(1) Gerhard Richter, Verkündigung, nach Tizian. Genova, Galleria La Bertesca, 1973. Stapled softcover, 28 x 18 cm, 16 pp. with 5 b/w ills. Catalogue for the exhibition at Galleria La Bertesca, December 5 - 31 1973 in Milan. Text by JC Amman, interview with the artist by Peter Sager, texts in Italian. Fine copy with light spotting and rusty staples. (2) Gerhard Richter. Milan, Editioni Masnata-Spagnoli, 1976. Softcover, ill. cardcovers, 21 x 15 cm, 34 pp. Features 12 striking b/w illustrations of Richter works. Texts by the artist in Italian and English and Giorgio Cortenova in Italian. Foxing on inner title page, else a very fine item. Scarce. (total 2)
534325 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
534325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
534325 Los(e)/Seite
(1) Hollow Lane. London, Situation Publications, 1971. Card covers, 21 x 30 cm, 40 pp. Edition of 1000. Fulton's very first artists' book containing 20 full page b/w reproductions of photographs. Pages are mostly loose from the binding, light bumps to corners, else fine. (2) Hamish Fulton: 10 Views of Brockmans Mount. A naturally formed hill near Hythe Kent, England. Amsterdam, Stedelijk Museum, 1973. Catalogue 542. Softcover, 14 x 21 cm, 22 pp. Light dent on rear cover, generally a fine clean copy. (2) Nepal, 1975. Eindhoven, van Abbemuseum, 1977. Softcover, 21 x 29 cm, 20 pp. Edition of 1000. Light sunning on cover, else very good. (total 3)
Reykjavik/Amsterdam, Silver Press, 1972. Exquisite and extremely rare book object, signed and numbered by the artist. Softcover, 26.4 x 27.2 x 2.2 cm. Offset printed in a limited edition of 150 signed and numbered copies, this one numbered 17/150, hand bound by the artist. The book was self-published by Gudmundsson's Silver Press. As the production was very time consuming, probably no more than 30- 50 copies were made (ref: Kees van Gelder, Amsterdam). In 1982 Ottenhausen Verlag in Aachen and Munich published a follow up limited edition of 100 copies. The immense artists' book (more than 600 pp.) features full page drawings of multiple horizontal lines throughout. The length of all lines added up together indicate the distance between the highest point on earth and the lowest point in the sea. Light corners bumps, generally a very good copy.
Een onleesbaar Kwadraat-blad. Hilversum, Steendrukkerij de Jong en Co, 1964. Original wrappers containing red and white sheets cut into geometrical compositions. Housed in the original diagonally cut envelope, printed with green text in eight languages, 25 x 25 cm. First edition of 2000 unnumbered copies. Very good copy with light corner wear, as usual with this fragile publication.
(1) Quadrat-Print / Quadrat-Blatt / Feuilles-Cadrat / Kwadraat Blad. Daily Mirrors Book. Hilversum, Steendrukkerij De Jong, 1965. Cardboard sending case, containing 60 loose printed sheets, 25 x 25 cm printed both sides, featuring greatly enlarged newspaper clippings. With a 4 page editor's note by Pieter Brattinga in English, French, Dutch and German. Paper somewhat browned due to the newsprint paper, cardboard case shows light handling wear. (2) Boeken: Dieter Roth. Amsterdam, Stedelijk Museum, 1975. Exhibition catalogue in the form of an artists’ book, printed in black on newsprint, saddle stapled, 33.5 x 23 cm, ca. 128 pp. With stamp of edition Hansjörg Mayer on cover. Minor creasing to right margin, in good condition which is unusual for this item. (total 2)
Vienna, Buchdienst Fesch, 1976. Nervenkritik was a short-lived magazine published by the writer and artist Dominik Steiger in 1976 (four issues + 1 special issue), made in an edition of 250 copies. Included are 3 issues. Staplebound, 21 x 30 cm, ca. 20 pp. each, printed b/w. Contributions by von Attersee, Konrad Bayer, Günter Brus, Urs Luthi, Hermann Nitsch, Arnulf Rainer, Dieter Roth, Hans Schwester, Dominik Steiger, Kurtio Vitelli and others. Light toning to covers, fine copies. (total 3)
Staple bound, 28 x 21.5 cm, ca.150 pp. Collaborative magazine compiled by Richard Kostelanetz, Henry Korn and Mike Metz. With contributions by 83 artists in b/w and colour on various types of paper, released in an edition of 1000. Contains work by Fletcher Copp, Jean-Jacques Cory, Wally Depew, Dick Higgins, Klaus Groh, Ruth Kraus, Nancy Henderson, Mad Dog et al. Cover lightly rubbed with minor edge wear, light creases on rear cover and spine. This is the most scarce of all Assembling issues released between 1970 and 1987, as apparently only 300 copies survived water damage in a warehouse.
Cullompton, Beau Geste Press, 1975. Softcover, 29 x 21 cm, 90 pp. with 8 inserts including booklets and a stick. Edited by David Mayor, printed and bound by Takako Saito. Edition of 550. Contributors include Eric Andersen, Ian Breakwell, Robin Crozier, Coum, Felipe Ehrenberg, Richard Kostelanetz, Jaroslaw Kozlowski, Takehisa Kosugi, Jiri Valoch, Stu Horn, Opal L. Nations and others. Light bend to top right corner, moderate imprint of inserted object to back cover, else a fine copy.
Artists' magazine founded and edited by Clemente Padin, released between 1973 and 1977. Stapled booklet, 30 x 21 cm, 14 sheets on various types of paper. Limited edition, this copy numbered 316/500 on cover sticker and signed by Robin Crozier. Contributions by Robin Crozier (cover), David Mayor, David Det Hompson, Opal Nations, Pat Taverner, Lucia Marcucci, Eugenio Miccini, William Xerra, Horacio Zabala et al. Moderate staining from rust on staples, light horizontal creases on front cover, generally in fine condition. Rare.
Artists' books in the form of calendars. Produced by Giezen for the shipping and herring trade company Parlevliet in Katwijk aan Zee. Each copy contains 14 b/w printed sheets, 31.5 x 20 cm, with perforated holes, held together by baler twine rope. The months are illustrated with images of fishing and fish preparing tools, drawings made by a local fisherman, sketches and reproductions of works by Giezen. Comprises: Kalender 1978, 'Platte Knoop, Oud Wijf' (Flat Knot, Old Broad); Kalender 1979 and Kalender 1980 (missing the rope). Copies show light toning and handling wear. (total 3)
New York, Self-published, 1980. Softcover, 21 x 31.5 cm, 60 pp. Features texts by Holzer and images by Nadin offset printed in black on grayish paper. Published in conjunction with a show held at Rüdiger Schöttle in Munich, December 10, 1980 - January 20 1981, for which the rare double sided postcard announcement is included (mailed copy). Also contains 2 b/w original photos deriving from the gallery, showing a reproduction of a text work by Holzer (in German) and a work by Nadin. Light paperclip imprint on cover and first page of the book, else all items in very good state. (total 3)
(1) Two catalogues published in conjunction with exhibitions at Ikeda Gallery, Tokyo. Comprises Today Paintings, 1984 and Date Painting, 1986. Softcovers, 27 x 22 cm, 16/ 24 pp. B/w and colour reproductions of exhibited works, text in Japanese and English. Light handling wear, fine copies. (2) On Kawara, Berlin 1976-1986. Berlin, DAAD, 1987. Softcover, 25.5 x 21 cm, 214 pp. Features hundreds of illustrations and reproductions of 'I Am Alive' postcards, samples of 'I Read' and 'I Went', and installation shots from the exhibition. Text by René Block and Wolfgang Max Faust in German. Very good copy. (total 3)
(The house perishes with its master). Rotterdam, Bébert, 1988. Handbound hardcover with cloth binding, 30.5 x 42.5 x 2.5 cm, 72 pp. Printed in an edition of 90 numbered and signed copies by Schoonhoven and Nienhuis, this one hand numbered 65 on the colophon. Contains 54 original tipped-in b/w photographs made by Truus Nienhuis, intimately depicting the home of Zero artist Jan Schoonhoven and documenting his journeys through the streets of his hometown Delft, while hunting for objects of interest. Captions written by Schoonhoven and Nienhuis. Introduction by Nienhuis, co-written with her husband Henk Peeters, Schoonhoven's longtime friend and Zero colleague. Light spotting on cover, interior in good condition. Exquisite large format artists' collaboration with a personal touch.
Rotterdam, Bébert, 1987. Portfolio containing 6 screenprints by Schoonhoven and six texts by Hans Sleutelaar, 50 x 32.5 cm. Each print signed and dated 'Schoonhoven 1987' in pencil in lower right and numbered in lower left margin. Signed in colophon by both Schoonhoven and Sleutelaar. Edition of 50 (1-50), plus 26 (a-z) for collaborators, and 6 deluxe versions (I-VI). This is copy number 17. Handmade paper portfolio shows light spotting on front, the prints are mint.
The Hague, Gemeentemuseum, 1987. Each 45.5 x 32 cm, one printed b/w and one in colour. The coloured version has a tiny chipped off corner and light yellowing along the margins, the b/w bag is in very good condition. Scarce collectible, as most copies were probably thrown away after use. (total 2)
(1) Set of 58 coloured postcards in cardboard box with transparent top. Published by CCS Bard/Hessel Museum, Annandale-on-Hudson, New York, 2008. Published in connection with the exhibition at the Center for Curatorial Studies at Bard College. The cards present the complete series of Harrison’s Voyage of the Beagle, Two (2008), a study of modern-day menhirs documented in 58 photos, deriving from sources as diverse as pop culture kitsch, nature and sculptures by Rodin and Brancusi. Box lid torn at one corner, card are fine. Scarce. (2) Added is the monograph 'Rachel Harrison: If I did it'. Zurich, Jrp Ringier, 2008. Softcover, 29 x 24 cm, 142 pp. Light wear on wrapper, else fine. (total 2)
London, Royal College of Art, London, 1973. Softcover, 18 x 18 cm, 28 pp. Catalogue, with cover designed as vinyl single, published in conjunction with the exhibition held at the Royal College of Art Gallery in London. Edited by Roselee Goldberg. Features the first survey of artists' work in the LP format, with a profusely illustrated essay by Celant and a list of records. Artists include Jean Dubuffet, Andy Warhol, Yves Klein, Jean Tinguely, Marcel Duchamp, Bernar Venet, Bruce Nauman, Richard Artschwager, Arthur Koepcke, Marina Abramovic, Lawrence Weiner, Art by Telephone et al. Light corner bumps, else a very good copy.
(1) Large folded poster 'Videotape', Galerie Ricke Cologne 1970, printed grey on black stock, 60 x 42 cm, light wear on folds. (2) Two striking posters by Galerie Michele Lachowsky Brussels. Includes 'Radio Installation AM FM', 1979, folded offset litho on newsprint, 60 x 42 cm, with text written in red, blue, and black dots and a description of the amplified radio installation in French and Flemish. The second poster announces a 1981 installation, 89 x 29.5 cm, two small pinholes. (3) Poster Galerie France Morin Montreal 1980. 41 x 56 cm, folded and mailed to De Appel Amsterdam. (4) Six announcement cards including: Galerie Ricke Cologne 1968, 1972 and 1978; Projection Cologne undated (1972), inaugural show of the film and video gallery run by Ursula Wevers presenting Sonnier's first European film screening; Patrick Verelst Antwerp 1975; Leo Castelli New York and Ace Gallery Los Angeles 1975, 'Air to Air', an amplified space installation for long distance audio communication between the two galleries. (total 10)
(1) This Way Brouwn, Galerie René Block, Berlin, 15 - 27 November 1969. 14.8 x 10.5 cm, printed one side. Mint copy. (2) This Way Brouwn, Zeichnungen 1964-69, Galerie René Block, Berlin, 2 - 7 November 1970. Opening on 30 October (maybe stanley brouwn will be present). 14 x 10.3 cm, printed one side. Mint. 3) Uitnodiging project stanley brouwn (invitation project stanley brouwn), Utrechtse Kring, Neudeflat Utrecht, 10 - 30 January 1972. Printed one side, 9 x 11.5 cm, with 2 perforated holes and light toning. Extremely rare card. (total 3)
Announcement for brouwn's exhibition January 25- February 27 1977. Printed black on white, 76 x 26 cm, folded horizontally in 4 parts as issued. Features two parallel vertical lines below the text block, depicting 1000 mm 1:2, and 1 step 1:2, respectively measuring 50 cm and 43 cm. Light smudging, generally a good copy. Extremely rare artist's designed poster.
Includes signed and stamped copies. Single folded sheets, 29.5 x 21 cm, 4 pp. All mailed, folded in three for shipping purposes, in fine condition. (1) No.20, March 1970. Iconic issue sent from Japan. Interior shows portrait drawings of the artists in b/w. (2) No.47, December 1971. Gilbert & George, A Touch of Blossom: Spring 1971. Contains a b/w photo-illustration nearly covering the entire sheet recto, signed 'Gilbert and George' in red pen in the lower right. Light staining on address section, else fine. (3) No.73, January 1974. Interior shows a b/w photographic image of the artists. Signed with an embossed stamp. (4) No.103, November 1977. Colour printed interior features an image of a wall with text in red spray paint 'We're all angry'. (total 4)
Extensive lot of original b/w photos in various sizes featuring performances by Lucinda Childs Dance Company. Includes: (1) Five portrait pictures of Childs, photographed by Martha Swope, Bert Nienhuis, Jack Mitchell and Nathaniel Tilestone. 2) Collection of 6 photos of Robert Wilson's 'I was Sitting On My Patio This Guy Appeared I Thought I Was Hallucinating', which toured from 1977-1978, with Childs in the leading role. Photos by Jack Mitchell, Nathaniel Tilestone and Bert Nienhuis, with photographers' stamps on verso. (3) Two large stills from the production Video 50 by Robert Wilson, starring Childs, photo Paul van den Berg. (4) Five pictures featuring various performances including 'Available Light', 'Portraits in Reflection', 'Dance', and 'Relative Calm'. (total 18)
(1) Yes Coum Are Fab and Kinky, 1971. Poster, 46 x 29.5 cm, printed black and bright orange on white stock, designed by Coum Transmissions founder Genesis P. Orridge. Advertisement for the subversive music and performance art collective, showing a large portrait of P. Orridge as a child leaning on a tuba, and pictures of the members Tim Poston, Spydeee Gasmantell, Cosey Fanni Tutti, Haydn Robb, John Smith and Genesis P. Orridge. Folded twice, light creasing. (2) Music from the Death Factory by Throbbing Gristle. Newssheet, 58 x 44 cm, printed b/w both sides, folded. Poster on recto, text and collages on verso. Derives from Intermedia Magazine Vol.2 No.1, 1978, edited by Harley Lond in San Francisco. Intermedia, 'an Interdisciplinary Journal of the Arts, Resources & Communications, by and for the Communicator/Artist', was a kind of yellow pages for artists, writers, and musicians in the Los Angeles area and beyond. Both documents very rare.
JULES WABBES (1919-1974)Canapé d'angle modulable trois pièces, modèle 800, en bois clair, avec embouts carrés en métal aux pieds, retapisséConçu vers 1965, acheté en 1971Driedelige modulaire hoekbank, model 800, licht hout, met vierkante metalen uiteinden onder de poten, hergestoffeerdOntworpen circa 1965, verworven in 1971Modular three-piece corner sofa, model 800, light wood, with square metal finials to the feet, re-upholsteredDesigned circa 1965, purchased in 1971H: 73 cm L: 167 cm P: 93 cm (2 modules) / H: 73 cm P: 92 cm L: 92 cm (1 module)Footnotes:Provenance / HerkomstCollection privée/ privécollectie, BruxellesFor further information on this lot please visit Bonhams.com
A RARE 19TH CENTURY VISITOR'S BOOK WITH EXTRAORDINARY MONOLOGUE BY GIDEON ALGERNON MANTELL (1790-1852) AND SIGNED BY CHARLES WATERTON (BRITISH, 1865 - 1782), AMONGST MANY OTHERS, With hand painted illustrations and drawings. Probably from Yorkshire country house. The entry written by Gideon Algernon Mantell, geologist and palaeontologist, Chester Square, Pimlico, December 1849: 'If I have been so fortunate as to kindle in the hearts of others, that intense desire for the acquisition of natural knowledge which I feel in my own: - or have illumined the mental vision with that intellectual light, which once kindled can never be extinguished, and which reveals to the soul the beauty and wisdom, and harmony of the works of the Eternal. I shall indeed rejoice for then my exertions will not have been in vain and although my humble name may be soon forgotten, and all record of my labour be effaced. Yet the influence of that knowledge which has emanated from my researches will endure forever, and by conducting to new an inexhaustible fields of inquiry, prove a never failing source of the most pure and elevated gratification. For to one imbued with a taste of natural science, Nature unfolds her hoarded poetry and her hidden spells: for him there is a voice in the winds, and a language in the wave, and he is ...even as one... Who by some secret gift of soul or eye. In envy spot beneath the smiling sun. See's where the springs of living writers lie!' Signed 'Gideon Algernon Mantell'.
CORGI; four Montecarlo cars comprising a 328 Hillman Imp both model and box in very nice condition, a 321 Mini Cooper S with roof signed both box and model in nice condition, a 317 Mini Cooper S with roof spot light, model is fair to good has some discolouration, box is poor has end flap missing and side becoming unglued and a 323 Citroen DS19 blue and white, the model has some discolouration and the box is missing an end flap.
Charlie bears Year Bear Plumo teddy bear pair ("Plumo" means this bear is part mohair and part plush- the detail on his face is cream alpaca), designed by Isabelle Lee including: (1) Charlie 2009 Year Bear, Hug No 1, 2009, light brown plush, swing label certificate (creased and edge wear and missing circular tags), 16"/41cm; (2) Charlie Bears 2016 Year Bear, Hug Number 8, LE 4000, beige and cream plush, swing label certificate (creased), 19"/48cm; Near Mint to Mint; (2).
Bear Bits Bernard, realistic artist designed teddy bear, by Jean and Bill Ashburner, LE 9/10, light brown mohair, black glass eyes, black vertically stitched shaped nose, ultrasuede pads with painted detailing, jointed with additional double neck and wrist joints, sewn in label, Excellent Plus, 14"/36cm (seated).
Charlie Bears Year Plumo teddy bear pair ("Plumo" means this bear is part mohair and part plush- the detail on his face and ears is mohair), designed by Isabelle Lee including: (1) Charlie Year Bear 2012, Hug No 4, limited in edition to production year, beige plush with pale tip, swing label certificate, 18"/46cm; (2) Charlie 2013 Year Bear, LE 4000, Hug No 5, dark grey and beige with brown and cream flecked tipping plush and light brown mohair, swing label certificate, 20"/51cm; Near Mint to Mint; (2).
Steiff teddy bears pair: (1) Steiff Museum Bear 2005, white tag 672262, LE to the year 2005; light grey mohair, with swing label certificate (creased), ceramic medallion, Near Mint, 12"/30cm; (2) Steiff Factory Shop off-white teddy bear, blank yellow rag, wearing fur fabric coat, with swing label, Near Mint, 10"/25cm; (2).
Triang and other- collection of three vintage doll's houses and a toy theatre: (1) mock Tudor house, opens at front to reveal four rooms on two storeys, 17"/43cm x 15"/38cm x 13"/33cm; (2) Triang pale blue house, opens at front in two places, four rooms on two storeys with central staircase; (3) toy theatre, with some characters and screen set components, originally wired for light, 16"/41cm tall; (4) Timberlaine, scratch built chalet style house, open to rear, four rooms on two storeys, garage to side, access to roof space; Fair to Good; (4).

-
534325 Los(e)/Seite