EARLY 19TH CENTURY ENGLISH SCHOOL "Young gentleman in black stock and green and red tartan coat", a portrait study, miniature oil on ivory, unsigned, housed in a red leather covered oval case, 8.5 cm x 6.5 cm (ILLUSTRATED) CONDITION REPORTS The red case is quite heavily worn and scuffed and with some small tears to edges. The portrait has some light general wear and dirt. Some areas appear to be more varnished than others - this appears to be for effect, for example to the tartan jacket and scarf. NO CRACKS TO BASE MATERIAL
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ENGLISH SCHOOL "Gentleman in grey wig, white stock and brown overcoat", a portrait study, oval, miniature, housed in gilt foliate decorated oval frame with suspension loop, 3.7 cm x 3.1 cm (ILLUSTRATED) CONDITION REPORTS The glass to the front is very scuffed and scratched and the oval frame has knocks and dents and mis-shaping and the loop top has been soldered to the frame. The portrait appears to have some light general wear however, overall condition appears reasonably good. The frame has an aperture to one side and has possibly been adapted from a locket or similar.WATERCOLOUR ON IVORY
ENGLISH SCHOOL "Young children", a pair of oval miniature portrait studies on ivory, together with a pierced bone foliate decorated slip, each 3.2 cm x 2.7 cm (slip 4 cm x 9.5 cm) (ILLUSTRATED) CONDITION REPORTS The pierced slip is very dirty and stained and has numerous breaks and cracks and is warped. The portrait of the child wearing the plain white lace gown has some chips near edges to the lower half which appear to have been painted over, and overall with scuffs and scratches, including some scratches to paint and to hair, slight warping to the ivory. The portrait of the child with the black and white gown - overall with dirt and wear and some scratches and scuffs, ivory has warped quite a lot. Overall some light general wear and scuffs, small chip to lower edge.
JOHN MILES OF NORTHLEACH (19TH CENTURY) "Cow by tree", a naive study, oil on canvas, signed and inscribed bottom left "Painted by J Miles Northleach Glosshire Dec.rB.1842", 63 cm x 76 cm (ILLUSTRATED) CONDITION REPORTS Under ultraviolet light some areas of the picture appear slightly darker, although this appears be due to deterioration of the surface and dirt rather then to restoration. In natural light the picture appears to be in fairly original condition, although the surface is quite deteriorated with extensive craquelure and flaking to the paint and quite a lot of losses to paint, especially to the top half of the picture. Condition of the paint generally appears slightly better around the outer edges where the canvas is against the wood stretcher, and the paint is worse condition nearer the centre areas - possibly due to to damp to the canvas. Overall picture is extremely dirty and has has some small nicks and holes to canvas, including the central areas of the picture and also around edges. The frame is separating at the joins and has splits, scuffs and chips.
NEOPOLITAN SCHOOL ? "A coastal scene with fishermen and boats, a young fisherman approaching the shore in foreground, a town in background", oil on canvas, indistinctly signed and inscribed bottom left, bears old "Harrods Limited Picture Department......" label verso, 48 cm x 68.5 cm (ILLUSTRATED) CONDITION REPORTS Under ultraviolet light has some areas which show up darker and these mainly appear to correspond to the shading to the sky and to the water and may indicate some later or contemporary additional layers of paint to these shadowed and shaded areas. Under natural light overall there is some dirt and wear. Craquelure to the surface. Some cracking to the paint. The canvas appears to have a couple of patched repairs to the reverse near to the bottom of the picture and there do appear to have been some repairs and areas of revarnishing. Some dirt and scuffs including what appears to be a fault or scrape to the canvas which has a small white sailing vessel painted near it (centre right of the picture).
AHTEV T SINGH ?? "Rural dwelling scene with figure in foreground", oil on canvas, indistinctly signed bottom right, 50.5 cm x 76 cm (ILLUSTRATED) CONDITION REPORTS Picture itself is in quite an old fashioned mount which has general minor knocks and bumps. Oil itself is slightly dirty, a lywood backing has been attached to back of the picturep. Under ultra-violet light shows no obvious signs of restoration.
JUAN CABRAL BEJARANO (SPANISH 1834- ) "Feeding of the Five Thousand", studies of figures on a hillside with Jesus and five loaves in foreground, a child with basket of fish, signed bottom right, inscribed "Sevilla" and dated "1873", 182 cm x 91 cm (ILLUSTRATED) CONDITION REPORTS Under ultraviolet light small speckles show up darker, suggesting that the picture is in generally unrestored condition. Under natural light overall wrinkling and undulations to canvas. Craquelure throughout and cracking and flaking of paint which is quite pronounced in some areas, and appears worst bottom right of picture and along the lower edges, plus also flaking in other areas. Quite a few holes and small tears to the canvas. Frame is in very cracked and battered condition with numerous chips and losses. Surface of picture is quite dirty and has some bubbling to surface in some areas - particularly to the darker areas of paint.
A FOLLOWER OF GIOVANNI PAOLO PANINI (1691-1765) "Figures before an ancient ruin, a fountain with dogs playing in foreground with further figures and buildings in background", oil on canvas, unsigned, 67.2 cm x 83 cm (ILLUSTRATED) CONDITION REPORTS The frame has quite heavy wear and large areas of loss to the mouldings, chips and cracks. Under ultraviolet light the picture has quite a few areas which show up dark throughout the picture and particularly to the right hand side and the lower half of the picture where a lot of the trees, foliage and buildings appear to have had repairs and repainting. Under natural light the picture is quite dirty, there is craquelure and cracking to the paint throughout. Areas of restoration throughout. Canvas appear to have been relined.
18TH CENTURY DUTCH SCHOOL FOLLOWER OF PIETER CASTEELS (1684-1749)"Flowers in a basket on a stone ledge with butterflies and bee", oil on canvas, unsigned, and "Flowers in a vase with butterflies, beetle and fly", oil on canvas, a pair, unsigned, 82 cm x 63.5 cm (ONE ILLUSTRATED) CONDITION REPORTS Both still lifes in need of a clean, edges to each have a little aged wear and some flaking. When inspected under ultra-violet light conditions one still life has significant black markings to top right-hand corner, also immediately below the pink and white carnations extending to the bottom edge left. Under ultra-violet light, the other still life appears to have no significant black markings similar to the other still life. Both frames with some flaking, scuffs, splits and minor losses (see photos).
AFTER GABRIEL METSU (1629-1667)"The Poultry Seller", an old man seated with clay pipe, a young woman selling chicken to an older woman, a spaniel looking on, oil on panel, bears signature and date "1662" to notice upon wall, and a companion "Man Selling Poultry", a study of the same man seated selling a chicken to a young woman", oil on panel, unsigned, bears old label verso "Rudolf Ackermann Dealer in Works of Art 203 Regent Street Corner of Conduit Street London W and 30 New Bond Street", both bear old labels verso, a pair, 48 cm x 39.5 cm (ONE ILLUSTRATED) CONDITION REPORTS Under ultraviolet light a few slightly darker areas to to the pictures, particularly to the picture with the gentleman holding a cockerel, where there appear to be some darker areas to the rooves of the buildings, to the building to the left of the picture and some darker areas near lower section of the picture and to the left of the standing lady's left arm and above her head. Both pictures have a large vertical crack to the centre which is also visible to the front of the pictures and have had glued block repairs to the reverse. The boards are also separating slightly at the joins which is visible from the front where is has cracked the paint in these area and there is some paint loss in these areas. In natural light both pictures have general wear and scuffs. Cracquelure to the paint, some scrapes and deposits around the edges where they may previously have been framed. Some dulling to the surface/varnish, particularly to the lower half of the picture depicting the lady holding a plucked chicken. Some small chips to edges of boards.
ERNA HOPPE "Nude", a portrait study, oil on canvas, signed bottom right, 61 cm x 38 cm, housed in green stained Art Nouveau style foliate decorated oak frame, bearing various wax seals verso (ILLUSTRATED) CONDITION REPORTS Under ultraviolet light there are no apparently darker areas, just a few tiny specks showing darker. Under natural light surface has wear and cracquelure and the weave of the canvas is clearly visible. Overall surface is quite dull (not glossy) and has some dirt. Surface has some wear and rubbing throughout. Frame is coming loose at joins, has a green stained Art Nouveau type decoration which is quite faded, various scratches and chips to the frame. The canvas and stretcher are slightly shorter and narrower than the frame aperture and there is a gap between frame and canvas visible to the top.
WALTER DENDY SADLER (1854-1923) "A Stitch in Time" and "Something to Do!", studies of monks sewing, oil on canvas, a pair, both signed and dated 1882, 54 cm x 38 cm (ONE ILLUSTRATED) CONDITION REPORTS Both in quite modern gilt frames which have some minor knocks and a little bit of cracking, but overall appear sound. Picture of the monk in white robes is heavily crazed throughout and appears at some point to have been varnished to secure this. Both canvases have been re-stretched to make tight across frame. Both pictures appear to give impression that they have recently been cleaned. Monk in dark robes has some cracking to the background particularly to the top corner but nowhere near as bad as the other picture and this has again been varnished to secure. Under ultra-violet light the background of the monk in white robes shows signs of heavy restoration in order to try and secure the cracking, although his face does not show any huge signs of restoration but around his hands, above the front of his robe there are signs of re-painting/restoration. On the other picture under ultra-violet light there is some restoration to the top left corner and throughout has quite a white look where clearly it has been heavily cleaned/generally tidied up, there is a small pin head sized dot of restoration just above his head.
19TH CENTURY CONTINENTAL SCHOOL "Mending the nets", study of a Breton woman, oil on canvas, unsigned, 51 cm x 42 cm, bears old hand-written label verso including "This picture was given to my husband's mother Maude Denham? She worked for the Guinness family as lady's maid. It was given to her by Lord Iveigh 1900?", and another label similar (ILLUSTRATED) CONDITION REPORTS Overall wear, scuffs and scratches, surface is quite dirty, canvas has a lot of undulations, stretcher is not sat within the frame (as the frame is too small for the picture), quite a few black ink-like stains and marks, some scuffs and small losses to paint. Under ultra-violet light the picture does not appear to have had restoration, although the picture may be unfinished as the top section of the canvas in particular appears to be unworked.
Rare Black Forest light walnut and ebonised trumpeter wall clock, the movement playing two tunes on five horns, the 8" cream dial signed A. Furtwangler, 365A, Strand, London, over two panelled doors revealing a trumpeter, within a pillared case surmounted by a broken arched triangular moulded pediment and turned finial, 37.5" high *This clock was owned by the late Professor Robert Howie, author and mineralogist, it bears a Camerer, Cuss & Co. retail label adhered to the inner back
An embossed gilt brass helmet plate thought to be from the Household Cavalry with plated eight point star to centre and worded "Honi Soit Qui Mal Y Pense", 7.5ins x 6.25ins overall, and part of a Chapka plate (Queens Royal) Light Dragoons (Lancers), 4ins x 7.75ins (lacking silvered centre cipher)
A George III 1796 pattern Light Cavalry sword with 32.75ins steel blade and brass hilt with wire bound shagreen grip, complete with brass mounted leather scabbard for same, 38ins overall (blade slightly rusted and leather scabbard damaged), and George V Army Officer`s dress sword by J. Moss (Cambridge Circus) Ltd, Charing Cross Road, London, with 32ins etched blade and plated metal mount and wire bound shagreen grip, complete with leather covered scabbard, 40ins overall
A Chinese white glazed and incised porcelain "Dragon" vase, the baluster shaped body with flared rim, incised with four clawed dragon chasing a Flaming Pearl, all picked out in light blue wash, 7.75ins (192mm) high (apocryphal Chenghua six character mark in underglazed blue to base - Qing Dynasty - 18th Century)
A light oak refectory table of "17th Century" design, the four panel top on chamfered twin turned end supports and trestle base, 87ins x 33ins x 29.5ins high, and a set of eight matching ladder back dining chairs (including two armchairs) with shaped finials, wood seats, on turned front legs and shaped block feet, and cushions for same
Philip Mead, British b.1948- "This Sad Sweet Earth V", "A Commodity under Winter Light III", "A Commodity under Winter Light IV", "A Commodity under Winter Light V"; oil on canvas and oil on board, all signed, titled and dated 1991 on the reverse, 49.5x49.5cm., ea., (4) (may be subject to Droit de Suite) Provenance: with The New Academy Gallery, London, according to labels attached to the reverse of each
The following 14 lots are being sold on behalf of Oxfam Fareen Butt, Canadian late 20th/early 21st century- "Akasa 150"; precious metals, mineral and gemstone pigments on canvas, signed, titled and dated 10/09 on the reverse, 152x101.5cm, (unframed) Note: "Fareen Butt is a gemstone painter born in Toronto and based in New York. She has exhibited and created commissioned works internationally. Several prominent collections, as well as museums, have now garnered an interest in her works. Fareen`s paintings of representational mountainscapes have the following technical influences: Pointillism has been the signature of Seurat in the 1800`s and Pousette Dart in more recent times, both employing oil paints as a medium. Painting with gemstone pigments has been employed for thousands of years by a variety of artisans from Japan to Persia, in which the medium consists of precious stones and metals. Fareen`s work can contain pure gold and silver for example, as well as sapphire, onyx, and minerals more familiar to geologists such as witherite (phosphourescent mineral) or muonionalusta (mineral from a meteor). Conceptually, the Akasa Series is inspired by vedic notions of light, space, and creation." Taken from Fareen Butt`s website; www.fareenbuttart.com
An Arts and Crafts Benson style glass and copper twin branch ceiling light, early 20th century, the centre of urn form, with two horizontal `c` shaped arms supporting lights and frosted glass shades, 51cm wide, (a/f). (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use).
A copper twin handled vase lamp, 20th century, of classical form, with pierced twin handles, raised upon square footed socle,59cm high; with a quantity of mainly miscellaneous brass items, to include a pair of model deer, model chairs, a figure, a scoop, a pan, a twin branch light and a copper flower holder, (a lot). (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use).

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