* Theatre Costume. A four-piece Spanish-style braided velvet costume, late 19th century, hand-stitched, comprising: a long sleeved jacket and breeches of red velvet with borders, epaulettes, and pockets of light blue silk (a trifle frayed in places) overlaid with elaborate gold metallised braiding, the sleeves with deep slit at cuffs edged with a wide flounce of hand-made needlelace, yellow metal filigree bauble buttons to sleeve edges and down length of breeches (a few missing), jacket with underams rubbed, and lined with light blue silk incorporating 2 interior pockets (silk perishing), breeches with button fastenings (impressed 'best solid eyelet' or 'Macrae & Cameron Edinburgh'), and lined with cream twilled cotton, 3 x 6.5 cm piece missing from top of waistband at rear, jacket chest 96 cm (37.5 ins), sleeves including flounce 61 cm (24 ins), length 56 cm (22 ins), breeches waist 79 cm (31 ins), length 78 cm (30.75 ins); a matching light blue silk waistcoat, lined with cotton twill, with yellow metal basket weave buttons, remains of (later?) silk ribbon tie on rear, some faint fading and marks, edges rubbed and just beginning to fray in places, chest 90 cm (35.5 ins), length 60.5 cm (23.75 ins); and a satin-lined red velvet hat, diameter 21 cm (8.25 ins), both embellished with gold metallised braiding as before, together with a number of other theatrical garments and accessoriesQTY: (a carton)
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* Brotto (Angelo, 1914-2002). An abstract wall light, circa 1960, bronze and Murano glass, designed for Esperia, produced by Vistosi, with original wall mount, 52.5 x 37 x 14 cm, requires rewiringQTY: (1)NOTE:A pair of similar wall lights sold recently at Artcurial's Design Italien sale, Paris, 30 October 2023, lot 130 for €5,900.
* Chinese Fan. A hand-painted fan, late 18th/early 19th century, folding paper fan, the leaf hand-painted with a scene of two Oriental ladies seated beneath trees, one playing a flute, flanked by blossoming branches, some splitting of folds and associated repairs on verso, lacquered painted and gilded wooden sticks, mother of pearl rivet, 27 cm (10.75 ins), together with:An embroidered fan in a lacquered box, late 19th/early 20th century, folding cream gauze fan, the leaf hand-embroidered in polychrome silk threads with an exotic bird, a butterfly, and floral stems, light stain to right-hand side, some short splits in upper edge of folds (and loss of narrow ribbon edging in places), filigree bone sticks, with cream silk tassels, 22 cm (8.75 ins), contained in the original lacquered wooden box, with blossom stems in gilt to hinged lid, and inside of lid hand-painted with a song bird and roses on a pale turquoise silk ground, cardboard insert for fan slightly broken at one end, plus 3 other Chinese hand-painted folding paper fans: the first depicting an eagle and song birds on one side, and insects, a snail, and a frog on the other, hand-painted ebonised wooden sticks; the second with pagodas on one side and Chinese characters in gilt on the other, bamboo sticks; the third depicting cranes, with pen & ink figures on wooden sticks, plus another lacquered fan box, with gilt decoration on the outside of the lid and hand-painted inside the lidQTY: (6)
* Sewing. A pinwork pincushion belonging to Mrs Cathcart, 1796, rectangular pincushion of beige ribbed cotton, the front with design in handmade pins, comprising the message 'Happy Time to Mrs Cathcart 1786', surrounded by small crosses, within a meandering ribbon border, pins removed from reverse, toned and some light marks, 16 x 23 cm (6.25 x 9 ins)QTY: (1)
* Shawl. A Spitalfields changeable silk stole, circa 1810-20, woven in peacock green/blue, the end borders with repeated pattern of small 6-petalled flowers in yellow and orange, yellow striped border all round, some scattered light marks and discolouration, 82.5 x 266.5 cm (32.5 x 105 ins) QTY: (1)NOTE:Provenance: The Dr Joan Coleman Collection (purchased in 1979).Dr Joan Coleman began collecting shawls in 1976, developing a lifelong passion for the subject, and acquiring a wealth of knowledge. The result was one of the finest and largest collection of shawls ever amassed, as well as one of the most wide-ranging, including Kashmir, Paisley, Spitalfields, and Norwich shawls, to name but a few.
Amended Condition Report: The Pit and The Pendulum (1961), British Quad Linen Backed Film Poster for the film based on the short story by Edgar Allen Poe, starring Vincent Price and Barbara Steele, was folded now backed, 30 x 40 inches Condition Report: Good linen backed condition, heavy creasing and wrinkling to upper edge and right hand edge, some restoration detectable by UV light only NOTE WATER DAMAGE TO TOP OF POSTER
Raiders of the Lost Ark (R-1982), US Linen Backed One Sheet Movie Poster for the first movie in the franchise, this being for the 1982 release of the film, artwork by Richard Amsel, was folded now backed, 27 x 41 inches Condition Report: Very good linen backed condition, no apparent restoration detectable by UV light
Alone On The Pacific (1963), British Quad, Double Bill, 40 x 30 inches, rolled, Academy Cinema London, Peter Strausfeld artwork, printed by Ward & Foxlow Limited Director Kon Ichikawa Stars Yûjirô Ishihara, Masayuki Mori Condition Report: Very good condition, light foxing top right corner, light creasing, tiny edge nicks
The Outlaw (1946 RR), US Film Poster for this film starring Jane Russell, believed to be a 1950 re-release, linen backed, 30 ¼ x 40 inches, unfolded This is a lesser used and scarce American poster format size of 30 x 40 (or near abouts) Condition Report: Very good condition, paper has signs of age, watermark to top right corner (only visible by UV light), very minimal signs of restoration
A Portrait of the Artist as a Young Man (1977), British Quad, 40 x 30 inches, rolled, Academy Cinema London, Peter Strausfeld artwork, printed by Ward & Foxlow Limited Director Joseph Strick Stars Bosco Hogan, John Gielgud Condition Report: Excellent condition, light creasing, very light foxing to top left edge
The Story On Page One (1959), British Crown, 30 x 20 inches, bi-folded, printed by Stafford and Co Director Clifford Odets Stars Rita Hayworth, Anthony Franciosa Provenance The Jack Hubbard artwork poster Archive. Jack Hubbard (1913 1985) was a British poster artist who worked from the 1950s to the 1980s producing artwork for 20th Century Fox, Gala, Eros, Mondial, New Realm, British Lion and Embassy. He started his career as a cartographer in the Royal Artillery, and was stationed in India where he achieved the rank of Conductor, a position held by a very small handful of selected Warrant Officers Class 1. After the war, he began painting for the British Studios, predominantly 20th Century Fox, but was not allowed to sign his work as he was freelance. He worked on almost every major Fox release for over 25 years. Jack would journey into Londons Soho Square on a Monday to pick up the film work folder which had stills , synopsis or a story description and other information about the film, and he had to return to the Fox offices on Thursday with usually 3 versions of a poster. Changes to the poster would be made during a meeting to be green lit by the studios publicity manager. Jack came up with the CinemaScope logo which became a registered trademark for Fox. This poster was part of his personal collection of printed works which he worked on. They all came to him direct from the printers and the quads and double crowns were all bi-folded. Condition Report: Excellent condition, light creasing
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