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Preisdatenbank abonnierenA matched set of six Victorian silver Fiddle Thread pattern mustard spoons with gilded bowls, Elizabeth Eaton, London, three 1845 and three 1846, the terminals inscribed with initial 'P', 5in. (12.6cm.) long, weight 5.0 tr.oz. (6) * Very light surface scratches, gilt bowls light wear, good hallmarks.
A small collection of modern Meissen porcelain, comprising of two shell form butter or trinket dishes, decorated with floral spray with butterfly, gilt highlights to rim, 5 ¼in. (13.3cm.) wide; rectangular table box with floral decoration and tusk handle to lid, 5 ¼in. (13.3cm.) wide, small trinket boxes and pair of blue & white floral decorated plates with pierced border, all with underglaze blue cross sword mark. (7) * All good, very light surface wear, nothing else to note.
A George IV silver cream jug, James Wintle, London, 1820, of bellied rectangular form, having reeded decoration and applied shield shaped cartouche, inscribed with initial 'Y', raised on four ball feet, 5 ½in. (14cm.) long, standing 3 ¾in. (9.5cm.) high, weight 4.8 tr.oz. * Light surface wear, hallmarks slightly rubbed.
A George III silver swing handled cake basket, John Wakelin & Robert Garrard, London, 1794, of elegant circular form with open pierced decoration, reeded rim and handle, engraved with a crest of a horse's head, raised on a reeded circular sweeping stepped base, 11n. (28cm.) diameter, weight 32.1tr.oz. * The rim with tiny flea-bite nibbles to upper rim, light surface wear to inner, very good condition.
A pair of unusual George III silver candlesticks, John Touliet, London, 1791, the knopped column, having removable sconce, to unusual dished fan bases upon circular dishes, 4 1/8in. (10.5cm.) high, 5 3/8in. (13.2cm.) diameter, weight 12.5tr.oz. (pair) * The sconce on both very slightly miss shaped, very light surface wear, one having slightly rubbed hallmarks, very good.
A fine George II silver coffee pot, Aymé Videau, London, 1736, of tapering cylindrical form upon a reeded moulded base, the curved panelled spout opposite a s scroll wooden handle, the stepped hinged cover surmounted by a spool finial, engraved with the arms of Bluett quarting Nutcombe with Nutcombe in pretence, for Buckland Nutcombe Bluett, who died in 1786, 8in. (20.3cm.) high, weight 25.3 tr.oz. * Light surface scratches, hinge with little movement, nothing else to note, good.
A Victorian silver fiddle thread soup ladle, Mary Chawner, London, 1840, of typical form, the fiddle pattern decoration to reverse terminating in a love heart, engraved with tree to terminal, 13 ¼in. (33.7cm.) long, weight 8.7 tr.oz. * Light surface scratches only, nothing else to note, good.
A pair of late 20th century limited edition silver goblets, each modelled as 'The Hertford Elizabethan Chalice', Garrard & Co Ltd, London, 1972, engraved shield shaped Coat of Arms of a stag, flanked with inscription 'Isaac Puller, Major, Salisbury Chief Steward, 1647, of tapering cylindrical form on knopped stem, raised on stepped and domed circular foot, numbered 1237 & 1238, 6 ¼in. (16cm.) high, weight 12.04 tr.oz. (2) * Both appear very good, with very light wear only, unboxed.
A silver tea strainer, Garrard & Co Ltd, London, 1964, having two sections, the strainer with twin pierced handles, sitting on bowl, 4 ½in. (11.4cm.) at widest, together with a silver toast rack by Viner's Ltd, Sheffield, 1957, cased set of bright cut Old English pattern teaspoons and a cased set of silver handled pickle forks, etc, weight without forks 10.0 tr.oz. * All pieces appear good with light surface marks only.
Three cased silver spoon sets, to include a set of six unusual demitasse spoons by Willam Suckling Ltd, Birmingham, 1983, having shaped oval bowls to slender tapering handles, together with two other cased sets, weight 5.0 tr.oz. * All sets appear to be in good condition, cases with light edge ware, etc.
A collection of three silver cigarette cases, to include a rectangular engine turned version by TLD, Birmingham, 1946, having inscribed initials 'FA', the hinged cover opening to reveal gilt interior, inscribed 'From the Staff of Swanson's Hotel 1951', 5 ½in. (14cm.) long, together with two other cigarette cases, weight 14.6 tr.oz. (3) * All appear good with light surface marks only.
A late 19th century French silver chocolate pot, maker's mark rubbed, probably by Leon Lapar, having Minerva 800 mark, of baluster form, spirally fluted with rocaille at lower body and rim, domed hinged cover, raised on three pad feet, with octagonal tapering wooden handle at right angle to spout, 7 1/8in. (18.2cm.) high, together with a smaller chocolate pot of similar type, 6in. (15.2cm.) high, weight 18.6 tr.oz. (2) * Both good with light wear to surfaces, hallmarks rubbed, hinges and handles strong.
A Victorian silver gilt bottle or wine coaster, Thomas Henry Francis & Frederick Francis, London, 1855, of shaped circular form with ornate cast pierced swag and face mask rim, turned wooden base with central roundel, engraved to centre with phoenix holding a pennant, within a ringed band inscribed 'E PERSEVERANTIA HONOR', the foot rim with retail stamp 'Harvey & Co Regent St', base with green baize, 9in. (22.8cm.) diameter, weight 16.8tr.oz. * Very good, light surface wear only.
Johannes Frederik Hulk (1829-1911), Dutch Town Scene. oil on canvas, signed "F. Hulk lower left", original Continental, late 19th century, gilded Salon frame. 32 x 26in. (81.3 x 66cm.).* Provenance: Label for Haynes Fine Art, Broadway.** Very clean and bright – has been professionally cleaned and restored in the past 20-30 years . Only visible fault is a 2in. scratch to surface of paint at lower left below the boat. The canvas has been lined and the stretcher replaced - the canvas has bowed at the centre and it would benefit from re-stretching to tauten. Some retouching and strengthening is visible under UV – please see photos taken under UV light.
Charles Edward Brittan (British, 1870-1949), 'Glen Spean'; 'Glen Trium, Dalwhinnie'. a pair, watercolour, signed lower left, inscribed to gallery labels verso, in original plain gilt frames with gilt slips. 10 ¾ x 17 ¾in. (27.3 x 45cm.). (2). * Provenance: Arthur Ackermann & Sons Ltd. gallery labels verso. * Not examined out of frames. A few fox marks to Glen Spean. Glen Trium with more noticeable foxing to upper left. Light toning to paper to both. Chipping to frame to top right on Glen Trium.
Larry Ham (British, 1934-2007), 'Abstract'. watercolour, signed and dated (19)96 lower right, inscribed to fragment of purchase invoice pasted verso. 6 x 10 ¾in. (15.25 x 27.3cm.); together with two watercolour seascapes by the same artist, signed, the larger 7 x 10 ¾in. (17.75 x 27.3cm.). (3). * None have been examined out of frame. - Abstract: Good condition with no faults. - Seascape 1: Good condition with no faults. - Seascape 2 (smaller): Paper toned and cockled. Signature faded. Light foxing.
William Kay Blacklock (British, 1872-1924), Woman at a Pump in a Cottage Garden. oil on canvas, signed "W. Kay Blacklock" and dated (19)17 lower left, swept gilded reproduction frame. 23 x 19 ½in. (58.4 x 49.5cm.).* Condition: Picture has been lined and remains in good, clean gallery condition. Minor retouches visible under UV light but they are insignificant. Good overall
A graduated set of three Bohemian glass flagons, late 19th century, having graduated tinted pink and purple enamel decoration with gilt bands and swags, the middle version in yellow vaseline glass, the larger measuring 10in. (25.5m.) high, together with a Victorian gilded bottle vase. (4) * Some light gilt rubbing etc, stoppers with tiny flea-bite nibbles, good condition, pleasing to the eye.
Joseph Lépine (French, 1867-1943), Le Dejeuner. oil on a chamfered panel, signed "Lepine" lower right, exhibition label on reverse "J. Lépine Le dejeuner No.11", modern reproduction swept frame with a canvas slip. 19 ½ x 21 ½in. (49.5 x 54.6cm.).* Condition: Good visual condition overall. Examined under UV light - two fingernail sized retouches to centre left margin, several to lower centre and retouching around the left hand table leg. A small small retouches to dresser to background. Possible retouching/additions to red decoration along the edge of the tablecloth.
William Adolphus Knell (British, 1802-1875), Shipping at Sunset. oil on Windsor & Newton Academy board, signed lower right, swept gilded reproduction frame. 11 ¼ x 17 ¼in. (28.5 x 43.8cm.).* Board slightly bowed to left of centre, vertically. Old craquelure visible to dark lower section and lighter craquelure to sky. Light patch around signature is visible under UV – the signature has corresponding craquelure lines to the surrounding paint, so it does seem original Possibly due to past cleaning. Small chips to paint upper right corner
A rare Orrefors 'Ariel' glass vase 'Water Games' series, 1950s, designed by Evin Ohrstrom (Sweden, 1906-1994), of elongated form with irregular rim in clear and burgundy glass, featuring dancing surrealistic figures, etched marks to base 'ORREFORS Sweden Areil No 2152E Edvin Ohrstrom', 8 5/8in. (21.8cm.) high. * Light surface scratches to underside and around base, etched marks good, very light surface wear, no chips. cracks found, very good.
English School (19th century), A portrait of a young lady, Mary Ann Cooke Stafford, wife of Edward Lloyd Griffiths of Cheltenham oval watercolour, heightened with body colour, inscribed verso, Hogarth frame 9½ x 7 3/8in. (24.2 x 18.75cm.) * Paper time stained and some light foxing. Patch of pale mould spots lower left
A pair of Portuguese Topazio Casquinha silver plate mounted cylindrical clear glass vases, in a classical style, the mounts depicting a central figure with eagle above within stylised scrolls and columns, 15 ½in. (39.5cm.) high. (pair) * The silver plated mounts with light rubbing, mainly to upper rims, glass good.
A collection of 20th century glass paperweights, comprising a clear glass weight with arum lily design by Peter Viesnik, New Zealand, 1999; limited edition 186/500, Caithness Scotland "Black Hole" paperweight, together with various others, to include two Victorian style dump weights. (11) * Mainly very good, light surface wear on some.
A modernist three colour gold and diamond brooch by Gillian E. Packard, London (1938-1997), hallmarked London 1972, the abstract arrangement of polished and brushed gold squares set with a single carré cut diamond, 33 x 37mm. * Very good condition, with just light scratches to polished gold sections. No other faults.
A Victorian etched glass claret jug with silver plate mounts, the clear glass body of conical form, etched with ornate floral and foliate design, the silver plate mount with hinged cover and cast scrolling handle, ground pontil, 11 ½in. (29.3cm.) high. * THe body with no chips or cracks, mounts with light rubbing, very pleasing to the eye, good.
A collection of 19th century and later Bohemian wheel engraved ruby flashed glass, comprising an octagonal hunting goblet, etched with three hunters and stag, 6 5/8in. (14.4cm.) high; pair of tumblers featuring Hotel de Rennes; scent bottles; decanters etc. (9) * Hunting goblet - light scratches to rim area, tiny nibble to foot; one tumbler with surface nibble to rim (5mm); one scent bottle with chips to stopper flower section, the other with chip to inner stopper; both bottles with chipped unassociated stoppers.
A Bohemian gilded green glass portrait scent bottle, late 19th century, of flared, tapered form, the portrait of a young girl on a gilt foliate ground, 4 ¾in. (12cm.) high, lacks stopper; together with a matching circular box with stem vase cover, 7 ¼in. (18.5cm.) high. (2) * The scent bottle lacks the stopper. A few tiny frits to edges of box and cover. Light gilt wear to decoration.
A Rolex Tudor Prince Date Submariner stainless steel gentleman's wrist watch, ref. 75190 B, no. B970271, c.2007, automatic movement, gloss blue dial with luminous markers, date at three, Mercedes hands, 36mm. stainless steel Oyster case with gloss blue 60 minute rotating bezel, Tudor triplock crown, sapphire crystal, original Rolex Oyster bracelet, with box, papers, tag and underwater anchor pendant. * Excellent condition - only evidence of very light use. Winds and runs. Hands and date change correctly. Dial, case, crown, strap all VGC, with just tiny light scratches to case and strap. Two tiny areas of wear to the blue gloss finish to the bezel, one above and one to the side of '20'. Box VG.
A Rolex Tudor Prince Oysterdate Snowflake Submariner gentleman's bracelet watch with 'roulette' date, ref. 7021/0, no. 738075, c.1969, signed 17J automatic cal. 2484 movement, matt dark blue dial with square white luminous markers, sweep centre seconds, snowflake hour hand and red/black roulette date aperture, dark blue 60 minute rotating bezel, Rolex crown, 40mm. Oyster case, signed to caseback, also owner's name inscribed to caseback, Tudor bracelet, no box or papers. * Winds and runs. Hands set correctly. Dial: Good condition, with some minor signs of age - yellowing and tiny spots of pale brown discolouration to luminous markers. Glass: Chip to bevelled edge at six o'clock which has been partially ground out. Bezel: VG, tow or three light scratches and two tiny silver spots to blue (probably paint spots from manufacture). Case: Good - some light scratching overall and a few small deeper nicks and scratches to sides. Caseback inscribed with original owner's name. Bracelet: VG overall - clasp functions correctly.
A Cartier Must de Cartier ladies vermeil watch, No. 18012552, the circular 23.5mm. case with blue cabochon crown, signed caseback, dark red dial, leather strap and also a brand new replacement strap included, with original box and papers, movement requires replacement due to battery damage. * Condition: Movement badly damaged due to a battery leak. Requires replacement. Some crazing to dial visible in certain light. Case very good with just light scratching from use. Some wear to strap but band new replacement is included. Box VG..
Hamilton Watch Company - an early 20th century 14ct gold open faced keyless pocket watch, signed 21 jewel engine turned double roller movement, no. 1554410, the white enamel dial with Arabic numerals, red and black outer minute track and subsidiary seconds' dial, in a Keystone 50mm. case, no. 6102111, with engine turned decoration and turn-off glass. * Winds and runs. Dial has a chip to edge at 1 o'clock and associated hairline to chapter ring. Caser good with a few very light dings to caseback.
An Omega Seamaster De Ville gentleman's stainless steel bracelet watch, 1960s, 30mm. silvered dial with gilt baton markers and date at three, Unishell 34.5mm. case., later stainless steel bracelet.. * Condition: Winds and runs. Movement has not been examined. Dial good. Some deterioration to luming on hands and batons. A few light scratches to crystal. The strap is later and is damaged with a small link missing from both sides..
A late-Victorian 18ct gold open face fusee pocket watch by J. W. Benson of London, the case hallmarked London and Chester, date marks rubbed, the signed movement, no. 61728 with bi-metallic balance and foliate engraved cock with diamond endstone, the engine turned dial with gilt Roman numerals and flowers, in a 45mm. foliate and engine turned case. * Appears to be fully wound but does not run for more than a few seconds. Will require work. Dial good, with some light scratching to the dial. The case with some small dings and wear to the engine turned back.
A Raymond Weil RW1212 Freelancer Automatic Skeleton gentlemans wrist watch, c.2019, ref. 2785, no. K558320, 27J Cal. 1212 skeletonised movement, 36mm. black dial with gilt batons, 42mm. stainless steel case with gold plated bezel and crown, brown calfskin strap, original box and papers. * In running order. Very good condition, with some light scratching to case. Strap VGC. Box VGC.
A gentlemans Omega Seamaster 600 manual wind wrist watch, ref. 136.011, 1960s, the signed, silvered dial set with quarterly Arabic numerals between batons, date aperture at 3, with Cal.611 17 jewel movement, no. 21711910, in gold plated case, later strap; together with two other gents watches, comprising a 1960s Kienzle manual wind gold plate watch on suede strap; and a 1950s Junghans s/steel cased watch. (3). * Omega: Winds and runs. Rubber caseback seal has deteriorated and softened. Light blistering across the surface of the Dial and tarnish/corrosion spots to gilt parts. Probable replacement crown. caseback with presentation engraving. - Kienzle: Overwound - does not run. Some wear to plating, Light scratching to glass. Dial good. - Junghans: Fair condition but does wind and run. Glass and chromed case heavily scratched.
A mid-century 9ct gold gents wrist watch, hallmarked London 1946, with Swiss 15 jewel manual wind movement, silvered circular dial with lumed Arabic numerals, lumed black sword hands and subsidiary seconds, marked 'Anti-Magnetic', in a 27mm. case with turn-off back and hinged lugs, later fabric strap. * Winds and runs. Presentation inscription to caseback. Dial very good. Case good with just expected light wear. Wear to rolled gold finish on crown. Strap good but dirty and clasp tarnished.
A vintage Hermes silk scarf 'Ships in a bottle', designed by Pierre Peron, depicting ships in a bottle, pink ocean background and rope motif border, 34in. square, boxed, together with a boxed Fendi silk scarf. (2). * Both scarfs very good, Hermes version in cellophane bag, both boxes with light staining and corner wear etc.
A Calvin Klein shoulder bag, in black calfskin with an unusual facet quilted design, with two outside end compartments and top handles, the pale grey cloth interior with single zipped pocket, open phone pocket and card and pen fitments, approx. 10 x 14 x 4in. (25.3 x 35.5 x 10.2cm.) plus handles; together with a vintage pale grey crocodile leather handbag, 1970s-80s. (2). * CK: has been used but remains in very Good condition overall. Light rubbing to lower corners and Some surface dirt to upper edge of inner lining fabric. - Crocodile-leather bag: tarnish spotting to gold toned fittings. Light surface dirt marks to interior suede lining. Good overall.
Hermes – a black leather Box Kelly Retourne 28 bag, purchased by vendor c.1977/78, with gold tone hardware, stamped ‘Hermes Paris Made in France’ above lock, the black interior with single zipped pockets and two open pockets, four brass studs to base, with original padlock and two keys, 28 x 21cm. plus handle. * Has been regularly used. Wear to all corners and some scuffs and scratches to exterior throughout. Some scratching to interior. Light scratching to hardware and two worn lines to plating to flap lockplate. Has been stored empty so sides have bowed inwards.
Hermes – a chocolate brown leather Box Kelly Retourne 28 bag, purchased by vendor c.1977/78, with gold tone hardware, stamped ‘Hermes Paris Made in France’ above lock, the chocolate brown interior with single zipped pockets and two open pockets, four brass studs to base, with original padlock, no keys, 28 x 21cm. plus handle. * Has been used but remains in good condition. Some wear to lower corners and some small scuffs and scratches to exterior. Two longer scratches to back of bag. A few small scratches to interior. Hardware VG with expected very light scratching. Has been stored empty so sides have bowed inwards.
A Louis Vuitton monogrammed canvas 'Pegase Legere 55' cabin / trolley bag suitcase, vachetta leather handles, luggage tag and corner mount, gold tone hardware, exterior open pocket, interior with elasticated luggage straps and leather straps, extendable handle, rear roller wheels, approx. 55 x 38 x 18cm., faults, well used. * Signs of regular use throughout. Wear and staining to leather and heavy scratching/wear to plastic fittings. Rub through surface of monogram canvas to upper rear and wear to pattern to opposite top corner. Three small holes to canvas to back edge of left hand side panel and canvas is split to both top and bottom of the same side side panel at joint with hinged front flap - the light grey plastic here is also split and part is missing. One small hole to right hand side panel at lower corner. Interior in good condition. Luggage tag is monogrammed 'S.M'. Lacks padlock & keys.
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