Bruce Onobrakpeya (Nigerian, b.1932) 'Oghene Ovuado II' (One God)signed 'B ONOBRAKPEYA' and dated '1988' l.r., inscribed with title l.l., deep metal etching69 x 22.5cmIn this work, religious tolerance symbols of different beliefs are put together to create unity in diversity. A label verso states that the work was presented to Sam Black by the Nigerian Institute of Public Relations, to mark his visit to Nigeria, 15-19 October 1989.Condition ReportFramed: 75.5 x 29cmThe metal plate is stuck down to a board behind. On close inspection there are a couple of very small light surface scuffs and scratches where the green ink has rubbed off and the metal beneath appearsw shiny, however in our opinion this does not affect overall enjoyment of the work when viewed on the wall.
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Shepard Fairey (American, b.1970) 'Warhol Collage' (colour)screenprint in colours, based on a 1982 photograph of Andy Warhol by Karen Bystedt, signed with initials by both artists and dated '23' in pencil l.r., numbered '174/300', published by Obey Giant on cream Speckletone papersheet 61 x 44cm, unframedCondition ReportLight cockling to the sheet however presents well overall.
Takashi Murakami (Japanese, b.1962) 'Blackbeard', 2003;lithograph in colours, signed in silver pen and numbered '129/300' l.r.sheet 68.5 x 68.5cm,together with:'White DOB', 2003lithograph in colours, signed in pen and numbered '43/300' l.r.,sheet 69 x 69cm, unframed (2)Condition ReportLight handling creases. Both appear to be in otherwise good condition.
A collection of Battersea Power Station posters printed by the Wandsworth Community Printshop, a number signed 'Brian Barnes' in pencil76 x 51cm and similar, unframed (qty.)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportA number of the prints have been stuck down to a canvas backing. A little light creasing. Surface dirt with some small dirty marks and stains.
James Herbert Snell (1861-1935) 'London from Spaniards Road, Hampstead Heath'signed 'J Herbert Snell' l.r., also signed, inscribed with title and dated 'June 1930' verso, oil on canvas31 x 41cm Condition ReportFramed: 36 x 46cmFine craquleure in places. Appears to be in otherwise good order. Not examined under UV light, for a full report please contact the department.
â–² Laurence Biddle (1888-1968) Still life of flowers in a ceramic bowlsigned and dated 'Laurence Biddle 33' l.r., oil on canvas laid on board32 x 54cmProvenance: Private collection, Moor Park, Hertfordshire.Condition ReportFramed: 36 x 58cmCraquelure. Under raking light there is a faint superficial scratch crossing the red bud and background in the upper right quarter. Not examined under UV light, for a full report please contact the department.
â–² Jeremy Barlow (1945-2020) 'Landscape Near Macon'signed 'Barlow' l.r., inscribed with title on a label verso, oil on board41 x 51cmProvenance: With Llewellyn Alexander, London.Condition ReportFramed: 58 x 68cmWell presented and ready to hang. Not examined under UV light, for a full report please contact the department.
▲ John Whitlock Codner (1913-2008) ‘Winter in Bristol’signed 'John Codner' l.l. and signed with initials l.r., also signed, inscribed and dated '52/53' verso, oil on canvas51 x 61cm, unframedExhibited: RWA, Bristol, 1955;Bath Society of Arts, 1956.Condition ReportA little light surface dirt but appears to be in otherwise good order. Not examined under UV light, for a full report please contact the department.
▲ John Semmence (1930-1985) ‘Winter Washing'signed and dated 'J SEMMENCE 79' l.l., oil on board50 x 41cmCondition ReportFramed: 65.5 x 56cmA little light surface dirt but appears to be in otherwise good order and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² Marco Perego (Italian, b.1979) 'Can't You Hear Me Knocking' (See no evil, hear no evil, speak no evil)oil on canvas 254 x 178cm, unframedProvenance: Ingrao, 17 East 64th Street, New York, 25 October 2007.Condition ReportA little light surface dirt. Appears to be in otherwise good condition. Not examined under UV light, for a full report please contact the department.
â–² Ian Davenport (b.1966) 'Etched Lines 1'etching in colours, signed and dated 'I Davenport 2006' in pencil l.r., numbered '23/25'plate 67 x 47cmProvenance: With Alan Cristea Gallery, London.Condition ReportFramed: 98 x 72.5cmSheet: 91 x 66cmAppears to be in good condition. Well presented and ready to hang. There is a small scratch to the glazing over the light grey stripe, upper centre. Not viewed out of glazed frame.
â–² Barnaby Barford (b.1977) Ceramic shop from 'The Tower of Babel'signed 'B. Barford' and numbered '2546' verso, fine bone china, made in Stoke-on-Trent by 1882 Ltd., complete with original box and exhibition guide6.5cm wide4cm deep12cm high (2)This lot is a piece from 'The Tower of Babel', a representation of contemporary London, displayed in the Victoria and Albert Museum's Medieval & Renaissance Galleries, 8 September - 1 November 2015. The work stood six metres high and comprised 3000 individual bone china buildings, each photographed by the artist.Condition ReportAppears to be in good condition. Light surface dirt and scuffs to the box.
â–² Gerald Norden (1912-2000) A still life of pears and walnuts;A still life of a candlestick and eggsboth signed 'Norden' l.r., the first dated '68', oil on board19.5 x 24.5 and 18 x 24cm respectively (2)Condition ReportFramed: 33 x 38cm and 31.5 x 37.5cmBoth works appear to be in good condition. Not examined under UV light, for a full report please contact the department.
â–² Yves Brayer (French, 1907-1990) 'Vue de Cagnes'signed 'YVES BRAYER' l.r., inscribed with title verso, oil on canvas65 x 81cm Condition Report Framed: 89 x 105cmFine craquelure in the sky. Presents well overall and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² Anthony Gross RA (1905-1984) Enfants du Village;'Rue Chat qui Pêche'two etchings, both signed 'Anthony Gross' in pencil l.r. and inscribed with title, the first numbered '2nd State 1/1'plate 22 x 28cm and 22 x 24cm respectively, unframed (2) Condition ReportEnfants Du Village: sheet, 29 x 46.5cm. Light cocking and creasing to the margins. The printed area appears to be in good condition. There are two pieces of tape attached to the reverse of the top edge. 'Rue Chat Qui Pêche': sheet, 28.5 x 36cm. Time staining and light cockling. The print has been stuck down in the top corners.
â–² James Fry (1911-1985) 'The Frome Near Bond Corner';An open landscapea pair, both signed with initials, the first titled on artist's label verso, the second also signed and inscribed verso, oil on board30 x 41cm (2)Provenance: The estate of Baron John Manger Langin.Condition ReportFramed: 45 x 55.5cmLight surface dirt. The works appears to be in otherwise generally good order. Not examined under UV light, for a full report please contact the department.
David Koster (1926-2014) Butterflies, moths and bullfinchesa group of etchings, including four artist's proofs signed 'David Koster' in pencil l.r., all with extensive pencil inscriptions and artist's notessheets 38.5 x 45.5cm and similar, unframedtogether with a screenprint in colours of a cat, signed and dated 'David Koster 1987' and numbered '9/9'sheet 38 x 52cm, unframed, andfour watercolours by Judy Koster (17)Condition ReportThe etchings have a little time staining and discolouration starting to emerge at the edges of the sheets but present well overall. Discolouration to the cat print with small rips and tears to the edges and light creasing. The watercolours are slightly discoloured and faded.
English School, early 20th century Tigeroil on panel20 x 40.5cmCondition ReportFramed: 29 x 49cmThere are two horizontal lines/ fine splits running across the bottom half of the panel, however overall the wood appears sound. Light surface dirt and slight rubbing to the edges. Minor losses to the top edge. Examined under UV light much of the surface is obscured by a thick layer of varnish. There is a spot of overpainting visible in the centre of the tiger's body, further touching up shows around the edges with some fluorescing to the splits referenced above. Please see additional images.
â–² Jeremy Barlow (1945-2020) 'The River (Vidourle) at Sommières'signed 'Barlow' l.r., inscribed with title on a label verso, oil on board38 x 46cmProvenance: With Llewellyn Alexander, London.Condition ReportFramed: 53 x 61cmOn close inspection there is a faint border of discolouration to the extreme edges. Presents well overall and appears to be in otherwise good condition. Not examined uder UV light, for a full report please contact the department.
â–² Clifford Fishwick (1923-1997) Moorland landscapesigned and dated 'Fishwick '58' l.l., oil on board33 x 55cmProvenance: With Katharine House Gallery, Wiltshire.Condition ReportFramed: 69 x 46.5cmA small spot of possible retouching to the sky in the centre of the upper edge. Presents well overall. Not examined under UV light, for a full report please contact the department.
Pavel Bogdanov (1912-1996) Cliffs overlooking a baysigned in Cyrillic and dated '67' l.l., oil on board25 x 35cmCondition ReportFramed: 36 x 46.5cmA little light surface dirt and a couple of extremely tiny losses however presents well overall. Not examined under UV light, for a full report please contact the department.
David Shrigley (b. 1968) 'I Will Not Fight', 2020offset lithograph in colours, open edition, from the 'Animal Series'sheet 80 x 60cm, unframedCondition ReportA light crescent shaped handling crease to the upper right. There is a slight dent in the centre of the right edge. Previously rolled.
Marvel Superheroes 'The Invincible Iron Man #47'limited edition print in colours on boxed canvas, 2013, signed 'Stan Lee' in pen l.r. and numbered '84/195', published by Washington Green Fine Art in association with Aaron Fine Arts and CC/Marvel Fine Art, complete with publisher's certificate of authenticity102 x 69cmCondition ReportFramed: 112.5 x 80.5cmA little light surface dirt. Presents well overall.
Dan Asher (American, 1947-2010) Untitled, beach sunsetC-type printvisible 49 x 59.5cmCondition ReportFramed: 55 x 65cmThe colours appear slightly muted. Cockling to the right edge. There is small area of discolouration to the extreme left edge, lower centre. A small dot to the sky in the upper left. Small scattered speckles of light surface dirt which appear to be on the reverse of the glazing. Not viewed out of frame.
â–² Barry Fantoni (b.1940) 'Be Prepared', Lord Baden-Powell acrylic and oil over pencil on canvas, published in 'The Sunday Observer' on 18 July 1965, and believed to be based on the 1929 portrait of the World Chief Scout, Lord Baden-Powell, by David Jagger101.5 x 76cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 109 x 83.5cmCraquelure to the bright yellow paint. A little surface dirt. Light scuffs and abrasions with rubbing to the the bottom corners. Not examined under UV light, for a full report please contact the department.
â–² Gordon Hereward Hales (1916-1997) Boats in a harbour at sunset;Moored bargesboth signed and dated 'GORDON HALES 1976', watercolour35 x 50cm and 36.5 x 51cm (2)Condition ReportFramed: 51 x 65cm and 53 x 66.5cmLight cockling to the painting of boats in a harbour. The other work has a little faint discolouration starting to emerge at the extreme edges but presents well overall. Not viewed out of glazed frames.
â–² John Piper CH (1903-1992) 'Sunningwell, Oxfordshire' (Levinson 377)screenprint in colours, 1985, signed 'John Piper' in pencil l.r., numbered '22/70', printed at Kelpra Studios, published by Marlborough Fine Art, with blind stampimage 50 x 65cmCondition ReportFramed: 82.5 x 96cmOn close inspection there is very slight cockling visible to the top edge. A couple of light handling creases to the margins. A 1.5cm crease mark to the left margin, upper centre. Presents well overall when viewed on the wall and ready to hang. Not viewed out of glazed frame.
â–² Edward Gordon Craig (1872-1966) Sir Henry Irving (1838-1905) and Dame Ellen Terry (1847-1928)two woodcuts, c.1890-1910, both signed 'E Gordon Craig' in penimage 18 x 11.5cm, framed togetherCondition ReportFramed: 33 x 41cmUnder raking light some light handling creases are visible in the lower right quarter of the portrait of Sir Henry Irving. Overall both prints present well and appear to be in otherwise good condition. Not viewed out of glazed frames.
â–² Bernard Dunstan RA (1920-2017) 'At the Mirror'signed with initials l.l., inscribed with title and dated '93-1.94' verso, oil on canvas laid on board38 x 21cmProvenance: With Duncan Miller Fine Arts. Condition ReportFramed: 52 x 34.5cmAppears to be in good condition and ready to hang. Not viewed out of glazed frame or examined under UV light, for a full report please contact the department.
![â–² Donald Hamilton Fraser (1929-2009) Homage to Nicolas de Staëlsigned 'Fraser' l.r., inscribed 'Hommage [sic] to March 16 195](https://cdn.globalauctionplatform.com/8b8ae66c-62ad-41ac-a326-b22f0107f1c5/2af858f6-998b-4a48-a40a-b23001026c12/468x382.jpg)
â–² Donald Hamilton Fraser (1929-2009) Homage to Nicolas de Staëlsigned 'Fraser' l.r., inscribed 'Hommage [sic] to March 16 1955/(Suicide of Nicholas de Staël)' verso, oil on canvas board57 x 45cmCondition ReportFramed: 85 x 72cmWell presented and ready to hang. Not examined under UV light or viewed out of glazed frame. For a full report please contact the department.
â–² Susan Ryder (b.1944) A sitting roomsigned 'Ryder' l.r., inscribed 'Sunday Morning, Roxburghshire' on stretcher, oil on canvas96 x 107cmProvenance: With Manya Fine Arts Ltd.Condition ReportFramed: 104 x 125cmAppears to be in good condition and ready to hang. Not examined under UV light, for a full report please contact the department.
Josip Generalić (Croatian, 1936-2004) 'Winterlandschaft'signed and dated 'J. Gen 1967' l.l., oil on glass29 x 34cmProvenance: With Galerie Semiha Huber, Zürich.Condition ReportFramed: 44 x 49cmMinor losses and rubbing to the extreme lower edge. Light surface scuffs and abrasions to the top of the sky. Four tiny dark speckles/ dimples in the glass to the left edge.
â–² Joan Warburton (1920-1996) A bowl of fruitsigned with initials and dated '82' l.r., watercolour54 x 74.5cm, unframed Condition ReportLight handling creases visible to the reverse. There are some tiny dark scattered speckles to the wooden cupboards at the top, please refer to illustration. Presents well overall and appears to be in otherwise good condition.
â–² Bert Hardy (1913-1995) Beer and oats;A beer deliverytwo black and white photographs, both with Getty Images Gallery blind stamp and Getty Certificates of Authenticity, dated March 2015, attached versoimage 31.5 x 47cm (2)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 54 x 68.5cmLight cockling. Well presented and ready to hang.
â–² Jeremy Barlow (1945-2020) 'Archway, Gassin'signed 'Barlow' l.l., inscribed with title on a label verso, oil on board24.5 x 18.5cmProvenance: With Llewellyn Alexander, London.Condition ReportFramed: 41.5 x 35cmAppears to be in good condition and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² David Gentleman (b.1930) 'Miles Brewton House';'The Wedge, Plantation House';'Mulberry Plantation House';Untitled (unknown)four lithographs in colours from 'The Charleston Suite', 1971-72, each signed 'David Gentleman' in pencil l.r.sheet 49.5 x 61cm, unframed (4)Provenance: The estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe prints are outside the main edition and are not numbered. Each of the sheets has an indented line running parallel to the lower edge, 1cm in from the edge of the sheet. Light surface dirt to the lower margins. The printed areas appear to be in good condition.
â–² Gerd Winner (German, b.1936) 'Blue Lorry';'Orange Lorry';'Yellow Lorry';'Red Lorry';'Green Lorry';'Grey Lorry'six screenprints in colours, 1969, each signed in pen l.r., 'Blue Lorry' numbered 'E./7.', the rest numbered '29/75', 'Grey Lorry' is inscribed '...Mr and Mrs Rollenhaper'(?) and dated '28.X.69'69 x 80cm, unframed (6)Condition ReportThe prints have a glossy finish. Light handling creases. Faint dirty marks and light surface scuffs predominantly to the white areas. 'Yellow Lorry' has a brown marks in the upper corners. 'Green Lorry' has a small raised dimple in the lower left corner. 'Grey Lorry' has a small dirty spot on the letter 'L'.
â–² John Piper CH (1903-1992) 'Buckden in a Storm', 1977unsigned lithograph in colours, after the screenprintimage 57 x 84.5cmCondition ReportFramed: 79 x 104.5cmA little time staining. A diagonal crease mark in the upper right corner which crosses into the printed area. Light cockling. Not viewed out of glazed frame.
Lucien Pissarro (French, 1863-1944) 'Little May'six woodcuts, five colouredimage 9.5 x 9.5cm, unframed (6)Provenance: The estate of Stanley Jones MBE RE.Condition ReportThe sheets vary in size. Two are 22.5cm x 22.5cm on wove with light creasing. One is 16 x 14.5cm on laid paper with dirty marks to the borders and a red stain in the lower left corner. There are two smaller prints on thinner paper measuring 16 x 11.5cm and similar both inscribed with pencil l.l., with time staining, creasing and foxing. A small hole in the upper left corner of one. The uncoloured print is on thin laid paper and measures 15 x 11.5cm with spots of foxing. The ink is a little thin and patchy on this print.
â–² Gerd Winner (German, b.1936) 'Telephone Box';'Thames Sunday Afternoon I';'Isle of Dogs';'Free Trade Wharf';'Colonial Wharves'five screenprints in colours, 1971-1973, each signed in pencil l.r. and individually numbered104 x 70cm and similar, unframed (5) Condition ReportFaint dirty marks to the margins and unprinted areas. Light crease marks, predominantly to the edges. The printed areas present well overall and are crisp and bright. 'Thames Sunday Afternoon I' has numerous pieces of masking tape applied to the reverse. There is a small tear to the right edge, lower centre, with some light foxing starting to emerge.
â–² Hannes Hammerschmidt (Austrian, 1898-1971) Jug with fruit and vegetablessigned with monogram u.r., oil on board45 x 29cmCondition ReportFramed: 60 x 44cmA little surface dust and dirt in areas of thick impasto. Some small scattered dark speckles. Not examined under UV light, for a full report please contact the department.
David Shrigley (b.1968) 'He Will Only Eat Squid Ink Pasta', 2020offset lithograph in colours, open edition, from the 'Animal Series'sheet 80 x 60cm, unframedCondition ReportLight handling creases. A more prominent 9cm jagged crease mark to the background in the lower left quarter. A faint pink mark to the margin in the lower right which crosses into the printed area. Previously rolled.
â–² Albert Irvin RA (1922-2015) 'Creekside'screenprint in colours, signed and dated 'Irvin '89' in pencil l.r., and numbered '32/55'visible 120 x 170cmCondition ReportFramed: 134.5 x 184cmLight cockling. A small handling crease to the unprinted area in the centre of the left edge. There are small dark spots to the left edge which appear to be loose speckles of dust and dirt. Presents well overall. Not viewed out of glazed frame.
Mersad Berber (Bosnian, 1940-2012) 'The Red Medallion', 1999signed 'BERBER' l.l., oil on canvas35 x 50cmCondition ReportFramed: 46 x 61cmThe canvas has a slightly distressed appearance which is presumed to be intentional rather than a later issue with condition. There is a 5cm horizontal split in the paint to the lower right. A small light mark to the top of the left edge. Overall presents well. Not examined under UV light or viewed out of glazed frame, for a full report please contact the department.
â–² Sir Quentin Blake CH (b.1932) Going for a walksigned with initials, inscribed and dated 'Rescued from the WPB August 11th 94/QB' twice, pen and ink31.5 x 19.5cmThe work is torn in two and was rescued from the wastepaper basket (WPB) by Blake to be auctioned for charity.Condition ReportFramed: 40 x 27cmA little light cocking where torn. Appears to be in otherwise good condition. Not viewed out of glazed frame.
â–² Sir Peter Blake RA (b.1932) 'Babe Rainbow', 1968screenprint in colours on tinplate, signed 'Peter Blake' l.r., inscribed 'For Clive - from Peter' l.c., commissioned and distributed by Dodo Designs, London66 x 44cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportLight superficial surface scuffs and scratches. Presents well overall.
â–² Tessa Newcomb (b.1955) Grey vase with white flowerssigned with initials and dated '94' l.l., oil on board44 x 10cm Condition ReportFramed: 55 x 21cmA couple of fine, superficial scratches are visible on close inspection. Appears to be otherwise good condition and ready to hang. Not examined under UV light, for a full report please contact the department.
*local interest. Catherine Metclafe Gibson (contemporary, British) A set of three limited edition colour prints, signed by the artist. All show different yards in Kendal - 'Dr Mannings Yard, Highgate', 'Yard 32, Kirkland' and 'Shakespeare Theatre. Yard 78, Highgate'. Idetical light wood and gold frames, off white mount and under glass. All pictures are 10cm x 13cm, 20.5cm x 25cm overall.
After M Calvert (British contemporary) limited edition coloured print 'Daffodils' signed and numbered 1/60 in pencil to margin, within a card mount and light oak frame, under glass 33cm x 24cm & 48cm x 38cm overall, sold together with a Chinese silk embroidery riverscene with text, framed and glazed 48cm x 38cm overall and after Gerald Coulson (British b1926) colour print 'Winter Sunlight' gilt framed 63cm x 82cm overall
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534325 Los(e)/Seite