FOLLOWER OF THEODORE HEINS PORTRAIT OF A BOY AND A DOG Oil on canvas 73 x 61cm (28½ x 24 in.) Condition Report: The canvas has been lined and is on a later stretcher. A thick layer of surface dirt and discoloured varnish. Fine craquelure across the canvas but the paint layer appears stable. Some abrasions around the edges and a few minor specks of paint loss. UV light reveals some scattered retouching and a repair in the blue fabric on the right. Condition Report Disclaimer
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BERTRAM PRIESTMAN (BRITISH 1868-1951) TIDAL MILL Oil on board Signed with initials and dated 13 (lower right), further signed and inscribed to backboard (verso) 20 x 26cm (7¾ x 10 in.) Condition Report: Very light surface dirt. Inspection under UV reveals very light scattered retouching to the lower half. Otherwise in good condition. Condition Report Disclaimer
GEORGE RICHMOND (BRITISH 1809-1896) HALF-LENGTH PORTRAIT OF A SEATED LADY, HOLDING A FAN Pencil, watercolour and bodycolour heightened with chalks 27.5 x 23.5cm (10¾ x 9¼ in.) Condition Report: The sheet is stuck down. There is a small loss to the sheet at the lower left corner. Chalk and highlighting can be seen on the backboard where the artist has continued off the sheet. Fading and rubbing across the lower edge. Light scattered foxing to the right edge. Some possible water damage to the upper right quadrant, most notable in the blue pigments to the left of the tree at the right edge. Condition Report Disclaimer
OLIVER CLARE (BRITISH 1853-1927) STILL LIFE OF FRUIT ON A MOSSY BANK Oil on board Signed (lower right) 17 x 24cm (6½ x 9¼ in.) Condition Report: Light surface dirt. Inspection under UV reveals light retouching throughout in particular to the edges of the upper right hand corner and to the upper left hand quadrant. In overall good condition. Condition Report Disclaimer
WILLIAM THORNLEY (BRITISH FL. 1858-1898) SHIPS IN CHOPPY SEAS, WITH WHITE CLIFFS BEYOND Oil on canvas Signed (lower right) 30.5 x 61cm (12 x 24 in.) Provenance: Sale, Nottingham, Mellors & Kirk Auctioneers, 18 September 2014, lot 931 Condition Report: Relined. Light rubbing to the framing edges. Inspection under UV reveals scattered retouching throughout and an area of more extensive retouching to the upper left quadrant possibly associated to a repair. Condition Report Disclaimer
DUTCH SCHOOL (18TH CENTURY) STUDY OF A GALLEON Watercolour, ink and wash Inscribed with the numbers 127 to the lower left edge 41 x 59cm (16 x 23 in.) Condition Report: Unexamined out of glazed frame. Vertical crease through the centre of the sheet. A number of other handling creases scattered throughout. Light surface dirt throughout. Scattered areas of light skinning and thinning to the sheet. Overall image is good and framed ready to hang. A few scuffs to the framing edges, please see framed image on dreweatts.com website. Condition Report Disclaimer
ENGLISH SCHOOL (C. 1800) COTTAGE LANDSCAPE WITH AN ESTUARY BEYOND Watercolour 36 x 50.5cm (14 x 19¾ in.) Condition Report: Unexamined out of glazed frame. Sheet has slipped. There is a deep horizontal crease running across the sheet from the right edge approx. 7cm up from the lower edge. Light discolouration throughout. Condition Report Disclaimer
JOHN VARLEY (BRITISH 1850-1933) FIGURES ON THE ROAD TO WINDSOR Watercolour Signed (lower right) 13.5 x 18cm (5¼ x 7 in.) Condition Report: Unexamined out of glazed frame. Very light surface dirt throughout with three very small stains to the upper right quadrant, although hardly noticeable. Overall in good original condition. Condition Report Disclaimer
FOLLOWER OF JOHN NOST SARTORIUS THREE RACEHORSES ON THE DOWNS Oil on panel Indistinctly inscribed (on the reverse) 24 x 37cm (9¼ x 14½ in.) Condition Report: Oil on panel. There is a vertical line of retouching to the sky, visible in natural light circa. 7cm from the upper edge to the whip of the last jockey on the right. There is a yellowing varnish causing some very light discolouration. Inspection under UV reveals retouching throughout. Rubbing and losses to the gilt frame. Condition Report Disclaimer
A CHINESE PAINTED SILK FAN, SIGNED ZHANG DAQIAN, (CHANG DAI-CHIEN, 1899-1983). Ink and light colour on silk of narcissus and calligraphy with two red seal marks, mounted in a circular wood fan. Fan 26.3cm diam.Overall good general condition with minor staining in areas to silk. No major damage.
FIVE 18TH-19TH CENTURY PRINTED MAPS OF CHINA. Comprising: an example by H. A. Chatelain, HABILLEMENS D'HOMMES & DE FEMMES DIVERSE PROVINCES DE LA CHINE, Amsterdam circa 1720, Copperplate uncoloured, 370 by 430mm (14.5 by 17 inches), a map by T. Bowen, London 1775, THE NORTHERN ARCHIPELAGO ... IN THE SEAS OF KAMCHATKA..., Copperplate uncoloured, 170 by 235mm (6.75 by 9.25 inches), a map by Lizars CHINA, Edinburgh circa 1842, steel plate, original outline colour, 395 by 445mm (15-5 by 17.5 inches), a map of CHINA by G. H. Swanston & J. Bartholomew, Edinburgh, London & Dublin, A Fullarton & Co. circa 1860, coloured steel plate, 412 by 535mm (16.25 by 21 inches), and a map by W. F. Mayers, London / Hong Kong 1867, FROM TUNGCHOW TO PEKING, uncoloured Lithograph, 180 by 410mm (7 by 16.25 inches) (5)The first (Chatelain, Habillemens D’Hommes & De Femmes Diverse….) Finely engraved. A decorative and elaborate plate from Henri Abraham Chatelain's 'Atlas Historique' illustrating and describing Chinese people of all ranks and regions. Also displayed is a Jesuit Priest and the monumental bridge connecting two mountains in Xensi province.The second (Bowen, The Northern Archipelago…) Engraved by Thomas Bowen and published in the 'London Magazine', this map purports to illustrate the recent Russian discoveries in the northeast Pacific, showing the Aleutian Islands and a large 'Alaschka Island' off the mainland of North America. Trimmed close and laid on old paper. Jolly, Maps in British Periodicals I, LOND-306.The third (Lizar, China) An attractive and detailed map of China, including Korea, Taiwan and Hainan. Original outline colour delineates the districts. A note on the 'Chinese Wall' appears at the upper left, noting that it is 'so broad, that 5 or 6 Horsemen may travel abreast on the top'.The fourth (Swanston & Bartholomew, China) An attractive and detailed map of all China with inset details of Chusan and the estuary of the Canton River from Canton to Macao and Hong Kong.The fifth (Mayers, From Tungchow to Peking) William Frederick Mayers was one of a number of British Consular officials active in the major ports and towns in the Far East during the mid-nineteenth century. His work "Treaty Ports Of China and Japan" was a source of much valuable information for visitors whether in the pursuit of trade or as tourists, and included detailed folding maps of many of those trading ports featured. Published in London and Hong Kong. This map shows in good detail the road from the town of Tungchow to Peking's outskirts, approximately 14 miles with remarks as to the road surfaces, ie whether 'Stone Paved' or not. Printed in light scarlet ink on thin rice paper with backing to old fold weakness.
ESKENAZI, GIUSSEPPE. ESKENAZI: TWENTY FIVE YEARS ANCIENT CHINESE BRONZES, GILT BRONZES, INLAID BRONZES, SILVER, JADES, CERAMICS (1960-1985). London: Eskenazi, 1985. First Edition. Introductory Note on Archaic Bronzes, by William Watson. 4to (30.5cm). Buff boards, gilt titles to spine, embossed gilt dragon design to cover. pp. 76. Profusely illustrated in colour with some b&w. Bar some light edge wear to jacket around upper tips and spine ends, a bright, well-kept copy. In good overall condition dust-jacket.
A PAIR OF CHINESE ENAMELLED COPPER SQUARE BOWLS ON STANDS, EARLY 20TH CENTURY. Each light blue ground with polychrome enamel decoration of lion dogs. Each with original carved wooden stands. Bowls 14cm width. (2)Some wear to edges without any major damage or repair. Stands in good overall condition.
A CHINESE GILT BRONZE FIGURE OF VAJRASATTVA, INCISED XUANDE MARK. The figure seated in dhyanasana on a double lotus base holding a vajra and ghanta. To the front of the base are incised six characters from left to right reading 'Da Ming Xuande nian zhi'. Qing dynasty or earlier. 20.3cm tall. Weight 2646 grams. Overall good condition without major damage or signs of repair. Light scratches and wear throughout.
A CHINESE BAMBOO WRIST REST, QING DYNASTY, 18TH CENTURY. Glossy brown convex bamboo section carved with orchid flower. Signature bottom left of Zhou Zhiyan (1685-1773). 24.8cm length Reference: For a similar example see 'The complete Collection of Treasures of the Palace Museum' p.59 item 54; 'Arm-rest with orchid design, bamboo carving by Zhou Zhiyan. Middle Qing dynasty'. BOOK NOT INCLUDED IN THIS LOT. Overall good condition with no signs of major damage. Light areas or wear to surface to note. No signs of repair.
ROYAL ALBERT 'DERBY' PATTERN PART TEASET to include six cups and saucers, six teaplates, cake plate, sugar bowl and milk jug (21) together with a part Staffordshire Standard tea set of similar design to include six cups and saucers, six side plates, milk jug and cake plate (20) (41 total)Provenance: Provenance: contents of Machen House, Lower Machen in the County Borough of CaerphillyComments: all appear in good condition, some light rubbing to gilding
11 Atlas Edition boxed 1/43 scale armour models, all damaged (but repairable) except the US Half-track mortar carrier which is fine, 4 Atlas Editions 1/76 boxed Eddie Stobart trucks (models as new, boxes have light storage wear), and 5 Atlas Editions 1/43 "Best Of British Police Cars", all previously displayed, some with dust and minor damage.
A GREAT WAR & SECOND WORLD WAR GROUP OF FIVE MEDALS TO F.W.TAYLOR, SOMERSET LIGHT INFANTRY & ROYAL AIR FORCE comprising the British War Medal 1914-20 and Victory Medal (both 28989 PTE. F.W. TAYLOR. SOM. L.I.), officially impressed, Defence Medal and War Medal 1939-45, both unnamed as issued, and Royal Air Force Long Service and Good Conduct Medal (370346. CPL. F.W. TAYLOR. R.A.F.), engraved, all unmounted; together with an archive of related material, including a Certificate of Service and Discharge (Form 280); R.A.F. Service and Release Book (Form 2520A); and photographs of the recipient in uniform.
A BRITISH BREN MK III .303 LIGHT MACHINE GUN, BY ENFIELD, 1955 deactivated, the blackened body with impressed serial number 'UE 55 / A3434', and with a wood top carrying handle, top-mounted curved magazine, wood pistol grip and butt with steel butt plate, and fixed bi-pod, the barrel impressed 'Mk 4 UE 57 A5286', retaining bolt action and trigger action, overall 109cm long, with a modern camouflage storage / transportation bag. Note Deactivation certificate dated 11 March 2020.
FOUR DIECAST MODEL FIRE APPLIANCES comprising a Dinky No.956, Bedford Turntable Fire Escape, red with red plastic hubs, excellent condition, boxed (box lid with two split corners and one partially split side); Dinky No.276, Airport Fire Tender with Flashing Light, red with spun aluminium hubs, good condition (not tested), boxed; Dinky No.259, Fire Engine, red with red metal hubs, very good condition, boxed (box lacking both end flaps and one tab); and Corgi Major Toys No.1127, Bedford Simon Snorkel Fire Engine, red with spun aluminium hubs, excellent condition, boxed (box lid with rubbed edges).
A J.D. KESTNER BISQUE SOCKET HEAD CHARACTER DOLL with moulded and painted hair, fixed blue glass eyes, and a moulded open mouth, on a five-piece bent-limb composition body, the head impressed 'J.D.K. / made in 14 Germany', 45cm high. Condition Report : Head good; some chipping and light glue repairs around neck ring of body Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
TWO BISQUE DOLLS comprising a John Bing [S. & Q.] bisque socket head doll, with a replacement light brown wig, sleeping blue-grey glass eyes, and an open mouth with two upper teeth, on a five-piece bent-limb composition body, the head impressed '201 / S&Q / Germany', 41.5cm high; and an Alt, Beck & Gottschalck bisque socket head doll, with a cropped curly blonde wig, sleeping blue glass eyes, and an open mouth with two upper teeth, on a five-piece composition body, the head impressed 'ABG / 1361 / 25 / Made in Germany', 26.5cm high.
LARGE TIFFANY STYLE BAR CEILING LIGHT FIXTURE,the leaded and stained panels featuring wine bottle, glass of wine and figures in bar setting, 90cm x 42cmNo electrical wiring present. Some hairline fractures to some of the glass one of the side panels have split open to one of the leaded seals. (Additional image added)
Doppelkonusform in zwei Größen. Dekor "Ausführung 157" in sog. "Tango-Farben" aus hellblauem Opalglas, farblos überfangen sowie mit schwarzen, vertikalen Fäden und entsprechendem Rand. Entw. nach Dekorideen von Michael Powolny. H. 9 cm-12,5 cm.Provenienz: Aus dem Nachlass Dr. Zahn, Norddeutschland. Vorwiegend auf internationalen Auktionen, Messen und Glasbörsen in den 1980er bis 2000er Jahren zusammengetragen. Two Bohemian Loetz light blue and black glass vases.Böhmen/Tschechoslowakei. Klostermühle. Loetz Wwe. Um 1914-1920.
Die Vasen in unterschiedlichen Glockenformen auf leicht gewölbtem Scheibenfuß bzw. drei Kugelfüßen, die gemuldete, runde Schale ebenfalls auf drei Kugelfüßen. In sog. "Tango-Farben" gestaltetet aus hellem, leuchtend grünem, farblos überfangenem Opalglas, die Füße und Ränder aus dunkelblauem Glas; die Vasen mit Dekor "Ausführung 166" aus dunkelblauen, horizontalen Fäden und drei Ovalauflagen. Vasen-H. 10 cm-12,2 cm; Schalen-D. 11,8 cm.Provenienz: Aus dem Nachlass Dr. Zahn, Norddeutschland. Vorwiegend auf internationalen Auktionen, Messen und Glasbörsen in den 1980er bis 2000er Jahren zusammengetragen. Two Bohemian Loetz vases and a bowl. Light green and dark blue glass.Böhmen/Tschechoslowakei. Klostermühle. Loetz Wwe. Um 1916-1920.
(1870 Bersenbrück - 1944 Osnabrück)"Unter den Linden" (auch betitelt "Dorfpolitiker"). OriginaltitelRadierung u. Aquatinta/Papier, 1910. R. u. sign.; Wvz. Hamm D31. Eines von ca. 400 sign. Exemplaren. Breitrandiges Exemplar. Leicht gebräunt. Plattenmaß ca. 33 cm x 45,5 cm; Blatt ca. 45 cm x 58,5 cm. Rahmen.Etching and aquatint on paper, 1910. Hand-signed. One from an edition of ca. 400 signed copies. Wide margins. Minor light toning.
(1698 Ulm - 1767 Augsburg)"Das Zurückgehen an der Wand" und "Changieren rechts". Originaltitel Zwei Blätter mit Kupferstichen/Papier, 1734. Blatt 9 und 14 aus "Neue Reit Schul vorstellend einen vollkommenen Reuter in allen Lectionen", verlegt von J. E. Ridinger, Augsburg, 1734. In der Platte sign. u. dreisprachig betitelt. Wvz. Thienemann/Schwarz 636 und 641. Wohl spätere Abzüge. Gebräunt. Plattenmaß ca. 55 cm x 39,5 cm. Rahmen.Two sheets with copper engraving on paper, first published in Augsburg, 1734. Probably later prints. Light toning.
Breite, ovoide Form mit weiter Öffnung. Dekor "Ausführung 157" in sog. "Tango-Farben" aus hellblauem Opalglas, farblos überfangen sowie mit orangeroten, vertikalen Fäden und entsprechendem Rand. Entw. nach Dekorideen von Michael Powolny. H. 11,5 cm; D. 19,5 cm.Provenienz: Aus dem Nachlass Dr. Zahn, Norddeutschland. Vorwiegend auf internationalen Auktionen, Messen und Glasbörsen in den 1980er bis 2000er Jahren zusammengetragen. A Bohemian Loetz light blue and orange-red glass flower bowl.Böhmen/Tschechoslowakei. Klostermühle. Loetz Wwe. Um 1914-1920.
Rechteckige Quaderform. Hellgrünes Glas. Geätzter und in Goldmalerei ausgeführter Dekor vor eisglasartig rauem Grund. Lippenrand minim. best.; Sign. "DAUM NANCY" mit Lothringer Kreuz in Gold. H. 12,3 cm.Provenienz: Aus dem Nachlass Dr. Zahn, Norddeutschland. Vorwiegend auf internationalen Auktionen, Messen und Glasbörsen in den 1980er bis 2000er Jahren zusammengetragen. A French light green glass vase by Daum Frères with acid-etched and gold painted Papyrus decor. Minor chips to the upper rim. Signed.Frankreich. Nancy. Daum Frères. Um 1890-1900.
und Blumendekor3- bzw. 6-flg.; Balusterförmiger, mehrfach gegliederter und unterhalb stark vorwölbender Korpus. Der bombierte untere Wandungsteil gitterwerkartig durchbrochen gearbeitet und gerahmt von gegenläufigen C-Bögen. Umlaufend reicher, reliefplastischer, seegrün staffierter Dekor aus Palmblättern, Blattvoluten und Rocaillen sowie farbenprächtige, kartuschengerahmte Blumenbuketts. In zwei Etagen drei bzw. sechs abnehmbare, geschweifte Leuchterarme, umzogen von plastisch aufgelegten Blumenranken mit großen Blüten, in vasenförmiger Tülle mit blattartiger Traufschale endend. Auf Schaft und Armen sitzende, musizierende Putten bzw. Kanarienvögel. Unterhalb hängende, tropfenförmige Blumenbuketts, üppig arrangiert aus frei modellierten, sommerlichen Blüten. Polychrome Malerei mit reicher Goldstaffage. Form-Entw. Johann Joachim Kaendler. Elektrifiziert. Minim. best.; Unw. rest.; Teilw. Schwertermarke. Ges-H. ca. 87 cm. D. ca. 70 cm. Vgl. Berling, Meissen Festschrift, Abb. 269, S. 101.A splendid six-light porcelain ceiling chandelier applied with tendrils of flowers, cupids and canaries modelled by J. J. Kaendler. Minor chipped. Insignificantly restored. Partly crossed swords mark.Meissen. 20. Jh.
(Tätig um 1850)Ansicht von EsslingenHistorische Vedute mit Blick auf den gotischen Bau der Frauenkirche von Osten her. Aquarell/Papier, kaschiert auf Papier. Ger. nachgedunkelt und lichtrandig. 28,9 cm x 22,7 cm. Rahmen.Watercolour on paper with a view of Esslingen. Minor foxing and light staining to the cut-out of the passepartout.

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534297 Los(e)/Seite