderne elektrische Ausstattung, mit Stoff ummantelte Schnur, funktionierend. - Steampunk, aufkeimende Kunstform und ästhetische Schöpfung, verschmilzt antike Maschinen aus ehemaliger industrieller Nutzung, Science-Fiction und moderne Technologie. Inspiriert von den literarischen Werken von H.G. Wells und Jules Verne, außerdem von den unmöglichen Maschinen von Willi- am Heath Robinson. Eine Neuerfindung von Objekten aus der Zeit der Moderne in der Art des Viktorianischen Zeitalters. Laut dem Steampunk-Evangelisten Bruce Rosenbaum "ist es alt und neu zugleich, Vergangenheit und Gegenwart. Getriebe, mechanische Geräte, nautische und Dampfkraftelemente und Gußeisen sind durchdrungen von der Technologie des 21. Jahrhunderts". - Referenz: Siehe "Testing Golf Drivers" von William Heath Robinson für ein ähnliches Design! Start Price: EUR 280 Original "Steampunk" Lamp Contemporary industrial sculpture of gauges, valves, Weksler thermometer, steel pipes and a 16-inch (40 cm) spoked iron wheel, with two light sources - an uplight and a downlight - in open storm lamp cages with 2 bulbs, ht. 32 ½ in. (83 cm), 110 V, modern electric fittings and cloth-covered cord, working. - Steampunk, burgeoning art form and aesthetic, fuses antique machinery with industrial salvage, science fiction and modern technology. Drawing inspiration from the literary works of H.G. Wells and Jules Verne, the impossible machines of William Heath Robinson and the anarchic humor of Dr. Seuss, "it's a world of 'what if' … that involves reinventing period objects, most notably from the Victorian age". According to Steampunk evangelist Bruce Rosenbaum, "it's old and new at the same time, past and present. Gears, mechanical gadgets, nautical and steam power elements and cast-iron are all imbued with 21st-century technology". Industrial art re-designed. - Reference: See "Testing Golf Drivers" by William Heath Robinson for a similar design! Start Price: EUR 280
Dallmeyer Dallac 2/8,5 cm für M39 Dallmeyer, London. Nr. 544735, außen graviert DC = Dallcoated. Fokussierbar bis 4 Feet, nur bei Punktlicht und kritischer Sicht: unbedeutende Putzspuren auf Rück- und Vorderlinse, für anspruchsvolle Praxis unbedeutend. In neuwertigem Zustand. Mit Rückdeckel und Original-Frontdeckel. Start Price: EUR 6000 Dallmeyer Dallac 2/8,5 cm for M39 Dallmeyer, London. No. 544735, engraved "DC" (= Dallmeyer coated), focusabling up to 4 feet, with rear cap and original front cap, a pinpoint light test and close inspection reveal only cleaning marks on and front elements - insignificant even for complex use, otherwise in near-mint condition. Start Price: EUR 6000
Leicaflex SL 2 Ausrüstung 1) Leitz, Wetzlar. Leicaflex SL 2, Chrom, Nr. 1420927, Verschluß: langsame Zeiten alle gleich, Prisma innen mit Abplatzer, Bodenplatte mit schwachem Abrieb, sonst unbenutzt. Mit Anleitung. (2-/3-) - 2) Leitz, Canada. Elmar 3,5/65 mm für M, Nr. 2121644, mit Punktlicht innen sehr schwacher Nebel. Sonst neuwertig, auf neuwertigem M-Adapter R 14167, mit Köcher. (2/3) - 3) Leitz, Wetzlar. Sucherlupe 14326, winzige Delle. (2-/2) - 4) Augenmuschel 14257. (2/-) - 5) Makro-Adapter R für 2,8/60 Typ 14198. (2/2) - 6) R4-Einstellscheibe 14303. (2/2) - 7-10) Sonnenblenden 12564, 12509, 12506 und 12529. (2-/-) - Und: 11) Tamrom, Japan. Tamrom Aspherical 3,8-5,6/28-200 mm Nr. 414304, Glas sauber, Adapter Leicaflex, mit Rückdeckel. Neuwertig. (2/2) - Kompakte hochwertige Optik. - Dabei: Adapter Praktika Bajonett. Start Price: EUR 350 Leicaflex SL 2 Set 1) Leitz, Wetzlar. Leicaflex SL 2, chrome, no. 1420927, shutter: slow times all uniform, prism with chips, base-plate with slight abrasions, otherwise unused, with instructions. (2-/3-) - 2) Leitz, Canada. Elmar 3.5/65 mm for M, no. 2121644, pinpoint light test reveals light fog, otherwise near-mint, on a new M adapter R 14167, with soft case. (2/3) - 3) Leitz, Wetzlar. Finder magnifier 14326, tiny dent. (2-/2) - 4) Eyecup 14257. (2/-) - 5) Makro-Adapter R for 2.8/60 typ 14198. (2/2) - 6) R4 interchangeable focusing screen 14303. (2/2) - 7-10) Sunshades 12564, 12509, 12506 and 12529. (2-/-) - And: 11) Tamrom, Japan. Tamrom Aspherical 3.8-5.6/28-200 mm no. 414304, glass clean, Leicaflex adapter, with back cap, near-mint. (2/2) - Compact high-quality lens. - In addition: Praktika bayonet-adapter. Start Price: EUR 350
Summilux M 1,4/35 mm, um 1983 Leitz, Canada. Nr. 3282319, nur bei Punktlicht sichtbar: Frontlinse mit sehr schwachen Putzspuren und innen die Vorderlinsen mit schwachem Belag. Mit Front- und Rückdeckel. Start Price: EUR 1600 Summilux M 1,4/35 mm, c. 1983 Leitz, Canada. No. 3282319, pinpoint light test reveals front element with very light cleaning marks and interior with light fog, with front and back cap. Start Price: EUR 1600
Englisches Trichtergrammophon, um 1910 Mead Company, Birmingham. Helles Eichengehäuse, 25cm-Plattenteller, Federwerkmotor Garrard No. 12, Sirola-Glimmerschalldose, Metalltrichter, Ø 52 cm, ohne Kurbel, ungetestet. - Dabei: Weiterer Metalltrichter, Original-Lackierung, Ø 42 cm. Start Price: EUR 180 English Horn Gramophone, c. 1910 Mead Company, Birmingham. Light-oak case, 10-inch turntable, Garrard No. 12 spring motor, Sirola mica soundbox, metal horn, Ø 20 ½ in., missing crank, untested. - In addition: Another metal horn, original paint, Ø 16 ½ in. Start Price: EUR 180
Elektronenröhren und Leuchtmittel 1) EEV B1153, englische Sende-Triode, Höhe 25 cm. - 2) Thomson-CSF TH6090, Thyratron, Frankreich, Höhe 38 cm. - 3) EEV CX1159, Deuterium-Tetrode Thyratron, B5F-Sockel, Höhe 30,5 cm. - 4) Tungsram 15QR 40, Thyratron, Höhe 44 cm. - 5) AEG F60-04, Röntgenröhre/Diffraktionsröhre, Höhe 32 cm. - 6) Philips PW2056/66, Röntgenröhre, Höhe 23,5 cm. - 7) Leybold 555 11 Baur 1, Perrin-Röhre, hochevakuierte Elektronenröhre mit fokussierender Elektronenkanone, Leuchtschirm und seitlich angesetztem Faraday-Käfig. - 8) 2 x Valvo QB5/1750, Strahlbündel-Endröhre/Senderöhre. - 9) BBC T 380-1, Sende-Leistungs-Triode mit Graphitanode. - 10) Telefunken RG 48II, Einweg-Gleichrichterröhre. - 11) Telefunken RL12P35, Sendepentode. - 12) Röntgenröhre, unbezeichnet, Länge 29 cm, auf Ständer. - 13) Brown Bovery DQ2a, Einweg-Gleichrichterröhre. - 14) 2 x Siemens RS 1019, Zweifach-Tetrode. - 15) Telefunken TK 6, Reflex-Klystron. - 16) B1-0,1/30, UdSSR, Einweg-Gleichrichterröhre. - 17) Valvo D7-190GH, Oszillographenröhre. - 18) 3 x General Electric 4SN1A3, Binary Scales. - 19) Valvo RL12P10, Vakuum-Pentode. - 20) AEG D 7-16 GJ, Oszillographenröhre. - 21) Heimann XQ 1062, Vidicon-Röhre. - 22) Hokotu E2282, Fernsehbild-Röhre, 10,5 x 8,5 cm. - 23) 5 frühe Leuchtmittel, Länge bis 23 cm. - Und: 24) Radiometer (Lichtmühle), Höhe 13,5 cm. - Position 4 kann wegen Quecksilber-Inhalt nicht verschickt werden. Start Price: EUR 180 Electron Tubes and Bulbs 1) EEV B1153, English transmitting triode, height 10 in. - 2) Thomson-CSF TH6090, Thyratron, France, height 15 in. - 3) EEV CX1159, deuterium tetrode thyratron, B5F base, height 12 in. - 4) Tungsram 15QR 40, thyratron, height 17 ½ in. - 5) AEG F60-04, X-ray tube/diffraction tube, height 12 ½ in. - 6) Philips PW2056/66, X-ray tube, height 9 ¼ in. - 7) Leybold 555 11 Baur 1, Perrin tube, highly evacuated electron tube with focusing electron gun, fluorescent screen and laterally attached Faraday cage. - 8) 2 x Valvo QB5/1750, beam end tube/transmitter tube. - 9) BBC T 380-1, transmitting power triode with graphite anode. - 10) Telefunken RG 48II, one-way rectifier tube. - 11) Telefunken RL12P35, transmitting pentode. - 12) X-ray tube, unmarked, length 11 2/5 in., on stand. - 13) Brown Bovery DQ2a, one-way rectifier tube. - 14) 2 x Siemens RS 1019, double tetrode. - 15) Telefunken TK 6, reflex klystron. - 16) B1-0,1/30, USSR, one-way rectifier tube. - 17) Valvo D7-190GH, oscilloscope tube. - 18) 3 x General Electric 4SN1A3, binary scales. - 19) Valvo RL12P10, vacuum pentode. - 20) AEG D 7-16 GJ, oscilloscope tube. - 21) Heimann XQ 1062, Vidicon tube. - 22) Hokotu E2282, television picture tube, 4 x 3 ¼ in. - 23) 5 early light bulbs, length up to 9 in. - And: 24) Radiometer (light mill), height 5 ¼ in. - Item 4 cannot be shipped because of the mercury content. Start Price: EUR 180
Große Sammlung Schellackplatten, um 1920-55 1) 38 Schellackplatten vom Schuricke-Terzett und 28 Schellackplatten mit Rudi Schuricke als Solo-Sänger. - 2) 73 deutsche Tonfilm-Schlager und Tanzmusik. - 3) 48 Platten von Chick Webb, Woody Herman, Bud Freeman und Jimmie Lunceford. - 4) 29 Paul-Godwin-Schellackplatten. - 5) 66 Schallplatten mit Tonfilmschlagern, Operetten und Unterhaltungsmusik. - 6) 175 Platten deutsche Tanz- und Unterhaltungsmusik. - 7) 360 Platten mit Opern, Operetten und klassischer Musik. - 8) 130 englische und amerikanische Schellackplatten mit Unterhaltungs- und Tanzmusik. - 9) 91 Schellackplatten mit französischen Interpreten. - Und: 10) 45 weitere Platten - Unterschiedlicher Zustand. Nur Selbstabholung in Köln-Godorf. Start Price: EUR 220 Large Shellac Disc Collection, c. 1920-55 1) 38 shellac records by Schuricke-Terzett and 28 shellac records with Rudi Schuricke. - 2) 73 German sound film hits and dance music. - 3) 48 discs by Chick Webb, Woody Herman, Bud Freeman and Jimmie Lunceford. - 4) 29 Paul Godwin shellac discs. - 5) 66 film hits, operettas and light music records. - 6) 175 German dance and light music discs. - 7) 360 opera, operetta and classical music records. - 8) 130 shellac records of English and American light and dance music. - 9) 91 shellac records with French performers. - And: 10) 45 further records. - Mixed condition. Please note: In-hose shipping of this lot is not possible. Pickup only from Cologne-Godorf. Start Price: EUR 220
Fahrschulmodell "Höhm EH 52-61" und 4 Demonstrationsmodelle, um 1960 1) Demonstrationsmodell mit Handkurbelantrieb, Kühlermaske Opel Kapitän, vollständig nachgebildete elektrische Anlage, teilweise aufgeschnittene technische Teile. Teils rostig, Holzsockel beschädigt, müßte restauriert werden, Länge 108 cm. - Ein tolles Ausstellungsstück! - Und: 2) Lehrmodell "Scheinwerfer", Verkehrs Verlag Remagen (VVR), Maße 62 x 42 cm; 2 Anhängermodelle, VVR, zur Demonstration von Auflaufbremsen; Höhm-Schnittmodell eines Viertaktmotors, mit Handkurbelantrieb. Start Price: EUR 280 "Höhm EH 52-61" Driving School Model and Four Demonstration Modells, c. 1960 1) Demonstration model, Opel Kapitän radiator grill, with working engine, lights and steering mechanism, crank-drive, partly rusty, wood plinth damaged, in need of restoration, lg. 42 ½ in. - A fascinating exhibition piece and collector’s item! - And: 2) Demonstration model front light, Verkehrs Verlag Remagen (VVR), 25 x 16 ½ in.; 2 trailer models, VVR, to demonstrate overrun brakes; Höhm four-stroke engine cutaway model, with crank-drive. Start Price: EUR 280
Logarithmischer Projektions-Rechenschieber Filotecnica Modell 201, Italien, um 1955 Anfang der 1950er Jahre entwickelte das für seine Präzisionsgeräte bekannte Unternehmen Filotecnica Salmoiraghi auf der Grundlage der Patente von Abeille und Aquilecchia einen Rechenschieber, der die Skalen auf einen hinterleuchteten Bildschirm projizierte. Diese Lösung ermöglichte, dass ein sehr kompaktes Gerät die gleiche Genauigkeit wie ein traditioneller Rechenschieber von 2,5 Metern Länge erreichte. Bei logarithmischen Taschenrechnern ist die Genauigkeit in der Tat proportional zur Länge. Ziel war es, eine logarithmische Rechenmaschine auf den Markt zu bringen, die billiger ist als eine elektromechanische Rechenmaschine. Dieses Ziel wurde nur teilweise erreicht: Das Gerät ist zwar sehr genau, war aber dennoch zu teuer, da es zum gleichen Preis wie ein gutes Motorrad verkauft wurde, was einem durchschnittlichen Gehalt von zwei Monaten entsprach. Zu teuer also für einzelne Kunden, während Unternehmen es vorzogen, die teurere, aber unschlagbare Olivetti Tetractys zu kaufen. Das Projekt wurde daher nicht weiterverfolgt, und laut einem in der Zeitschrift der Oughtred Society veröffentlichten Artikel wurden nur 5 Stück gebaut. Dies ist eines der 3 bekannten "Überlebenden", ein vierter ist in einem irreparablen Zustand und über den fünften ist nichts bekannt. Dieses Gerät ist in perfektem Zustand, komplett mit einer Anleitung in italienischer Sprache und einem Lederetui, das wahrscheinlich nicht original aus der Fabrik stammt. Die Serien-Nr. 45605 entspricht den Gewohnheiten der Fabrik, die die Produkte in der Reihenfolge des Verlassens der Produktionslinie und nicht nach Serien oder Modellen nummerierte. Die Serien-Nr. erscheint neben den anderen vier als existierend bekannten Geräten auf der Website http:/Iwvwv.rechnerlexikon.de. Dieses Gerät scheint 1955 an das Kommunikationsunternehmen Telettra (eines der wichtigsten Unternehmen der damaligen Zeit) geliefert worden zu sein, weist aber praktisch keine Gebrauchsspuren auf. Werbung für diesen Rechner erschien in den Katalogen von Filotecnica nur in den Jahren 1954 und 1955. Die Firma Filotecnica Salmoiraghi, die 1865 von Ignazio Porro (Erfinder des prismatischen Fernglases) gegründet wurde, war etwa 100 Jahre lang die wichtigste italienische Fabrik für optische und nautische Meß- und Präzisionsinstrumente. Start Price: EUR 1400 Filotecnica Model 201 Back-Light Screen Projection Slide Rule, Italy c. 1955 In the early 1950s the company Filotecnica Salmoiraghi, well known for its precision equipment, developed a slide rule that projected the scales onto a backlit screen from the patents of Abeille and Aquilecchia. This solution allowed a very compact device to have the same precision as a traditional slide rule of 2.5 meters. With logarithmic calculators, precision is in fact proportional to length. - The goal was to market a logarithmic calculator cheaper than an electro-mechanical calculator. This aim was only partially achieved: the device is in fact very precise but was still too expensive. At the time of production, it sold for around the same price as a good motorcycle, and was the equivalent of two months’ average salary. It proved too expensive for individual professionals, while companies preferred to buy the more expensive, but tried and tested, Olivetti Tetractys. According to an article published in the journal of the Oughtred Society, the project was discontinued and only five units were built. - This example is one of the three known survivors, a fourth is in irreparable condition and nothing is known about the ?fth. This unit is in excellent condition, complete with instructions in Italian and a probably non-factory leather case. The serial no. 45605 is typical of the factory, which numbered products in order of exit from the production line and not according to the series or model. No. 45605 appears among the four reported surviving instruments on the website http:/Iwvwv.rechnerlexikon.de. This unit appears to have been delivered to the communications company Telettra (one of the most important at the time) in 1955 but shows virtually no signs of use. Advertising for this calculator appears in the Filotecnica catalogs only in the years 1954 and 1955. Filotenica Salmoiraghi, founded in 1865 by lgnazio Porro - the inventor of prismatic binoculars, was the main Italian factory of optical, nautical, measurement and precision instruments for the best part of a century. Start Price: EUR 1400
Elmarit-M 2,8/28 mm, um 1964 Leitz, Wetzlar. Nr. 2063052, Typ 11801, Glas des hinteren Linsenblocks bei Punktlicht mit etwas Belag, Indexstrich für Blende rechts, mit Frontkappe und Leitz-Karton für den Typ 11804. Kaum benutzte Optik! Start Price: EUR 350 Elmarit-M 2,8/28 mm, c. 1964 Leitz, Wetzlar. No. 2063052, type 11801, pinpoint light test of rear elements reveals some fog, index for iris diaphragm on right side, with front cap and Leitz maker’s box for Type 11804, lens with little sign of use. Start Price: EUR 350
Leica "mini zoom" und Tele-Elmar M 4/135 mm 1) Leitz, Wetzlar. Tele-Elmar M 4/135 mm Nr. 2046419, Glas bei Punktlicht innen mit staubförmigem Belag, sonst neuwertig. Mit Rückdeckel. (2-/3) - Und: 2) Leica "mini zoom" mit Vario-Elmar 35-70, Nr. 2014221, ungeprüft. Mit Schatulle und Karton. (3/-) Start Price: EUR 120 Leica "mini zoom" and Tele-Elmar M 4/135 mm 1) Leitz, Wetzlar. Tele-Elmar M 4/135 mm no. 2046419, with back cap, pinpoint light test shows some dusty fog, otherwise near-mint. (2-/3) - And: 2) Leica "mini zoom" with Vario-Elmar 35-70, no. 2014221, untested, with presentation case and box. (3/-) Start Price: EUR 120
Leica M6, um 1987 Leitz, Wetzlar. Nr. 1725433, oben auf Deckel "ERNST LEITZ WETZLAR GMBH", vorne der Schriftzug "LEICA M6" und Trageösen von einem Anwender geschwärzt, Belichtungsmesser läuft, Sucher sauber. Gute Anwenderkamera. Start Price: EUR 1400 Leica M6, c. 1987 Leitz, Wetzlar. No. 1725433, top plate engraved with "ERNST LEITZ WETZLAR GMBH", "LEICA M6" engraving and carrying lugs blackened by a previous user, light meter working, viewfinder clean. A good usable camera. Start Price: EUR 1400
Interessante Nikon SP Ausrüstung Nippon Kogaku, Japan. 1) Nikon SP, Nr. 6218052, Verschluß läuft, Weitwinkelsucher etwas trübe, Ent-fernungsmesser ohne Funktion, mit Gehäusedeckel (selten) und Tasche. (3/3) - 2) Nikkor-S 1,4/5 cm, Nr. 410471, schöner Zustand. Meter-Skala, mit Gegenlicht-blende, Vor- und Rückdeckeln und Köcher. (2/3) - 3) W-Nikkor 3,5/2,8 cm, Nr. 717222. Auch hier schöner Zustand. Klare Linsen, nur minimal Staubpartikel zwischen den Linsen. Mit Original-Karton, beiden Deckeln und Köcher. (2/3) - 4) Seltener Nahvorsatz für Nikkor 1,4/5 cm. Mit Etui und Original-Karton. (2/2) - 5) Sucher 2,8 cm mit Etui. (2-/2-) - 6) Nikon-Belichtungs-messer, Nr. 955626, mit Verstärkern, beide funktionieren, mit den Diffusoren, Etuis und Kartons. (2-/3) - Und: 7) Filterhalter für Serienfilter, mit Sonnenblende für Nikkor 1,4/5 cm. Mit Etui. Start Price: EUR 1400 Nikon SP Outfit Nippon Kogaku, Japan. 1) Nikon SP, no. 6218052, shutter working, wide-angle viewfinder somewhat fuzzy, distance meter inoperative, with body cap (rare) and case. (3/3) - 2) Nikkor-S 1,4/5 cm, no. 410471, good condition, with meter scale, sunshade, front and back caps and case. (2/3) - 3) W-Nikkor 3,5/2,8 cm, no. 717222, clear optics, only light dust between the elements, otherwise good, with maker's box, both caps and case. (2/3) - 4) Rare close-up device for Nikkor 1,4/5 cm, with case and maker's box. (2/2) - 5) Viewfinder 2,8 cm with case. (2-/2-) - 6) Nikon exposure meter, no. 955626, with boosters, both working, diffusors, cases and maker's boxes. (2-/3) - And: 7) Filter holder for serial filters, sunshade for Nikkor 1,4/5 cm and case. Start Price: EUR 1400
Super-Angulon 3,4/21 mm für M, 1964 Leitz, Wetzlar. Nr. 2035787, Chrom, bei Punktlicht sehr schwacher Randbelag am hinteren Linsenblock, unsichtbar bei Abblendung auf 5,6. Mit Sonnenblende 12501 und Rückdeckel. Start Price: EUR 350 Super-Angulon 3,4/21 mm for M, 1964 Leitz, Wetzlar. No. 2035787, chrome, tested with point light faint dust on the edge of the rear lens block, invisible when stopping down to 5,6. With sunshade 12501 and back cap. Start Price: EUR 350
Brosche, 20. Jh.Fassung in Schleifenform, Gg 585, ausgefasst in farblosen Schmucksteinen, besetzt mit oval geschliffenem hellblauem Schmuckstein (Fluorit, D. 10 mm, H. ca. 10 mm). Nadel mit Sicherung. L. 46 mm, G. ca. 6,8 g Brooch, gold 585, set with colourless gemstones and light blue gemstone (fluorite) in oval cut. L. 46 mm, weight in total ca. 6,8 g. 20th ct.
Dose, Deutschland, Art déco, um 1920Steingut, hellrosafarbene transparente Glasur, metallmontierter Deckel mit schwarzem Holzgriff. Min. Haarriss am Verschlussknopf. Farbstempelmarke Boden: Bayerische Metallwarenfabrik Nürnberg. L. 21,5 cm Art déco-creamware box with cover, light pink glaze, metal mounting. Minimal hairline crack. Germany, ca. 1920. Stamp mark: Bayerische Metallwarenfabrik Nuremberg. L. 21,5 cm
John Brett (British 1831-1902): 'Fylingdales Moor' looking towards Whitby, oil on canvas signed and dated 1890, 38cm x 76cm Provenance: East Yorkshire private collection; exh. Royal Academy 1891 No.458; purchased by W.A. Pye Esq. in February 1891 for the sum of £100, then by descent through the Pye family; Sotheby's London 12th November 1992, Lot 132; Thomas Agnew & Sons Ltd. London (then listed as Treyarnon Bay) No.WA2457 (label verso) where purchased by J.E. Dayton; Sotheby's London 10th March 2005, Lot 217, where purchased by the vendor (at the same sale an oil sketch of the same scene was sold as Lot 218). Literature: Birmingham Daily Post 30th May 1891; C. Payne & C. Brett: John Brett: Pre-Raphaelite Landscape Painter (Yale Univ. Press 2010) Cat no.1350, ill p 236 Notes: The painting has previously been erroneously listed as Treyarnon Bay; this is because the frame, made for the artist by Dolman & Son, previously contained 'Treyarnon Bay' of 1889, and a label previously affixed to the frame displayed this title.Condition Report:Excellent condition - Ready to hang, shows no signs of over-paint under UV light
Elaine Katherine Grimshaw (British 1877-1972): Still Life of a Chinese Jar Pipe Book and Spectacles, oil on canvas signed and dated '97, 25cm x 45cm Notes: Elaine daughter of John Atkinson Grimshaw married E. Ragland Phillips at the age of twenty in 1897. Elaine studied at Balliol College Oxford and whilst there she attended the Ruskin School of Art Oxford. After her marriage, she signed her work, Elaine K Phillips or Elaine Phillips or E Ragland PhillipsCondition Report:Very good condition, re-lined but shows minimal signs of over-paint under UV light. Well presented - Ready to hang
A mid-century, probably medical floor-standing mobile anglepoise inspection light finished in ivory white, standing approximately 174cm highCondition report – Lighting unit a little loose in it’s housing, a few dents and scars to cream shade, springs okay, someone put additional ‘weight’ to top section, scuffs to arm and foot base.
19th century English School oil on board ' The Huntsman's Nightmare ' the bedridden fellow being attacked by Foxes in Hunting attire surrounded by fantasy vignettes, 23cm x 34cm unsigned in period moulded gilt frame by John Fogg of DoncasterCondition report –Condition good, UV light doesn’t show any blemishes or areas of re-painting, just reveals a few white highlights, possibly would benefit from a clean, frame a little distressed at corners.
William Henry Mander (1850-1922) 'On the Severn, Evening', oil painting on canvas, signed, inscribed to reverse 'On the Severn, Evening, Wm Mander, Small Heath, Birmingham', 60cm x 96cm, gilt framedCondition report – Not been lined but consider the painting has been restored, as you move light across the surface, there are noticeable dull areas and ‘crease’ lines frames good.
17TH CENTURY-STYLE TIBETAN PAINTED & LACQUERED 'DRAGON' STORAGE CUPBOARD, decorated with a sinuous dragon and lotus flowers within a shaped quatrefoil panel, floral brocade ground, iron clasps and lock, 92w x 37d x 51cms hAuctioneers note: Cf. a similar storage chest, 'Light of Compassion - Buddhist Art From Nepal and Tibet', Spink & Son Ltd., 1997, p.85, no. 50.
‡ JAMES LAWRENCE ISHERWOOD FRSA, FIAL (1917-1989) oil on board, 'The Dog, Rain, Wigan', signed, titled and dated 1970 verso, 24.5 x 34cmsThere is some paint albeit quite small.The painting itself looks very dirty, it has lots of dirt spots (see photograps) The mount is discoloured.The frame has general wear, light scratches.Condition report:
HAZEL NAGL RSW RGI PAI (SCOTTISH b.1953) THE SUNDIAL, BARGALY Mixed media, signed lower left, 28 x 28cm, (11 x 11?) ?For Glasgow Art Club!? and title inscribed to label verso Hazel Nagl is renowned for her sense of colour, space and light in her landscapes and still lifes. Nagl studied Drawing and Painting at the Glasgow School of Art, and she was elected to the Royal Glasgow Institute and to the Royal Scottish Society of Painters in Watercolour. Notable exhibitions and public collections include The Royal Bank of Scotland; Glasgow University; The Fleming Collection and Scottish & Newcastle Breweries. Condition Report:Available upon request
JENNIFER IRVINE RGI RSW (SCOTTISH CONTEMPORARY) GRAND CANAL, VENICE Oil on canvas, signed lower right, 19 x 19cm, (7.5 x 7.5?) Title inscribed to label verso Exhibiting throughout the UK, Irvine?s work investigates pattern, light and form through subject matter of townscapes, still life and seascapes. As well as painting in Argyll, she paints French and Italian villages and scenery, emphasising the sunlight and its qualities. Irving graduated from the Glasgow School of Art in 1978 and has since achieved many notable awards including The Sir William Gillies Award 2016 RSW; The Mark Greer Award RGI; The David Cargill Award RGI to name a few. Collections include The Robert Fleming Collection. Condition Report:Available upon request
HUMPHREY SPENDER (BRITISH 1910-2005) PHOENIX Tapestry, 165 x 121cm, (65 x 47.5?) ?Phoenix by Humphrey Spender - Edinburgh Tapestry Co? inscribed to wooden frame verso Humphrey Spender was a British artist, designer and photographer. ?Phoenix? was designed for Dovecot Studios, after their incorporation as Edinburgh Tapestry Co in 1946. At this time, resident Dovecot weavers were producing tapestries designed by English designers who were well established in the 1930s, which is referenced in Elizabeth Cumming?s book, 'The Art of Modern Tapestry Dovecot Studios Since 1912'. Cummings was commissioned to write this book for the centenary exhibition held to celebrate the birth of Dovecot in 1912. This rare and prestigious tapestry was formerly owned by Sir Harry Jefferson Barnes, who acquired Edinburgh Tapestry Co in 1954, when Sax Shaw was appointed artistic director. Condition Report:Lower left of tapestry has a white mark. Note: this item is woven, therefore there are some imperfections in the weave throughout the tapestry, refer to images. Additional images show the tapestry in situ, true colours shown in natural light
FREDERICK CHARLES UNDERHILL (BRITISH fl. 1851-1875) TOO YOUNG TO GLEAN Oil on canvas, 74 x 63cm (29 x 24.75") Title inscribed verso Condition Report:The canvas has been lined and on inspection there is light to moderate craquelure evident over most of the area of the sky and also the hills on the right. There appear to be areas of retouching noticeable over the lighter areas in the top half section to include retouching over one horizontal line, at top, and two vertical lines, close to the left and right edges.
AFTER SIR EDWIN HENRY LANDSEER (BRITISH 1802-1873) STUDY OF A HERON'S HEAD; STUDY OF A BIRD'S LEGS AND CLAWS Oil on canvas laid on board, signed with monogram 21 x 31cm (8.25 x 12.25"), 27 x 36cm (10.5 x 14") (2) Condition Report:Both works showing lines, more so 'Study of a Bird's Head, probably due to loose canvas's as they do not appear stuck down. General light wear and small amount of retouching.
ATTRIBUTED TO FRANCOISE LAMORINIERE (BELGIAN 1828-1911) TWILIGHT Oil on panel, signed and dated 1849, 21.5 x 29cm (8.5 x 11.5") Inscribed with title on labels verso Condition Report:On close inspection there is extremely light cracking in the pigment throughout the surface but overall reasonably good condition.
ITALIAN SCHOOL (18TH/19TH CENTURY) A DEPICTION OF THE VIRGIN MARY AND CHILD Oil on panel, 25.5 x 20cm (10 x 8") Condition Report:Light paint shrinkage top left area and some vertical lines/grain in panel apparent generally there also being evident a fine crack in the panel running vertically from top to bottom edge located close to the right edge.
JOHN DOUGLAS MICHIE (SCOTTISH C.1828-1893) BY THE HEARTH Oil on canvas, signed and dated 1886, 51 x 61cm (20 x 24") Condition Report:On inspection there is evident a vertical area of restoration work to the surface in an area approx. 7 x 2cm, located upper right quarter section diagonally up right from the seated figure's head with a corresponding patch verso. There is light craquelure apparent over the dark passages centrally located on the standing figure and similar but to a lesser degree around the upper half of the seated figure.
THE PROPERTY OF A LADY SAMUEL JOHN PEPLOE RSA (SCOTTISH 1871-1935) STORMY SEA, IONA Signed lower centre, oil on gesso board, circa 1925, 38 x 46cm (15 x 18") PROVENANCE: Aitken Dott & Son Mrs Proudfoot, Edinburgh; Mrs Nisbet, Kirkcudbright 1963, thence by descent. EXHIBITED: Royal Scottish Academy Festival Exhibition, 1949. It was Peploe?s friend, and fellow Edinburgh artist, F C B Cadell who persuaded him to visit Iona in 1920. Cadell had first painted there in 1912 and Peploe would have seen his paintings of the island before the outbreak of war in 1914, in which Cadell served as a private soldier, refusing promotion from the ranks. In 1918 Peploe wrote to his friend, vowing to visit Iona with him to ?recover some virtues I have lost?. But this would not be his first trip to the western isles; in the mid-1890s he had made the first of what became regular annual trips to Barra over the next ten years or so, where he began to paint en plein air and where he met his future wife, Margaret. · His visits to Iona with Cadell commenced in 1920 and continued annually until the early 1930s. It was the light at the north end of the island that both artists sought, skies scoured by the westerly winds from the Atlantic and peppered with scudding clouds hovering in sharp blue skies. But Peploe would paint the island in all weathers, blue skies replaced by grey and placid waters whipped up into rows of white breakers with the shoreline rocks seen in darker greys and browns and the sparkle of the sands hidden beneath murkier waters These paintings were exhibited regularly in Scotland where they influenced a younger generation of painters and encouraged them to visit the Hebrides in search of painting grounds The annual exhibitions at the RSA and RGI were rarely without an Iona painting but it was at Aitken Dott, Peploe?s Edinburgh dealers, that they were most regularly to be seen. George Proudfoot, the senior partner at the gallery, became an avid collector of Peploe?s work, ideally placed to acquire the best ? as he did with Stormy Sea, Iona, one of five views of Iona in his collection. Roger Billcliffe Condition Report:On close inspection there are a number of small spots of what appears to be mildew observed over the darker areas of the rocks in the left hand section of the lower left quarter section, extremely light traces of mildew are just detectable over darker passages of the rocks in the foreground and middle section. Again on close inspection a very small fragment of pigment appears to be missing top left quarter section just below the line of the rocks in the water, the ground bearing similar tone as the rocks above. On very close inspection there is just visible extremely light small hair line cracks in some areas of impasto. Artist's pin holes visible at lower left and right corners
AUGUST GERASCH (AUSTRIAN 1822-1908) HERDING COWS IN AN ALPINE LANDSCAPE Oil on panel board, signed, 44.5 x 56.5cm (17.5 x 22.25") Condition Report:The panel board is bowed in a concave manner and there are a number of light to slightly heavier in degree slightly raised lines of craquelure apparent over much of the surface area.
DAISY MAKEIG-JONES FOR WEDGWOOD - A FAIRYLAND LUSTRE NIZAMI PATTERN DISH the coloured and gilt design of Eastern figures and fruit trees on a black ground, upon three claw like feet, brown printed mark and painted number no. Z5494, diameter 21.5cm, with squared wooden stand Condition Report:Pings. Light rubbing to gilt rim and light surface scratches. NO chips, cracks or restoration. Light crazing underneath on the green just by the feet
A SHELLEY ART DECO QUEEN ANNE BLUE IRIS TEA AND DESSERT SET comprising two serving bowls, twelve dishes, twelve plates, nine cups, eleven saucers, two cake plates, two milk jugs and a sugar bowl, pattern no. 11561, Rd. 723404 Condition Report:two serving bowls - one is cracked, the other is well used and has deep scratchestwelve dishes - one chipped to rim, two cracked, some discolouration, surface scratches, some deep and crazingtwelve plates - one badly discoloured, others with surface scratches and crazingnine cups - eight cracked, one okeleven saucers - one cracked, one discoloured, surface scratches and crazingtwo cake plates - both ok light, surface scratchestwo milk jugs - one crackedsugar bowl - crackedThere is also wear to raised areas
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