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Los 110

Postcard, a fine scarce Santa hold-to-light showing 2 children looking into Santa's box of toys while Santa has a break to light his pipe, (picture side gd, the back sl grubby with slight loss & v.small pin hole which is hardly noticeable) (1)

Los 650

Cigarette cards, Faulkner's, Football Terms, 2nd Series (set, 12 cards) (one with light staining to back, one creased, rest good) (12)

Los 664

Trade card, Batger, Well Known Football Clubs, type card, no 11 Southampton (slightly grubby, some light creases, stamped to back 'cancelled', fair) (1)

Los 665

Trade card, Batger, Well Known Football Clubs, type card, no 12 Millwall (slightly grubby, some light creases, stamped to back 'cancelled', fair) (1)

Los 666

Trade card, Batger, Well Known Football Clubs, type card, no 14 Dundee (slightly grubby, some light creases, stamped to back 'cancelled', fair) (1)

Los 699

Cigarette cards, BAT, Beauties, Stippled background, (green net back) (set, 25 cards) (some toning, light foxing to a few backs, gd)

Los 74

Postcards, a good mixed subject collection of approx. 86 cards inc. advertising for GP Government Tea (Golf), Astra Margarine (B.Mallet), Asti advert, Allenburys, Lemco, Home & Colonial, Lotto Scrap Tobacco, Military 'Defenders of the Empire' (Payne, 2), Hitler, Glamour inc. Art Nouveau applique (3), pretty girls etc. Also transport, aviation, shipping, miniature rail (Woking, RH & D), Royalty (9), dogs, pigs, teddies, silks (2), hold-to -light, early chromos etc (mixed condition, fair/gd)

Los 823

Cigarette cards, USA, Duke's, Comic Characters, XL size, 6 type cards, Jolly Cop, Oh What a Night, On the Q.T., & What er I given us, Lah Lah & Jim Dandy (some age toning & light marks to back, gen gd) (6)

Los 874

Cigarette card, McKinnell, The European War Series, type card, no 8, 'A Son of the Regiment' (one light horizontal crease, otherwise gd) (1)

Los 966

Cigarette cards, Canada, ITC (Canada), Beauties-Girls in Costume (set, 25 cards) (some slight edge knocks, two with toning/light staining to backs, gen gd) (25)

Los 145

LIGHT OAK CORNER DESK WITH TWO CUPBOARD DOORS AND SINGLE DRAWER, KEYBOARD SHELF.

Los 507

PAIR OF ERCOL LIGHT ELM FRAMED SWIVEL RECLINING ARMCHAIRS WITH BEIGE FLORAL CUSHIONS.

Los 539

SUBSTANTIAL LIGHT OAK RECTANGULAR EXTENDING DINING TABLE, TOGETHER WITH A SET OF EIGHT BEECH FRAMED LADDERBACK CHAIRS WITH RUSH WOVEN SEATS

Los 11

A DETAILED STATIC DISPLAY MODEL OF THE CLIPPER SHIP CORIOLANUS [1876] modelled by E.V. Fry, circa 1968, with the 21in. carved hull finished in red and black with gold lining, lined paper decks with detailed wood and metal fittings as appropriate, four fitted open boats, the aft pair flanking chicken coop, glazed saloon light with seats and steering gear with binnacle compass; painted stepped masts, with standing and running rigging, blocks and tackle, mounted on brass supports to display base; overall measurements -- 19 x 33½in. (48 x 85cm.) Provenance: sold at Christie’s King Street 1968, unknown sale, to Russell-Cotes Museum, Bournemouth until de-accessioned 2021.Footnote: Considered by some to be the most beautiful iron clipper ever turned out, Coriolanus was built by Archibald McMillan & Son at Dumbarton in 1876. Registered at 1,053 tons gross, she measured 217½ feet in length with a 35 foot beam, and made her name as a fast ship from the start of her career. In 1877 she made the run from the Scilly Isles to Calcutta in 69 days, a record subsequently equalled but never surpassed in the era of sail. Following only one voyage in the China tea trade during the 1878-79 season, she then began regular sailings to Australia and New Zealand which continued after she was sold by Patton’s her original owners, to Stewart’s in 1887. Resold to German owners in 1891 for £8,500, they soon parted with her and thereafter she changed hands and name numerous more times until eventually reverting to her christened name in 1927 when she was acquired by Portuguese owners who ran her from the Azores to New Bedford carrying immigrants. By then cut down to a barque but with a reputation as one of the few survivors of the formidable 1902 Algoa Bay hurricane, she was still making 16 knots on occasions and was only laid up due to shortage of work in the deepening depression. Several schemes to send her back to sea came to nothing and she was finally broken up on the Fall River in 1936.Condition report: Good overall condition, some rigging restored, one or two loose lines; no case.

Los 150

AUCTION CATALOGUE OF THE APPOINTMENTS, EQUIPMENT AND PANELLING OF THE MAURETANIA London, Hamptons, Aboard the Vessel in Southampton Docks, May 14th [- May 21] 1935, 4to, original pictorial wrappers with a photograph of Mauretania on front cover and inscribed 'C.V. Swan' top right -- 9¾ x 7½in. (25 x 19cm.)Footnote: C. V. Swan's (of Swan Hunter) copy of the Hamptons sale of the accoutrements of Mauretania in 3,503 lots with several lots at the end priced, especially the name characters, ship's sirens and steering wheel and three (of the four) brass engine plates. The holder of this catalogue is permitted to go upon the Southern Railway Company's premises subject to the company's by-laws ... light refreshments may be obtained from the Southern Railway, ... For particulars of cheap railway facilities enquire at your local Southern Railway station.

Los 162

BRITISH SCHOOL (20TH CENTURY) S.S. 'Reventazon'; S.S. 'Manzanares' Oil on canvas Initialled 'J.S.' (lower right) 16 x 28in. (40.5 x 71cm.); 16 x 26½in. (40.6 x 68cm.) (2, a pair) Provenance: Both of these pictures are by repute from the boardroom of Elders-Fyffe.Footnote: Reventazon launched 1906, torpedoed off Salonika 1918; Manzanares launched 1911, name changed to Vegesack in 1936, wrecked near Jaeren, Stavanger 7 September 1939.Condition report: Could do with a light clean

Los 176

AN EXCEPTIONAL 1:72 SCALE MODEL OF THE 50 GUN SALISBURY CLASS SHIP CENTURION [1774] the 24in. planked hull copper sheathed below the waterline, ebonised main and secondary wales, open gunports, guns and rings, finely carved full-length Roman Centurion figurehead, glazed stern with balcony and quarter galleries, metal anchors with bound wooden stocks, chainplates and deadeyes, planked decks with fittings including gratings, bitts, stovepipe, belfry, well deck with capstan and three fully fitted ships’ boats over, hammock nets, companionways, binnacle box with chimney, rigged double helm, deck light, shot racks, bound masts with bracing, yards with stuns’l booms and furled stitched linen sails, fighting tops, standing and running rigging with blocks and tackle and much other fine detailing. Mounted on 2 turned brass columns within wooden plexiglass case, overall measurements -- 36½ x 45½ x 16½in. (90 x 115.5 x 42cm.)Footnote: During the late 1760s, increasing colonial unrest prompted the Admiralty to expand the Royal Navy’s capabilities, most notably with the building of numerous 3rd and 4th Rate ships-of-the-line. The 4th Rate H.M.S. Centurion was one such vessel and, having been ordered on Christmas Day 1770, she was laid down in Barnard’s yard at Harwich in May 1771. Constructed to a well-tried design by Surveyor Thomas Slade, she was measured at 1,044 tons and mounted 50 guns of varying calibre, principally a volley of 24-pounders on her main gundeck. With an overall length of 146 feet and a 40½ foot beam, her dimensions were fairly standard for her tonnage and, after three years on the stocks, she was launched on 27th May, 1774. Fitted out and completed for sea just as the American War of Independence was gathering momentum, she was hastily commissioned with a crew of 350 officers and men and sent to join the fleet standing off the eastern seaboard of the United States. Joining Sir Peter Parker’s squadron of five 50-gun ships, Centurion’s first taste of action came on 8th December, 1776 when she assisted with the assault and capture of Rhode Island and Narragansett Bay, both places seen as vital to British interests. By July 1778 she was under Lord Howe’s command in the operations off the same stretch of coast and was part of the large fleet which narrowly missed clashing with a French fleet on 11th August and several succeeding days. Once France had joined the war in support of the colonists’ cause, much of the seaborne activity shifted to the immensely rich sugar islands of the West Indies, the scene of so many Anglo-French naval engagements during the second half of the 18th century. Beginning with the encounter between Rear-Admiral Barrington’s fleet and a French squadron off St. Lucia on 15th December, 1778, which resulted in the capture of that island 15 days later, Centurion thereafter played major roles in several actions and was even on hand to witness one of the last naval encounters of the war when H.M.S. Hussar engaged and captured the French frigate Sibylle off Cape Henry, Virginia, on 22nd January, 1783. Laid up for most of the following decade, Centurion was sent to the Indian Ocean early in 1794 after the outbreak of war with Revolutionary France and participated in several significant engagements across Eastern Waters during the final years of the old century, one of which brought her captain £15,000 in prize money. Her final action was undoubtedly her most spirited when, on 18th September, 1804, she was attacked by the French ‘74’ Marengo, together with two frigates mounting 76 guns between them, whilst lying in the Vizagapatam Roads [off the east coast of India] waiting to escort a merchant convoy to Madras. Despite the 3-to-1 odds stacked against her, Centurion put up a magnificent fight and, after a furious engagement lasting six hours, the French withdrew to lick their wounds leaving the convoy scattered but safe. Centurion herself was seriously damaged, however, which might explain the decision to hulk her for harbour duties in 1808, thus bringing what appeared to be a somewhat premature end to her seagoing career. Eventually finishing up at Halifax, Nova Scotia, she served as a hospital ship until she sank at her moorings on 21st February, 1824, after which she was raised and broken up.Condition report: Fine overall condition.

Los 329

AN AVIATION COMPASS FROM THE SPOTTER PLANE OF THE BATTLE CRUISER H.M.S. HOOD with 2in. ebonised compass card set within liquid-filled brass bowl, the rim stamped A.M. with broad arrow mark and inscribed Type 06 No. 18307.D, prismatic mount, wooden handle with light button stamped HOOD – 51, the base with brass threaded battery cap with spring retainer and leather strap contained within fitted leather tube of issue, the lid counter-stamped HOOD with carry straps -- 9¾in. (25cm.) highFootnote: Built in 1918, Hood underwent a large refit from 1929-31, during which she was fitted with a catapult-mounted Fairey IIIF floatplane, which was principally used for despatches and spotting purposes.Condition report: fine overall condition, lacking prismatic lens

Los 374

A PROJECTING POLARISCOPE BY J. DUBOSCQ, CIRCA 1875 signed on the lacquered brass tube J. Duboscq à Paris with graduated light filters secured to adjusting slide base with lens assembly, mounted on lacquered brass stand with iron tripod foot -- 23 x 12½in. (58.5 x 32cm.)Condition report: Old wear overall, central assembly appears to be missing, lenses appear to be in tact in components offered

Los 67

A BRASS PORTHOLE RECOVERED FROM THE WRECK OF THE S.V. THOMAS W. LAWSON SUNK OFF JACKY’S ROCK, SCILLY ISLES, 1907 with 11in. hinged glazed aperture, typical brass around with rivet holes -- 16in. (40.5cm.) diam; together with certificate of provenance, contemporary postcard and print of the vessel (4)Footnote: The American schooner Thomas W. Lawson had seven masts and 43,000 square feet of canvas when all sail was set. She was rigged as a schooner in order to economise in crew, as it required only 19 men to sail her, the running gear being worked by steam winches. On the afternoon of December 13th, 1907, the vessel arrived off St. Mary’s Island, Scilly Isles, on her voyage from Philadelphia to London. The weather was rough, but the captain thought to ride out the storm at anchor between St. Mary’s and the Bishop Light-house. Shortly after dark the St. Agnes lifeboat came alongside and put Mr. Hicks, a channel pilot, on board. During the night the storm increased in violence and the Thomas W. Lawson was driven on to the Westward Rocks, where she capsized. The drowned numbered 17, including Pilot Hicks, and one of the three survivors died shortly after reaching shore.Condition report: Good overall condition

Los 73

HENRY LOOS (BELGIAN, ACT. 1870-1894) Trading barque ‘Magdalene’ Oil on canvas 19 x 23½in. (48 x 60cm.)Condition report: Could benefit from a light clean, relined.

Los 176

Switzerland (Airs) 1923-40 35c Cinnamon and light brown, SG 319 fine used. SG £65

Los 469

Great Britain 1911 Downey Head 1/2d, deep green, SG N1(3) fresh mint block of four, one very lightly mounted, three u/m. Light gum bands. Cat £200+

Los 470

Great Britain 1911 Downey Head 1/2d deep green, SG N1(3) marginal mint block of eight. Fresh light creases. Cat £400 (8)

Los 484

Great Britain 1929 1 1/2d purple brown, UPU. Congress, watermark sideways SG 436a, light used. Cat £60

Los 508

Great Britain 1973 Royal Wedding, 20 pence Traffic, light gutter pair. U/m mint

Los 51

Australia (Tasmania) 1853 1d Pale Blue, SG3, light used, four margins, corner clip lower right clear of design, light crease. SG Cat £1,300

Los 70

Australia (Tasmania) 1899-1900 Pictorial Issue Fresh Mint (l/m) set 1/2d to 6d SG229-236, Perf 14, (2d light vertical crease) Set £150

Los 71

Australia (Tasmania) 1899-1900 Pictorial Issue Specimen Set Perf 14, SG 229-236 l/m/mint set, fresh, light toning on 1/2d and 3d. SG Cat £550

Los 82

Australia (Tasmania) 1907-12 4d Orange-Yellow, Perf 12 1/2 Comp 11, SG 247 db, White T55c, mounted mint, even light gum toning. SG £550

Los 1

A brass six-light chandelier, in the French 18th century style, cast with acanthus scrolls and putti, 52 cm high

Los 172

A brass lantern with five glazed panels, 44cm high; together with a five light chandelier and a ceiling light in the form of a cherub

Los 228

Two Tiffany style lights, one being a five branch chandelier, the other a hanging ceiling light

Los 272

A twelve light gilt metal chandelier, with glass drip pans and glass droplets, 63cm diameter

Los 38

Three various table lamps, comprising: a brass candlestick-shaped example, a Chinese-style ginger-jar and cover printed with blue scrolls and a composite Christmas tree light, 42.5 cm high maximum

Los 1012

DAVID BOWIE - STUDIO LPs. An excellent pack of 8 studio LPs by David Bowie. Titles include Station To Station (APL1-1327, orange label, with insert. A1E/ B2E matrix. Record is Ex+. Sleeve has some light ring wear, Ex), Ziggy Stardust (INTS 5063, reissue on green label. Ex+/ Ex+), Hunky Dory (SF 8244, Dynaflex pressing, -1S/ -1S matrix. Printed inner. Ex+/ Ex+), Heroes (AFL1-2522, printed inner, black labels, A1/ B1 matrix. Ex/ Ex), Low (PL 12030, with insert. track listing stuck to rear. A2U/ B2 Sterling. Other matrix numbers scratched through, Ex+/ Ex+), Scary Monsters (BOWLP 2, with insert, Ex+/ Ex+), Just Dance (AML 3029, printed inner, Ex+/ Ex) & Young Americans (RS 1006, Ex/ Ex+).

Los 1013

THE VELVET UNDERGROUND - S/T (UK ORIGINAL STEREO LP - MGM-CS-8108). Here we have a superb stereo copy of The Velvet Undergrounds 1969 self-titled album (MGM-CS-8108. UK pressing on MGM. 2YMG 291-1G/ 292-1G matrix. The labels are lovely bright and clean. The record has some light/ wispy paper surface marks and a couple of light feelable hairline marks on side 1 tracks 4/5, a quick sample playtest produced no skips, or jumps. It played through nicely with only faint surface noise. . Side 1 strong VG, side 2 strong VG+. The front laminated flip-back sleeve is in beautiful Ex condition).

Los 1016

STEREOLAB - EMPEROR TOMATO KETCHUP (YELLOW/ SILVER GLITTER LP - D-UHF-D11). Here we have a beautiful original Limited Edition copy of Stereolab's 1996 album Emperor Tomato Ketchup (D-UHF-D11. Yellow translucent records with silver glitter sparkle are in beautiful Ex condition. The gatefold sleeve has some light edge shelf wear, Ex).

Los 1026

THE WORLD OF OZ - MONO S/T LP (UK PSYCH-POP - DML 1034). Here we have an original mono copy of The World of Oz's slice of 60s psychedelic-pop (DML 1034, 1969 UK mono pressing on Deram. ARL-8686-1A/ 8687-1A matrix. Side 1 label has some pen ticking next to tracks 3 to 5. The record has one or two light/ hairline paper surface marks, nothing feelable. Strong VG+ condition. The front laminated sleeve is in beautiful Ex condition. Includes original red boarded inner sleeve). Also included is Willows' Harp/ Like A Tear 7" (DM 233, 1969 UK 2-track. 4-prong centre labels are lovely and clean. Record is beautiful Ex. Comes in Deram company sleeve).

Los 1046

INDIE/ ALT - 7" PACK. A smashing collection of 10 7" singles. Artists/ titles include British Sea Power - Carrion (RTRADES092), The Hours - Back When You Were Good (1721011), Emmy The Great - Secret Circus, Shonen Knife - Yama-no Attchan (OGL81609-1, mini LP), Jarvis inc Don't Let Him Waste Your Time, Cunts Are Running The World (single-sided bonus white label from The Jarvis Cocker LP), Peter Doherty inc PD feat Wolfman - For Lovers & Babyshambles (HS7IN011). Schneider TM - The Light 3000, Gravenhurst - The Diver EP. Condition is generally Ex to Ex+.

Los 1047

INDIE/ ALT - 7" COLLECTION. A sashing collection of around 41 7" singles. All modern 90's/ 00's releases. Artists/ titles include The Shortwave Set - Better Than Bad, The Veils inc Guiding Light. Delays - Hey Girl, The Mutts - Hostage, The Park - Abigail's Flying Through The Clouds, ddd - Knives, Gruff Rhys - Candylion, The Long Blondes, Albert Hammond Jr, Brakes, The Decemberists, Rough Trade Japan, The Mescalitas, Jarvis inc Don't Let Him Waste Your Time. The Little Boys, Adam Green, Woog Riots, Aberfeldy - Love Is An Arrow (white label), Kill Kenada, Love Is All, HAL, Lee Scratch Perry. Condition is generally Ex to Ex+.

Los 1060

BLUES ROCK/ R&B - 7" RARITIES. Here we have a smashing pack of 4 7" rarities. Artists/ titles include John Mayall inc Crawling Up A Hill/ Mr. James (F.11900, 1964 UK 4-prong centre on Decca. Labels are lovely bright and clean. The record has some light surface marks, VG+), JM & The Bluesbreakers - Key To Love/ Parchman Farm (F.12490, 1966 UK 4-prong centre on Decca. Record has one or two hairline paper marks, Ex), Long John Baldry - You'll Be Mine/ Up Above My Head I Hear Music In The Air (UP-1056, 1964 UK 4-prong centre on United Artists. Record has some light surface marks and would also benefit from a clean, VG) & Duffy Power - I Saw Her Standing There/ Farewell Baby (R 5024, 1963 UK 4-prong centre on Parlophone. Record has some light surface marks, strong VG+).

Los 1062

PSYCH/ FOLK/ POP - 60s/ 70s - 7" COLLECTION. Here we have a smashing collection of 7x 7" psych/ folk singles. Artists/ titles include Nico - I'm Not Sayin (IM003, Labels have handing wear and some tape marks. Record is covered in surface marks, G), John & Beverley Martyn - John The Baptist (WIP-6076, 3-prong centre, Ex), Roger Wootton - Fiesta Fandango (VS113, Ex), Polly Brown - So Much In Love (7N 45246, UK demo, solid centre. Record has lots of surface marks, including some light feelers, G+), Maggie McGee - Abracadabra (RCA 2252, Ex), Strawberry Alarm Clock - Incense And Peppermints (7N.25436, Ex) & Queen - Keep Yourself Alive (EMI 2036, strong VG+).

Los 1063

70s ROCK - 7" RARITIES. A smashing collection of 7x 7" rarities. Artists/ titles include Shakin' Stevens & The Sunsets - Sweet Little Rock & Roller (2058-213, record is Ex), Gygafo - Wino (LK.SP.6061, VG+), Queen - Keep Yourself Alive (EMI 2036, Ex), Captain Lockheed & The Starfighters - Ejected (UP 35543, record Ex/ picture sleeve Ex), Journey - Don't Stop Believing (CBSA 1728, Dutch press, Record Ex/ picture sleeve has light ringwear, Ex), Faust - Faust Party 3 Extracts #2 (RR 6.5, No. 331 of 600, record Ex/ wrap-around picture sleeve, strong VG+), Chas Ambler - Envious Green (CA1, record Ex/ picture sleeve strong VG+).

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