Reeve (Clara). The Old English Baron: A Gothic Story, London: Edward and Charles Dilly, 1778, engraved frontispiece with early signature to verso of S. Andrews (paper tape to gutter between frontispiece and front free endpaper), light offsetting from frontispiece to title, occasional light spotting, marbled endpapers with armorial bookplate of Hon. Booth Grey to upper pastedown, contemporary half calf, red morocco title label to spine, upper joint split and lower joint cracked, wear at head and foot of spine and to board corners, 8voQTY: (1)NOTE:The story was first published anonymously the year before under the title 'The Champion of Virtue'.
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Greene (Graham). The Heart of the Matter, 1st edition, London: William Heinemann, 1948, half-title and endpapers toned (as usual), original cloth (slight edge wear), dust jacket, spine ends very slightly rubbed, a few light spots to top margin of rear panel and flap, 8vo, together with The Quiet American, 1st edition, London: William Heinemann, 1955, original cloth, dust jacket, 8voQTY: (2)
Doyle (Richard). In Fairy-Land. A Series of Pictures from the Elf-World, with a Poem by William Allingham, 2nd edition, London: Longmans, Green and Co., 1875, 16 colour-printed plates, occasional light spotting, contemporary presentation inscription to half-title, hinges reinforced, all edges gilt, original green cloth gilt, one or two small light stains, edges a little rubbed, folio, together with An Old Fairy Tale Told Anew in Pictures and Verse by Richard Doyle and J. R. Planche, 1st edition, [1865]QTY: (2)
Wyndham (John). The Day of the Triffids, 1st edition, London: Michael Joseph, 1951, a few minor spots, small previous owner inscription to front endpaper, original cloth, spine slightly faded with small crease at head, dust jacket, tears and losses at spine ends and foot of panels, clear tape reinforcement to joints and folds and to verso, light toning to rear panel, 8vo, together with a 1st edition, 2nd impression of Titus Groan, by Mervyn Peake, 1946QTY: (2)
Leighton (Clare). The Farmer's Year. A Calendar of English Husbandry, 1st edition, London: Collins, 1933, wood-engraved title vignette, 12 full-page wood-engravings, pictorial endpapers, original green cloth, dust jacket, a few repairs, oblong folio, together with The Return of the Native, by Thomas Hardy, London: Macmillan and Co., 1929, wood-engravings by Clare Leighton, light toning to endpapers, top edge gilt, original vellum-backed patterned boards (vellum a little discoloured), thick 8vo, limited edition of 1500 copies, signed by the artist, plus Country Matters, written and engraved by Clare Leighton, 1st US edition, New York: Macmillan Company, 1937, numerous wood-engravings, some toning to endpapers, bookplate, original cloth, spine a little faded, price-clipped dust jacket, spine toned, 4to, with 9 others illustrated by the artist including The Sea & the Jungle, by H. M. Tomlinson, 1930, limited signed edition 96/515, Four Hedges, a Gardener's Chronicle, 1935, and Where Land Meets Sea, 1st US edition, 1954QTY: (12)
Fleming (Ian). Thunderball, 1961; The Spy Who Loved Me, 1962; On Her Majesty's Secret Service, 1963; You Only Live Twice, 1964; The Man With the Golden Gun, 1965, 1st editions, a few light spots, small ink inscription to Japanese poem leaf in You Only Live Twice, previous owner signature to OHMSS front pastedown, original cloth, dust jackets, You Only Live Twice spine toned, a few tiny nicks at folds, small tear to Thunderball spine, Thunderball & The Spy Who Loved Me with small tape reinforcements to versos of spines, 8vo, together with The James Bond Dossier, by Kinsley Amis, 1st edition, 1963 QTY: (6)
Villiers de l'Isle-Adam (Philippe Auguste de). Axel, translated into English by H. P. R. Finberg, with a preface by William Butler Yeats, limited issue, London: Jarrolds, 1925, woodcut illustrations, small previous owner inscription, endpapers toned, top edge gilt, original cream buckram gilt, a few light marks, 8voQTY: (1)NOTE:Limited signed edition, 24/500 copies.
Dean & Son (Publisher). Robinson Crusoe with suprise pictures, [1874], 6 full-page colour illustrations, printed flap at each corner folded into diamond, each of which alters the scene when opened out, endpapers recently renewed retaining original free endpapers, original front free endpaper with presentation inscription dated 'April 22nd / 75' in brown ink, original printed boards, modern cloth reback, some light dust-soiling, lightly rubbed to board edges, slim 4toQTY: (1)NOTE:Scarce. Only three institutional copies held.
The Nonesuch Press. Nonesuch Dickensiana, Retrpspectus and Prospectus; I. Charles Dickens and his Illustrations by Arthur Waugh, II. A Bibliographical list of the original illustrations to the works of Charles Dickens being those made under his supervision, now compiled for the first time by Thomas Hatton, III. Retrospectus, Editions of Dickens Works IV. Prospectus, The Nonesuch Dickens, Bloomsbury: The Nonesuch Press, 1937, burnt orange printed title wrappers separating each volume, form for advance subscription bound to rear, bookseller's ticket to lower corner of upper pastedown, light spotting to first and last few leaves, contemporary letter from B+H Blackwell Ltd loosely inserted, publisher's original blue cloth covers by Leighton-Straker, gilt decoration to upper board, spine a little faded, 8vo, together with: Wood Lea Press. Greenwood (Jeremy). Ravilious Engravings, with an Introduction by John Craig, Woodbridge: Wood Lea Press, 2008, portrait frontispiece, colour and black & white illustrations throughout, original grey cloth with silver gilt lettering to spine, contained within matching slipcase, folio, limited to 800 copiesUllman (Anne, editor). The wood engravings of Tirzah Ravilious..., with recollections by Henry Swanzy and Robert Harling, London: Gorden Fraser, printed by The Roundwood Press, 1987, many illustrations, plain paper wrappings with decorative dust jacket, contained within green cloth slipcase, 4to, limited edition 187/1000Whistler (Laurence). Pictures on Glass..., signed by the author, Ipswich: The Cupid Press, 1972, black and white frontispiece, black and white illustrations, letter from the author loosely inserted, original black cloth gilt, contained within matching slipcase, 8vo, limited edition 458/1400 QTY: (4)
Juvenile education. A New Reading Made Easy, A Large Collection of Verses out of the Psalms, and New Testament. In three Parts. I. Being a Collection of Verses that contain Words of one Syllable only. II. Verses having no Words above two Syllables, and printed with a Mark of Division between the Syllables. III. Verses having no Words above three Syllables, and printed with a Mark of Division between the Syllables, designed for the Use of young Children: Being the most proper Book for young Beginners. London: Printed and sold by the Book Sellers in Town and Country, 1760, woodcut frontispiece depicting a child receiving punishment with fellow pupils looking on, with the kingdom of heaven above and the mouth of hell below (mid 18th-century signature Betty Shaw to verso), ornamental border to title (cropped to lower border), full-page listing the alphabet with small woodcut to illustrate an animal or figure for each letter, four Biblical woodcut illustrations to text, dust-soiling throughout volume, occasional light damp-staining, endpapers with juvenile practice alphabet writing and inscriptions including 'Betty Shaw Daughter to John Shaw Born October the 28 1752', contemporary sheep, light wear to extremities, 12mo in 6sQTY: (1)NOTE:Rare. No institutional copies of this edition located.
Takejiro Hasegawa, publisher. A collection of 10 assorted titles, 1890s-1900s, including Japanese Topsyturvydom, by E. S. Patton, T. Hasegawa, Tokyo, [1896], colour illustrations on crepe paper, light spotting to upper cover, small 4to, together with A Day with Mitsu, by Mary G. Kimura, T. Hasegawa, circa 1894, colour illustrations on crepe paper, a few light spots, 4to, with 8 others including Japanese Fairy Tales Series, No. 24, The Old Woman who Lost Her Dumpling, translated by Lafcadio Hearn, circa 1902, The Months of Japanese Ladies Calendar for 1903, and 1904, Rhymes & Life Scenes of Japan Calendar for 1903, the Children's Japan, by W. H. Smith, 2nd edition, circa 1912 QTY: (10)
* Japanese playing cards. Hana Fuda: Hachi-hachi-bana pack, Kyoto: Nihon Karuta Seizō Co.[?], circa 1975, a complete double-deck set of colour printed playing cards, comprising 2 decks each of 48 cards, plus two blank cards and one control ticket (unstamped), faintly dusty in places, each card 53 x 33 mm, versos differ: one deck plain black, the other plain brown, original printed wrappers, that to one deck with cancelled Japanese tax stamp, each deck with original two-part plastic box, contained together within original two-part card box, colour printed label to lid, together with Mekuri-Fuda: Kingyoku (Golden Pole) pack, Kyoto: Nintendo Playing Card Co., circa 1975, a complete deck of 48 (plus devil's card and blank card) colour printed playing cards, several cards overprinted in silver, some light dust-soiling and rubbing in places, each card 54 x 33 mm, versos plain black, original printed wrapper and inner foil wrapper, original two-part plastic box, plus Kabu-Fuda: Irinokichi (President) pack, Kyoto: Nintendo, circa 1975, a complete deck of 48 (plus devil's card, blank card and control ticket) colour printed playing cards, 3 cards overprinted in silver, couple of small marks, each card 54 x 32 mm, versos plain black, original printed wrapper and inner foil wrapper, original two-part plastic box, with another 8 Mekuri and similar Fuda decks, all circa 1975, and 27 Western-style decks, 2nd half 20th century, including: 'Sonnet' Sixted playing cards, by Mizuta, pub. Cosmos Planning (c.1983); Toyopet Crown, Nintendo (c.1970); Torys, for Suntory Whisky (c.1983); Flora, Angel P.C.Co., (1982); Hiroshige Ukiyo-e, by ACE (c.1980); Japanese Women, designed by Takasawa, Angel P.C. Co. (c.1985), and others, all believed complete, a quantity of cards from each deck mounted with photo corners onto display boards (52 x 39 cm), the remainder in plastic bags, many with original boxQTY: (38)NOTE:The other packs comprise: By Nintendo - Crazyrider (1983), Meitetsu (c.1985), Morinaga Rose (c.1985), Suzuki (1978), Tactics Supranational (c.1978), Vintage Cars (c.1970), Diamond Tour (c.1977), Nippon Beer (1960s), Fujitsu Limited (1973), Suntory Akadama Honey Wine (c.1970), Young Men (1967), Honda Driving Safety Promotion Centre (1970s?), Ukiyo-E (1969), Crown II, for Laser Clay (1973). By Angel - Jeune Fille (1983), European, designed Asahi (a mixed pack). Others - Panty Cards, designed Takagaki, pub Nippon Yugi-Gangu Co. (1982), Charlie (underwear), unknown maker (c.1982), ACE Men's Wear Inc (no-revoke type deck). Fuda decks: Mekuri-Fuda - Akahachi, Fukutoku, Mitsuoghi; Kabu-Fuda - Kudosan, Mefuda, Daini, Komaru, Kinseizan (all Nintendo, c.1975).
* American Civil War playing cards. Union Cards, second edition, New York: American Card Co., 1863, the complete deck of 52 playing cards, lithographed in red, black and blue, the suits are eagles (black), stars (red), shields (blue), and American flags (multi-colour), courts (same in each suit) represent a colonel (kings), goddess of liberty (queens) and a major (jacks), ace of eagles has imprint, generally dust- and finger-soiled, few light creases, a little rubbed in places, jack of flags with minor surface loss to lower right corner, and small singe mark to bottom edge, versos blue foliate pattern, each card 90 x 64 mm, with original two-part box (some edge wear, lift-off lid with short splits to two edges), 16 cards mounted with photo corners onto a display board (54 x 40cm), encapsulated in clear plastic (not examined out of board), the remainder in box in a plastic bagQTY: (1)NOTE:Provenance: Collection of Dudley Ollis (purchased from Cartorama, 62 #279).Cary, USA 215; Hochman W6 & NS2.These cards, designed by Benjamin W. Hitchcock, were produced during the American Civil War and clearly were intended for sale in the Union states. This particular deck comes with an unusual ace of eagles, with the imprint American Publishing Agency, rather than the more common American Card Company.
Orwell (George). The Collected Essays, Journalism and Letters of George Orwell, edited by Sonia Orwell and Ian Angus, 4 volumes, London: Secker & Warburg, 1968, occasional pencil underlining and annotations, previous owner inscription in red ink to front endpaper of volume I, light spotting to fore edges, original cloth, short closed tears at head of volume I spine, dust jackets, some fading to spines, 8voQTY: (4)
Warner (Sylvia Townsend). Time Importuned, 1st edition, London: Chatto & Windus, 1928, light partial offsetting from flaps to endpapers, original boards, dust jacket, spine a little faded, 8vo, together with Smith (Stevie). Harold's Leap, 1st edition, London: Chapman & Hall, 1950, illustrations by the author, a little light marginal toning, original cloth, dust jacket, spine toned and a little rubbed at ends, 8vo, plus Spark (Muriel). The Prime of Miss Jean Brodie, 1st edition, London: Macmillan & Co., 1961, previous owner signature, original cloth, dust jacket, edges slightly rubbed, 8vo, together with other 1st editions including Dread Dwelling, by Richmal Crompton, 1st US edition, New York, 1926, Sylvia Townsend Warner's Mr. Fortune's Maggot, 1927, The Salutation, 1932, After the Death of of Don Juan, 1st US edition, 1939, T. H. White. A Biography, 1967 (2 copies), Urania, by Ruth Pitter, 1950, Mrs Palfrey at the Claremont, by Elizabeth Taylor, 1971, Crossing the Water, 1971, and Winter Trees, 1971, both by Sylvia PlathQTY: (28)
Upton (Florence). The Adventures of two Dutch Dolls, London: Longmans, Green & Co., [1895], colour illustrations throughout, additional pages 23* ,24*, 55*, and 56* reinserted and re-guarded, decorative endpapers, some finger soiling, original cloth backed pictorial boards, some light creasing, rubbing to edges, together with 16 other stories from The Golliwogg series comprising: The Golliwogg's Bicycle Club, 1896 (x2); The Golliwogg at the Sea-Side, 1898; The Golliwogg in War!, New Edition, 1903; The Golliwogg's Polar Adventure, New Edition, 1903 (x2); The Golliwogg's Auto-Go-Cart, 1901; The Golliwogg's Air-Ship, 1902 (x2, one copy rubbed with water stain to rear board); The Golliwogg's Circus, 1903 (x2); The Golliwogg in Holland, 1904; The Golliwogg's Fox-Hunt, 1905; The Golliwogg's Desert-Island, [1906]; The Gollywogg's Christmas, 1907; Golliwogg African Jungle, 1909; some with presentation inscriptions in ink to title-page, decorative endpapers, all in original cloth backed pictorial boards, some rubbing to extremities, all generally in good condition, oblong 4to, and The Adventures of Borbee and the Wisp by Florence K. Upton, 1908, slim 4toQTY: (18)NOTE:Osborne, p. 83. Notice from the the-saleroom.com: These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
Wodehouse (P. G.). The Head of the Kay's, 1st edition, London: Adam & Charles Black, 1905, 8 black and white illustrations (including frontispiece), light scattered spotting, original publisher's red pictorial cloth gilt, spine slightly faded, lightly marked, 8vo, together with:The Inimitable Jeeves, 1st edition, 1st state, London: Herbert Jenkins, [1923], neat ink ownership inscription to head of front free endpaper, occasional light spotting, original publisher's green cloth gilt, spine somewhat faded, lightly rubbed, 8voQTY: (2)
Golden Cockerel Press. Endymion. A Poetic Romance by John Keats, Golden Cockerel Press, 1947, wood-engraved illustrations by John Buckland-Wright, occasional light spotting, tipped-in bookplate, top edge gilt, original vellum by Sangorski & Sutcliffe, covers with Cynthia, Goddess of the Moon by Buckland-Wright in gilt to covers, slipcase (a little rubbed to folds), small folio QTY: (1)NOTE:Limited edition, 10/100 specially bound copies, signed by the artist, from a total edition of 500.
Eliot (T. S.). Four Quartets, 1st edition, in book form, London: Faber & Faber, 1944, original cloth in dustwrapper, spine toned, small chips and tears, 8vo, together with Poems Written in Early Youth, 1st edition, London: Faber & Faber, 1947, previous owner signature, original cloth, dust jacket, slight fading to spine, a couple of short closed tears, 8vo, plus Notes Towards the Definition of Culture,1st edition, London: Faber & Faber, 1948, light offsetting to endpapers, original cloth, spine a little faded, dust jacket, spine toned, a few chips and tears, 8vo, plus others by the author including For Lancelot Andrewes, 1st edition, 1928, Homage to John Dryden, 2nd impression, 1927, Anabasis, a poem by St.-J. Perse, translated by T. S. Eliot, 1930, and Ash Wednesday, 1st trade edition, 1930QTY: (27)
Gregynog Press. Laboratories of the Spirit, by R. S. Thomas, Gregynog Press at the University of Wales Press, 1976, printed in red and black on Batchelor hand-made paper, initials in red and blue, a little light spotting to a few early leaves, top edge gilt, original blue morocco by Sally Lou Smith (signed in initials to rear turn-in), covers with multi-coloured morocco onlays with gilt and silver geometric shapes (very small loss to one onlay to lower cover), 4 pp. prospectus (with folds) loosely inserted, contained in publisher's morocco-backed solander box (spine faded), folio, 295 x 20 cm QTY: (1)NOTE:Limited edition, copy number VIII/XV copies specially bound by Sally Lou Smith, signed by the poet, from a total edition of 215.The first book under the revived imprint Gwasg Gregynog under the stewardship of Michael Hutchins, after the original Gregynog Press closed in 1940.
Tolkien (J. R. R.). The Lord of the Rings: The Two Towers, 1st edition, 2nd impression, 1955; The Return of the King, 1st edition, 2nd impression, November 1955, folding map at rear of each, light toning to Return of the King rear endpaper, top edge red, original cloth gilt (Return of the King spine faded, Two Towers faded at head), dust jackets, Two Towers spine toned and torn (torn strip mostly retained), Return of the King jacket torn into 3 pieces, spine toned and rubbed with chips and tears, 8voQTY: (2)
Stoker (Bram). The Snake's Pass, 1st edition, London: Sampson Low, Marston, Searle & Rivington, 1891, one or two light stains, original red cloth gilt, spine skillfully rebacked with original spine relaid, gilt lettering and illustration dulled, light adhesion marks to upper cover, contained in crimson morocco gilt solander box, 8voQTY: (1)NOTE:Presentation copy, inscribed to half-title 'Mrs. Leycester, with most kind remembrance of Bram Stoker, Christmas 1890'.The author's first novel, published in November 1890 but dated 1891.
Forster (E. M.). A Room With a View, 1st edition, London: Edward Arnold, 1908, 8 pp. advertisements at rear, some light toning to endpapers and fore edges, original cloth gilt, spine faded, edges a little rubbed, a few small light stains to upper cover, 8voQTY: (1)NOTE:Kirkpatrick A3. Forster's third novel. 2000 copies printed.
Austen (Jane). Pride and Prejudice, reprinted, London: Richard Bentley, 1846, engraved frontispiece and vignette title (both with imprints dated 1833), letterpress title, frontispiece with former owner's signature show-through, damp-staining and damp-mottling to leaves at front and rear of volume with some light fraying to fore-edge, endpapers also damp-mottled and with few adhesive tape repairs, near-contemporary burgundy half calf by Harrison of Pall Mall, gilt decorated raised bands, modern marbled paper sidings to boards, 8voQTY: (1)NOTE:Gilson D7. A reprint of Benson's first illustrated edition published in 1833 (see Gilson D5).
* South African playing cards. Boer War cards, Printed by H.M. Guest, Klerksdorp, Trans-vaal, 1901, the complete deck of 52 plus joker woodblock printed playing cards (French suits), pip signs printed in red or black, indices, single figure courts (head & shoulders only) printed in purple, kings representing Edward VII, queens representing Queen Alexandra, jacks wearing a jester's hat and carrying a bell, the joker card with skull & crossbones and 'No Joker', somewhat dusty, variable toning, some generally light spotting (JS more spotted) and brown marks, square corners, versos black ornamental pattern with central text giving maker's details and dated 'Feb., 1901, during Anglo-Boer War', each card 92 x 61 mm, with near contemporary patterned paper-covered box (one small side-flap detached but present), early ink manuscript label to front panel, 10 cards corner mounted onto a display board (54.5 x 40 cm), encapsulated in clear plastic (not examined out of display board), the remainder in a plastic bag, with a typewritten letter signed by W. Penn, on The William Penn Collection of Playing Cards headed notepaper, dated March 1st [19]59QTY: (1)NOTE:Provenance: Collection of Dudley Ollis.Tilley, A History of Playing Cards, p.171; Tilley, Playing Cards, p.91: Worshipful Company of Makers of Playing Cards website, Curator's Corner - Boer War Playing Cards.The accompanying letter, written to a Mr. Green-Armytage, briefly discusses this rare pack of cards. Of especial interest is the excerpt from another letter, written by Colonel The Hon. Sir Lucas Guest and dated 14 October 1966, which is given in Tilley's book Playing Cards (see above). That letter describes how, due to shortages of playing cards caused by the war, H.M. Guest (the Colonel's father) made these packs of cards himself, with a friend helping to carve the woodblocks. Intriguingly the pack illustrated on the Worshipful Company of Makers of Playing Cards website has the jacks printed in yellow, whereas the pack described by Tilley agrees with ours in having the all the courts in purple. Presumably Guest was having to make do with whatever stocks of colour printing inks he had available.
Morris (William). [Works], 8 volumes, London: Chiswick Press for Longmans, Green and Co., 1901-02, comprising A Tale of the House of the Wolfings, 1901; The Roots of the Mountains, 1901; The Story of Grettir the Strong, 1901; Volsunga Saga, 1901; The Odyssey of Homer, 1901; the Aeneids of Virgil, 1902; Hope and Fears for Art, 1902; Architecture, Industry and Wealth, 1902, printed in red and black, map plate to Grettir the Strong, spare labels tipped-in at front, a few damp stains to early leaves of Volsunga Saga and Architecture, Industry and Wealth, a few endpapers with some toning, original cloth-backed boards, spines faded or toned, some edge wear and light stains to covers, 4to QTY: (8)NOTE:Each a limited edition of 315 copies and comprising most of the writings of William Morris not printed by the Kelmscott Press.
Lewis (Wyndham). The Ideal Giant, the Code of the Herdsman, Cantelman's Spring-Mate, 1st edition, London: Privately printed for the London Office of the Little Review, [1917], additional illustrated title with monochrome design by Wyndham Lewis, 44 pp., some light spotting and toning, stapled as issued (staples rusted), and string-tied into original publisher's cloth-backed boards, upper cover designed by Lewis, head of spine indented, some toning and light spotting to covers, edges rubbed, 8voQTY: (1)NOTE:Pound & Grover A1; Morrow & Lafourcade A2. Approximately 200 copies printed. Pound & Grover speculate that only 50 copies of the folder were produced, but that there were more copies of the pamphlet itself.
Miller (Patrick). Woman in Detail, with Drawings by Mark Severin, London: The Golden Cockerel Press, 1947, black and white illustrations, original blue cloth-backed boards, a few light marks, 8vo, together with:Hamway (Nigel). 2020 Vision, limited edition, London: Nomad Letterpress, 2020, mounted illustrations (some colour), further black and white illustrations, original yellow cloth-backed boards, 4to, 156 of 340 copies, contained in original slipcase, withGerry (Vance). Vance Gerry & The Weather Bird Press, limited edition, Risbury: The Whittington Press, 2018, full-page and smaller illustrations throughout (some colour), 2 facsimile letters in pocket at rear, original red half cloth, paper title label to spine, 4to, one of 235 copies, in original slipcase, with 13 others relatedQTY: (16)
Eliot (T. S.) Poems 1909-1925, 1st edition, London: Faber & Gwyer, 1925, light partial offsetting from flaps to endpapers, small previous owner signature, original cloth (covers slightly bowed), dust jacket, spine toned and slightly rubbed, a few tiny tears and light marks, 8voQTY: (1)NOTE:Gallup A8a.
Woolf (Virginia). The Letters of Virginia Woolf, edited by Nigel Nicolson, 6 volumes/The Diary of Virginia Woolf, edited by Anne Olivier Bell, 5 volumes, Hogarth Press, 1976-84, volume I of Letters 2nd impression, the others 1st printings, monochrome illustrations, volume V of Diary with light spotting to fore edges, a few previous owner inscriptions, original cloth, dust jackets, a few price-clipped, some fading to spines, 8vo, with 8 others including Editing Virginia Woolf's Diary, by Anne Olivier Bell, Bloomsbury Workshop, 1990, limited signed edition 805/1000, Walter Sickert. A Conversation, by Virginia Woolf, Bloomsbury Workshop edition, 1992 One of 1000 copies), Essays on John Maynard Keynes, edited by Milo Keynes, CUP, 1975 reprint, inscribed by the editor,, Julia. A Portrait of Julia Strachey by herself and Frances Partridge, 1983, inscribed by Frances Partridge, Lytton Strachey, by Michael Holroyd, 1994, signed by the author, and The Letters of Lytton Strachey, edited by Paul Levy, 2005, signed by the editor QTY: (19)
Manhood (Harold Alfred). Nightseed, 1928; Gay Agony, 1930; Crack of Whips, 1934; Fierce and Gentle, 1935, 1st editions, light partial offsetting from flaps to endpapers, original cloth, dust jackets, Fierce and Gentle price-clipped with short closed tear to rear panel and a little dust soiled, 8vo, together with 20 others by the author including limited editions Little Peter the Great, Furnival Books No. 7, limited signed edition 157/550, Three Nails, White Owl Press, 1933, limited signed edition 3/125, Maiden's Fury, 1935, limited signed edition 40/285, plus others including Sunday Bugles, 1939, Lunatic Broth, 1944, a few duplicates QTY: (24)NOTE:H. A. Manhood (1904-1991), a contemporary of Graham Greene, Dylan Thomas and others was primarily known for writing rurally set short stories, often incorporating the supernatural.
* French playing cards. Jeu de Cartes Musical, Pierre Boboeuf: Paris, 1840, the complete Piquet deck of 32 chromolithographed playing cards (French suits), designed by Ferdinand Séré, depicting musical notes and other musical notations, named in French, each with miniature playing card at top, and ornate decorations with miniature illuminated-style illustrations in red, green, blue & gold, the illustrations relating to the named note or symbol, red outline borders, corners very lightly worn, some light toning and spotting, few minor marks, 5 cards with small tear or puncture to top of miniature playing card (2 with associated light creasing), AS & 8D with corner crease, 9H lightly creased, versos plain white, each card 86 x 57 mm, with original two-part box (damaged), 20 cards mounted with photo corners onto a display board, encapsulated in clear plastic (not examined out of board), the remainder within box in a plastic bag, the board 54.5 x 40 cmQTY: (1)NOTE:Provenance: Collection of Dudley Ollis.Ader Auctions, 01/07/2019, lot 322; Bibliothèque Nationale de France, ark:/12148/btv1b10539489x; Cartorama 82, #69; Cary, FRA 253; Verame, Sublimes Cartes á Jouer, illustrated pp.110-111.
Dodgson (Charles Lutwidge, 'Lewis Carroll'). Alice's Adventures in Wonderland, London: Macmillan, 1874, half-title, frontispiece and illustrations by John Tenniel, all edges gilt, 20th-century red crushed morocco gilt by Sangorski & Sutcliffe, original cover designs blocked in gilt, spine with gilt motifs after Tenniel illustrations, a few light marks, 8vo, together with:Through the Looking-Glass, and What Alice Found There, London: Macmillan and Co, 1883, half-title, frontispiece and illustrations by John Tenniel, title-page somewhat spotted, all edges gilt, 20th-century red crushed morocco gilt by Sangorski & Sutcliffe, original cover designs blocked in gilt, spine with gilt motifs after Tenniel illustrations, extremities very lightly rubbed, 8vo, both volumes contained in red cloth slipcaseQTY: (2)
Gooden (Stephen, illustrator). Aesop's Fables, translated by Sir Roger L'Estrange, limited issue, London: George G. Harrap, 1936, engraved title, plates and initials by Stephen Gooden, a little light offsetting from plates, top edge gilt, original vellum gilt, slipcase (a little toned to margins), 4to, limited signed edition 438/525, together with Rackham (Arthur, illustrator). Peer Gynt. A Dramatic Poem by Henrik Ibsen, London: George G. Harrap, 1936, 12 colour plates, top edge gilt, original brown blindstamped morocco, slightly rubbed, original cardboard box, lid repaired at corners with adhesive tape, one corner split, 4to QTY: (2)
Johns (W. E.). Biggles and the Plot That Failed, 1st edition, Leicester: Brockhampton Press, 1965, original light red cloth, dust jacket, head of spine lightly rubbed, 8vo, together with:Biggles Takes The Case, 1st edition, London: Hodder & Stoughton, 1952, black and white illustrations, small tape residue to endpapers, original red pictorial cloth, dust jacket, lightly rubbed, 8vo, withBiggles Hunts Big Game, 1st edition, London: Hodder & Stoughton, 1948, 11 illustrations, original red pictorial cloth, dust jacket lightly rubbed, 8vo, withBiggles Goes Home, 1st edition, London: Hodder & Stoughton, 1960, black and white illustrations in-text, original pictorial boards, 8vo with 55 other Biggles titles in dust jacket, some first editionsQTY: (59)
Rackham (Arthur, illustrator). Where the Blue Begins, by Christopher Morley, signed limited edition, London: William Heinemann, [1922], signed by Rackham to limitation page, 4 full-page colour illustrations, 16 smaller black and white illustrations, pictorial endpapers, top edge gilt, original black buckram-backed boards, spine lettered in gilt, a few light spots to boards, 4to, contained in custom maroon-backed slipcase, red morocco spine labels lettered in giltQTY: (1)NOTE:Limited edition, 119/175 copies.
Vale Press. A Bibliography of the Books Issued by Hacon & Ricketts, Vale Press, 1904, wood-engraved frontispiece by Charles Ricketts, wood-engraved double-page border, printed in red and black, endpapers a little toned, original cloth-backed boards, 8vo, limited edition of 250, together with Essex House Press. The Last Records of a Cotswold Community: Being the Weston Subedge Field Account Book for the Final Twenty-Six Years of the Famous Cotswold Games, Hitherto Unpublished, and now edited with a study on the old time sports of Campden and the village community of Weston, by C. R. Ashbee, Essex House Press,1904, woodcut illustrations by Edmund New, light toning to endpapers, original buckram, spine toned, some dust-soiling, 4to, limited edition 16/75, plus Craftsmanship in Competitive Industry, by C. R. Ashbee, Essex House Press, [1908]QTY: (3)NOTE:First two works Tomkinson 50 & 46 respectively.
Kubasta (Voitech). Tip + Top Build a Motorcar, 1st edition, Bancroft, 1962, six colour pop-up and moveable scenes (all in working order), original cloth-backed pictorial boards, edges rubbed, minor crease to rear cover, some spotting to right edge and spine area of front cover, 4to, together with Tip + Top Go Camping, 1st edition, 1962, six colour pop-up and moveable scenes (all in working order), some light toning or offsetting to text, original cloth-backed pictorial boards, edges lightly rubbed and bumped, front cover with faint scratch, rear cover with light crease near spine, 4to, plus 6 other Tip + Top titles including: Go Flying, 1964; And the Dragons, 1964; At the Zoo, 1961; On the Farm, 1961; Als Seefahrer (Hamburg: Carlsen, 1965); Und die Mondrakete (Hamburg: Carlsen, 1965), few minor creases and repairs, all 8 books with small ex-libris Megan & Michael Dawson ticket or ink stamp to upper corner inside front cover, 4toQTY: (8)
Essex House Press. A Book of Cottages and Little Houses for Landlords, Architects, Builders and Others: with suggestions as to cost, the housing difficulty, & the improvement of taste in these matters by C. R. Ashbee, M. A., Architect, Essex House Press, 1906, woodcut frontispiece and illustrations by F. L. Griggs, 29 half-tone illustrations bound at rear (one or two small marginal stains), top edge gilt, original cream buckram gilt, spine s little toned with small stain, light marginal dust-soiling, small 4to, together with The Last Records of a Cotswold Community; Being the Weson Subedge Field Account Book for the Final Twenty-Six Years of the Famous Cotswold Games, Hitherto Unpublished, Essex House Press, 1904QTY: (2)NOTE:Tomkinson 69 & 50 respectively. First work limited edition 36/50 copies, issued on paper with the Essex House Press mark and reserved for subscribers to the Press, from a total edition of 250.
Essex House Press. The Courtyer of Count Baldessar Castilio, divided into foure bookes very necessary and profitable for yonge gentilmen & gentilwomen abiding in cort, palaice, or place, done into Englyshe by Thomas Hoby, Essex House Press, 1900, woocut initials 'Alphabet of Bloomers' designed by C. R. Ashbee, partly unopened, a few minor spots front and rear, original limp vellum gilt, silk ties, tiny closed tear to foot of spine, light dust-soiling to covers, 4to, limited edition 60/200, together with American Sheaves & English Seed Corn: Being a series of addresses mainly delivered in the United States, 1900-1901, Essex House Press, 1901, woodcut initials, preface leaf initial in red, original vellum gilt, 8vo, limited edition 296/300, plus Of the Imitation of Christ in Four Books by Thomas A Kempis, London: Keegan Paul, Trench Trubner & Co., 1898, title printed in red and black within woodcut border, wood-engraved illustrations, wood-engravings by Clemence Housman after Laurence Housman, light offsetting, original limp vellum gilt, lacking ties, light dust-soiling, 8vo,limited edition of 660 QTY: (3)NOTE:Tomkinson 12 & 21 for first two works.
Lawrence (D. H.) Lady Chatterley's Lover, limited issue, privately printed, Florence: Tipografia Giuntina, 1928, partly unopened, original mulberry paper boards, phoenix design in black to upper cover, upper joint splitting, a few light spots to spine label, plain dust jacket, closed tear at upper joint, small tear at foot of spine, small nicks at folds, slight dust-soiling, contained in modern cloth portfolio within red morocco-backed slipcase, 8voQTY: (1)NOTE:Limited edition, 818/1000 copies, signed by the author.Connolly 57; Roberts A42a. After being rejected by numerous English publishers, Lawrence commissioned the Tipografia Giuntina in Florence to print 1000 copies of Lady Chatterley's Lover, at £2 each in July 1928, most of which were distributed by friends and sold out by the end of the year before its suppression in England. 'Lawrence fully intended to shock and expected the book to be banned...' (Connolly).
Westerman (Percy F.). Sleuths of the Air, London: Blackie & Son, circa 1935, frontispiece, 2 illustrations, occasional light spotting, pencilled ownership inscription to front free endpaper, original blue cloth, dust jacket (price-clipped), lightly rubbed, 8vo, together with:Rochester (George E.). The Flying Beetle, London: John Hamilton, circa 1935, frontispiece, 3 illustrations, edges spotted, original blue cloth, dust jacket, lightly rubbed, 8vo, withBlack Wing, London: The Epworth Press, circa 1951, frontispiece, original green cloth, dust jacket, 2 closed tears to upper panel, some loss to foot of spine, rubbed, 8vo, plusHeming (Bracebridge). The Secret Aircraft Carrier, London: Sampson Low, Marston & Co, circa 1938, frontispiece, original orange cloth, dust jacket, lightly rubbed and frayed, 8vo, with other works related in dust jacket QTY: (45)
Doyle (Richard). In Fairy-land, with a poem by William Allingham, 2nd edition, London: Longmans, Green and Co., 1875, 16 wood-engraved plates colour printed by Edmund Evans, gutta-percha perished, contents detached, some light spotting and small marginal water stains, contemporary presentation inscription to front endpaper, all edges gilt, original green cloth gilt, some edge wear and small damp stains, 4to QTY: (1)
Dahl (Roald). Matilda, 1st edition, London: Jonathan Cape, 1988, illustrations by Quentin Blake, ex-library stamp to verso of title and stickers to endpapers, original red cloth gilt, dust jacket, rubbed with some light loss to spine extremities, 8vo, together with:The Twits, 1st edition, London: Jonathan Cape, 1980, illustrations by Quentin Blake, ex-library with small stamp to front free endpaper, original red cloth gilt, dust jacket, extremities lightly frayed, 8vo, plusEsio Trot, 1st edition, London: Jonathan Cape, 1990, illustrations by Quentin Blake, contemporary gift inscription to verso of front free endpaper, original blue cloth gilt, dust jacket, flaps spotted, 8vo, withDonaldson (Julia). The Gruffalo's Child, 1st edition, London: Macmillan, 2004, illustrations by Axel Scheffler, original pictorial boards, dust jacket (price-clipped), 4to, with approximately 35 other 20th-century booksQTY: (approx. 40)
Rackham (Arthur, illustrator). The Arthur Rackham Fairy Book, signed limited edition, London: George C. Harrap, 1933, signed by Rackham to limitation page, 8 full-page colour plates, further black and white illustrations (some full-page), portions uncut, some preliminary and rear leaves spotted, top edge gilt, remainder untrimmed, original publisher's full vellum gilt, a few light marks, backstrip toned, 8voQTY: (1)NOTE:Limited edition, 361/460 copies.
Vale Press. The Vale Shakespeare, 40 volumes, Ballantyne Press for the Vale Press, 1900-03, including The Tragical History of Doctor Faustus, by Christopher Marlowe, occasional light spotting, some toning to a few endpapers, original uniform green cloth designed by Charles Ricketts, some light fading and spotting to some spines, 8voQTY: (40)NOTE:One of 310 copies. Tomkinson 44 & 45.
Powys (Llewelyn). The Cradle of God, 1st edition, London: Jonathan Cape, 1929, original cloth, dust jacket, some toning to spine and rear panel top margin, 8vo, together with Powys (John Cowper). In Defence of Sensuality, 1st edition, London: Victor Gollancz, 1930, light toning to endpapers, original cloth, dust jacket, spine a little toned, a few small chips and closed tears, 8vo, plus A Philosophy of Solitude, 1st edition, London: Jonathan Cape, 1933, original cloth, dust jacket, some slight dust-soiling, 8vo, with others, all by John Cowper, Llewelyn and T. F. Powys including The Key of the Field, by T. F. Powys, 1930 (limited signed edition, 261/550), Black Bryony, 1923, Mark Only, 1924, The White Paternoster and other stories, 1930, Apples be Ripe, by Llewelyn Powys, 1st US edition, 1930, Rats in the Sacristy, 1937, and Somerset Essays, 1937 QTY: (approximately 140)
Austen (Jane). Sense and Sensibility: A Novel, 1st illustrated edition, London: Richard Bentley, 1833, Standard Novels series title (no. 23), engraved frontispiece and vignette title (lightly toned), additional letterpress title, final leaf of text Y6 with manuscript calculation annotation, bound without final blank leaves Y7 and Y8, together with:Austen (Jane). Mansfield Park: A Novel, 1st illustrated edition, London: Richard Bentley, 1833, Standard Novels series title (no. 27), engraved frontispiece and vignette title (lightly toned), additional letterpress title, bound without final advertisement leaves 2E5 and 2E6, light fraying to series title and frontispiece at fore-edge,Austen (Jane). Northanger Abbey [& Persuasion], 1st illustrated edition, London: Richard Bentley, 1833, Standard Novels series title (no. 28), engraved frontispiece and vignette title (lightly damp-stained), additional letterpress title to Northanger Abbey, letterpress title to Persuasion, leaf G1 near detached, final leaf 2F4 detached from rest of gathering (attached to endpaper), contents slightly shaken,Lytton (Edward Bulwer Lytton, Baron). Eugene Aram: A Tale, London: Richard Bentley, 1833, Standard Novels series title (no. 34), engraved frontispiece and vignette title, additional letterpress title, uniform contemporary half calf gilt, contrasting morocco labels to spines, Mansfield Park lacking title labels, bindings rubbed and scuffed, 8vo QTY: (4)NOTE:Gilson D1; D3 and D4 (Sense and Sensibility; Mansfield Park and Northanger Abbey & Persuasion). Keynes 44; 104 and 143 (Sense and Sensibility; Mansfield Park and Northanger Abbey & Persuasion).
Rackham (Arthur, illustrator). Undine, signed limited edition, London: William Heinemann, 1909, signed by Rackham to limitation page, 15 mounted colour plates (with captioned tissue-guards), smaller black and white illustrations in-text, pencilled gift inscription to blank frontispiece verso, original publisher's pictorial vellum gilt, lacking ties, some light toning and marks, 4toQTY: (1)NOTE:Limited edition, 181/1000 copies.
* Transformation cards. Repository of Arts: Pictorial Cards [Beatrice or the Fracas], 1st edition, London: Ackermann [1818-1819], 13 hand-coloured aquatint plates, each depicting four playing cards (French suits), with figures and architectural motifs, single-figure courts, red pip signs hand-coloured, each plate with imprint to lower margin (including date and number of issue), and with plate and volume numbers to upper right corner, the plates mounted with photo corners onto black paper, the corresponding letterpress leaf describing each plate is mounted similarly, plates with a few faint foxing spots, two plates with brown marks to margins, occasional light toning, some offsetting, toning and foxing to text, each plate approximately 24 x 14.5cm, text leaves slightly larger, contained together in an A4-sized album of clear pockets, each plate facing its description leaf, together with Munchener Bilderbogen: Kartenspielereien, 4th edition, Munich: Braun & Schneider, circa 1860, 4 sheets, each depicting one complete suit (13 cards) of wood-engraved playing cards (French suits), red pip signs stencil coloured, single-figure courts, 4 club pip cards with caption, each sheet with imprint, edition and sheet number (77-80) at foot, and with title and a poem in German to upper margin, few faint foxing spots, margins finger-soiled, few minor marks, some edge-fraying and chips (mainly to sheets 77 & 78), edge tears extending into 2 cards: 7C (3mm) and 3H (35mm), 6S & 6C lightly toned, each sheet approximately 42.3 x 33.7cm, each in a large clear plastic sleeveQTY: (2)NOTE:Provenance: Collection of Dudley Ollis.First item: Rare. Field 22: 'One of the most artistic and imaginative transformation packs'. The cards were not issued in playable form, but were commonly cut up for use, and therefore rarely survive intact in their original format.Second item: Field 33-34.
Greene (Graham). Rumour at Nightfall, 1st edition, London: William Heinemann, 1931, a few small spots to preliminaries, original red blindstamped cloth gilt, backstrip lightly faded, extremities lightly rubbed, 8vo, together with:A Gun For Sale, 1st edition, London: William Heinemann, 1936, light occasional spotting, original red cloth gilt, some faint white staining to covers and backstrip dulling gilt, 8vo, plusThe Name of Action, 1st edition, London: William Heinemann, 1930, small stamps and excised bookplates to pastedowns and front free endpaper, original blue cloth gilt, small stain to head of upper cover, rubbed, 8vo, with 5 other Graham Greene first editions, including The Third Man and A Burnt-Out Case in dust jacketsQTY: (8)
Hardy (Thomas). Tess of the d'Urbervilles, limited large paper issue, London: Macmillan and Co., 1926, 41 wood-engravings by Vivien Gribble, folding map by Emery Walker, occasional light offsetting from illustrations, circular bookplate of Roy Norr, US collector of illustrated and science books (bookplate designed by Elisha Brown Bird after William Blake's 'I Want! I Want!), original vellum-backed marbled boards (slight discolouration to vellum), dust jacket, a few tears and losses to spine and folds, reinforcements to verso, housed in cloth portfolio and morocco-backed slipcase (a little rubbed with small splits), 4toQTY: (1)NOTE:Limited large paper edition of 325 copies, signed by the author. Purdy 77.
King (Jessie M., illustrator). A House of Pomegranates by Oscar Wilde, [6th edition], London: Methuen & Co. Ltd., [1915], illustrated colour title, 16 tipped-in coloured plates, letterpress spotted, pictorial endpapers (free endpapers toned), top edge gilt, original decorative blue cloth, faded spine with ends lightly worn, 4to, together with The High History of the Holy Graal, translated from the Old French by Sebastian Evans, London: J.M. Dent & New York: E.P. Dutton, 1903, numerous illustrations, half-title and endpapers spotted and toned, top edge gilt, original pictorial cloth, spine faded and slightly stained, few minor marks, 8vo, plus The Defence of Guenevere and Other Poems, by William Morris, London and New York: John Lane, The Bodley Head, 1904, numerous illustrations, scarce light spotting to letterpress, front pastedown with pictorial bookplate of Henry J. Synnatt, top edge gilt, original pictorial cloth gilt, spine faded, covers rubbed and marked, 8vo, with 4 others illustrated by King and published by Foulis: Isabella or the Pot of Basil, [1907], with original Christmas 1907 greetings slip loosely inserted (with two ink manuscript names); another slightly later edition of the same (colour illustration adhered to front cover); two copies of The Grey City of the North, one 1910 (with red stain to front cover), the other 1914, plus 3 other Foulis envelope-type books: Rabbi Ben Ezra (illustrated by W. Russell Flint); A Little Book of Sundials (illustrated by Alfred Rawlings, 1919); The Dream of Gerontius (illustrated by Robert T. Rose), also another Foulis book (Corners of Grey Old Gardens), and 4 others similar, all narrow or small 8voQTY: (15)NOTE:First item: The sixth edition of this book, but the first edition to be illustrated by Jessie M. King.
Rackham (Arthur, illustrator). The King of the Golden River, by John Ruskin, signed limited edition, London: George Harrap & Co, 1932, 4 full-page colour illustrations, top edge gilt, remainder untrimmed, original publisher's limp vellum gilt, 8vo, contained in original slipcase, 339 of 570 copies, together with:Thomson (Hugh, illustrator). The School for Scandal, by Richard Brinsley Sheridan, London: Hodder & Stoughton, circa 1911, 24 mounted colour illustrations, lengthy gift inscription in blue ink to front blank, pictorial endpapers, top edge gilt, remainder untrimmed, original publisher's pictorial full vellum gilt, lightly rubbed and marked, lacking ribbon, 4to, plusRackham (Arthur, illustrator). The Ingoldsby Legends, Mirth & Marvels, 1st edition thus, London: J. M. Dent, 1907, mounted colour illustrations (each with tissue-guard), further tinted and black and white illustrations (both full-page and in-text), hinges slightly tender, original publisher's pictorial green cloth gilt, some wear with loss at foot of spine, rubbed and marked, 4to, withLittle Brother & Little Sister, and other tales by the Brothers Grimm, 1st edition thus, London: Constable & Co, 1917, 12 mounted colour illustrations, further black and white illustrations, a few light spots, original publisher's green cloth gilt, 4toQTY: (4)
AR * Attributed to Ernest Howard Shepard (1879-1976). ‘Portly’, no date, pencil, ink and watercolour on paper, rough oval-shaped sketch of the young otter Portly from Wind in the Willows, signed lower left, titled 'Portly' to lower margin, some light pencil marks and minor spotting, 9.5 x 11.4 cm, mounted, framed and glazed (19.5 x 21.5 cm), together with 7 other prints of scenes from Winnie the Pooh or Wind in the Willows, all mounted with Shepard’s original signature, framed and glazed, 33 x 19.5 cm and smallerQTY: (8)NOTE:Provenance: Christopher Foyle, Beeleigh Abbey. Christopher Foyle's aunt, Christina Foyle, presided over the Foyles Literary Luncheons for almost seventy years. This was possibly sketched in connection with one of these literary lunches, which began in 1930. The rough sketch bears traces of pencil beneath the ink, which Shepard would rub out when finishing his drawings in ink or watercolour.
Yeats (William Butler). John Sherman and Dhoya, Pseudonym Library Series, 1st edition, London: T. Fisher Unwin, 1891, untrimmed in original yellow printed wrappers, upper joint splitting, small tears and losses at foot of spine, some dust-soiling and small ink stain to upper wrapper, circular stain to rear wrapper, slim 8vo, together with The Countess Kathleen and Various Legends and Lyrics, Cameo Series, 1st edition, London: T. Fisher Unwin, 1892, frontispiece, some toning to endpapers, original parchment-backed boards, spine a little rubbed with some toning, corners rubbed, slim 8vo, plus Poems, London: T. Fisher Unwin, [1913], portrait frontispiece, title printed in red and black, light toning to half-title, presentation inscription, original blue cloth gilt, spine ends repaired, 8vo, with others by or on Yeats including 1st editions Poems of Spenser, illustrated by Jessie M. King, [1906], The Cutting of an Agate, 1919, and Early Poems and Stories, 1925QTY: (29)NOTE:Wade 4 & 6 for first two titles respectively. John Sherman and Dhoya was written under Yeats' pseudonym 'Ganconagh'.

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