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Preisdatenbank abonnierenCurtis Jeré (American), a brass table sculpture,c.1980,Of curved radial design, comprising welded brass rods, raised on a circular grey marble plinth base,85cm high Brass with general surface wear to include light scratches, marks, areas of tarnishing/oxidisation throughout, marble with some very minor flea bite nibbles and light surface wear
Mark Richards FRSS (British), a bronze torso,Late 20th Century, signed 'MR, 2/9',Modelled as an impressionistic female torso, with arched back and leaning to one side,49cm high (ARR)Even patination throughout, light surface wear commensurate with handling, otherwise in generally good condition.
Livio De Marchi (Italian b.1943), a pine carving of a hanging jacket,c.1990, signed in pencil to reverse and numbered '19/20',Carved in solid pine, modelled as a hanging jacket, with applied carved buttons, 90cm high, 54cm wide (ARR)Overall general surface wear throughout to include light scratches, minor indentations and marks, missing two buttons.
Livio De Marchi (Italian b.1943), a pine carving of a hat,c.1990, hand worked signature to reverse,Carved in solid pine, modelled as a Fedora hat,15cm high, 33cm long, 30cm wide (ARR)Overall general surface wear throughout to include light scratches and marks. There is an fine age related split to back of brim and a damaged area that has been re-glued to the front of the brim
Livio De Marchi (Italian b.1943), a pine carving of a pair of shoes,c.1990, each with hand worked signature to underside,Carved in solid pine, modelled as a pair of Brogue shoes with buckles,each 12cm high, 10cm wide, 29cm long (2) (ARR)Overall general surface wear throughout to include light scratches, scuffs and some marks/ stains
Livio De Marchi (Italian b.1943), a pine carving of a pair of stockings,c.1990, each with hand worked signature to reverse,Carved in solid pine, modelled as a pair of hanging stockings, suspended from a looped piece of rope with a clothes peg,each approximately 52cm long (2) (ARR)Only light general surface wear throughout to include light scratches and marks
Nils Thorsson (Danish 1898-1975), a group of four 'Alumnia' earthenware vases for Royal Copenhagen,c.1930-1960, printed manufacturer's marks to underside of each,Comprising : a footed vase, of flared and tapered form, with light green glaze and impressed decoration, 10cm high; a tapering cylindrical vase, in light brown glaze with impressed decoration, 23.7cm high; an ovoid footed vase with flared neck, in light brown glaze with impressed decoration, 18cm high; and an ovoid footed vase, in light brown glaze with impressed decoration, 12.5cm high (4)green vase with fine craquelure to glaze throughout, otherwise all vases with minor signs of surface wear, all in generally good clean condition.
Alfred Burgess Read (British 1898-1973), a 'PLC' pattern pottery bowl for Poole,c.1955, printed manufacturer's mark to underside,A freeform form footed bowl with painted geometric decoration,6.8cm high, 24.7cm diameterOverall light general surface wear, no chips or cracks, in generally good clean overall condition.
Troika, a rectangular ceramic vase decorated by Marilyn Pascoe,c.1960-1974, hand painted to base 'Troika, St Ives, England' and initialled 'MP',With incised decoration to each side, in a brown wash glaze,22.5cm high light surface wear throughout commensurate with age, small to chip to underside of one corner (barely visible unless looking at underside), would benefit from cleaning
Troika, a 'Chimney' ceramic vase decorated by Marilyn Pascoe,c.1960-1974, hand painted to base 'Troika, St Ives, England' and initialled 'MP',With incised and raised decoration to each side, in a blue, orange and cream glaze,20cm high light surface wear throughout commensurate with age,very light crazing to top of left and right side, would benefit from cleaning
Peter Nelson (British 1928-2009), a model 'FA2' floor lamp for Architectural Lighting,c.1967,An Aluminium two light floor lamp with adjustable shades, on circular base,138cm highElectrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Ole Wanscher (Danish 1903-1985), a pair of model 'PJ 412' armchairs for Poul Jeppesen,Each with applied metal manufacturer's plaques to underside,The stained mahogany frames with tapered uprights and supports, having green wool upholstered seats,Each 86cm high, 63cm wide (2)Both chairs structurally sound and sturdy, upholstery to both chairs with some faint stains. The frames with light scuffs and scratches commensurate with age and use. One chair with visible restoration to one leg.
A cast iron 'X' table lamp after a design by Jean Michel Frank for the Hotel Horizonte, Mar del Plata,Second half 20th Century,The X-shape frame surmount with light fixture, together with another cast iron table lamp after Jean Michel Frank, of double panelled form, and two modernist cast iron candle holders,X shaped lamp - 30.5cm high,Double Panelled lamp - 28cm high,Candle holders - 10.5cm high (4)Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be neededall parts with overall general surface wear to include light scratches and scuffs and signs of oxidisation to surfaces throughout
William Moorcroft (1872-1945), a Fresia pattern ceramic vase, c.1935, signed WM, impressed Moorcroft Made in England,The oviform with everted neck tube-lined with flowers and leaves, coloured and glazed,18.5 cm high Some light general wear, including some scratches on the sides. Crazing to the glaze and wear to underside base rim. Some speck inclusions in the glaze, but this is how it was made.
A French brass and black enamelled five light chandelier,c.1950,The central brass and black enamelled stem with curved arms terminating in brass sconce style lights, with later shades,69cm high, 45cm wideElectrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Attributed to Jacques Adnet (French 1900-1984), a six light brass and gunmetal chandelier,c.1960, With six upward curved brass arms mounted with Lucite sections,72cm high, 79cm wideElectrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
In the manner of Adrien Audoux & Frida Minet (French), a pair of rope wall lights,c.1960,Each with shaped white glass shades, on rope and wire armature wall mounts,Each 27cm high (2)Both shades in generally good clean condition with only minimal light surface wear, one shade with very small air bubble from manufacturing process. Both with oxidisation to thin metal rod shade supports. Rope fittings with light general wear, both with some minor marks/stains. Both wall lights have been re-wired and the light fittings replaced.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
In the manner of Adrien Audoux & Frida Minet (French), a rope ceiling light,c.1960,The light fitting with yellow crackle glass shade on rope and wire armature frame,56cm high shade with small chip to top edge. Rope with light general wear, with some patination from age. This ceiling light has been re-wired and the light fitting replaced.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
In the manner of Adrien Audoux & Frida Minet (French), a rope ceiling light,c.1960,With shaped white glass shade on rope and wire armature frame,65cm high Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Maison Jansen (French), a pair of brass and bamboo palm tree wall lights,c.1970,Each with two light fixtures, modelled as palm trees with brass leaves and bamboo trunk,Each 61cm high (2)Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Gio Ponti (Italian 1891-1979), a pair of 'fire side' chairs, c.1960, The beech frames with shaped ladderbacks above rush seat, on tapered cylindrical supports united by stretchers, 104cm high, 44cm wide (2) Condition ReportChairs are structurally sound and sturdy, overall light surface wear throughout to include minor scratches and scuffs, rush seats are intact. There are signs of old wood worm holes to front right leg of one chair and two visible holes to the back left leg. On the second chair the there are signs of old wood worm holes to the back left leg.
Peter Starkey (British b.1945), three stoneware lidded jars,c.1980, each impressed with potter's seal,Each of tapered cylindrical form decorated with combed bands, in salt glazed finish,Largest : 26cm highMiddle : 21cm highSmallest : 20cm high (3) (ARR)Largest : firing cracks to lid from manufacturing process- cracks overglazed, very minor chip to glaze on rim of jar, light general surface wear throughout, would benefit from cleaning.Middle : small chip to rim of jar, light general surface wear throughout, with some surface blemishes from manufacturing process, would benefit from cleaning.Smallest : Chip to inner rim on underside of lid (not visible when lid is on), light general surface wear throughout, would benefit from cleaning.
Lamter (Italian), a brass and chromed five light pendant light in the manner of Gaetano Sciolari,c.1970, with applied metal label - 'Industria Lampadari Lamter Milano, Made in Italy',The cylindrical brass shaft and brushed steel square section arms with clear glass shades,75cm high, 65cm wideElectrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
A steel and pierced four light ceiling light,c.1970,Of oval cylindrical form, with pierced sides, mounted with purple cabochons and applied brass and copper work decoration, Total height: 130cm high, Shade height: 44cm Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
A rock floor light in the manner of Andre Cazenave,c.1970,Of ovoid form, in fibreglass reinforced polyester, with marble dust finish.27cm high, 33cm wide Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Ernesto Gismondi (Italian 1931-2020), a ‘Sintesi Pareto’ wall light for Artemide,c.1960, with cast manufacturer’s marks to mount,The adjustable green painted metal frame, with curved black painted grill and circular mount,20.5cm highElectrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Marilena Boccato, Gian Nicola Gigante & Antonio Zambusi (Italian), a ‘Neon’ floor lamp for Zerbetto,c.1981, cast manufacturer’s marks to base,The red enamelled steel frame with twin opaline light tubes,120cm highElectrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Danlami Aliyu (Nigerian 1952-2012), a large stoneware tea pot and cover for Wenford Bridge Pottery,c.1975-1979, impressed potter's seal to base of handle,The tea pot with cane handle, stone glazed with cobalt highlights and decorated with scrolling motifs in Tenmoku glaze,34cm high including handle Overall light general surface wear commensurate with age, would benefit from cleaning
Bernard Leach CH CBE, (British 1887-1979), an hexagonal stoneware vase for Leach Pottery,c.1960, impressed with 'BL' potter's seal and St. Ives pottery seal on one side near foot,Of hexagonal form with inverted circular rim, in deep blue and green glaze,20.5cm high (ARR)minimal light surface wear, in generally good overall condition
Walter Moorcroft (1935-1987), a Moorcroft ceramic ‘Hibiscus’ pattern vase,c.1953-1960, Impressed Moorcroft, Made in England, paper label ‘By appointment Potter to the Late Queen Mary’, Tube-lined and coloured with flowers and leaves, glazed; together with a pair of Moorcroft ‘Clematis pattern’ bowls, Impressed pottery marks, signed ‘WM’; and a Moorcroft ‘Columbine’ pattern vase and a columbine coaster,Tallest 20.5 cm high (5)Hibiscus: A few pit-abrasions and scratches. Crazing to glaze, wear to base.Clematis bowls: some scratches and old marks to the interiors, some under glaze. Some crazing to the glaze. Columbine vase: crazing to the glaze, wear and dirt to foot.Coaster: some light wear and dirt.
Otto and Vivika Heino (American), two raku vases, c.1990, each with hand incised signatures to base,A white crackle glazed vase of ovoid form, together with a white crackle glazed vase with flared neck and dimpled body, Ovoid vase : 10cm highDimpled vase : 12cm high (2) Both with light general surface wear commensurate with age, no issues to speak of.
Kato Kogei (Japanese), a Post Modern ‘Manhattan Collection’ ceramic sandwich set for Fujimoro,c.1985, each part with printed manufacturer's marks to underside,Of geometric black and white design, comprising a serving dish, four side plates, four tea cups, a milk jug, a lidded sugar pot, and salt and pepper shakers,Serving dish: 32cm x 25cm (13)light general surface wear throughout, otherwise in generally good clean condition
Takeshi Yasuda (Japanese b.1943), a large stoneware dish,c.1980,Of circular form, hand built with raised border and twist handles, in sancai splash glaze,43cm wide Provenance : Exhibited at the Victorian & Albert Museum, Oct-Nov 1983 - 'Studio Ceramics Today', 25th Anniversary of the Craftsmen Potters Association of Great Britain, item no. 177. light surface wear throughout, areas of fine craquelure to glaze, small hairline crack to inner rim
Giovanni Ronzan (Italian 1906-1974), an Italian earthenware group of a mermaid and mer-boy,c.1940, printed marks to underside,Modelled as a mermaid and mer-boy riding a fish on the crest of a wave,37cm highsurface wear to include very light scratches and fine craquelure to glaze throughout, some dirt build up, would benefit from cleaning, otherwise in generally good condition
Modern Moorcroft (British), a Limited Edition tube lined vase made for Liberty's and designed by Emma Bossons,2019, impressed pottery marks, painted signature E. Bossons, 2019, and numbered 6 of either 15 or 18,The baluster form tube-lined with exotic flowers, florets and leaves, painted in colours against a white ground with dark glazed interior,21.8 cm highNo damages detected. Light natural wear to base.
A Stourbridge glass vase with applied 'Peacock' trail motifsc.1900-1910, The flared clear glass vase with applied green peacock-feather trails, 10 cm high, 12.5 cm diameter; together with a small waisted green glass vase, possibly made by James Powell & Sons, 8 cm high; together with a miniature iridescent green glass vase, possibly Austrian, 7.5 cm high; together with a cranberry glass and copper inkwell, having a hinged cover, the copper base cast in the form of a lily-pad leaf, 17cm wide (4) Provenance: Herbert Kennard CollectionM & D Moir, 2nd July 2017Peacock: a tiny nick to bottom of the base and some tiny abrasions and natural wear,Green glass vase: light wear to base.Iridescent: quite a thick neck, not damaged and covered with iridescence but not finely finished.Inkwell: the inkwell has a bayonet fixing to the leaf base that works. Hinge for cover wobbles a bit. Glass ok. A few old marks and some light wear for copper elements, but generally good. There are some not very clear stamped letters and numbers on the inside of the cover - D.E.P 10385 and *? R.G 1*?8180
Attributed to Otto Thamm and Fritz Heckert (German), an iridescent glass vase with ‘Jack in the pulpit’ neck,c.1901, ground out pontil,The yellow body decorated with green threads and an iridescent surface,34.5 cm high Stefania Zelasko, ‘Fritz Heckert - Kunstglas Industrie 1866-1923’, Glasmuseum Passau 2012, p. 230, Cat. Ref. 417 (similar design drawing of shape illustrated p. 194 & 196)Some bubbles and speck inclusions in the glass from the making process. A few fine scratches and some light wear. Light wear to underside of base. Some dirt to interior.
WMF (German), a group of three 'Myra' iridescent glass vases,c.1930, solifleur has original WMF paper label, Comprising:- a vase with everted rim and solid foot (J.80); together with a vase of inverted conical form with circular spreading foot (J.43); and a slender, waisted solifleur vase on a circular spreading foot, each decorated with a vibrant iridescent finish (J.238),9 cm high, 10 cm high, and 13.6 cm high respectively, (3)Literature: Carlo Burschel/Heinz Scheiffele, 'WMF Ikora & Myra Glaser/Glas, Band I', Arnoldsche, Germany, 2003, p.137 (similar shapes illustrated)There are some folds in the glass near the foot of the first vase, but this is from the making process. Light natural wear - no damages detected.
WMF (German), a 'Myra' iridescent glass vase,c.1929, Model no J.38,The vase with everted rim covered with an iridescent surface of pink tone that disperses on the edge; together with a blue iridescent glass vase with broad wavy rim, ground out pontil, decorated with a blue iridescence that disperses on the rim,10 cm high and 18 cm diameter respectively (2)Literature: Carlo Burschel/Heinz Scheiffele, 'WMF Ikora & Myra Glaser/Glas, Band I', Arnoldsche, Germany, 2003, p.111 (similar vase illustrated and noted as model no. J.38)Vase with pink: Small chip to edge of rim. Light wear and light wear to base.Blue: short fine hairline on the underside on the rim. Some tiny nibble to the rim which you can feel more than see. Light wear to base.
Loetz (Austrian), an iridescent Phaenomen glass vase, Introduced 1898, PG 7501, ground out pontil,The green glass body of birdhouse gourd shape with silvery-blue feathered decoration,15 cm highSome bubbles from the making process. Neck rim slightly uneven but it was made like this. Light wear to base.
Louisa E Edwards (British Fl.1873-1890), a pair of large Doulton Lambeth stoneware vases with pâte-sur-pâte and incised decoration,Dated 1880, impressed Doulton Lambeth rosette mark, incised artist's monogram, numbered 704 and 707 (or 904 and 907), various assistants marks,The broad necked vases incised with bold stylised flowers and foliage, the necks decorated with three panels each with pâte-sur-pâte floral sprays, with applied rosettes, glazed in colours,41.5 cm high, neck 20 cm diameter (2) A few marks and scratches to the interior of the neck. Light natural wear with some dirt to interior, natural wear to the underside of the foot. Overall impressive and in good condition. (The incised numbers by the artist's monogram are difficult to decipher, the respective '0' and the '4' are quite clear but the others could be 7 or 9 or perhaps even 1? )
Loetz (Austrian), an iridescent unidentified Phaenomen 'decor' vase,c.1900,The forest green cylindrical glass vase blown from the neck and decorated with feather like decoration in green, pink and mauve iridescence,14.8 cm high Property from a private collectionA couple of small scratches on the side and some minute abrasions on the neck rim. Light wear to base. Blown from the neck so no polished pontil. Some bubbles and specks in the glass, from the making process.
Loetz (Austrian), an iridescent Phaenomen glass and pewter mounted vase,Introduced 1903, PG 3/430, ground out pontil, pewter unmarked,The yellow glass decorated with pulled threads and oval shapes in iridescent blue and mauve, mounted with a pewter collar and a splayed pewter base united by handles embellished with small berries,25 cm high Property from a Private Collection.A couple of minute marks. Dirt in the bottom. Some bubbles and specks in the glass, from the making process. The pewter has some marks to the surface on the base and there are two holes seen on the underside of the foot; some light natural wear.
Loetz (Austrian), an iridescent Phaenomen glass vase, c.1900, PG 6893, ground out pontil,The inverted baluster form with flared neck and foot, the green glass decorated with close wavy bands in gold iridescence that appear more silvery on the shoulders,23.5 cm highProperty from a private collectionA couple of tiny scratches on the side. A few paint splatter spots. Some bubbles and specks in the glass, from the making process. Light wear to base.
Loetz (Austrian), a ‘Medici’ iridescent glass vase, c.1900, ground out pontil,The shouldered oviform decorated in vibrant golden-greens with hints of turquoise and puce on a bronzed-chestnut ground,20.6 cm highProvenance: purchased from John Jesse.Property from a private collectionA small fold on the neck rim and some occasional tiny bubbles from the making process. There is an open bubble at the centre of the ground out pontil but this was how it was made. Some light natural wear.
Loetz (Austrian), an iridescent Phaenomen glass vase, c.1900, PG 302, ground out pontil with engraved signature ‘Loetz Austria’,The dimpled oviform decorated with gold feathered banding with hints of blue against a peach-pink ground,10 cm highProvenance: purchased from John JesseProperty from a private collectionSlight unevenness on the neck but this is how it was made. Some tiny bubbles and speck inclusions from the making process. A few minute abrasions. Light natural wear to base.
Loetz (Austrian), an iridescent glass 'Formosa' vase with silver appliqué,c.1900, ground out pontil,The green glass of shouldered oviform decorated with wavy and pulled bands in shallow relief and heightened with blue iridescence, further embellished with silver overlay,9.3 cm high,Property from a private collectionBase slightly uneven. Light natural wear. Some texturing and tarnishing on the silver. Overall good condition.
Loetz (Austrian), an iridescent Phaenomen glass vase,c.1902, PG 85/5032, engraved ‘Loetz Austria’ on ground-out pontil,The body having a clear glass layer over pale milky-pink, the neck rim of triangular section and the bulbous body with twisted dimpled sides, decorated with a pattern of pulled threads and broad undulating bands at the top and finer bands at the bottom, in vibrant iridescent colours of blue, green, yellow, pink and mauve, 19.5 cm high,Property from a private collection, Literature: Ricke, Helmut et al, ‘Lötz Bohmisches Glas 1880-1940, Band I, Werkmonographie’, Prestel-Verlag, 1989, p.179, pl.189 (similar pattern illustrated on a different shape vase)Some bubbles and specks in the glass, from the making process. One of the bubbles has a small burst to the top surface - this is near the base on the edge of one of the folds. A couple of tiny abrasions. Light natural wear to the underside of the foot in keeping with age.
Amendment: Attributed to Otto Thamm for Fritz Heckert -Loetz (Austrian), an iridescent Phaenomen glass vase with ‘unidentified décor’, c.1900, Slender, waisted green glass decorated with blue iridescence,15 cm highProperty from a private collectionVase is blown from the neck, so no pontil mark and having a cut neck. Tiny nick on the edge of the neck rim. A few tiny inclusions and bubbles from the making process. Some light wear to the base.
Louis Comfort Tiffany (American 1848-1933), a 'Favrile' iridescent glass Christening beaker inscribed ‘Lizzie’, Date code for 1915, engraved L.C. Tiffany-Favrile, 315-J,The slightly flared form decorated with raised stylised swags at the centre, with a golden lustrous surface, engraved 'Lizzie', 10.3 cm A few tiny abrasions. Light natural wear to base. Some dirt to the interior.
Quezal (American), an Art Nouveau iridescent glass vase,Early 20th Century, engraved on ground out pontil 'Quezal' with a scroll motif,Baluster form with extended neck, the pale yellow glass body decorated with undulating and pulled banding in gold with white, and exhibiting a mauve nacreous hue,20.2 cm high A few tiny abrasions. Light wear to underside of base. A few minute bubbles from the making process. Some dirt to interior.
D'Argental (French), a cameo glass table lamp and shade,c.1920, signed in relief on the base 'D'Argental',The domed shade and oviform base overlaid and acid-etched with a rural landscape, the shade supported on three brass arms, with light fitments,33 cm high There is an 'oyster' chip to the inside rim of the shade - approx 1,3 cm wide, 0.9 cm high, thin in depth. There are a few tiny nicks around the hole that the electric cable comes through and natural wear to the underside of the base. The collar of the base beneath the brass mounts is ok, but there are some scuffs on the glass from the screws. Light natural wear.
Daum (French), a cameo glass shade, possibly for a night light,c.1910, signed in cameo Daum Nancy with Cross of Lorraine,The mottled body overlaid and acid-etched in relief with a landscape, with trees and foliage in the foreground on a river bank and with trees and foliage in the distance, (lacks fitments) (VAT charged on hammer price)11.5 cm high No light fitments, base our openwork metal cover. There are some chips around to top rim. Some old marks and scuffs and residue of glue/label on the side. Wear to the underside.
René Lalique (French 1860-1945), ‘Serpents’ No.1651 a sea-green glass pendant, Designed 1920, engraved on the reverse 'R. Lalique, No.1651',Moulded on one side with the open-mouthed and entwined body of a snake, with silk cord,4.4 cm long, 3.6 cm wide No damages detected. Light natural wear, occasional paint spot.
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