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Los 427

22k yellow gold necklace comprised of a substantial wheat chain and central tubular element in the bypass style. Set with central bezel set cabochon sapphire of approximately 1 ct and two accent round bezel set cabochons of .4 ctw. The tubular element finely accented in the Ancient Etruscan style with ornate granulation. Marked 22k along the reverse of the central element. With barrel clasp closure and safety latch.Length: 16 1/2 in. Gross weight: 36.1 g.Condition: Very light wear, components firmly attached.

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Los 86

Ernest Trova (American, 1927-2009). Painted and welded metal sculpture in the form of a dynamic geometric composition. Possibly from Trova's "Canto" series. Signed in marker along the underside.Provenance: Distinguished Corporate Collection, Minnesota.Height: 7 1/2 in x width: 23 1/2 in x depth: 20 in.Condition: There are no major breaks, losses, or signs of restoration. Some light scuffs and scratches throughout. Dust and debris gathered throughout.

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Los 41

Paul-Emile Pissarro (French, 1884-1972). Pastel on paper drawing titled "La Village Sous La Neige" depicting an idyllic landscape. Signed along the lower right.Sight; height: 8 3/4 in x width: 10 1/2 in. Framed; height: 24 3/4 in x width: 28 3/4 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no major visible tears or creases. Undulation to the sheet throughout. Floated in frame. Framed under plexiglass, light wear to the frame. Not inspected out of frame.

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Los 88

Will Wright (20th/21st c). Serigraph print on paper titled "Why" depicting a Y-shape in green against a blue background, 1976. Pencil signed and dated along the lower right; numbered 5/7 along the lower center; titled along the lower left.Sight; height: 23 1/4 in x width: 18 1/4 in. Framed; height: 25 in x width: 20 in x depth: 1 in.Condition: The colors are bold and deep. There are no visible tears, creases, losses, or restorations. The sheet is toned. There is an undulation to the sheet throughout. Extreme edges and verso not inspected. Framed under glass; light wear to the frame. Not inspected out of frame.

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Los 58

Ed Baynard (American, 1940-2016). Large watercolor on paper painting depicting a still life of various jugs and a flowering plant, 1991. Pencil signed and dated along the lower right.Unframed; height: 29 1/2 in x width: 40 in. Framed; height: 34 in x width: 45 1/2 in x depth: 1 1/4 in.Condition: The colors are bold and bright. There are no major visible tears, losses, or signs of restoration. Light wear along the deckled edges. There are two pinholes, one along either of the upper corners. The work is floated in frame, however it has slipped its hinges. This is not reflected in the lot listing photographs. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

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Los 180

William Shakespeare, "The Tempest," London: Heinemann, 1926. First edition, illustrated by Arthur Rackham. With 20 tipped-in color plates. Volume bound in black half-morocco leather with gilt tooling to the covers and spine with raised bands.Height: 10 in x width: 7 3/4 in x depth: 1 1/4 in.Condition: All pages and plates are present and accounted for. There is wear throughout consistent with age and use including minute penciled inscriptions along a few pages. Some toning and soiling including foxing to the pages throughout, especially along pg. 63. Some wear to the extreme edges, such as heavy toning. Light wear along the exterior cover.

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Los 61

Ed Baynard (American, 1940-2016). Watercolor on paper painting titled "3 Poppies, 1 Lily, and A Rose" depicting red flowers, 2001. Signed, titled, and dated along the verso.Unframed; height: 30 in x width: 42 in. Framed; height: 36 in x width: 48 1/2 in x depth: 1 1/4 in.Condition: The colors are bold and bright. There are no major visible tears, losses, or signs of restoration. There are two pinholes, one along either of the upper corners. Some wear along the deckled edges, particularly the left edge. Floated in frame. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

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Los 240

David Salmela (American, b. 1945). Modern and minimalist design loveseat sofa or couch. Veneered plywood frame with Maharam wool upholstered cushions.David Salmela is a well-known Minnesota architect. The loveseat featured in this lot was produced for a custom Salmela-designed residence in Minnetonka.Height: 32 in x width: 42 in x depth: 31 in.Condition: The loveseat is in good condition. Light wear to the cushions including some dust/debris gathered in the fabric. Light wear to the feet.

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Los 297

William Spratling sterling silver bracelet with two plain exterior bands, and two herringbone pattern interior bands, inlaid with copper. Marked sterling silver and Spratling Made in Mexico along the interior.Diameter: 2 1/2 in. Gross weight: 83.5 g.Condition: Tarnishing and wear, light scratches concentrated to the cuff's edges.

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Los 91

Victor Vasarely (Hungarian/French, 1906-1997). Op-art abstract serigraph on paper titled "Ter-Ur 3," from the portfolio "Kunst-Oslo," 1985/86. Published by Editions Falaize/Paris. Pencil signed along the lower right; numbered 185/295 along the lower left.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 39 in x width: 26 1/2 in. Framed; height: 48 in x width: 35 in x depth: 1 in.Condition: The colors are bold and bright. There are no major visible tears, losses, or signs of restoration. Housed under a nonacidic mat. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

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Los 57

Ed Baynard (American, 1940-2016). Watercolor on canvas painting titled "Green-Market Suite: Spring Plant" depicting a potted plant against a vibrant hot-pink background, 2004. Signed, titled, and dated along the verso.Height: 36 in x width: 24 in x depth: 2 in.Condition: The colors are bold and bright. There are no major tears, losses, or restorations. Light wear along the extreme edges, particularly the lower edge. The work is not framed.

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Los 397

Tiffany & Co. sterling silver lock necklace comprised of a simple cable chain and padlock. Marked 925 T& Co 1837 and Tiffany & Co 925. Padlock opens and closes as the clasp.Length: 17 in. Gross weight: 1.470 ozt.Condition: Light wear throughout, clasp working well.

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Los 92

Victor Vasarely (Hungarian/French, 1906-1997). Serigraph on paper titled "Dia-or" depicting an op-art geometric scene in orange and brown.Provenance: By repute, purchased from Dayton's, MN in the 1970s; Private Minnesota Collection.Sight; height: 22 1/4 in x width: 22 1/4 in. Framed; height: 33 1/4 in x width: 33 1/4 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or signs of restoration. Housed under a nonacidic mat. Framed under glass, light wear to the frame. Not inspected out of frame.

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Los 95

Suzanne Caporael (America, b. 1949). Lithograph with hand painting on paper titled "Jade Bay, North Sea, Germany" depicting a geometric composition with red, white, and blue squares, 2003. Pencil signed and dated along the lower right; editioned 13/30 along the lower left.Height: 19 1/4 in x width: 14 1/4 in.Condition: The colors are bold and bright. There are no tears, losses, or signs of restoration. Light wear along the extreme edges. The work is not framed.

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Los 332

Shreve & Co., San Francisco United States. 14k yellow gold barrette of rectangular form with clipped corners. The two outer perimeters detailed with vegetal engravings, the interior with a cross hatch design set with seed pearls at the intersection of each cross, 46 seed pearls total. With a barrette closure with locking safety latch. Marked 14k Shreve & Co. along the reverse.Length: 3 in x width: 1 1/2 in x depth: 1/4 in. Gross weight: 16.5 g.Condition: All components intact and firmly attached. Some very light wear and scratching to the setting. Some accretions to the bases of the pearls.

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Los 90

Jasper Johns (American, b. 1930). Offset lithograph with paints and paintbrush titled "Target" depicting a 'blank' target. Signed in print along the lower left; the second line in the artist section has been left to allow the purchaser to paint the target themselves and sign their own name. Along the the catalog "Technics and Creativity" published by Gemini G.E.L., Los Angeles, in conjunction with the Museum of Modern Art, New York, 1970-71. Contained in a white plastic case.(Case) Height: 10 1/2 in x width: 9 in x depth: 1 1/4 in.Condition: The colors are bold and bright. No tears, creases, or losses to the print. Some undulation and very light wear to the catalog. Wear including areas of soiling to the case.

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Los 390

18k white gold and diamond purse form pendant. Rendered in filigree and set with nine full cut diamonds. The purse hinged to open and close. Marked 18k 750 along the back. 14k white gold rolled wheat chain with a lobster clasp closure, marked 14k Italy near the clasp.Length: 20 in. Gross weight: 6.9 g.Condition: Light wear, all components affixed firmly. Clasp works well and purse opens and closes smoothly.

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Los 256

K. Kawai baby grand model GM-10K piano, serial number F019546, ca. 2007-2008. With a Pianodisc iQ Intelligent Player system, model 8000-0009, serial number 10070318. With a piano bench with sheet music storage under the seat.(Bench) height: 18 1/2 in x width: 30 in x depth: 14 in. (Piano, closed) height: 39 1/2 in x width: 58 1/2 in x depth: 59 in.Condition: There are no major visible breaks or losses to the piano. All keys and strings are intact. Light wear along the surfaces including minute and faint scratches. There is a small loss to the finish along the upper right of the pedals and a loss to one of the rubber pads along the top surface of the piano, where the foremost panel folds backwards. The piano bench is stable. Some wear to the piano bench including a few scratches to the seat and some chips along the extreme edges.

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Los 56

Charcoal on paper drawing depicting actors Charlie Chaplin and Jackie Coogin in a scene from "The Kid" (1921).Sight; height: 21 in x width: 19 in. Framed; height: 32 3/4 in x width: 25 in x depth: 1 in.Condition: The colors are bold and deep. There are no visible tears, creases, losses, or restorations when viewed under UV light. There is a minute accretion along the lower left corner of the work. Housed under a nonacidic mat. Framed under glass; light wear ot the frame including separation to the edges of the frame along the upper left. Not inspected out of frame.

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Los 185

John Eckel, "The First Editions of the Writings of Charles Dickens and Their Values," 1913. London: Chapman & Hall, Ltd. Limited large edition with cream colored spine and gilt tooling. Signed and editioned no. 244/250 with 34 plates and additional illustrations in-text.Height: 10 1/2 in x width: 8 1/2 in x depth: 2 in.Condition: All pages and plate appear present and intact. Light wear throughout consistent with age and use including minute penciled inscriptions along a few pages, toning and minute soiling, particularly along the title page. Wear and toning along the exterior edges of the deckled paper textblock. Light wear to cover, particularly along the lower edge. Light toning and wear to the spine.

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Los 71

Jack Barkla (American, 20th/21st c). Oil on canvas painting titled "Male Figure Backside 2" depicting a nude male figure, 2008. Signed and dated along the lower left corner.Unframed; height: 24 in x width: 12 in. Framed; height: 25 1/4 in x width: 13 1/4 in x depth: 1 1/4 in.Condition: The colors are bold and deep. There are no tears, losses, or restorations. Slight crazing to the pigment above the figure's raised shoulder. Light wear to the frame.

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Los 104

Albert Christ-Janer (American, 1910-1973). Mixed media on gesso board painting depicting a textured abstract form in warm tones on a pale white background. Tendrils of whispy smoke-like forms drift horizontally across the canvas. Signed along the lower left.Albert Christ-Janer was a highly accomplished artist and educator, having held positions at various prestigious institutions such as Stephens College, Cranbrook Academy of Art, Pennsylvania State University, and Pratt Institute. Throughout his career, he made significant contributions to art education and his works are housed in esteemed institutions including the Metropolitan Museum of Art and the Whitney Museum of American Art.Height: 16 in x width: 20 in x depth: 1/4 in.Condition: There are no signs of restoration under UV light. Some minute losses along the extreme edges of the work. Along the lower left corner there is a network of yellow spots that may be foxing. The work is not framed.

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Los 37

Gaspare Diomede Carlo Della Bruna (Italian, 1839-1915) after Titian (Italian, ca. 1488-1576). Oil on canvas painting after Titian's "La Bella" (ca. 1536-1538). Signed D. Della Bruna along the verso and with a wax seal.Unframed; height: 39 1/2 in x width: 29 1/2 in. Framed; height: 45 in x width: 35 1/4 in x depth: 2 in.Condition: The colors are somewhat faded. There is craquelure throughout and some areas where the painting is unstable and has flaked, particularly along the woman's hair, neck, and right shoulder. Signs of inpainting throughout the background that fluoresce under UV light. There are three regions of spiral craquelure along the upper third of the painting that correspond with soiling along the verso. There are stretcher bar marks along the perimeter of the painting and signs of wear along the extreme edges, where the painting is in contact with the frame. Housed within a wooden frame. Some wear to the frame. Dust gathered throughout the recessed areas, particularly along the verso.

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Los 337

Antique Art Deco platinum topped 14k yellow gold & old European cut diamond hair ornament, brooch, tiara, or diadem. Of slightly convex and curving form, with a seven segment Greek Key or Meander design, set with 211 old European cut diamonds in platinum. The back of the piece in 14k yellow gold with brooch pin and locking C clasp closure. Also with a wide stabilizing placard in 14k yellow gold that slides on and off. Unmarked, tested 14k and platinum.This versatile hair ornament can be worn a number of ways: as a barrette, a chignon pin, a brooch, and on a ribbon as a necklace. This piece could also easily be attached to a tiara frame.Length: 4 1/2 in x width: 3/4 in x depth: 1/4 in. Gross weight: 42.4 g.Condition: All stones present, some very light wear and scratches to the setting. The brooch clip and stabilizing placard all working well.

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Los 32

Charles Biederman, born Karel Joseph Biederman (American, 1906-2004). Ink, gouache, and pen on paper painting titled "Study for Painting, Paris, January 1937" depicting abstracted shapes in yellow, black, and white, 1937. Pencil signed and dated "P 1/37" along the lower left.Provenance: Estate of Charles Biederman.Lot Essay:Born to Czech parents in Cleveland in 1906, Biederman was involved in the American art scene for his entire life. He briefly studied at the Cleveland Art Institute and the School of the Art Institute of Chicago (SAIC) before dropping out and moving to New York. It was there that he met and was included in shows with other influential artists of the time including Alexander Calder, John Ferren, George L.K. Morris, and Charles Green Shaw.For nine months from 1936-37 Biederman studied in Paris. It was here that he met and was influenced by leading artists including Picasso, Mondrian, and Miro. He was initially influenced by the works of Fernand Leger before moving away from his style and towards totally abstract, geometric compositions. The movements of Cezanne, Post-Impressionism, and Cubism informed the evolution of his style. And while he started out painting, he abandoned two-dimensional for more sculptural works by the end of 1937.In 1941 he married Mary Moore Biederman and in the following year he moved to Red Wing, Minnesota, where he would spend the rest of his life. In the 1950s, he created the term "Structurism" to help define his works from Constructivism and De Stijl. Many prominent collections around the world contain Structurist Reliefs including The Whitney Art Museum, The Metropolitan Museum of Art, and The Tate, London.In 2004, Beiderman died at the age of 98 and his estate was subsequently given to the Weisman Art Museum on the University of Minnesota - Twin Cities campus. They have organized traveling exhibitions of his works.Sight; height: 17 in x width: 14 in. Framed; height: 19 1/4 in x width: 16 1/4 in x depth: 1 1/2 in.Condition: The sheet is slightly toned. The colors are bold and bright. There is a slight undulation to the sheet. Light soiling throughout, as expected from a study. The work is floated in frame. Framed under glass; light wear to the frame. Not inspected out of frame.

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Los 34

Print depicting the Peanuts gang signed by the creator, Charles Schulz. Pen signed "Best Wishes - Charles Schulz" along the upper margin.Unframed; height: 10 in x width: 8 in. Framed; height: 12 1/4 in x width: 10 1/4 in x depth: 1/2 in.Condition: The sheet is heavily toned with foxing throughout. Creases, tears, and small losses to the edges. Soiling throughout. The ink of the signature has faded somewhat. Light wear to the frame.

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Los 68

Xavier Gonzalez (American, 1898-1993). Large oil on canvas painting titled "The Red Couch" depicting a reclining nude woman. She is bathed in a white aura and stands out brightly against the darkened interior of the room. Initialed along the lower right; titled along the verso.Provenance: Estate of the Artist; Private Minnesota Collection.Unframed; height: 39 3/4 in x width: 59 1/2 in. Framed; height: 41 1/2 in x width: 60 3/4 in.Condition: The colors are slightly faded. The surface is stable. There are no major visible tears or losses. There are some areas that fluoresce under UV light, particularly along the length of the woman's side, possibly from the pigment used. Some soiling along the verso. Housed within a wooden frame, not under glass or plexiglass. Light wear to the frame. Not inspected out of frame.

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Los 348

One pair of James Avery 14k yellow gold earrings comprised of mabe pearl studs suspending a larger moonstone cabochon. Marked 585 with James Avery logo. With friction backs.One 14k yellow gold pendant comprised of a round opal surmounted by three small round brilliant diamonds. Unmarked, tested 14k.Gross weight: 10.6 g.Condition: Light wear.

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Los 387

14k yellow gold fancy link necklace. Comprised of chevron links with circular and triangular accent details. With a box clasp and safety latched. Marked 14k Italy Aurafin along the underside of the clasp.Length: 15 1/2 in. Gross weight: 10.5 dwt.Condition: Clasp and safety clasp working well. Links well articulated. Wear and light scratches throughout.

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Los 416

Group two pieces branded 14k white gold jewelry, including:One Effy 14k white gold ring set with five round brilliant cut diamonds and 24 smaller full cut diamonds. Marked 14k Effy along the interior shank.One Vera Wang 14k white gold pendant set with four central princess cut diamonds in a square formation, surrounded by 16 full cut sapphires, further surrounded by 30 full cut diamonds with 5 full cut diamonds on the bale. The back with cut out VW detail and marked Love Vera Wang 14k.(Pendant) Length: 18.09 mm x width: 10.80 mm x depth: 7.25 mm. Ring size: 7 3/4 US. Gross weight: 9.5 g.Condition: Light wear to the pendant. Some surface wear to the ring shank, rhodium plating fading.

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Los 429

22k yellow gold bypass style ring bezel set with two small round sapphires of approximately .40 ctw. With finely applied granulation details. Marked 22k along the interior shank.Ring size: 8 1/4 US. Gross weight: 8.5 g.Condition: Very light wear.

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Los 30

Christopher Bucklow (British, b. 1957). Unique dye destruction photogram print from the "Guest" series titled "Guest, [M.B.] 25,000 Solar Images, 3:06 PM, 12 August 1995."To create these works Bucklow photographed the sun using a multiple pinhole camera created from a cardboard box. He then punched out a pattern, allowing him to make thousands of images at the same time. These miniscule images of the sun join together to form the figure.The "guests" in this series are only created if Bucklow has dreamt of them, explaining that these figures represent sub-selves and that "one’s friends are psychologically significant mirrors of one’s own interior."Sight; height: 37 1/2 in x width: 28 1/2 in. Framed; height: 40 1/4 in x width: 31 1/4 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no visible tears, losses, or restorations. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.

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Los 214

Bertil Vallien (Swedish, b. 1938) for Kosta Boda Glass, Sweden. Unique blue and orange glass sculpture. Signed and marked along the underside "Kosta Boda Unique 949220."The innovative fusion of light and color make Bertil Vallien's sculptures among the most celebrated in Europe. Raised in Sweden, Vallien was drawn to the creative freedom of art and inspired by the textural possibilities of clay. He studied ceramics at the Konstfack School of Arts, Crafts, and Design and then spent time in Los Angeles, where his glass art won a prize in the Young Americans competition for his stoneware entry Family on Whale. After returning to Sweden, a fascination with maximizing glass’s ability to absorb light became his passion. He’s known best for his boat forms, faces, and heads. Bertil Vallien's sculptures are part of important museum collections and have garnered prestigious awards, including the Visionary Award from New York's Museum of Arts and Design.Height: 21 in x width: 6 3/4 in x depth: 3 1/2 in.Condition: The item appears to be in generally good condition. Please note that due to the original design of the item, it is difficult to discern whether there are non-original chips or discoloration. However, it appears that there are no cracks or any other damages that alter the overall appearance of the item significantly. Along the backside, there are areas with adhesive residues to the top and towards the underside. When inspected under UV light, there is no visible sign of restoration.

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Los 82

Irene Rice Pereira (American, 1902-1971). Ink and pigment drawing depicting a figure dancing with swirling lines and stars of red. Against an abstract yellow background. From a sketchbook by the artist gifted to Foy Casper Jr. on New Year's Day, 1968. A facsimile copy of the first page of the sketchbook is included with the lot. Foy Casper Jr. was the former director of the I.R. Pereira Foundation and was a collector of her works.Height: 10 3/4 in x width: 8 1/4 in.Condition: The colors are bold and bright. The sheet is toned, more so along the extreme upper and lower edges. There are no signs of restoration. There is a small loss along the upper left and a slight unevenness to the left edge, consistent with being cut from a sketchbook. Some undulation consistent with moisture exposure, possibly original to the artistic process and use of watercolor. Light soiling resembling graphite transfer along the verso, possibly original to the artistic process. The work is not framed.

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Los 212

Minton, England for Tiffany & Company, United States. Set of ten fine china porcelain dinner plates featuring gilt floral and foliate motifs along the rims, late 19th to early 20th century. Each with red stamp bearing "Tiffany & Co." in addition to a Minton's maker's mark dating to 1873-1912.Each, diameter: 9 in.Condition: All plates with crazing to the glaze. Light wear throughout including some plates with very light scuffs/scrapes to the face of the plate from light use. Light wear to the footrims. One plate with a large crack extending from one edge and nearly reaching the opposite edge; some small chips along this crack. Another plate with a crack through the face of the plate that does not reach either edge.

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Los 45

Arthur H. Twells (Irish, 1921-1996). Oil on canvas painting depicting a coastal landscape. Signed very faintly along the lower left corner.Sight; height: 19 3/4 in x width: 25 1/2 in. Framed; height: 25 in x width: 31 in x depth: 1 1/2 in.Condition: There are no visible tears, losses, or restorations. Network of minute accretions most visible in the sky. Light wear to the frame. Edges and verso not inspected.

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Los 251

Alessandro Albrizzi (Italian, 1934-1994). Three piece mid-century modern fire tool set in chrome, Lucite, and black enamel, ca. 1970. Featuring a rectangular Lucite pillar surmounted atop a flat base. With shovel, poker, and broom brush resting within chrome fittings along three sides.Height: 34 1/2 in x width: 10 in x depth: 8 1/2 in.Condition: There are no obvious breaks or losses. Some accretions and light scratches along the metal base.

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Los 362

14k yellow gold bar pin of elongated form with floral detail. With locking c clasp closure. Marked 14k along the clasp.Height: 5.42 mm x width: 50.17 mm x depth: 8.01 mm; Gross weight: 1.5 dwt.Condition: Light wear, pin slightly bent.

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Los 158

Wilhelm von Gloeden (German, 1856-1931). Albumen print photograph titled "Serenata," depicting a woman peering down through a window amongst ruins to a man serenading her with a guitar. Inscribed "EQN 218" and dated "9-12-12" in pencil along the verso.Von Gloeden is best known for his photographic works portraying young men in classical poses and settings reminiscent of Greek or Italian antiquity.Height: 9 3/8 in x width: 7 1/2 in.Condition: There are no major tears or losses. The sheet is toned. Light wear along the extreme edges. Inscribed along the verso. The work is not framed.

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Los 73

Jack Barkla (American, 20th/21st c). Oil on canvas painting titled "Foreign Body" depicting the genitalia of a woman resting atop a pyramid-shaped plinth, 1976. Signed, dated, and titled along the verso.Barkla is a lifelong resident of Minnesota having grown up in Edina and attended the University of Minnesota. He has performed and designed for numerous theater companies including the Guthrie. He also designed flower shows for Dayton's (later Marshall Fields and then Macy's) department store. Other clients of his have included Prince, Princess Grace of Monaco, and Jennifer Lopez.Unframed; height: 14 in x width: 11 in. Framed; height: 18 in x width: 15 3/4 in x depth: 2 in.Condition: The colors are bold and bright. The surface is stable. There are no major visible tears, losses, or restorations. Light wear to the frame. Not inspected out of frame.

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Los 120

Martin Mull (American, 1943-2024). Lithograph on paper print titled "Study for the Lure of the Side Show III," 1997. Pencil signed and dated along the lower right; numbered 1/10 along the lower left.Martin Mull rose to fame as an actor in "Mary Hartman, Mary Hartman," and its spin-off "Fernwood 2 Night" and "American 2 Night." However, his later roles cemented him as a staple of comedy movies and TV shows throughout the 1970s into the 2020s, spanning five decades of television and movie history. Some of his best known roles include Colonel Mustard in "Clue" (1985), Leon Carp in "Roseanne," Willard Kraft in "Sabrina the Teenage Witch, among many others.Mull began painting in the 1970s. His first notable exhibition was the June 15, 1971 "Flush with the Walls" exhibit in the men's room of the Boston Museum of Fine Arts to protest the lack of contemporary and local art shown there. In 1980 he had his first large solo exhibit at the Molly Barnes Gallery in Los Angeles. His work combines photorealist painting, pop art, and collage styles.Sight; height: 28 1/2 in x width: 23 1/4 in. Framed; height: 33 1/4 in x width: 27 1/2 in x depth: 1 1/4 in.Condition: The colors are bold and bright. There are no major tears, losses, or restorations. Very light wear along the deckled edges. Slight crease along the extreme lower right edge. The work is floated in frame. Framed under plexiglass; there is a scratch to the plexiglass in the lower left quadrant. Light wear to the frame. Not inspected out of frame.

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Los 172

Joseph Heller, "Catch-22," New York, Simon & Schuster, 1961. First edition.Height: 8 1/2 in x width: 6 in x depth: 1 3/4 in.Condition: All pages are present and accounted for. There are no visible tears, losses, or significant creases to the pages. Light soiling including a pen inscription along the first page of the book and a minute spot along the lower, exterior-facing corner of pages 12-17. Wear to the dust jacket including some creasing and small chips, consistent with age and use. Light toning along the extreme edges of the pages and the exterior facing edges of the text block.

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Los 311

14k yellow gold ring set with Japanese shakudo menuki. Menuki are small decorative elements made of shakudo (a Japanese alloy of gold and copper) used to decorate traditional Samurai sword handles. The ring features a swirling gallery with elegant prongs that hold on to the Samuri warrior motif in the Menuki.Ring size: 6 1/4 US. Gross weight: 8.0 g.Condition: Wear and light scratching to the setting. Wear commensurate with age and material to the menuki including patina and accretions.

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Los 325

22k yellow gold pendant set with ancient hardstone pendant depicting Medusa. The pendant with a finely frame and marked 22k along the back of the clasp.Provenance: From the Collection of Elwood Rafn; Private Minnesota Collection.Length: 35.83 mm x width: 29.22 mm x depth: 5.87 mm. Gross weight: 16.2 g.Condition: Chip to the figure's nose, some small accretions, some light wear to the setting.

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Los 249

Gino Vistosi (Italian, 1901-1996) for Vistosi, Italy. Biomorphic, mid-century modern blown Murano glass "Zago" table lamp, model L282G. First designed ca. 1960s.Height: 15 in x width: 10 in x depth: 9 in.Condition: There are no visible cracks, losses, or restorations to the glass. Minute tarnishing to the metal disk along the edge of the lamp. Light dust gathered along the interior. Lamp turns on and work but has not been tested for prolonged use.

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Los 327

14k yellow gold antique 19th century earrings of ornate swirling form with floral details on French hooks. Each set with a fine oval enamel panel depicting figures in traditional dress against a landscape. Unmarked, tested 14k.(Each) Length: 2 in x width: 1 in x depth: 1/4 in. Gross weight: 7.8 g.Condition: Light wear, some accretions to the back of the enamel.

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Los 358

14k white gold cameo habille brooch depicting a woman in profile wearing a necklace set with a small single cut diamond. With locking c clasp closure. Marked 14k at the clasp.Height: 40.22 mm x width: 34.01 mm x depth: 10.12 mm. Gross weight: 9.7 g.Condition: Light wear.

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Los 167

Signature of 18th President Ulysses S. Grant framed with an etching portrait of the President. The etching with "B.W. Smith N.Y." in print below bust. The ink signature on a sheet of paper with the heading "Head-Quarters Armies of the United States...186."(Signature, sight) height: 2 in x width: 4 in. (Etching, sight) height: 4 in x width: 3 1/2 in. (Framed) height: 9 1/2 in x width: 6 1/4 in x depth: 1/2 in.Condition: Thee are no visible tears, creases, losses, or repairs. Both sheets are housed under an acidic mat. Mat burn and toning to both. Framed under glass; light wear to the frame. Not inspected out of frame.

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Los 128

Thomas Anthony "Tomie" dePaola (American, 1934-2020). Mixed media on paper depicting a design created for the Dayton's - Bachman's Annual Flower Show, 1989. Pencil signed and dated along the lower right.Sight; height: 24 in x width: 17 1/2 in. Framed; height: 32 3/4 in x width: 26 3/4 in x depth: 1 1/2 in.Condition: The colors are bold and bright. The sheet is very lightly toned. There are no major visible tears, losses, or signs of restoration. There is a small, light crease along the upper edge, below the purple stream of smoke billowing from the chimney of the house. Housed under a mat. Framed under glass; light wear to the frame. Not inspected out of frame.

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Los 111

Norris Embry (American, 1921-1981). Group of two mixed media on paper abstract paintings. Both signed along the lower right; one dated 1979 along the lower right.(Blue) Height: 18 in x width: 24 in. (Yellow) Height: 18 in x width: 22 1/2 in.Condition: The colors are bold and bright. There are no signs of restoration under UV light. There are creases, tears, and losses throughout. Neither are framed.

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Los 151

Lesley Dill (American, b. 1950). Photo-lithograph on silk portrait printed over an Emily Dickinson poem, 1999. Pencil signed and dated along the lower right.Sight; height: 17 1/4 in x width: 14 1/2 in. Framed; height: 26 in x width: 22 1/2 in x depth: 1 in.Condition: There are no tears, losses, or restorations. Loose strings throughout, likely original to the work. Floated in frame. Framed under glass. Light wear to the frame. Not inspected out of frame.

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Los 174

Dr. Seuss, "The 500 Hats of Bartholomew Cubbins," New York: The Vanguard Press, 1938. Inscribed "For Muffy, with Best Wishes" and signed "Dr. Seuss" along the interior of the front cover.Height: 12 1/4 in x width: 9 1/2 in x depth: 1/4 in.Condition: All pages are present and accounted for. Light wear including a few small areas of handling marks or light soiling. There is a loss to the lower corner of interior front flap of the dust jacket. Some wear along the extreme edges of the dust jacket.

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Los 342

18k yellow white and rose gold strap bracelet with textured yellow gold ground and floral motif with rose anf white gold accents. The gold links well made and finely articulated. With a box clasp and two safety latches. Marked O.F. 18k along the clasp.Length: 7 1/2 in. Gross weight: 52.9 dwt.Condition: Very light wear, some wear to clasp tongue.

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Los 55

Mark Stock (German/American, 1951-2014). Mixed media drawing on paper titled "Dogs Like Flowers, Too," ca. 1990. With a label from Peter M. David Gallery Inc., Minneapolis affixed to the verso.Sight; height: 30 1/4 in x width: 20 3/4 in. Framed; height: 42 1/4 in x width: 32 1/4 in x depth: 1 1/2 in.Condition: The colors are bold and deep. There are no visible tears, creases, losses, or restorations. Housed under a non-acidic mat. Framed under glass. Not inspected out of frame; light wear to the frame.

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Los 354

William Ruser 14k yellow gold brooch in the form of a cherub wearing a nurses hat, sitting on a cloud. Set with baroque pearls, sapphire, and diamonds. Engraved on the back "to my favorite nurse" 12-1-58. With locking c clasp closure. Marked Ruser 14k along the back.Height: 44.00 mm x width: 44.10 mm x depth: 13.80 mm. Gross weight: 19.3 g.Condition: Light wear, clasp working well.

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Los 53

Dietz Edzard (German, 1893-1963). Oil on canvas painting depicting a still life of blooming pink roses resting on sheet music. Signed along the lower right.Sight; height: 9 1/2 in x width: 13 1/2 in. Framed; height: 14 1/2 in x width: 18 1/2 in x depth: 1 3/4 in.Condition: The colors are bold and bright. There is a large white region along the upper half of the work with some areas that fluoresce under UV light. Some wear along the extreme edges. Housed within a wooden frame, not under glass or plexiglass. Some wear to the frame, especially to the gilt finish. Not inspected out of frame.

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Los 47

Axel David Ericson (Swedish/American, 1870-1946). Oil on board landscape painting depicting lush trees in a verdant hilly rural setting. Signed along the lower right. The verso with a black and white study of a courtroom scene.Sight; height: 9 3/4 in x width: 13 3/4 in. Framed; height: 13 in x width: 16 1/2 in x depth: 1 in.Condition: The colors are bold and bright. There are no major visible losses or signs of restoration to the painting along the verso or the recto. A few minute pinholes or fleabite chips along the recto, one along the upper right a a few along the upper left. Housed within a wooden frame, light wear to the frame including a pen inscription along the paper backing. Not inspected out of frame.

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Los 28

Alex Grey (American, b. 1953). Graphite on paper drawing depicting a couple sensually embracing overlaid by a geometric form. Pencil signed and dated 1991 along the lower right. Two strips of paper have been taped to either side of the original sheet as the scale increased as the artist drew. Framed by the artist.This drawing is a study for "Tantra," a painting of the same name. In the painting, the points where the lovers meet are painted in a fiery orange which quickly fade to deep purple. The painting is featured on page 66 of his book "Transfigurations" and is described by the artist as thus: "Locked in an embrace of love with Allyson, I sensed the skin on the backs of our bodies dissolving into a field of deep blue fire fluid. The blue felt like an ocean of understanding permeated by love, a field of unbounded energy that was our essential nature and to which we briefly return during the ecstatic ego oblivion of sex. It seemed as if the skin on the front of our bodies was the surface tension of ego, a bounding line of flesh that we could use to merge and transcend energetically by becoming synchronous with the primal depth of our heart union, which is symbolized by the enveloping aura of the latticelike Mobius egg."Sight; height: 12 in x width: 10 in. Framed; height: 18 1/2 in x width: 16 1/2 in x depth: 1 in.Condition: There are two strips of paper taped to either side of the original sheet, original to the artistic process. There are some creases, handling marks, and areas of graphite transfer along the corners, most noticeable along the upper corners, likely original to the artist process. There is a small light brown area of soiling along the lower corner of the central sheet. The work is floated in frame on a nonacidic mat. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

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Los 233

Frontgate, United States. Set of six "Angelina" model dining or side chairs with white linen boucle upholstery and brass frames. Label along the underside of each chair indicating model and material.(Each) height: 34 1/2 in x width: 16 1/2 in x depth: 22 in.Condition: Some of the chairs wobble slightly, but are structurally sound. There are no major breaks or losses. Light wear to the feet.

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Los 323

14k yellow gold ring set with a large oval sardonyx panel depicting the goddess Flora/Persephone in profile, finely craved. Marked 14k along the interior. The setting with a well made double gallery that supports the large cameo well and rests nicely on the finger.Ring size: 6 1/4 US. Gross weight: 13.8 g.Condition: Very light wear to the setting and some accretions to the reverse of the cameo.

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