534297 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
534297 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
534297 Los(e)/Seite
Los 1056
A large and impressive multiple light chandelier, 20th century, the corona with curving wire form top hung with beads, above cascading inverted trumpet beads joining a circular frame, emitting arms with sconces mounted with candles, an inverted dome form basket of lustres below, approximately 145 cm high(It is the buyer's responsibility to ensure that electrical items are professionally rewired for use)
Los 1240
An Indian Kashan pattern silk carpet with pole medallion in a light green field, 280 x 188 cm CONDITION REPORT: Fairly good condition overall. Slight stain and spot to trim on one side, approx 10cm long. Other very minor stains to edges in places along other trim. Pile in good condition and consistent throughout.
Los 1346
A Chinese Jun ware bowl, 12th/13th century, with a thick blue purple glaze, the interior with a splash of purple, bears labels for Bluett, London exhibition no. 56, 18cm diameter CONDITION REPORT: minor glaze crackles, otherwise in good condition Please note that this bowl has been examined under UV light and there appear to be no signs of restoration
Los 1409
Attributed to Wang Yeting, Chinese, (1884-1942) A Chinese porcelain plaque painted with a mountainous landscape, with two men rowing a boat, signed and sealed, with rows of calligraphy to top middle, framed, 24 x 36.5cm Provenance: This plaque was purchased by the owner from Peter Wain. CONDITION REPORT: Plaque in good condition, the frame with a loose chip. Please note that this plaque has been examined under ultra violet light and there are areas of re-touching to middle mountain area, the mountain to the right and the greenish cloud areas below.
Los 1451
A Japanese gilded lacquer writing box, Suzuribaku, Meiji Period, 19th century, of square form decorated to the exterior with birds in Maple branches, the interior with fish, lobsters, shellfish and octopus on the sea floor, fitted with an ink stone and a metal and cloisonné enamel water dropper, 16.8cm x 15.4cm x 2.5cm CONDITION REPORT: wear to lacquer on edges of box, losses of lacquer/gilt to edges to lid, interior housing for stone/dropper, light losses to edges, some rubbing, ink stone shows signs of wear and losses to gilt corners of lid, losses to corners and repairs to edge
Los 981
Amendment: Please note that the movement for this clock is not a fusee mechanism A Continental oil painting picture clock, possibly French or German, late 19th/early 20th century, the painting of a tavern scene inset with a clock face to the wall, the white enamel dial with Roman numeral chapter ring, the interior with brass twin barrel fusee movement with bell striking mechanism and pendulum, the movement plate signed Raingo Frere, together with a music mechansm, the picture 62cm x 64cm, with the frame 88cm x 99.5cm CONDITION REPORT: some damages to picture, one punch to canvas, light overall scratches, composition frame has minor losses
Los 983
A Louis VXI style white and gilt metal mounted marble lyre clock, 19th century/early 20th century, overall decorated with gilt metal leaves and beading on oval pedestal base, the white enamel dial with with Arabic chapter ring and enamelled floral swags, with barrel movement, gong striking and key, 49cm high. CONDITION REPORT: cracks/re-glued brakes to marble in four places, light rubbing to gild metal, overall structure stable. base uneven, feet will need re-adjustment, repair on level with 2 and 10 o clock positions, marble is discoloured.
Los 991
A brass and enamel ecclesiastic eight light chandelier, in the Gothic taste, late 19th/early 20th century, with pierced foliate gallery topped with rows of fleur-de-lys finial, emitting cylindrical posts enriched with blue enamel decoration terminating in candle cups, suspended from chains with ceiling corona, 52cm diameter (VAT charged on hammer price) CONDITION REPORT: overall in sound condition, some looseness to candle sconces, some finials on gallery are bent
Los 14
LIONELLO SPADA Bologna 1579-Parma 1622 Salome with the head of the Baptist Oil on canvas, cm 72.1 x 58.3 The work of art can be ascribed to Lionello Spada with a wide margin of certainty. He was a maestro from Bologna and probably one of the first followers to experience an actual relationship with maestro Merisi. Some sources, recalled by Emilio Negro, confirm that the twenty-year-old Lionello was among the models who posed for the Vocation of Saint Matthew in the church Saint Louis of the French. Actually, the acquaintanceship between the two is not historically declared and, even though dates might confirm it, we all know that Caravaggio did not have any direct apprentices, he had only followers especially post mortem (after his death). Between 1610 and 1617 Spada travelled a lot, he visited Naples, Malta and probably Rome, but he spent the last phase of his short career in Parma where he created several works of art chracterised by a clear Caravaggism for the court Ranuccio Farnese. Salome's scathing and thin features surely belong to this phase, where a widespread and golden light of Flemish cut is opposed to a chromatic range that fluctuates between red and ochre of Salome's figure that stands out of the black background, merely Caravaggio's origin. Cogent comparisons are with the Good Fortune residing at Estense Gallery in Modena or with the thorn coronation residing at Condè Museum in Chantilly, while we can find the protype of Salome's face in Judith with Oloferne's head residing at the National Gallery in Bologna (inv. N. 69 cm 112.5x138; on the topic: Emilio Negro. Lionello Spada. Manerba/Reggio Emilia 2002, page 125, record 57, table XIX). Evaluation by Emilio Negro
Los 62
A Roman bronze steelyard weight 3rd century AD; 8,8 cm (3,46 in) high; Depicting the portrait bust of Dionysus with well-defined facial features, wearing a mantle draped over his chest, his locks finely delineated and tied in a fillet, crowned with a wreath of ivy, surmounted by a suspension loop. Superb light green patina PROVENANCE: Private Collection, Germany.
Los 435
A collection of six hundred plus Magic Lantern slides, various subjects to include topographical, animal, birds, hand coloured examples, sets including Charge of the Light Brigade etc etc along with a wooden case containing a quantity of camera equipment including lenses and holders and various other parts etc
Los 446
An Abu Ambassador Deluxe 5000 fishing reel with black anodized spool, star drag housings and crank, all other parts are twenty four carat gold plated with pseudo onyx handles, no. 7473 in original teak case and spare parts, velvet carry case, instruction booklet and membership club badge (some scratching, light scuffing to reel)
Los 576
A good quality early 19th Century mahogany and brass bound campaign writing slope, the brass nameplate marked 'W F Baker', stylish brass escutcheon and inset brass carrying handles, the interior with gilt tooled black skiver, Berry's patent ink and light containers with brass carrying handles, removable brass candleholders and secret compartment, brass pin release for side drawer (replaced), 6.75 x 19.75 ins (17 x 50 cms)
Los 59
A pair of fine gilt bronze and glazed lanterns in Louis XV style, 19th century, each with five rectangular bowed glass panes, the frames applied with foliate cast mounts, each beneath five serpentine and scrolling foliate cast supports rising to a waisted boss, beneath a hanging ring, the interiors each with a later three light electrical fitment, 72.5cm high, 34cm wide
Los 70
A pair of George III mahogany and kingwood crossbanded occasional tables , circa 1770, each octagonal tilt top inlaid with a central radiating floral motif and with a further repeated leaf and berry border, on a turned column and tripod legs with scrolled feet 73cm high, 54cm diameter Provenance: Being sold on behalf of the executors of the estate of Lady Janet Llewellyn( nee Edmondes). By repute one of the current tables was given to Lady Llewellyn as wedding present in 1956. The other table was reunited in 1969. The tables almost certainly came from Old Hall, Cowbridge. The house was revamped in the latter part of 18th century in the 'classical' manner suggesting that may have been when the tables were brought into the house originally. This fine pair of tripod tables relates closely to a design by Thomas Sheraton in The Cabinet-Maker and Upholsterer s Drawing Book of 1793 (Part II, Plate 25). The simple elegance of the downturned scrolled feet and carved base are almost identical to Sheraton s drawing on the top left-hand side of the plate, while the octagonal top appears in the drawing on the right-hand side of the plate. There are two examples of tripod tables with a similar shaped base at Ightham Mote, Kent (National Trust, inv. Number 825107, 825111). For another example of a similarly shaped table with octagonal top, see F. Lewis Hinckley s Hepplewhite, Sheraton & Regency Furniture Plate 68 No. 201. The marquetry tops feature an intricate patarae encircled by a ring of floral decoration. The decorative scheme is classically inspired and relates closely to both Sheraton s designs as well as designs by George Hepplewhite, particularly in his Cabient-Maker and Upholsterer s Guide of 1794. The tripod table tops draw elements of design included in Plates 32, 33, and 34 from this publication. These tables embody the height of the fashion for Sheraton designs with their light and elegant profiles and simply executed decorative schemes.
Los 357
A Victorian double-sided carved hardstone cameo locket,with the carved sardonyx cameo of a Renaissance gentleman facing right, in white to a light pink ground. The reverse with hand engraved monogram 'BL' in black agate with a white ground, the hinged locket with a glazed photograph of a young child to gold bead top and bale. Tested as approximately 15ct gold
Los 1
A Wedgwood sage green jasperware oval plaque of the Earl of Hillsborough, late 18th century, modelled by Charles Peart with a half-length portrait of the Earl of Hillsborough, turned to the left, impressed EARL OF HILLSBOROUGH, within an ormolu frame with ring suspension, impressed marks to back, 13cm high CONDITION REPORT: in good condition, light marking to sage green ground, body stains to back
Los 174
An 18ct gold, diamond and sapphire cross-over ring, early 20th century, the old cut diamond, approx 1.21ct, G-H colour and SI clarity, the round brilliant cut natural sapphire of light violetish blue colour, approx 0.92ct and SI2 clarity, small old cut diamonds to the shoulders, approx 0.15ct, H-I colour and SI clarity, approx size K, together with a report from International Gemological Reports. (2) Provenance: The property of the late Denisa, The Lady Newborough, wife of Thomas John Wynn, 5th Baron Newborough and thence by decent. CONDITION REPORT: The ring shank slightly misshapen, tiny nibble to the sapphire.
Los 175
An impressive aquamarine and diamond dress ring, circa 1940s, mounted in unmarked yellow metal, the oval mixed cut natural aquamarine approx 9.10ct, very light greenish blue colour, VVS1 clarity, flanked by three old cut diamonds to either side, approx 0.18ct, H-I colour and SI clarity, together with a report from International Gemological Reports. (2) Provenance: The property of the late Denisa, The Lady Newborough, wife of Thomas John Wynn, 5th Baron Newborough and thence by decent. CONDITION REPORT: Good condition with slight abrasions to the facets.
Los 180
Cartier: An impressive aquamarine and diamond pendant, the square step cut natural aquamarine approx 22.47ct, colour, very light blue, VVS1 clarity, the bale set with eight single cut diamonds, approx 0.12ct, colour E-F and VVS clarity, on fine white metal chain, approx 43cm long, in original Cartier red leather case, together with a report from International Gemological Reports. (2) Provenance: The property of the late Denisa, The Lady Newborough, wife of Thomas John Wynn, 5th Baron Newborough and thence by decent.
Los 27
A Worcester porcelain sparrow beak jug and cover, 18th century, overall of reeded design, the lid with foliate finial, painted and gilt in the French taste with swags of puce flowers and accentuated with panels of blue ground vermiule design, 12.5cm high CONDITION REPORT: Minor scratching to gilding, some pin prick glaze faults, minor firing flaw to base, examined under fluorescent light, not repairs noted
Los 385
A spectacular large diamond, yellow diamond and natural pearl butterfly en tremblant brooch, the openwork design wings encrusted with old cut diamonds, with three old cushion cut fancy yellow diamonds to the abdomen and ruby set eyes, approx 6cm x 6.5cm, together with a gem report stating the old cut diamonds approx 5.30ct, colour G-H and VS clarity, the Fancy Light Yellow diamonds approx 3.03ct and VS clarity. (2) CONDITION REPORT: Fine condition.
Los 42
A Sevres porcelain part cabaret set, 19th century, painted with reserves of courting couples in the Rococo revivalist taste and landscapes, within tooled gilt borders, printed marks to base, to comprise an oval tray, tea pot and lid, milk jug, two cups and one saucer, damages, the tray 44.5cm wide, the tea pot 14cm high CONDITION REPORT: tray, has extensive damages to both handles, cracks to base tea pot, light wear to gilding saucer, good condition jug, large chip to top, smaller rim chips, tea cups, good condition
Los 5
A Vienna porcelain plate by H. Brodil, 19th century, painted to the centre with a beautiful young woman, her red hair in complex plaits, wearing a mink collar pink coat, the rims gilded with raised trailing foliage on deep blue grounds, signed to the rim, marks to base with rubbed inscriptions, 24.5cm diameter CONDITION REPORT: light staining to back, rubbed inscriptions,
Los 554
Angel Ponce de Leon, Spanish b.1925- "Retrato de Familia"; oil on canvas, signed and dated 89, 146x114cm, (may be subject to Droit de Suite) CONDITION REPORT: in a wooden batten frame signed, titled and dated on the reverse in red paint signed and dated lower right in purple paint small brown coloured paint drip visible on the father's right trouser leg small light brown coloured paint mark visible on the staff very slightly grubby in places otherwise in very good original condition
Los 590
Robert Lewis Reid, American 1862-1929- Portrait of a girl, quarter-length, in a white dress; oil on canvas, signed and dated 1919, oil on board, 44x33.8cm CONDITION REPORT: in a frame with decoupe finish and beige linen fronted slip signed 'Robert Reid' and dated lower right 'Mrs B Flagg' written in pencil on the reverse examined under uv lamp, there is no evidence of overpainting or restorations there apppears to be some ingrained dirt arced score marks. the most prominent to the right of the girl's head it appears to have been subject to a light clean in good condition
Los 679
Attributed to Andre Derain, French 1880-1954- Cubist Head study, c.1912; pencil, 11.5x10cm Provenance: reputedly Collection Bollag, Zurich where acquired directly from the studio of the artist; Galerie Georges Moos, Geneve; Mme K Schlicht 1963 and thence by descent, a letter from Galerie Georges Moos detailing the provenance accompanies this lot Note: In 1912, after their return from America, the Bollag brothers Gustave (1873-1953) and Léon (1876-1958) founded their gallery, the Salon Bollag, in Zurich. Their's was one of the first galleries in Switzerland and probably the first one that held auction sales. Léon learnt his trade with the well-known gallerist Max Moos in Geneva, who worked together with his sister, Betty Moos. She later became Léon's wife. Max Moos was one of the first to exhibit works by Ferdinand Hodler in Switzerland. His father, Heinrich Moos, had been running a gallery in Karlsruhe since 1899. The Bollag brothers specialised in Swiss artists: such as Johann Heinrich Füssli (Henry Fuseli), Jacques-Laurent Agasse and Frank Buchser. Max Moos provided them with paintings by Ferdinand Hodler. Their sister, Lucy Bollag, was friendly with Berthe Weill in Paris, one of the first galleries to buy works from Pablo Picasso, and the first to exhibit Amadeo Modigliani (see Berthe Weill, Autobiography: 'Pan dans l'oeil'). Through Berthe Weill, the Bollags got to know Pablo Picasso, Paul Cézanne, André Derain, Jules Pascin and other artists. CONDITION REPORT: mounted in a glazed ebonised and parcel gilt frame with artist plaque and rosettes to corners may or may not be stuck down, unexamined out of the frame sheet overall time faded and yellowed some light brown spotting overall with more pronounced brown staining to the neck, possible signs of staining from tap top edge and lower right side overall appears in original condition
Loading...-
534297 Los(e)/Seite