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Preisdatenbank abonnierenJean-Baptiste Huet (French, 1745-1811) The milkmaidsigned 'J B Huet' and indistinctly dated l.l., pencil and white chalk19.5 x 23cmCondition ReportFramed: 37.5 x 40.5cmThe work is executed on buff paper. Light creasing. A more prominent crease to the right edge. Small scattered blue speckles, please refer to illustration. Not viewed out of glazed frame.
B Aplin Howe (fl.1844-1857) A black and white spaniel with a catsigned 'B. A. HOWE' l.l., oil on canvas50.5 x 61cmCondition ReportOverall: 59 x 69cmRelined. Craquelure and surface dirt. A small bump in the canvas in the upper centre. There are drip marks crossing the face of the dog and running down to the cat, please refer to illustration. Examined under UV light there is extensive retouching, please see additional condition images.
Herbert Arnould Olivier (1861-1952) An interior, No.19 rue de Reservoirs, Versaillessigned, inscribed and dated 'Herbert A Olivier/Versailles 1918' l.r., with artist's label verso, oil on canvas81 x 101cmCondition ReportFramed: 97 x 115cmFine craquelure. Small scattered losses predominantly to the right side and lower right corner. A larger loss to the bottom of the right edge. Rubbing to the extreme top edge. Not examined under UV light, for a full report please contact the department .
â–² Peter Howell (1932-2024) 'In The Eye of the Storm'signed and dated 'Howell 73' l.l., oil on canvas61 x 76cmCondition ReportFramed: 76 x91cmA tiny fine crack starting to emerge to the right of the jockey at the rear with a small black dot in the same area. Appears to be in otherwise good condition. Presents well overall and ready to hang. Not examined under UV light, for a full report please contact the department.
English School, c.1900 'Professor';'Gay Tom Tit' - studies of chestnut huntersa pair, oil on canvas22.5 x 30.5cm (2)Condition ReportFramed: 32.5 x 39.5cm'Professor' has some light surface scuffs and abrasions. 'Gay Tom Tit' has several pinholes to the left and right edges. Not examined under UV light, for a full report please contact the department.
English Naive School, c.1830 A family group in an interior, a lady on a sofa holding a book and her two young children with toys and a kitten oil on canvas 51 x 61cm, in a maplewood frame Condition ReportFramed: 62 x 72.5cm Relined. Craquelure. A little thinning to the paint in areas. Examined under UV light there is some retouching to the mother's face, neck, bodice, sleeves and also to the book. There is further infilling to the faces of the children and the surrounding areas. The wall in the upper half fluoresces with overpaint in places. Please refer to additional condition images.
Attributed to William Buelow Gould (1801-1853) A game larderoil on canvas76 x 63cmCondition ReportOverall: 94 x 82cmRelined. Craquelure. Stretcher marks. Areas of overpainting are visible to the upper third and by the hare's paws, please see additional condition images. Examined under UV light a thick layer of varnish obscures the surface making reading difficult and may conceal further restoration.
â–² Malcolm Coward (b.1948) Horses at sunsetsigned 'M Coward' l.l., oil on canvas laid on board38 x 53cmCondition ReportFramed: 55 x 70cmThere are some scattered speckles, possibly bloom, on the small brown horse in the background on the right side. Appears to be in otherwise good order and ready to hang. Not examined under UV light, for a full report please contact the department.
John Horace Hooper (1851-1906) 'The Colne - Wraysbury, Bucks'signed 'J. Horace Hooper' l.l., also signed, inscribed with title and dated '1883' verso, oil on canvas89 x 127cmCondition ReportFramed: 101 x 139.5cmUnlined. Craquelure. Presents well overall. Not examined under UV light, for a full report please contact the department.
Henry Mayle Whichelo (1800-1884) 'Luck, an Old Favourite' - a spaniel chasing a pheasantsigned, inscribed and dated '1806' verso, oil on canvas36 x 52cmCondition ReportOverall: 54 x 71.5cmUnlined. Craquelure with stretcher marks. A small loss/ abrasion to the upper right. Light surface dirt. Viewed under UV light a layer of varnish makes reading difficult. Some of the brown tones in the trees fluoresce in darker areas however it is unclear if this is retouching or just a particular colour of paint. Please see additional images.
Sir William Beechey RA (1753-1839) A portrait of a young officer, half-length, in uniformoil on canvas78 x 64cmCondition ReportFramed: 104 x 92cmCraquelure and light surface dirt. A little spotting to the reverse. Presents well overall when viewed on the wall. Examined under UV light there are a few small scattered speckles of overpaint to the hairline. There is a little further touching up visible to the sitter's collar and jacket. Much of the painting is covered by a layer of varnish which may obscure further restoration.
Jean-Jacques Spoede (Flemish, 1680-1757) Still life of a cabbage, artichokes, fennel, apples, marrows and a basket of peaches and figs on a tablesigned and dated 'J. J. Spoede 1725' l.l., oil on canvas 84 x 115cmProvenance: Ader Picard & Tajan, Paris, 14 April 1988, lot 72;North Mymms Park, Hertfordshire.Condition ReportFramed: 103 x 133cmRelined. Light surface scuffs, scratches and abrasions around the edges, please refer to illustration. A minor loss to the cabbage on the right edge of the canvas, lower centre. Not examined under UV light, for a full report please contact the department.
Circle of Richard Wilson RA (1714-1782) Anglers on the Wyeoil on panel 18 x 21.5cmCondition ReportFramed: 26 x 29.5cmFine cracks radiate across the painting from the centre of the top edge. A little light surface dirt. Not examined under UV light, for a full report please contact the department.
Antonio Piccinni (Italian, 1846-1920) Portrait study of a boy;Portrait study of a girl;a pair, both signed 'A Piccinni' l.l. oil on board22 x 15cm (2)Condition ReportFramed: 26 x 19cmBoth works have a strip of gold paint along the top edge but appear to be in otherwise good order. Not viewed out of glazed frames or examined under UV light, for a full report please contact the department.
Alexander Jamieson (1873-1937) Venice from the deck of the SS 'Orford'signed and dated 'Alexander Jamieson/1931' l.l., also signed and inscribed with title verso, oil on canvas64 x 77cmProvenance: With Martyn Gregory, London;private collection, Moor Park, Hertfordshire.Exhibited: Martyn Gregory, London, 'Modern British Painters', November 1988, catalogue 53, no. 25. Condition ReportFramed: 78 x 91cmThere are slight undulations to the canvas at the bottom and in the lower corners. Examined under UV light there are spots of retouching in the upper corners and in the lower right corner. A small area of overpaint fluoresces in the sky in the upper right. The varnish appears a little uneven with pale yellow patches of discolouration in places, predominantly to the sky. There is a little dust and dirt trapped behind the glass in the upper left corner. Not viewed out of glazed frame.
After Bartolomé Esteban Murillo Three boys playing dice oil on canvas140 x 104cmA copy of the original painting in the Alte Pinakothek, Munich, Germany.Condition ReportFramed: 141 x 105cmUnlined. Craquelure and surface dirt with some emerging bloom starting to emerge. Horizontal stretcher marks to the centre. The paint has some raised bumps and surface scuffs. Not examined under UV light, for a full report please contact the department.
Circle of Simon Pietersz. Verelst (Dutch, c.1644-1721) A still life of roses, poppies, chrysanthemums and other flowers in a glass vaseoil on canvas 40.5 x 33cmCondition ReportOverall: 55 x 45cmCraquelure. It appears there may be a little retouching to the background in the upper right corner however presents well overall. Not examined under UV light, for a full report please contact the department.
Andreas Schelfhout (Dutch, 1787-1870) A beach scene with figures and fishing boatssigned 'A. Schelfhout' l.r., oil on panel18 x 24cmProvenance: With E J Van Wisselingh & Co., Amsterdam;private collection, Moor Park, Hertfordshire.Exhibited: Stedelijk Museum, Amsterdam, loaned by J Blaauboer Di Bussum, 1938, no.196.Condition ReportFramed: 25 x 31cmA few tiny speckles of light surface dirt. The blue paint in the sky appears to have been more thinly applied than in other areas such as the boats and shore. On very close inspection there is a little very fine cracking starting to emerge in places. Viewed under UV light there is a small spot of overpaint visible to the sky in the lower right quarter to the left of the boat's sail. Overall, presents well. Please see additional condition images.
After Michiel Jansz. van Miereveld Portrait of Prince Maurice of Nassau, Prince of Orange (1567-1625), bust-length, in a gold embroidered doublet with white ruff and wearing the jewel of the Garteroil on panel26 x 21cmProvenance: Believed to have been purchased from the sale 'The Classic Contents of Strawberry Hill Collected by Horace Walpole', held in 1842.Condition ReportFramed: 49 x 41cmBelieved to be late 18th /early 19th century. Fine craquelure. Surface dust and dirt. Two fine scratches to the left of the sitter's beard. Light surface scuffs. Not examined under UV light, for a full report please contact the department.
G Chiarigli(?) (20th century) The approachindistinctly signed l.r., oil on board 57 x 116cmProvenance: Sotheby's, New Bond Street, 30 May, 2002, lot 1008; private collection, The Old House, Aspley Guise, Bedfordshire.Condition ReportFramed: 72 x 130.5cmSmall chips and scratches to the left edge, upper centre. Presents well overall. Not examined under UV light, for a full report please contact the department.
English School, late 18th century Portrait of a girl, full-length, in a white dress with a pink sash, picking honeysuckle at the edge of a woodoil on canvas120 x 92cmCondition ReportFramed: 131 x 103cmCraquelure with light surface dust and dirt. May benefit from a light clean however presents well overall. There is a tiny indentation in the canvas with a light abrasion to the left of the girl's left foot. Not examined under UV light, for a full report please contact the department.
Manner of Raphael (19th century) The Holy Familywatercolour and bodycolour on card17.5 x 16.5cmProvenance: The estate of Baron John Mauger Langin.Condition ReportFramed: 30 x 29cmAppears to be in good order and presents well. There is a little light surface dust and dirt trapped behind the glazing. The colours are bright and the detail is fine. Not viewed out of frame.
... Killick (20th century) The SS 'Charity' of The African Steam Ship Company, off the African Coastsigned 'Killick' l.r., oil on canvas39 x 66cmCondition ReportOverall: 44.5 x 72cmCraquelure, predominantly to the sky. Stretcher marks starting to emerge. Not examined under UV light, for a full report please contact the department.
Sebastian Pether (1793-1844) A moonlit landscape with figures by a ruined toweroil on canvas20.5 x 26cmCondition ReportFramed: 35 x 40.5cmRelined. Craquelure. A clear, semi-gloss varnish has been applied. Examined under UV light there some fluorescing in the lower corners, to the right of the tower and across the figures in the lower right quarter, however this appears to be due to possible cleaning or uneveness to the varnish rather than overpainting. Please see additional images.
Kaspar Karsen (Dutch, 1810-1896) A Dutch town scene with a market by a churchsigned 'K. Karsen' l.r., oil on panel46 x 59cmProvenance: With The Rowley Gallery, London;private collection, Moor Park, Hertfordshire.Condition ReportFramed: 60 x 72cmThe panel is cradled. Surface dirt. The are small circular spots and stains that do not wipe off. Overpainting evident to the sky, centre left. Examined under UV light a little fine infilling fluoresces on the buildings in the centre and in the lower left quarter. Please see additional images.
â–² Mary Viola Paterson (1899-1981) 'Racing Stables'signed 'Viola Paterson' l.l., oil on canvas61 x 76.5cmProvenance: With Panter & Hall, London.Condition ReportFramed: 76 x 92cmLight stretcher marks starting to emerge at the top. A little light surface dirt to the sky. Examined under UV light some of the blue tones in the sky fluorese however this is believed to be the original pigment rather than later overpainting. Please see addditional images. Presents well overall when viewed on the wall.
Follower of Charles Baxter Three young women in a garden, one putting flowers in another's hairoil on canvas 22.5 x 16.5cmCondition ReportOverall: 37 x 32cmA little craquelure in places. On close inspection the surface texture is a little bumpy to the lower right edge and in the lower right corner. Not examined under UV light or viewed out of glazed frame. For a full report please contact the department.
Narcisse-Virgilio Diaz de la Peña (French, 1807-1876) 'La Mare Sous-Bois'signed and dated 'N. Diaz.74.' l.l., oil on panel40 x 55cmProvenance: The collection of J. Wilson;the Amondree Collection;F Blumenthal;George Petit Galleries, Paris;Hazlitt Gallery, London.Exhibited: Hazlitt Gallery, London, 'Barbizon School Exhibition', May-June 1956, no. 19.Condition ReportFramed: 57.5 x 73cmThe painting is executed in oil on a wooden panel formed from a single board. At some stage in its history the panel has been treated with wax on the reverse, covering old labels and stamps, possibly applied to act as a moisture barrier. The panel is in plane with no curvature or splits evident. The paint layers are in a good, stable condition. Examined under UV light there are spots of overpainting visible to the lower half. Much of the painting is obscured by a layer of varnish which may conceal further restoration however in our opinion this is not obvious when viewed under normal light.
Guido Agostini (Italian, fl.1865-1898) View of Rome from the Tiber;View of Florence from Villamagnaa pair, both signed 'Agostini', oil on board, oval25 x 20cm (2)Condition ReportThe view of Florence has a small mark to the upper left edge with a very faint scratch to the sky, upper centre. Small speckles of light surface dirt. The river view has a little rubbing to the centre of the top edge with a faint scratch to the sky to the upper left. Overall both works present well. Not examined under UV light or viewed out of glazed frames. For a full report please contact the department.
Richard Henry Wright (1857-1930) 'St Paul's from Bankside'signed and dated 'R. H. Wright 1928' l.r., watercolour17.5 x 27cmCondition ReportFramed: 34 x 42.5cmThe sky appears a little dappled with light surface dirt. A few small speckles of foxing starting to emerge. There are some small thunderbugs trapped behind the glazing, however the work itself does not appear to be affected. Not viewed out of glazed frame.
After Carlo Marratta The Mystic Marriage of Saint Catherineoil on canvas82 x 61cmProvenance: The estate of Baron John Mauger Langin.Condition ReportFramed: 98 x 75cmWe believe the work to be late 18th century. Condition issues. Relined. Craquelure with losses and abrasions. Surface dirt with a white chalky residue. Not examined under UV light, for a full report please contact the department.
Walter Wallor Caffyn (1845-1898) A wooded river landscapesigned and dated 'W W Caffyn 1877' l.r., oil on canvas61 x 51cmCondition ReportFramed: 88 x 78cmA little light surface dirt but appears to be in otherwise generally good order. Not examined under UV light, for a full report please contact the department.
Albert Ludovici Jnr (1852-1932) Rotten Row, Hyde Park, Londonsigned 'Ludovici' l.l., oil on canvas22 x 33cmCondition ReportFramed: 38 x 49.5cmRelined. Craquelure. The paint appears a little thin in the trees on the left side, please refer to illustration. Not examined under UV light, for a full report please contact the department.
Ferdinand Roybet (French, 1840-1920) A cavalier playing a guitarsigned 'F. Roybet' l.l., oil on panel75 x 61cmCondition ReportFramed: 92 x 76cmThere is an abrasion to the surface of the panel in the upper right corner which has been overpainted. Examined under UV light further overpainting fluoresces around the edges. There is a raised area of paint on the cavalier's hat which may be retouched, please see additional images. A layer of varnish covers much of the painting making reading difficult and may obscure further restoration.
Helen Thornycroft (1848-1937) Still life of Japanese porcelain and a fansigned with monogram l.r., oil on board51 x 41cmProvenance: Bonhams, Oxford, 18 September 2013, lot 96;the estate of Baron John Mauger Langin.Condition ReportFramed: 71 x 60cm.A little light surface dust and dirt. Presents well when viewed under normal light. Examined under UV light there is a little retouching to the extreme lower right edge. A patch of overpaint fluoresces in the upper right corner. There is restoration to the upper left edge with a small patch of retouching to the plate in the same area. Please see additional images.
Philip James de Loutherbourg RA (French-British, 1740-1812) Figures and cattle in a mountainous landscapesigned 'P. l de Loutherbourg' l.l., oil on canvas71 x 91cmCondition ReportOverall: 82 x 102cmRelined. Craquelure. A 12cm scratch to the upper centre. A small loss with the potential for flaking to the centre of the right edge. A small patch of retouching is visible to the upper edge, centre right. A little further overpaint to the upper left corner and sky. Viewed under UV light much of the lower half of the painting is obscured by a layer of varnish which may conceal further restoration. Please see additional condition images.
English School, 19th century The SS 'Calchas' at seaoil on canvas46 x 60cmCondition ReportOverall: 55.5 x 70cmThe reverse of the canvas is fabric backed but the work appears to be relined. Craquelure and surface dirt. Patchiness and discolouration to the sky with areas of infilling and overpainting. Please see additional condition images. Under raking light there are slight undulations to the canvas along the top edge.
Circle of John Vanderbank (1694-1739) Portrait of a gentleman, half-length, in a brown coatoil on canvas, painted oval 76 x 63cm, in an 18th-century carved giltwood frameProvenance: Private collection, The Old House, Aspley Guise, Bedfordshire.Condition ReportFramed: 94 x 80cmRelined. Coming away at top where cut with undulations to the canvas in the upper centre. Craquelure and surface dirt. Overpainting visible to the top edge, upper right corner and the sitter's nostril. A little thinning to the paint in places. Reading under UV light is difficult due to the application of a thick, patchy layer of varnish.
â–² Gordon Bennett Oates (1928-2009) Summer flowers in a glass bowl on a stone ledgesigned and dated 'Bennett Oates 86' l.c., oil on board, oval58 x 61cmProvenance: With E Stacy-Marks Ltd., Eastbourne;private collection, Moor Park, Hertfordshire.Condition ReportFramed: 69 x 73cmAppears to be in good order. Not examined under UV light, for a full report please contact the department.
Hercules Brabazon Brabazon (1821-1906) A castle on a hill overlooking a lake signed with initials l.l., watercolour 10.5 x 14cm Exhibited: Chris Beetles, London, 'Hercules Brabazon Brabazon, Exhibition of Watercolours and Pastels', 1982, no. 77. Condition ReportFramed: 28.5 x 31cm Time staining and foxing. Light handling creases visible on very close inspection. The colours are a little muted, please see images. Not viewed out of glazed frame.
Bartholomeus Johannes van Hove (Dutch, 1790-1880) Figures on a frozen river, a church beyondsigned 'B. J. VAN HOVE' l.l., watercolour22.5 x 35cmProvenance: Private collection, Moor Park, Hertfordshire.Condition ReportFramed: 34.5 x 45.5cmA prominent vertical fold to the centre. There is a horizontal fold running along the top edge of the left half. Light foxing starting to emerge. The blue tones are possibly a little faded. Not viewed out of glazed frame.
Hermann Schlegel (German, 1804-1884) 'Semnopithecus sumatranus' dated 'Monday November 6th 1848' l.l. and inscribed with title l.c., pen and ink and watercolour 46 x 30cm Hermann Schlegel was a German ornithologist, herpetologist and ichthyologist. Condition ReportFramed: 64 x 46.5cm Rippling to the paper. Spots of foxing starting to emerge in places. Light time staining. Not viewed out of glazed frame.
Alfred de Breanski Snr (1852-1928) ‘Departing Day - Ben Nevis’ signed 'Alfred.de Breanski' l.l., also signed and inscribed with title verso, oil on canvas72 x 92cmCondition ReportFramed: 100 x 120cmBloomed varnish. There is a tiny raised bump in the sky in the upper left quarter however the canvas does not appear to be pierced. A work is glazed we are unable to see anything under uv light.
F... Wilcockson (19th/20th century) Portrait of Helen (née Magruder), Lady Abinger, wife of William Frederick Scarlett, 3rd Baron Abinger, standing full-length, in a fur-trimmed red gown, wearing jewellery and a crown, with a whippet at her feet, in an imaginary landscape with classical buildingssigned 'F Wilcockson pinxit' l.l., inscribed and dated 'The Lady Abinger/1902' u.l., oil on canvas158 x 112cmProbably based on a 1902 photograph by Lafayette.Condition ReportFramed: 178 x 131cmCraquelure. Stretcher marks. The canvas tension is a little loose to the touch. Surface dirt with patchiness to the finish. Spotting to the reverse. Not examined under UV light, for a full report please contact the department.
Arthur Hardwick Marsh (1842-1909) 'The Messenger'signed 'A. H. MARSH.' l.r., watercolour heightened with white70 x 108cmExhibited: Franco-British Exhibition, 'British Fine Art' Section, London, 1908.Condition ReportFramed: 98 x 133cmLight cockling. A little foxing starting to emerge in the upper right corner with slight abrasions to the edges, however presents well overall. There is a very thin 5mm strip along the left edge where the work is slightly too small for the frame and a sheet behind has been painted to extend the composition. Not viewed out of glazed frame.
Pál Böhm (Hungarian, 1839-1905) Travellers in a rural setting signed and inscribed 'fest: Böhm Pál. München' l.r., oil on panel41.5 x 53cmProvenance: Private collection, Moor Park, Hertfordshire.Condition ReportFramed: 54 x 66cmLight surface dirt. Fine cracking to the sky. Areas of discolouration to the left edge where it appears the varnish has been unevenly applied, please refer to illustration. Viewed under UV light some of the brown tones on the wagon fluoresce, however it is unclear if this is retouching and in our opinion any possible overpainting is not obvious when viewed under normal lighting conditions. Please refer to additional images.
English School, 17th century Portrait of a cleric, thought to be prebendary John Rogers, half-length, holding a bibleoil on panel56 x 46.5cm Prebendary John Rogers (1500-1555) was the translator of the Matthew Bible, which resulted in his trial at St Overy Church on the charge of heresy and his subsequent burning at the stake.Condition ReportFramed: 63 x 54cmThe panel is cradled and appears to be in plane. The grain of the panel is visible in places, including to the face and hand, with fine cracking to the paint. Light surface dirt. There are horizontal lines/ very shallow splits crossing the portrait which appear to correspond to the cradling on the reverse, and are believed to be due to the panel expanding and contracting over time. Examined under UV light a thick varnish has been applied however extensive overpainting is visible. Please see additional condition images.
Archibald Thorburn (1860-1935) Partridges in flight signed and dated 'A Thorburn/1931' l.l., watercolour and bodycolour 26 x 36cmProvenance: Sotheby's, Hopetoun House, lot 150;private collection, The Old House, Aspley Guise, Bedfordshire.Condition ReportFramed: 47 x 55cmLight cockling. Time staining.There are some spots of damp and mould on the back of the frame which have penetrated the card on which the painting is mounted and correspond to some small dark speckles on the front of the work. Please see additional condition images. The painting has been stuck down in the corners with small pieces of tape that are applied to the reverse. A few tiny tears and abrasions to the extreme edges of the sheet.
Follower of Eugène Boudin (French, 1824-1898) The harbour, St Nazairebears signature and inscription, oil on canvas31 x 46.5cmProvenance: With The Rowley Gallery, London.Condition ReportFramed: 62 x 46.5cmCraquelure with some small dark speckles of light surface dirt. Not examined under UV light, for a full report please contact the department.
Circle of Sebastian Pether (1793-1844) A river landscape by moonlight with a ruined abbeyoil on canvas50 x 60cmCondition ReportFramed: 67 x 76cmRelined with surface dirt. Light surface scuffs, scratches and abrasions. Nor examined under UV light, for a full report please contact the department.
John Prescott Knight ARA (1803-1881) Nelson and Wellington in the waiting room at the Colonial Office, 1805oil on canvas89 x 71cm;accompanied by 'Nelson and his Times' by Rear-Admiral Lord Charles Beresford and H W Wilson, published by Harmsworth Brothers Ltd. (2)Engraved by S W Reynolds, 'The Army and the Navy'.Condition ReportFramed: 102 x 84cmRelined. Craquelure and light surface dirt. Rubbing with small losses to the edges. Two possible repaired tears to the background in the upper quarter above the heads of Nelson and Wellington, below the top edge. Not examined under UV light, for a ful report please contact the department.
Fredrik Marinus Kruseman (Dutch, 1816-1882) A winter scene with figures on a frozen river, with windmills and a distant town signed 'F M Kruseman' l.l., oil on panel58 x 78cmProvenance: With Frost & Reed;purchased from E Stacy-Marks Ltd.;private collection, Moor Park, Hertfordshire.Condition ReportFramed: 76 x 94cmThe painting is executed in oil on a wooden panel support. The panel is in a good condition, remaining flat with no evidence of splits. The paint layers are stable and secure. There are fine areas of retouching across the surface, mainly located in the sky, covering age cracks. The gloss varies across the surface, partly due to the overpaint appearing slightly matte. The varnish is clear with a high gloss. There are a few light scuffs present.
â–² Gordon Bennett Oates (1928-2009) Summer flowers in a glass bowl on a stone ledgesigned 'Bennett Oates' l.c., oil on board58 x 61cmProvenance: With E Stacy-Marks Ltd., Eastbourne;private collection, Moor Park, Hertfordshire.Condition ReportFramed: 69 x 73cmAppears to be in good order. Not examined under UV light, for a full report please contact the department.
Circle of Jan Lievens (Dutch, 1607-1674) Portrait of a young man, head and shoulders, in profile oil on panel 32 x 24.5cmProvenance: Private collection, Holland; H M Ingle, Paignton, Devon; with the Brod Gallery, London, as by Jan Lievens. Literature: Doctor Hans Schneider, in a letter dated 13 January 1926, confirms that the painting is in his view an autograph work by Lievens, although it is not clear which portrait study or tronie it is in his subsequent ‘Jan Lievens: Sein Leben and Seine Werke’, published in 1932 and updated in 1973 by Rudolf Ekkart. The painting is not included in the more recent catalogue by Bernhard Schnackenburg , ‘Jan Lievens: Friend and Rival of the Young Rembrandt, with a Catalogue Raisonné of his early Leiden work, 1623-1632’, 2018.Condition ReportFramed: 53 x 45.5cmThere is a vertical line crossing the sitter's cheek which appears to be retouching. Further small scattered spots of overpaint are visible to the background. Please see additional images. Viewed under UV light a thick layer of varnish has been applied which makes reading difficult and may obscure further restoration.
Follower of Jean Étienne Liotard Portrait of a lady, half-length seated, in a blue dress with a lace chokerpastel72 x 59.5cmCondition ReportFramed: 98 x 85.5cmLight cockling. Spots and speckles of possible damp and bloom to the lower half. The pastel is a little soft in places. Rubbing and light surface abrasions predominantly to the background. Please see additional condition images. Not viewed out of glazed frame.
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