HELVETIA - a Vintage stainless steel automatic wristwatch, ref. 106, circa 1950s, silvered dial with gilt Arabic numerals, sweep centre seconds hand and leather flying strap, 25 jewel movement with calibre 837, serial no. 4728065, case width 34mm, working orderMovement - currently working Dial - slightly tarnished with a few spots of pittingGlass - cleanHands - both are slightly rusted and minute hand lacking lumed filamentCase - general surface wearCrown - hands adjust smoothlyBracelet - unassociated brown leather pilot's strap, light wearNotes – no box or papers
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SEIKO 5 - a Vintage stainless steel automatic bracelet watch, ref. 6119-8470, grey dial with steel baton hour markers, sweep centre seconds hand and day/date aperture, 21 jewel movement, serial no. 0N3045, case width 36mm, working orderMovement - currently working Dial - cleanGlass - numerous heavy surface abrasionsHands - cleanCase - a few small dents on edgesCrown - Quickset date working, hands adjust smoothlyBracelet - unassociated steel bracelet, light surface wear Notes – no box or papers
OMEGA - an early 20th century lady's silver mechanical wristwatch, circa 1925, white dial with Arabic numerals, blued steel hands and subsidiary seconds dial, serial no. 7174441, case no. 7397371, case width 21mm, working orderMovement - currently working Dial - star hairline cracks all overGlass - cleanHands - cleanCase - tarnished caseback and light wearCrown - hands adjust smoothlyBracelet - unassociated leather strap, needs replacingNotes – no box or papers
James Bond: You Only Live Twice (1967) Original film script - mimeographed typescript of Roald Dahls screenplay, Eon Productions, dated 17 June, 1966, within buff card covers with two metal clasps, numbered 84 in red ink on front cover, 142 pages, 22.5 x 28.5cm, with annotated costume notes in pencil in an unknown hand on verso of title, and further dialogue changes in pencil to the first three pages, 7 blue sheets of script updates bound-in dating between 5-15 July.You Only Live Twice, starring Sean Connery, was the fifth in the James Bond series produced by Eon Productions, and the first Bond film to be directed by Lewis Gilbert. Dahls screenplay was loosely based on Ian Flemings 1964 novel of the same name. Condition Report: marked with stains to covers from use on the production, some light foxing to leaf edges, internally clean and bright.
James Bond, Octopussy (1983) Original Production Shooting Schedule, Unit List, and Call Sheets, 1982.- comprises: Shooting Schedule No. 1, Eon Productions Ltd., Pinewood Studios, August 4, 1982, 43pp, typescript on stapled white sheets, details of the artists and specific requirements for each scene such as props. special effects, vehicles, etc. 29.7 x 21.2cm; Production Unit List, 16 August, 1982, 19pp., typescript on white sheets, with ownership name of George Smillie in pencil on front page, crew and service companies addresses and telephone numbers listed, 29.7 x 21cm; Two Production Call Sheets, comprises: First Unit Call Sheet, No. 12, September 1 '82, 3pp. stapled to a 3pp. Movement Order for the same day, all typescript on white sheets, with details of specific requirements including props, sound, special effects, action vehicles and stunt coordinators; Second Unit Call Sheet, No. 21A, September 9 (1982) typescript on a single blue sheet, all call sheets 33 x 20.5cm; together with crew member,George Smilleys official letter of engagement from the film company, confirming his position as military action vehicle coordinator, dated 17 August, 1982, 2pp.typescript on Eon Productions white headed paper, Signed by Hugh Harlow, Production Manager, within original envelope. (5)Provenance: crew member, George Smillie, was action vehicles driver on the film.Condition Report: Original Production Shooting Schedule - creasing to top left corner of front page, some rust staining around the old staple on front and back pages, very light marks to front and back pages from use on the production, internally very clean. Unit List - rust staining around the old staple on front and back pages, light finger marks to front and back pages and a faint circular mark to back page, internally clean.First Unit Call Sheet (white) - rust staining around the old staple on front and back pages, light creasing to top left hand corner of front page, internally clean.Second Unit Call Sheet (blue) light creasing, rust staining around the old staple on front and back pages.Eon Productions Letter of Engagement - folded, in near mint condition, light marks and creasing to the envelope.
James Bond - The Spy Who Loved Me (1977) British Quad film poster for the 10th entry in the James Bond series, starring Roger Moore and with artwork by Bob Peak, folded, 30 x 40 inches. Condition Report: In very good condition, colours bright and strong. Light staining on small areas on reverse which do not show through to front.
James Bond The Man With The Golden Gun - Factory Entertainment Dual signed Limited Edition Replica Golden Gun from 2010, officially licensed by Danjaq LLC and EON and plated in 18 carat gold, signed by both Sir Roger Moore (James Bond) and Sir Christopher Lee (Scaramanga), is a limited edition of only 400 that were made (this being number 115). It comes with the 007 engraved bullet and a bonus set of 5 extra golden bullets, that were only awarded to pre-order customers. Comes complete with display case and original boxes, and accompanying leaflet. Also included are two replica rings in case of the Scaramanga characters signet rings. Condition Report: In excellent condition. Some light handling to packaging.
James Bond You Only Live Twice and The Man With the Golden Gun Ian Fleming, two first editions, first impressions Hardback books with dust-jackets, You Only Live Twice within a later dust-jacket, The Man With the Golden Gun, further within a clear protective wrapper. Published by Jonathan Cape, 1964-1965. (2)Condition Report: You Only Live Twice - light marks to boards, spine ends and corners a little bumped, some foxing to fore-edge affecting a few edges of leaves, light creasing to later dust-jacket spine. The Man With the Golden Gun - marks to boards, spine ends and corners bumped, small chips (some loss) to corners of dust-jacket, light foxing to edges.
James Bond Thunderball Ian Fleming first edition, first impression Hardback book with dust-jacket, further within clear protective sleeve, Published by Jonathan Cape, 1961. Condition Report: clean bright boards, dust-jacket a little creased with chips to spine ends and corners, light foxing to edges.
James Bond The Spy Who Loved Me Ian Fleming first edition, first impression, Hardback book, with dust-jacket, further within clear protective sleeve, Published by Jonathan Cape, 1962.Condition Report: clean bright boards, spine ends and corners a little bumped, dust-jacket chipped to spine ends and corners (some loss) light foxing and dust-soiling to edges.
James Bond From Russia With Love & You Only Live Twice Ian Fleming first editions, first impressions Hardback books, within dust-jackets, From Russia With Love within a part jacket lacking flaps and a further later dust-jacket, Published by Jonathan Cape, 1957-1964. (2)Condition Report: light marks to bright boards, dust-jackets chipped and clean edge tears head and tail of spines (some loss) some foxing to top edges.
James Bond Live and Let Die Ian Fleming first edition, second impression, original black cloth, gilt titles and vignette, dust-jacket with credit statement to the dust-jacket designer, Kenneth Lewis, printed on the inside front flap, (the second impression dust-jacket is the same as the third issue dust-jacket appearing on some first editions) the authors second James bond novel, Published by Jonathan Cape, 1954. Condition Report: boards cocked but clean and bright, toning to dust-jacket with chips to spine ends and corners (some loss) light foxing and toning to edges, toning to pages.
James Bond Thunderball Ian Fleming first edition, first impression Hardback book with dust-jacket, further within clear protective sleeve, Published by Jonathan Cape, 1961. Condition Report: clean bright boards, dust-jacket creased with chips to spine ends and corners (some loss) toning, marks and light foxing to edges.
James Bond The Spy Who Loved Me Ian Fleming first edition, first impression Hardback book with later dust-jacket, further within clear protective sleeve, Published by Jonathan Cape, 1962.Condition Report: clean bright boards, light foxing to dust-jacket and top edge, otherwise a clean bright copy.
James Bond From Russia With Love & The Man With the Golden Gun Ian Fleming first edition, first impression Hardback books, with dust-jackets, From Russia With Love within a later dust-jacket, Published by Jonathan Cape, 1957-1965. (2)Condition Report: From Russia With Love - clean bright boards, light marks to lower board, ink inscription to front free endpaper, toning to and light marks to edges.The Man With the Golden Gun - clean bright boards, spine ends marginally bumped, dustjacket with two clean edge tears to lower spine, light marks to edges.
James Bond, A group of four Ian Fleming Hardback books first editions, first impressions, within dust-jackets, comprises: Moonraker, 1955, with shoot on page 10, within a later issue dust-jacket, On Her Majestys Secret Service, 1963; You Only Live Twice, 1964: Octopussy and The Living Daylights, 1966; all Published by Jonathan Cape. (4)Condition Report: Moonraker - light marks to boards, spine ends and corners bumped, a strip of tippex to front free endpaper, occasional light foxing and toning.The other volumes clean bright copies, foxing to top edges of Octopussy and You Only Live Twice.
James Bond Casino Royale Ian Fleming first edition, second impression (published the same year as the first impression) original publishers black cloth with red heart design to front, title and author in red to spine, no dust-jacket, the first James Bond title, Published by Jonathan Cape, 1953.Condition Report: light marks to boards, spine ends and corners a little rubbed, foxing and toning to edges, internally further foxing and toning.
James Bond You Only Live Twice - Ian Fleming first edition, first impression Hardback book with dust-jacket. Published by Jonathan Cape, 1964.Condition Report: boards bright with light marks, spine ends bumped, dust-jacket with light foxing and a small clean edge tear to front top corner of jacket, chipped to corners and spine ends (some loss) light foxing to edges.
James Bond, A group of three Ian Fleming Hardback books first editions, first impressions, within dust-jackets, comprises: Thunderball, 1961, within later dust-jacket; You Only Live Twice, 1964; Octopussy and The Living Daylights, 1966, Published by Jonathan Cape. (3) Condition Report: light marks to boards, spine ends and corners a little bumped, some light foxing to edges of Thunderball and You Only Live Twice.
James Bond For Your Eyes Only Ian Fleming first edition, first impression, Hardback book, with dust-jacket, further within clear protective sleeve, Published by Jonathan Cape, 1960.Condition Report: clean bright boards, toning and marks to dust-jacket with rubbing to spine ends and corners, ink ownership to front free endpaper, light foxing to edges some heavier to top edge, toning to pages.
A VICTORIAN TOOLED-MOROCCO COVERED TRAVELLING CASE FOR A FINE GIANT CHRONOMETER CARRIAGE CLOCKANOMYMOUS, MID 19th CENTURYThe slightly domed hinged lid enclosing green padded velvet interior to take a clock approximately 19cm (7.5ins) high overall with handle down, 14.5cm (5.75ins) wide and 12cm (4.75ins) deep, the interior of the lid with hinged flap for containing the Bramah lock key with tag inscribed ...chronometer clock travelling case, the rear with stowage slot for the removable front panel withdrawing upwards to reveal a rectangular glazed aperture, the exterior with double-line tooled borders and raised escutcheon for the Bramah lock to the right-hand side.23cm (9ins) high, 18cm (7.125ins) wide, 16cm (6.25ins) deep.Condition Report: Generally in fine original condition with only very minor age related wear and relatively light corner nocks to the exterior surfaces. The leather strap carrying handle is detached and split into two pieces however is present with the case. The interior has minimal wear. The Bramah key fits and operated the lock. Condition Report Disclaimer
Y A VERY FINE PAIR OF REGENCY TWENTY-ONE INCH TERRESTRIAL AND CELESTIAL FLOOR-STANDING LIBRARY GLOBESJ. & W. CARY, LONDON, THE CELESTIAL DATED 1799, THE TERRESTRIAL DATED 1815/1823The terrestrial applied with eighteen hand-coloured engraved split half-gores incorporating circular cartouche inscribed CARY'S, NEW TERRESTRIAL GLOBE, EXHIBITING, The Tracks and Discoveries made by, CAPTAIN COOK: Also those of CAPTAIN VANCOUVER on the, NORTH WEST COAST OF AMERICA: And M. DE LA PEROUSE, on the COAST of TARTARY. TOGETHER, With every other Improvement collected from, Various Navigators to the present time. LONDON: and overlaid Made & Sold by J.& W. Cary, Strand, March 1st. 1815., with further inscription WITH ADDITIONS AND CORRECTIONS TO 1823 beneath, with fully graduated equatorial, ecliptic and four meridians, the Pacific ocean with an analemma, many explorers' tracks and numerous notes and dates, Antarctica with no land shown but Firm Fields and Vast Mountains of Ice 71.10 Highest South Lat of Capt. Cook and other notes, the continents with nation states faintly colour-outlined, showing cities depicted by a small building, towns, rivers, mountains in pictorial relief, marshland, caravan routes and African salt and copper mines, with numerous notes and Canada with no northern coastline; the celestial with conforming roundel inscribed CARY'S, New and Improved, CELESTIAL GLOBE, ON WHICH, Is carefully laid down the whole of the STARS and NEBULÆ, Contained in the ASTRONOMICAL CATALOGUE of the, REVD. Mr. WOLLASTON, F.R.S., Compiled from the Authorities of, FLAMSTEED, DE LA CAILLE, HEVELIUS, MAYER, BRADLEY, HERSCHEL, MASKELYNE &c. With an extensive number from the works of Miss Herschel, The whole adapted to the year 1800, and the, Limits of each Constellation determined, by a boundary line. London: Made & Sold by J.& W. Cary, No. 181 Strand Mar 1 1799, also made up of two sets of eighteen hand-coloured engraved split half-gores laid to the ecliptic poles, the axis through the celestial poles, with fully graduated equatorial, ecliptic with twilight zone and four colures, the constellations depicted by mythical beasts, figures and scientific instruments, with dotted boundaries, the stars shown to nine orders of magnitude with doubles, clusters and nebulæ and labelled with Greek and Roman characters and Arabic numerals denoting their source, with an explanation beneath the cartouche; each sphere pivoted via the polar axis within brass meridian circle divided for degrees and with brass hour circle to North pole, set within hand-coloured engraved paper horizon ring with compass points and degrees in both directions, Zodiac and calendar scales and wind directions, supported on a fine ebony line-strung satinwood stand with curved line-panelled frieze over three square section tapered legs united by three upward curved stretchers terminating with a baluster-turned upright supporting the globe via a brass clamp engaging with the meridian ring, the lower section with further turned stretchers supporting a glazed paper scale compass printed with elaborate thirty-two point rose within outer scale divided for degrees, over brass cup castors.Each 119cm (47ins) high, 69cm (27ins) diameter overall. Provenance:Purchased from Sally Turner Antiques, Hogarth House, High Street, Wendover, Bucks, 20th July 2002 for £95,000; thence by family descent. The celebrated Cary family business of scientific instrument and globe makers was established by John Cary at Johnson's Court, Fleet Street, London in 1782 moving to a new address at 'Corner of Arundel Square', Strand the following year. He was primarily an engraver of maps, charts and globes who moved again in 1783 to 188 Strand. By 1791 he had entered into what appeared to be a relatively casual partnership with his brother, William; this partnership lasted until circa 1816 by which time William and John Cary had moved again to 181 Strand before finally settling in 86 St. James in 1820. The following year he was succeeded by his sons, John (II) and George Cary, who continued from the firm's 181 Strand address until 1851/2 when the business was acquired by Henry Gould. Cary's 21-inch globes were the largest and most impressive produced during the George III and Regency period.Condition Report: Both globes are in very fine near retail clean condition. The celestial has some very slight filling and touching-in to address some cracking to the equinoctial affecting around a third of the circumference at that point. Otherwise faults are very much limited to a few very small historic scuff repairs and some very localised staining to the joints between some of the gores. The Terrestrial has a small (15 by 5mm) clean puncture just below Australia and a few very light surface scratching to the Southern regions. There is also a small filled scuff and staining adjacent to the bottom pivot. Sphere otherwise is in very fine condition with only or two small filled blemishes and light overall mottling. The brass fittings appear all-original and are in good condition with slightly mellowed lacquer finish. Both stands are in fine condition. The Horizon papers are in clean condition exhibiting only very minor browning. There are some light shrinkage cracking (from movement within the ring beneath) showing through the papers but no apparent losses or infilling. Both compasses are complete; the paper to the terrestrial has tears and rubbing but no losses, the celestial has losses and touching in to the paper, both have noticeable browning hence are now light beige in colour. The frames are in very good clean condition - the celestial has visible plugged fixings to the outer surfaces of the legs corresponding to the cabriole inner supports and compass stretcher; the terrestrial has similar visible plugs but for only for the compass stretcher. Faults are otherwise limited to light shrinkage and minor restorations to the ebony stringing. Condition Report Disclaimer
A FRENCH GILT BRASS MANTEL CLOCK INSET WITH CHINOISERIE PORCELAIN PANELSTHE MOVEMENT PROBABLY BY BRUNELOT, PARIS, LATE 19th CENTURYThe circular eight-day bell striking movement with anchor escapement regulated by disc bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped with trademark B within a circle over serial number 500, the rectangular light turquoise ground porcelain dial polychrome painted with blossoming foliage within stylised Roman numeral gilt cartouche chapter ring, with brass spade hands over painted scene of a female in oriental inspired dress playing with two young boys beneath blossoming shrubbery continuing up to envelope the chapter ring, the frosted gilt brass framed 'four-glass' type case with canted top and cavetto moulded cornice over pin-hinged front and rear bevel-glazed doors set between caddy-moulded brass uprights, the sides inset with conforming porcelain panels polychrome painted with opposing male and female figures dressed in elaborate oriental robes within garden settings bordered by asymmetric blossoming shrubbery, on cavetto moulded skirt base with rounded angles incorporating integral bracket feet with shallow-arched recesses between.37.5cm (14.75ins) high, 21.5cm (8.5ins) wide, 16cm (6.25ins) deep. The trademark stamped to the lower left-hand corner of the backplate of the current lot (letter B within a circle) is noted in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development as possibly being for Jules Brunelot although no evidence has been found to confirm this. Condition Report: Movement will run and strike however the mechanism is a little dirty/tarnished and prone to stopping due to lubrication drying-out/becoming sticky hence a gentle clean and service is advised. The dial panel has a very well executed restored crack across the centre (passing throght the IX and III numerals as well as the centre hole) otherwise is in fine condition with other visible faults limited to minimal wear to the winding holes and couple of very light surface scratches. The case is generally in fine condition with noticeable faults limited to minor chips to lower corners of the front door glass. The side panels appear free from damage but exhibit light crazing to the glaze. The frosted gilt finish is in fine condition with minimal wear/discolouration.Clock is complete with a pendulum and winding key. Condition Report Disclaimer
A MAHOGANY-CASED BRACKET CLOCKTHE MOVEMENT AND DIAL BY E. WHITE, LONDON, LATE 19th/EARLY 20th CENTURYThe four columnar pillar twin chain fusee gong striking movement with anchor escapement regulated by lenticular bob pendulum with screw holdfast to the shouldered backplate signed E. WHITE, 20 COCKSPUR ST. LONDON to centre, the 6.5 inch circular convex white painted Roman numeral dial with pierced steel hands, in a case with hinged brass carrying handle to the shallow break-arch top over hinged convex glazed cast brass bezel to front, the sides with arched brass fish scale blind frets beneath applied winged cherub mask spandrel mounts, the rear with rectangular glazed door, on moulded skirt base with brass ogee bracket feet.36cm (14.25ins) high with handle down, 25cm (9.75ins) wide, 18.5cm (7.25ins) deep. Edward White is recorded in Loomes, Brian Clockmakers of the World: 21st Century Edition as working in Cockspur Street from 1865. He was formerly a foreman with Dent and he is particularly well known for his high-quality carriage clocks. Condition Report: The movement is in good original working condition with no visible evidence of alteration or noticeable replacements. The mechanism is a little dirty/discoloured so a gentle clean/service may be advisable. The dial appears to have been refinished to resemble fired-enamel and is in good condition with visible faults limited to very light edge chipping to the left hand winding hole. The case is probably an early 20th century purpose-made replacement. Evidence for this is slight elongation of the screw holes of the securing brackets suggesting that the the movement and dial were originally fitted to a slightly narrower. The gong coil appears to be a well-matched replacement (post appears original). The case is in good original unrestored condition with faults very much limited to slight shrinkage and minor age related bumps, scuffs and wear.Clock has a pendulum and a winder but no case key. Condition Report Disclaimer
A REGENCY ORMOLU AND PATINATED BRONZE MANTEL TIMEPIECEBAETENS, LONDON, CIRCA 1825The circular four columnar pillar eight-day single fusee movement with anchor escapement regulated by a pendulum with a sunburst mask cast bob, the backplate applied with rectangular plate engraved BAETENS, 23 Gerrard Street, Soho London to lower margin, the 3.5 inch circular white enamel Roman numeral dial with Arabic fifteen minutes to the outer minute track and steel moon hands within a fine engine-milled bezel, the case with eagle surmount to the drum housing the movement supported at the sides by a pair of Doric columns with twin handled urn decorated relief surmounts and engine milled bands to shaft, the centre with pendant apron cast with drapery swags over a pierced octagonal panel enclosing allegorical figures, the cavetto moulded plinth base with patinated bronze reclining lion to centre and with Classical mask decorated foliate cast mount to front, on engine-milled bell-shaped feet.35cm (13.75ins) high, 21.5cm (8.5ins) wide, 9cm (3.5ins) deep.Condition Report: The movement is in relatively clean working condition with no visible evidence of alteration or noticeable replacements although the pendulum may not be original. The dial has some very light but relatively extensive surface scratching which is only visible due to some dirt ingress; a good clean should see these disappear. There are also a couple of very small hairline cracks. The drum of the case is not gilded and has some slight denting/distortion to the rear edge where it meets the snap-on rear cover. The eagle surmount and right hand finial have been repaired; the latter has a slight loss near the base. The plinth base has a small casting crack to the right hand side and to the rear near the left hand corner; the rear right hand foot also has a casting fault to the lower edge. Case otherwise is in fine original condition with minimal wear to the strong, rich gilt finish.Timepiece has a pendulum and a winding key. Condition Report Disclaimer
A REGENCY BRASS MOUNTED MAHOGANY BRACKET CLOCK IN THE MANNER OF THOMAS HOPE WITH WALL BRACKETLEPLASTRIER, THE CASE POSSIBLY BY BANTING AND FRANCE, LONDON, CIRCA 1825The five pillar twin fusee bell striking movement with anchor escapement regulated by lenticular bob pendulum with holdfast to the geometric border-engraved backplate, the pendulum with fine screw slider for regulation and conforming concentric engraved decoration to the bob, the 7 inch circular convex cream painted Roman numeral dial signed LEPLASTRIER , MARK LANE, LONDON to centre and with steel spade hands set behind hinged convex-glazed cast brass bezel milled with continuous repeating husk design, the case in the Romano-Egyptian taste with brass pineapple finial to the radial gadroon-carved hipped 'chamfer top' upstand incorporating ogee moulded collar and flanked by honeysuckle carved acroteria finials, above geometric brass-inlaid ebonised moulded panel outline tapered front with crisply cut horizontal fluted infill and canted cast gilt brass mummiform mounts decorated with pseudo hieroglyphs to angles, the apron with shaped brass fillet inset panel flanked by canted acanthus scrolls supporting the figures, the sides with obelisk outline repeating Gothic arch tracery pierced brass frets and the rear with rectangular glazed door set within the frame of the case, on fluted panel inset skirt base with stylised fan carved feet; the wall bracket with shallow triangular pediment upstand to the table over fluted panel to frieze and generous scroll-carved support beneathThe clock 52.5cm (21.75ins) high, 33cm (13ins) wide, 19.5cm (7.75ins) deep; the clock on wall bracket 76.5cm (30ins) high overall. The movement of the present lot is most likely either by either Isaac Leplastrier or his son, John who are recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Mark Lane, London 1813-20 and 1817-25 respectively. A partnership between 'Leplastrier and Son' (most likely Isaac and John) is also noted by Baillie as working in London 1820-25. The case of the current lot belongs to a series which share the same basic form and many core details. A slightly simpler variant (without the mummiform figures to the front angles) was offered in these rooms on 28th August 2014 (lot 116) which was stamped with the initials 'B.F.' to the interior of the case. Another further example (perhaps the earliest from this series), this time with a movement by Atkins and Son and formerly in the possession of the Marquesses of Bristol, was sold by Christie's, King Street, London at their 'Ellerslie House' sale, 24th May 2001 (lot 65). The first Marquis of Bristol employed the firm of Banting, France and Company to supply furniture for Ickworth, Suffolk including the state bed which shares similar details such as the 'acrotoria' finials with the 'Atkins & Son' clock and the current lot. This presence of the other example stamped 'B.F.' and another provenanced as most likely being from an interior furnished by Banting and France would suggest that this series of cases were probably made by them perhaps to special order. Indeed the design, with its robust fusion of Ancient Greek, Roman and Egyptian styles demonstrates the strong influence of Thomas Hope who, in his 1807 book Household Furniture published designs considered to be the height of fashion at the time. When considering his designs for smaller pieces of furniture such as for 'Recesses in the shape of ancient hypogea' (see Hope, Thomas Household Furniture plate XXVII no. I) the inspiration for the current lot can clearly be seen.Condition Report: Movement is in relatively clean working condition with no visible evidence of alteration or noticeable replacements. The dial retains old surface but with filling/retouching around to several areas around the edge most noticeably between the X and XI numeral. The numerals show wear and some retouching (as does the signature) the hands appear undamaged. The case is generally in fine original condition and of very good colour with faults limited to relatively minor genuine age-related blemishes. The front is lacking very slender stringing to the upper downward-curved edge of the apron panel (only noticeable on very close examination), both finials have small chips to the apex of each. The rear door is lacking its lock and there is noticeable overall losses/chipping to the veneer overlap to the to and left-hand margins. Faults are otherwise very much limited to minor shrinkage cracking and a few light bumps, scuffs etc. The bracket has a small chip to the lower left hand corner of the table fascia. The underside has overall slight shrinkage cracking and some bruising to the rear left hand corner (commensurate with a series of light hammer taps to adjust the platform lever during mounting on a wall). Clock has pendulum, winder and a case key. Condition Report Disclaimer
A GEORGE II/III POLISHED FRUITWOOD TABLE CLOCKROBERT BENN, LONDON, MID 18th CENTURYThe four pillar twin fusee bell striking movement with verge escapement regulated by short bob pendulum, the strike train now with added 'three-in-two' quarter-chiming mechanism sounding on a graduated nest of six bells utilising pump-action pinned cylinder for both the quarter and hour bells, the backplate with pendulum holdfast hook and signed in fine copperplate script Robert Benn, London to centre, the 7 inch brass break-arch dial with shaped false bob and calendar apertures to the finely matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes beyond the minute ring, with pierced blued steel hands and female mask and scroll pattern spandrels to angles beneath arch centred with a Strike/Silent selection dial flanked by conforming grotesque Indian mask cast mounts, the inverted bell-top case with hinged brass carrying handle and double cavetto top mouldings over hinged front with raised mouldings bordering the glazed dial aperture and scroll cast brass shaped frets to the upper quadrants, the sides with arch-glazed apertures and the rear with rectangular break-arch glazed door applied with conforming raised mouldings, on cavetto moulded skirt base with brass bracket feet.45cm (17.75ins) high with handle down, 29cm (11.5ins) wide, 19.5cm (7.75ins) deep. Robert Benn is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London 1716-40. The movement of the present clock has additional wheel and under-dial work added to facilitate quarter-striking on a graduated nest of six bells in addition to the hour striking. This work has been very competently executed with minimal modification of the strike train itself hence does not significantly detract from the overall originality of the clock. Condition Report: As catalogued the movement has had wheelwork and under-dial work added to convert the strike train from hour strike only to 'two-in-one' quarter chiming. The strike train itself is fundamentally unaltered. The under-dial work for the quarter chiming has been very well executed and is well designed. The top left hand pillar has been substituted for a pivot-block for the quarter and hour hammers. Movement retains its original verge escapement configuration and is otherwise in sound original relatively clean working condition. The dial is in good original condition with noticeable faults limited to a light vertical scratch to the centre above the false bob aperture, the finishes have some patchy discolouration and have an overall 'mellow' appearance; the hour hand is a replacement the minute appears original. The case appears original to the movement however the left hand securing bracket has been lowered to allow room for the pump-spring for the later quarter chiming work. The finish was originally ebonised and the surface has been polished back to now resemble mahogany in colour. The rear door hinges are replacements otherwise the locks and hinges appear original but reset with later screws. The veneers have a few historic patch repairs (most noticeably to the veneer overlap to the leading upright bordering the glazed aperture to the left hand side) and minor age related bumps, scuffs and other blemishes otherwise case is in very sound original condition. Clock has a winder and a case key. Condition Report Disclaimer
A VICTORIAN SMALL MAHOGANY FIVE-GLASS MANTEL TIMEPIECEUNSIGNED, CIRCA 1875The four columnar pillar single fusee movement with anchor escapement regulated by disc bob pendulum, the 4.5 inch square silvered brass Roman numeral dial with blued steel spade hands and foliate scroll engraved decoration to spandrel areas, the case with bevel-glazed top panel to the tablet upstand over cavetto cornice, the front door with angled brass fillet to the glazed aperture, the sides with rectangular bevel-glazed panels and the rear with rectangular glazed door set within the frame of the case, the base with ogee-outline apron over cavetto moulded skirt with squab feet.24cm (9.5ins) high, 18.5cm (7.25ins) wide, 12.5cm (5ins) deep.Condition Report: Movement is in relatively clean working condition with no visible evidence of alteration or noticeable replacements. The dial has some overall slight mellowing to the silvering as well as slight scratching/wear around the winding hole. Otherwise is in fine original condition. The case has a small bruise near the front left hand corner of the top and some small veneer losses to the overlap forming the left hand margin of the glazed dial aperture and another similar loss towards the upper right hand corner. The front door glass has a small loss to the lower left hand corner and the canted bezel insert has lost its silvering (now tarnished brass in appearance). Case retains its original lock and hinges and the bevelled glasses appear free form visible damage. Faults to the case are otherwise very much limited to relatively minor age related shrinkage, light bumps and scuffs etc; the finish is a little uneven.Timepiece has pendulum and a winder but no case key. Condition Report Disclaimer
Y A VICTORIAN BRASS INLAID COROMANDEL CHRONOMETER BOXANOMYMOUS, THIRD QUARTER OF THE 19th CENTURYOf three-tier construction with interior measuring just over 15,5cm (6.125ins) square and 9cm 3.5cm from the inside surface of the base to the lip of the bottom tier fitted with support for a chronometer winding key to the rear right-hand corner, the middle tier with glazed top beneath lid lined with crumpled blue velvet, the exterior inset with vacant shaped-brass name plate within rounded-brass capped edges and double-line inlaid borders to top, over push-button clasp for the lid and conforming shaped key escutcheon within matching line borders to the front, the sides with recessed brass carrying handles; together with a mahogany chronometer outer guard box, with dovetail jointed angles, leather strap, heavily padded baize interior and drilled flanges to sides, (2).The chronometer box 20cm (8ins) high, 18.5cm (7.25ins) square; the guard box 23.5cm (9.25ins) high, 29cm (11.5ins) wide, 24cm (9.5ins) deep.Condition Report: The chronometer box is in fine condition with visible faults very much limited to very slight/minimal shrinkage to the veneers and discolouration of the brass fittings. There is no evidence of the box being drilled for gimbal mounts hence it presents as being unused. The lock is locked (without lid being secured) hence lid will not presently not close fully (a key is required).The guard box is in very good original condition with faults limited to minor age-related bumps, scuffs, a few light water stains and other blemishes commensurate with light usage. Condition Report Disclaimer
A BRASS-CASED REFLECTING PRISM ON MAHOGANY TRIPOD STANDUNSIGNED, LATE 19th CENTURYThe prism cut with slightly convex front face and forty-five degree rear over flat underside, set via pivots secured by knurled thumbscrews within a stepped tubular 'pillar box' shaped case with open aperture to front, black japanned interior and open base, the assembly fixed via a drilled flange and screws onto an ogee moulded circular platform cut with an aperture to centre over three hinged tapered supports.159cm (62.5ins) high, the platform 26cm (10.25ins) diameter. The present apparatus would appear to be designed to reflect and slightly magnify a light source or object positioned beneath the platform between the legs of the tripod.
A RARE GEORGE III WOODEN-DIALLED TAVERN FUSEE WALL DIAL TIMEPIECEWILLIAM AVENELL, FARNHAM, LATE 18th CENTURYThe substantial six pillar single fusee movement with A-shaped plates measuring 9.75 inches high by 5.25 inches wide at the base incorporating decorative shaped lower edges, the wheel train with concealed winding clicks to the fusee and anchor escapement regulated by lenticular bob pendulum, the 16 inch circular cream painted wood Roman numeral dial with shuttered winding hole and signed W'M AVENELL, FARNHAM to the delicate scroll decorated centre within chapter ring with cruciform half hour markers and Arabic five minutes within the outer minute track, the steel hands incorporating counterweighted tail to the minute and the dial panel cut with lipped cavetto moulding to circumference, the saltbox type oak case fitted to the dial via pegged batons and incorporating large rising panels running within vertical grooves to each side to allow access the movement, the backboard with swept arch-shaped top and bottom extensions drilled for wall hanging.48cm (19ins) high, 44cm (17.25ins) wide, 19cm (7.5ins) deep. William Avenell is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Farnham circa 1795.Condition Report: The movement is in fine original condition with no visible evidence of alteration (including the escapement) or noticeable replacements. The mechanism has been maintained in working order and exhibits some well-executed historic re-bushing and adjustment to the third wheel to mitigate pinion-wear to the escape wheel. The backplate has porosity in the casting which is evident when viewing the movement from the left hand side. Although it is in working condition a precautionary gentle clean/service is advised. The movement is secured via four pinned feet to a rectangular iron plate which is then in-turn screwed to the rear of the wooden dial. The four screws that secure this plate to the dial have been moved due to the original holes becoming worn. The dial is turned form a single piece of mahogany and is 5/8 's of an inch thick. The painted finish exhibits no visible evidence of re-touching and appears untouched with genuine old discolouration/patination with light to moderate wear to the black painted details. The hands are original; the minute is lacking its tip and has been repaired near the centre. The pegs securing the dial to the box case are replacements and one (of the four) is missing.The oak box case appears all original and is in very fine original untouched condition. The right-hand door has some trails in the surface to then lower edge taper suggesting that there was some slight worm infestation prior to the taper being cut; both side doors have historic inscriptions from past repairs dating from the early 19th century to their inside surfaces. The upper hanging hole has some wear but no splits to the board.Generally appears to be fine example in remarkably original condition.Clock has a pendulum which is probably non-original as it appears to have been made up and a crank winding key. Condition Report Disclaimer
AN HISTORICALLY INTERESTING GEORGE III WEIGHT-DRIVEN CENTRE-SECONDS REGULATOR MOVEMENT AND DIALJOHN HACKINGS, POSSIBLY FOR PROFESSOR LUDLAM, CIRCA 1760The large diameter four-knopped pillar movement with thick plates measuring 5.5 by 4.375 inches enclosing three-wheel train with six spoke wheel crossings, with deadbeat escapement for regulation by a seconds pendulum and a second rope pulley fitted with ratchet winding click to facilitate Huygens type endless rope winding, the backplate with substantial backcock over long crutch, the 6.5 inch square single-sheet engraved silvered brass dial inscribed in copperplate script John Hackings, Fecit over aperture for the Roman numeral hour ring to the upper part of the centre above subsidiary minutes dial beneath to the lower, the outer seconds ring with Arabic five-second annotations and delicate foliate scroll engraved infill to spandrel areas, mounted on a mahogany seatboard, (lacking pendulum and weight).16.5cm (6.5ins) square, 12.5cm (5ins) deep excluding seatboard. Provenance:The beneficiary of the Estate of a private collector; purchased at Bonhams, London, sale of Fine Clocks 12th December 2012 (lot 154) for £2,500 (including pendulum, weight and housed in a later oak case). John Hackings is recorded in Britten, F.J. BRITTEN'S Old Clocks & Watches AND THEIR MAKERS as being the successor to 'Henry Haines' (possibly Henry Haynes of Daventry who is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working circa 1753). Britten notes that Hackings worked for Professor Ludlam who, in 1759, wrote 'has worked for me constantly since mid-summer 1753; all my best tools were made by him; whatever has been done by him can be depended on.'. The Rev. William Ludlam was Professor of Mathematics at St. John's College, Cambridge who was appointed by the Board of Longitude as one of the six assessors to examine and report on John Harrison's marine timekeepers. Ludlam was born in Leicester in 1717 and, after a distinguished scholastic career retired there in 1768; he died in 1788. The present movement is described and illustrated in Hooper, John and Darken, Jeff English 30 Hour Clocks, Origin & Development, 1600-1800 pages 193-5. Within their description Hooper and Darken note that the front bush for the centre seconds arbor is removable, and that the hour ring is driven by a twelve-pointed star-wheel (positioned between the dial and the movement frontplate) pivoted concentric with the centre arbor. They close their entry by adding that it 'is interesting to speculate that Hacking made this journeyman's regulator for Ludlam'. This possibility is perhaps supported by the existence of a thirty-hour longcase clock with the engraved inscription MADE, under the Direction of W. LUDLAM M.A., by JOHN HACKINGS:, for Mr. James Priest, 1759 to the backplate, which is described and illustrated in Robinson, Tom The LONGCASE CLOCK pages 295-8. Condition Report: Movement appears all-original and in working condition exhibiting minimal wear to the pinions and some historic well-executed re-bushing to the pivot holes. The brass exhibits an overall mellow greeny-brown patination. The dial has overall greying and light rubbing to the silvering; the engraving is delicately executed with no apparent wear. The hands and seatboard appear original.Movement has an endless rope with wooden pulley and ring counter-weight fitted, there is no pendulum or weight present. Condition Report Disclaimer
Y A VICTORIAN BRASS MINIATURE SKELETON TIMEPIECEEDWARD THOMPSON, LONDON, MID 19th CENTURYThe single train chain fusee movement with wheelwork set between pierced stepped Gothic spire-shaped plates united by six columnar pillars, the anchor escapement regulated by heavy-bob pendulum swinging behind the plates to the rear opposing gilt Roman numeral chapter ring signed EDWARD THOMPSON, SLOANE ST. LONDON and steel spade hands to the front, mounted via four turned bell-shaped feet onto a cylindrical red velvet topped rosewood plinth with three bun feet.The clock 19.5cm (7.75ins) high, 10cm (4ins) wide, 7cm (2.75ins) deep; the clock and stand 27cm (10.625ins) high, 12cm (4.75ins) diameter at the base. Edward Thompson is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in London 1844-81.Condition Report: Movement is complete and appears all original. The mechanism is in working order however is generally somewhat dirty/discoloured hence a gentle clean and service is advised. The chapter ring has some minor patchy tarnishing and the hands have light surface rust otherwise dial is in good original condition. The feet have been filed to allow clearance for a dome cover; the rear left hand foot has been secured to the frame by solder. The plinth is in good condition, it has three screws applied near the upper edge to facilitate vertical tags to steady the dome (one tag is present, the other two are lacking). There is no dome present but one can probably be sourced from an inexpensive 400 day clock (dome internal dimensions would need to be around 4.25 inches diameter; 8.5ins high).Timepiece has a pendulum but no winding key. Condition Report Disclaimer
A GEORGE II/III SMALL PARQUETRY DECORATED ELM THIRTY-HOUR LONGCASE CLOCK OF FINE COLOURB. TIPTON, LUDLOW, MID 18th CENTURYThe four pillar countwheel bell striking single-handed movement with anchor escapement regulated by seconds pendulum, the 10 inch square brass dial with circular herringbone bordered nameplate engraved B:TIPTON, LUDLOW to the matted centre within applied Roman numeral chapter ring with diamond-lozenge half hour markers, with scroll-pierced blued steel hand and rococo scroll cast spandrels to angles, the case with inverted breakfront ogee and cavetto moulded cornice and diamond-lattice pierced frieze over three-quarter slender baluster turned uprights applied to the hinged glazed dial aperture, the sides with conforming half baluster columns flush mounted at the rear, the trunk with inverted breakfront cavetto throat moulding over slender break-arch caddy moulded door centred with a parquetry star within chequer-banded border, flanked by slender full-height fluted pilasters, the plinth also of inverted breakfront form with cavetto top moulding and caddy-moulded skirt.203cm (80ins) high, 49cm (19.25ins) wide, 30cm (11.75ins) deep. Benjamin Tipton is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Ludlow, Shropshire circa 1776. Condition Report: Movement is in clean working condition with no visible alterations or noticeable replacements. The dial has bright polished brass appearance hence has lost silvered finish to the chapter ring and signature plate; there is light some wear evident to the matting and the hand is probably a well made replacement.The movement rests on an old seatboard which is nailed directly onto the cheek uprights of the case which appear undisturbed. The seatboard is relatively thin (3/8ths inch), has two visible splits with the section across the front possibly being a well-matched restoration/replacement. The case is in good original condition and of particularly fine colour. The backboard has losses to each side behind the hood and the base is lacking infill strips to each side of the backboard (leaving gaps between the board and panel sides). The board has good length continuing down to just above the level of the skirting around the base. The plinth has some bumps and losses to the lips forming the lower edge of the cavetto top mouldings and the left hand fluted upright has an historic chip to the lower left hand corner. Damage otherwise is limited to moderate historic bumps, scuffs, wear and shrinkage commensurate with age and use.Clock has pendulum and weight, case key and winder are not required. Condition Report Disclaimer
Y A FRENCH LOUIS XVI STYLE GILT BRASS MOUNTED TORTOISESHELL 'PENDULE D'OFFICIER'THE DIAL BEARING A SIGNATURE FOR CORMASSON, CIRCA 1900The circular eight-day bell striking movement with platform lever escapement, the backplate stamped with serial number 5481 to centre left and with Samuel Marti, MEDAILLE D'OR, PARIS 1900 roundel to centre, the circular convex blue-on-white Roman numeral dial inscribed Cormasson, A Paris, 1784 to centre and with Arabic five minutes beyond the minute track, with fine scroll pierced and engraved gilt hands set behind hinged engine-milled convex bevel-glazed bezel, the case with hinged carrying handle in the form of a serpent issuing from a leafy bud to the concave superstructure applied with bead collar over oak leaf draped laurel wreath case mount to front, the dial interrupting the stepped rosette engraved top collar and the fascia with leafy mounts applied to the lower quadrants, the sides with generous oval rosettes and the rear with hinged pierced brass circular cover, the gilt brass edged base with bead decorated bun feet.18.5cm (7.25ins) high with handle down, 13cm (5ins) wide, 11cm (4.25ins) deep.Condition Report: Movement is intact however the platform escapement is a replacement, the going train will run but is prone to stopping hence a gentle clean/overhaul is required. The strike train winding click is inoperative hence strike cannot be wound; however the spring appears strong and the train will operated when motive force is held. Movement therefore requires a clean/service and most likely minor repair before putting into service. The dial has an edge bruise at 9 o'clock hence now has some poorly executed filling and concentric hairlines within the chapter ring. The case is in good original condition retaining all of its mounts with original gilding showing only light rubbing/spotting in places. The tortoiseshell veneers are also in fine condition with the only notable defects being some slight chipping to the lower edge at the rear and some light bumping/tiny chips to the rear top left.Clock does not have a winding key present. Condition Report Disclaimer
ÆŸ LEE, RONALD A.THE FIRST TWELVE YEARS OF THE ENGLISH PENDULUM CLOCK Or the Fromanteel Family and their Contemporaries 1658-1670 Exhibition catalogue printed by the author, London 1969, softbound with stapled spine.Condition Report: Volume is in good condition with staples still securing all pages. The cover has some slight rubbing and overall light to moderate browning; the front cover has a minor water drip mark to lower right. The pages show light creasing from thumbing through as well as a few minor thumb marks. Generally a good copy of this publication which tends not to age well. Condition Report Disclaimer
A LATE VICTORIAN/EDWARDIAN WALNUT FIVE-GLASS MANTEL TIMEPIECEUNSIGNED, CIRCA 1900The four columnar pillar single chain fusee movement with anchor escapement regulated by lenticular bob pendulum, the 5.5 inch square silvered brass Roman numeral dial with blued steel hands and foliate scroll engraved decoration to spandrel areas within a fixed silvered canted bezel surround, the case with bevel-glazed top panel to the tablet upstand over cavetto cornice and glazed front door, the sides with rectangular bevel-glazed panels and the rear with rectangular glazed door set within the frame of the case, the base with ogee-outline apron over moulded skirt with squab feet.33cm (13ins) high, 24cm (9.5ins) wide, 18cm (7ins) deep.Condition Report: The movement is in relatively clean working condition with no visible evidence of alteration or noticeable replacements. The dial has overall patchy discolouration/tarnishing and light wear around the winding hole otherwise is in good original condition. The case is in sound original condition with faults very much limited to a few slight bumps and scuffs.Clock has pendulum, a case key and winder. Condition Report Disclaimer
A GEORGE III BRASS MOUNTED MAHOGANY BRACKET CLOCK WITH TRIP-HOUR REPEATTHE DIAL BEARING INSCRIPTION FOR THWAITES AND REED, LONDON, CIRCA 1800The five pillar twin fusee bell striking movement with verge escapement regulated by short bob pendulum incorporating holdfast clasp to the basket-of-fruit centred symmetrical foliate scroll engraved backplate, the 8 inch circular cream painted Roman numeral dial now inscribed Thwaites & Reed, LONDON to centre and with gilt spade, the upper margin of the dial surround with N/S strike/silent selection switch, the break-arch case with hinged brass carrying handle to the brass-fillet moulded single pad top panel over complex moulded cornice, the hinged front panel fitted with convex glazed ogee cast brass bezel over brass fish scale lower quadrant frets flanked by brass edged front angles, the sides with conforming arched brass frets and the rear with break-arch door set within the frame of the case, on cavetto moulded skirt base with brass ogee bracket feet.40.5cm (16ins) high with handle down, 31cm (12.25ins) wide, 19.5cm (7.75ins) deep.Condition Report: Movement is in relatively clean working condition and has no visible evidence of alteration or noticeable replacements. The dial has been restored to a good standard as such the inscription for Thwaites and Reed cannot be relied upon. Other than some very light wear around the winding holes and some light surface dirt the dial is in fine condition. The case is generally in fine original condition with good quality figured veneers. The top is free of noticeable shrinkage cracking. The rear door has a small veneer patch repair to the upper left-hand corner otherwise faults to the case appear very much limited to a few minor bumps and scuffs, light shrinkage and other minimal age related blemishes. Clock has a crank winder and two case keys. Condition Report Disclaimer
A FRENCH EMPIRE ORMOLU FIGURAL MANTEL CLOCK 'AMOR'BLANC FILS, PARIS, EARLY 19th CENTURYThe circular eight-day countwheel bell striking movement with anchor escapement regulated by disc bob pendulum incorporating silk suspension regulation, the circular white enamel Arabic numeral dial signed Blanc Fils, Palais Royal to centre within vertically orientated numeral to chapter, with blued steel moon hands set within an engine-milled bezel, the case modelled with a figure of winged amor holding an arrow in his left hand and gesturing his right forefinger to his lips whilst leaning against an architectural pedestal housing the clock dial, the fascia with a mount cast with twin lovebirds supporting a banner inscribed AMOR to lower margin beneath anthemion scroll infill to upper quadrants, the top applied with Amor's quiver and bow, the rectangular platform base decorated in relief with scene of Amor and Cronos abord a swan-bow boat and the sides with rosette-centred laurel mounts, on compressed bun feet.32cm (12.5ins) high, 24cm (9.5ins) wide, 13cm (5ins) deep. Blanc Fils are recorded in Britten F.J. Old Clocks and Watches and Their Makers as working from Palais Royal, Paris, 1807-25.Condition Report: Movement is intact and with no visible evidence of alteration or noticeable replacements. The mechanism is in dirty/neglected condition however the going train will beat and the strike will operate when encouraged (but is intermittent when hands are moved forward). Generally the movement is dry/gummed-up hence gentle clean/service is required. The dial has some small shallow chips around the winding holes otherwise is in fine condition. The case is generally in fine original condition retaining strong original gilding exhibiting light to moderate gilt wear to edges/extremities. Amor's bow has a repaired break and is presently able to pivot on its fixing hence a slight 'rub' mark caused by the tip of the bow moving across the top of the platform.Clock has a pendulum and a winding key. Condition Report Disclaimer
A GEORGE IV TWELVE-INCH CELESTIAL LIBRARY TABLE GLOBEJOHN SMITH FOR RETAIL BY CHARLES SMITH, LONDON, CIRCA 1830The sphere applied with two sets of twelve hand-coloured engraved split half-gores incorporating oval panel inscribed A NEW, CELESTIAL GLOBE, COMPILED FROM THE WORKS OF, Wollaston, Flamsted, De la Caille, Havelius, Mayer, Bradley, Herschel, Maskelyne & c., by JOHN SMITH, Globe maker by appointment, TO HIS MOST, GRACIOUS, Majesty, GEORGE IIII, London, Made by J. SMITH, Strand, & Sold by C. SMITH, 172 Strand, the axis through the celestial poles, with fully graduated equatorial and ecliptic and the constellations depicted by mythical beasts and figures with dotted boundaries, the stars shown to nine orders of magnitude with clusters and nebulæ, labelled and numbered corresponding to the British Catalogue, the upper pole with brass hour dial and pivoted within brass meridian circle divided for degrees, set within hand-coloured engraved paper horizon ring with compass points and degrees in both directions, Zodiac, calendar scales and wind directions, the tripod stand incorporating four quadrants supporting the meridian ring over reeded squat baluster upright and downcurved supports, with vacant compass stretcher between and terminating with tapered feet.61cm (24ins) high, 44cm (17.25ins) diameter overall. John Smith is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as a globe maker working from 1 Angel Court, Surrey Street, Strand, London 1829-30 then 35 Leicester Square 1830-36. Charles Smith was principally a map publisher who worked from 1799. He was engraver to the Prince of Wales and started producing pocket globes during the Regency period. The business expanded (in competition with the Cary family then Malby) to become one of the leading publishers and retailers of globes during the latter half of the 19th century, mostly under the stewardship of his son who succeeded him in 1845.Condition Report: The globe generally presents as being in sound original unrestored condition with fairy light colouring and reasonably clear well-defined detail. The surface finish is flat and there is noticeable overall foxing most noticeably to the upper hemisphere. The top pivot has a small chip to the surface nearby and the lower has a small adjacent crack; globe is still solidly supported on the pivots. There is some noticeable browning to the joints between the gores which have opened slightly in a few areas. The stand is in good original condition with minimal spotting/discolouration to the horizon papers. There is no brass lower support for the Meridian ring present. The compass is lacking paper and needle and one of the small brackets applied each side of the quadrant supports for the Meridian ring is presently detached.Please note additional images are available which form an integral part of the condition report.Condition Report Disclaimer
A LATE VICTORIAN INLAID MAHOGANY MINIATURE LONGCASE TIMEPIECERETAILED BY MACMICHAEL, LONDON, CIRCA 1900The French eight-day single train movement with replaced platform lever escapement vertically planted on the backplate, the 3.25 inch circular white enamel Roman numeral dial inscribed MACMICHAEL, TO THE QUEEN, 42 SOUTH AUDLEY ST., W. to centre, with blued steel moon hands within gilt brass canted surround set behind a fixed bevel-glazed bezel, the arch-top case with fan inlaid infill to the cavetto bordered tympanum over repeating foliate scroll surround to the dial aperture and leafy motifs to quadrants, the integral trunk decorated with an oval fan patera suspended from husk and drapery swags within a rectangular raised cockbead panel, on cavetto moulded plinth base inlaid with an arched fan motif matching that of the pediment to front over a shallow skirt.54cm (21.25ins) high, 17cm (6.75ins) wide, 11.5cm (4.5ins) deep.Condition Report: Movement is complete and appears all original except for the platform escapement which is a replacement. The movement is currently 'gummed-up' with dry/sticky lubrication so will require a gentle clean before putting into service. The dial has a small area of cracking to the edge between the I and II numerals otherwise the enamel appears to be in good condition. The case is in sound original condition with notable faults limited to some shrinkage cracking to the left hand side. The finish is a little uneven faded and there is overall light age related wear, bumps and scuffs.There is no winding key present. Condition Report Disclaimer
A GEORGE III BRASS MOUNTED MAHOGANY BRACKET CLOCK THE DIAL BEARING INSCRIPTION FOR RIGBY, LONDON, CIRCA 1800The five pillar twin fusee bell striking movement now with anchor escapement regulated by lenticular bob pendulum, the backplate with bright-cut geometric border-engraved decoration, the 7 inch circular cream painted Roman numeral dial now inscribed Rigby, CHARING CROSS, LONDON, beneath 1801 to centre and with delicate pierced steel hands, the break-arch case with hinged brass carrying handle to the brass-fillet moulded single pad top panel over complex moulded cornice, the hinged front panel fitted with convex glazed stepped-ogee cast brass bezel over brass fish scale lower quadrant frets flanked by brass edged front angles, the sides with conforming arched brass frets and the rear with break-arch door set within the frame of the case, on cavetto moulded skirt base with brass ogee bracket feet.40.5cm (16ins) high with handle down, 28cm (11ins) wide, 19cm (7.5ins) deep.Condition Report: Evidence in the plates (a small group of vacant haoles) indicates that the movement was originally made with verge escapement regulated by short bob pendulum. The conversion to anchor escapement appears to have been executed early in the clocks life with minimal alteration to the plates hence could be re-converted back to verge leaving little evidence of the present escapement if desired. The bell stand has been repaired and there is a spere hole to eh left hand margin of the backplate left over from the holdfast hook for the verge bob pendulum. The movement otherwise appears to be in sound working condition however it is a little dirty/neglected hence a gentle clean service is advised. The dial has been refinished hence we cannot rely on the inscribed name (Rigby) being the maker of the clock; the finish exhibits light wear and scratching mainly around/near the winding holes. The hands are of nice quality and appear free of faults.The case is in good original unrestored condition. The veneer to the arch top is in fine condition with minimal shrinkage, the veneer capping the pad has slight wear to one corner. The front door has a filled key escutcheon and the carcass has filled recess from a lock being previously fitted; the door is now secured via a tongue engaging with a lock positioned to the left hand side of the case (with key-hole cut just in front of the sound fret). The right-hand side has a filled hole almost certainly for a trip=repat cord which is no longer in use. The rear door has some chipping and a patch repair to the veneer edge overlap and the lock is a little loose. The brass mounts (handle, mouldings, frets, bezel and feet) are fairly heavily tarnished/discoloured; case otherwise in very sound original condition with relatively few age-related faults and is of good colour.Clock has a pendulum, winder and a case key. Condition Report Disclaimer
A MATCHED PAIR OF GILT GORGE CASED MID-SIZED PETIT-SONNERIE STRIKING AND REPEATING CARRIAGE CLOCKSDROCOURT, PARIS FOR RETIAL BY J.W. BENSON, LONDON, CIRCA 1880Each with two train eight-day movement ting-tang sounding the quarters on a graduated pair of gongs and sounding the hour on the larger of the two, the going trains with silvered platform lever escapements regulated by sprung bimetallic balances, both backplates stamped with oval D C trademark for Drocourt next to the gong block, the first stamped with serial number 16949 to the bottom left corner and to the inside lower margin of the frontplate and the second numbered 18672 in conforming locations, each with rectangular white enamel Roman numeral dial with blued steel moon hands and Arabic five minutes beyond the minute track over conforming retail signatures J.W. BENSON, 25 Old Bond Street, LONDON to lower margins, the gilt brass gorge cases with hinged carrying handles over rectangular top glasses, trip-repeat buttons to front rails and channel-moulded uprights, on ogee-moulded skirt bases each incorporating STRIKING/SILENT selection switch to underside, (2).Each 12.5cm (5ins) high with handle down, 8cm (3.125ins) wide, 7cm (2.75ins) deep. Pierre Drocourt is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development with further additions and corrections from research undertaken by Leigh Extence (available online) as born in 1819 and setting up in business as a clockmaker in Paris in 1853. He initially worked from Rue Limoges (later called 28 Rue Debelleyme after the rationalisation and merger of Streets in 1865), Paris and was succeeded by his son, Alfred (born 1847), in 1872. The blancs roulants, rough movements, were made in Saint-Nicolas-d'Aliermont, a town outside Dieppe, where Drocourt had workshops until their sale in 1904, being premises purchased from Holingue frères in 1875 who had previously supplied Drocourt. The firm was awarded numerous international exhibition medals and mentions including Silver in Paris 1878 and Gold in 1889. The firm of J.W. Benson has its roots in the partnership between brothers James William and Samuel Suckley Benson which traded as watchmakers, goldsmiths and silversmiths in Cornhill, London from 1847 until 1855. James William Benson continued the business alone and opened a premises at 33 Ludgate Hill which quickly expanded to absorb number 34 as well. By the 1860's Benson was advertising his large and richly stocked shop with adjoining workshop specialising in the manufacture of clocks and watches as well as their repair. J.W. Benson exhibited at numerous international exhibitions including London 1862, Paris 1867 and subsequently at the 1885 'Invention Exhibition' where the firm unveiled its 'Patent Dust and Damp Excluding Band for Watches'. In 1872 J.W. Benson opened a shop on Bond Street; he died in 1878 however the business continued to expand under the management of his sons, Alfred and Arthur, with another shop on Ludgate Hill and steam powered factory in La Belle Sauvage yard opening in 1890.In 1879 the firm of J.W. Benson was awarded a Royal Warrant by Queen Victoria and in 1889 they acquired the business of the celebrated silversmiths and goldsmiths Hunt and Roskell. The business continued well into the 20th century however their factory was lost in a bombing raid during WWII; the Bond Street store continued trading until it was taken over by Mappin and Webb during the 1980's. The present lot is interesting in that the two carriage clocks are nearly identical but have a few detail differences which provide an interesting insight into the variations in production that occurred in the finishing of carriage clocks in the Drocourt Workshops at this time.Condition Report: Clock No. 16949 - movement is intact and appears free from alterations or noticeable replacements. The going train will run but is prone to stopping; strike train is also operational but the sequencing of the gong blows is 'muddled' suggesting adjustment/attention to the under dial work is required. Movement otherwise appears reasonably clean however a gentle clean/service and adjustment is required. The dial has a light hairline crack just visible in the extreme top right corner otherwise appears free from visible faults; the canted bezel surround has some discolouration to the gilding at the angles. The case has overall wear to the gilding and tarnishing to the brass where the gilding has worn through otherwise is in fine original condition with no visible chips to the glasses.Clock No. 18672 - movement is in very similar condition to that of the other example, hence requires a gentle clean/service and attention/adjustment to the strike mechanism. The dial enamel is free from visible damage/defects however the minute hand is probably a replacement; the canted bezel insert has similar (albeit lesser) discolouration at the angles. The case has noticeably less wear to the gilding otherwise is in the same condition as the other clock with no visible damage to the glasses.There is no winding key present with either example. Condition Report Disclaimer
A WILLIAM IV FIFTEEN-INCH TERRESTRIAL LIBRARY TABLE GLOBEG. AND J. CARY, LONDON, CIRCA 1832The sphere applied with two sets of twelve hand-coloured engraved split half-gores incorporating circular panel inscribed CARY'S, NEW, TERRESTRIAL GLOBE, Drawn from the most recent, GEOGRAPHICAL WORKS, shewing the whole of the New Discoveries, with the, TRACKS of the PRINCIPAL NAVIGATORS, and every improvement in Geography, to the present time., LONDON, London Published by G. & J. CARY, St James's Street, Jan'y 7th, 1832 to North Pacific, with extensively annotated and fully graduated equatorial and the Pacific ocean with an analemma for the TABLE of EQUATION, the oceans with many explorers' tracks and numerous notes and dates, Antarctica with minimal land shown including SOUTH SHETLAND, Powells Group and Sandwich Land, the continents with nation states faintly colour-outlined, showing cities, towns, rivers, mountains in pictorial relief, pivoted via the polar axis within brass meridian circle divided for degrees and with brass hour circle to North pole, set within engraved paper horizon ring with compass points and degrees in both directions, Zodiac, calendar scales and wind directions, the stand comprising four mahogany baluster turned supports united by a conforming cross-stretcher.53cm (21ins) high, 51.5cm (20.25ins) diameter overall. The celebrated Cary family business of scientific instrument and globe makers was established by John Cary at Johnson's Court, Fleet Street, London in 1782 moving to a new address at 'Corner of Arundel Square', Strand the following year. He was primarily an engraver of maps, charts and globes who moved again in 1783 to 188 Strand. By 1791 he had entered into what appeared to be a relatively casual partnership with his brother, William; this partnership lasted until circa 1816 by which time William and John Cary had moved again to 181 Strand before finally settling in 86 St. James in 1820. The following year he was succeeded by his sons, John (II) and George Cary, who continued from the firm's 181 Strand address until 1851/2 when the business was acquired by Henry Gould.Condition Report: Globe is generally in relatively original 'country house' condition. The sphere retains old colouring beneath a coat of relatively recently applied varnish. This recently applied coat of varnish is somewhat unevenly executed with a few light runs and sags. There is some historic damage beneath the varnish mainly old flaking to the original varnish and scuffing the worst of which being three vertical touched-in scratches passing through Europe down into Africa a large patch of previous varnish loss to the centre of Africa and a smaller area of similar damage to North America. There is also some concentric rubbing/scratching adjacent to the Tropic of Cancer and the equator (commensurate with something rubbing between the brass meridian ring and the globe itself whilst the sphere is being rotated. The bottom pole has some cracking, movement and slight losses around the pivot and the top has some slight opening to the gores beneath the hour circle. The meridian ring and hour circle are in good original albeit dirty/discoloured condition and the globe rotates comfortably without rubbing. The brass bottom mount (that locates with and hods the meridian ring steady) The stand is in sound original condition with the horizon papers complete and in comparable condition as the globe and the woodwork with relatively minor age-related bumps, scuffs and wear. Condition Report Disclaimer
A WIMSHURST PATTERN LABORATORY DEMONSTRATION ELECTROSTATIC GENERATING MACHINELEYBOLD-HERAEUS, COLOGNE, CIRCA 1975With twin contra-rotating perspex discs applied with foil tabs pivoted between wooden uprights incorporating pulley drive with crank handle to base, the centre of each disc supporting a fixed comb with wire brush terminals for the foil tabs and the rear with perspex beam fitted with a pair of pivoted arms with insulated handles opposing discharge spheres, with a pair of cylindrical Perspex Leyden jars set beneath incorporating pivoted 'switches' to allow charging via a further pair of pickup brushes engaging with the rear disc, on platform base; together with an instruction pamphlet printed in German and dated 0,5-09-75.The apparatus 43cm (17ins) high, 36cm (14.25ins) wide, 28cm (11ins) deep including crank handle.Condition Report: Mechanism is lacking drive belts and the Leyden jars are dry, otherwise instrument is complete and in good original condition exhibiting light surface oxidation etc commensurate with age and use.Condition Report Disclaimer
Y A FINE WILLIAM AND MARY OYSTER OLIVEWOOD AND FLORAL MARQUETRY EIGHT-DAY LONGCASE CLOCKDANIEL LE COUNT, LONDON, CIRCA 1685-90The five finned pillar outside countwheel bell striking movement with plates measuring approximately 7.25 by 5 inches and anchor escapement regulated by seconds pendulum, the 10 inch square brass dial with ringed winding holes, conforming decoration to the subsidiary seconds dial and scroll border-engraved calendar aperture to the finely matted centre within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes within the outer minute track, with fine scroll-pierced and sculpted blued steel hands, winged cherub head cast spandrels to angles and engraved Daniel Le Count Londini to lower margin, the case with architectural ogee moulded cornice incorporating swollen crossgrain frieze and ebonised mouldings over fixed glazed dial aperture flanked by opposing ebonised Solomonic twist three-quarter columns, the sides with rectangular windows and conforming quarter-columns set against bargeboards rising past the lintel to meet the cornice overhand at the rear, the slender trunk with convex oyster olivewood veneered throat moulding, over 42 inch rectangular door centred with an oval lenticle and with two break-arch bordered marquetry panels decorated with bird inhabited floral sprays and scrolling foliage into an ebony ground within an oyster olivewood field, further incorporating conforming shaped marquetry quadrant panels to upper corners and contained within an inset line border edged with ebonised half-round mouldings, the sides veneered with two panels of repeating oysters within crossbanded surrounds, the base with stepped ogee top moulding and fronted with conforming rectangular marquetry panel decorated with floral blooms into an ebony ground over ebonised bun feet.197cm (77.5ins) high, 47cm (18.5ins) wide, 26.5cm (10.5ins) deep. Daniel Le Count is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as most likely being a Huguenot refugee from France who was first made free of the Haberdashers' Company before becoming a Free Brother of the Clockmakers' Company in 1676. He took on at least five apprentices including one through Nicholas Coxeter (Charles Ekins in 1677) and two through William Speakman (James Way in 1681/2 and Daniel Lefebure in 1686). Daniel Le Count is thought to have married twice with two children, Daniel and William, born to his first wife, Mary in 1676 and 1677 respectively. He married his second wife, Ursula, at St. James's, Dukes Place in 1681/2 with whom he had a daughter, Judith. In 1695 the Le Count family were recorded as living in the parish of St. Bartholemew by the Exchange and, in 1697, he signed the Clockmakers' Company oath of allegiance. Daniel Le Count attended council meetings until 1705; he died in 1738 and was buried at Spitalfields.Condition Report: The movement is in relatively clean working condition and appears all-original with no visible evidence of alteration or noticeable replacements. The collet to the third wheel of the going train has been 'turned down' probably to allow the wheel to be moved along the arbor a fraction so mitigate wear to the next pinion in the train. Indeed pinions show overall evidence of historic wear however this has generally been mitigated by moving the wheels along their arbors a fraction so that they mesh with unworn parts of the pinions - an accepted practice in the conservation of early movements hence does not detract from the clock in anyway. The dial is also in good original condition. The matting is particularly fine, there is a visible rivet mark next to the calendar aperture (for a calendar wheel carrier post) and the two lower dial feet attachment points are just visible within the inner edge of the chapter ring. The silvering to the chapter ring has overall light to moderate patchy discolouration/tarnishing. The hands are finely worked and in good condition, the spandrels are also well finished and appear original. The movement is fixed on what appears to be the original seatboard which in-turn rests directly onto the cheek-uprights of the case indication that the movement and dial are most likely original to the case. There is a movement securing bracket fitted tom the movement backboard which corresponds to a bracket on the rear of the movement however the securing thumbscrew in now missing.The case appears to be in fine original condition although it is likely that it has seen some cosmetic attention to the finishes at some point in the past. The hood is in original condition (no evidence of the front being cut for a door) retaining the grooves for the rising action to the rear edges. The structure exhibits age-related shrinkage as do the veneers and crossgrain mouldings. There is a small loss to the front right-hand corner of the frieze cushion mouldings as well as to the veneer lining the edge of the left hand rear bargeboard otherwise faults are very much limited to age related shrinkage and a few minor historic bumps and scuffs. The backboard has replacements to each side behind the hood incorporating 'tongues' for the rising action; it is possible that at some point the tongues had become broken or were removed to allow the hood to be removed by drawing forwards. There is a spoon locking mechanism present as well as a sprung latch to secure the hood in raised position - both of these appear genuinely old and undisturbed so are most likely original.The trunk and base are in similar condition to the hood with historic shrinkage and movement but no visible evidence of alteration or replacements. The backboard continues down to border the lower edge of the base and, with the exception of having a baton screwed to the inside lower edge, appears undisturbed. The structure of the base also appears undisturbed; the fascia has horizontal shrinkage cracking but no noticeable losses to the marquetry veneers. The trunk door retains original locks and hinges and has slight shrinkage to the joints between the clamps and the board to both the upper and lower margins; this is to be expected and again there are no visible losses to the veneers. The lentical glass is cracked. The sides have a few small historic veneer patch repairs to the rear edge otherwise faults are limited to age-related shrinkage. The front door has some blooming to the finish. The marquetry also has reddy-brown highlights which are probably an old attempt to add contrast to the finish; there is raised 'roughness' to the joints within the marquetry indicating that the present surface has serious age hence any refinishing/cosmetic restoration was undertaken a long time ago (the plinth veneers are in conforming condition).Generally the present clock presents as a fine original example that appears to want no more than some attention to the finish of the case and a gentle service to the movement.Clock has a pair of brass cased weights, pendulum, a crank winder and a case key. Condition Report Disclaimer
A GEORGE II TORTOISESHELL JAPANNED EIGHT-DAY LONGCASE CLOCK WITH ROCKING FIGURE AUTOMATONPETER KING, LONDON, MID 18th CENTURYThe five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and signature plate engraved Peter King, LONDON to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with scroll-pierced blued steel hands and female mask and scroll cast spandrels to angles, the arch with circular aperture revealing a engraved silvered brass figure of Chronos rocking back and forth with the motion of the pendulum against a painted starry sky background, the silvered border inscribed TEMPUS FUGIT flanked by dolphin case mounts, the mottled iron-red and dark brown/black japanned case with moulded cornice and gilt lattice trellis painted upper quadrant infill over hinged glazed dial aperture decorated with gilt scrolling decoration and flanked by three-quarter columns to front angles, the gilt foliate spray decorated sides with rectangular glazed apertures and conforming quarter columns set against bargeboards at the rear, the trunk with rosette-centred gilt leaf painted throat over break-arch door decorated in raised polychrome and gilt with oriental figures within a stylised trellis landscape over lion to lower margin, the surround with gilt trellis upper quadrant infill and scroll-banded borders, the sides with large leafy sprays, the plinth base with further figural landscape panel over a tall moulded stepped skirt.221.5cm (87.25ins) high, 54.5cm (21.5ins) wide, 26cm (10.25ins) deep. Peter King is recorded Baillie, G.H. Watchmakers & Clockmakers of the World as working from Great St. Andrews Street, London 1715-35.Condition Report: Movement is in clean working condition with no visible evidence of alterations and replacements limited to the escape wheel and pallets which are probably 19th century 'service' replacements (due to the originals becoming worn). The dial has some slight patchy discolouration/tarnishing to the silvering and slight wear/rubbing to the background of the rocking figure otherwise appears to be in good original albeit clean condition. The hands are nicely worked and exhibit strong blued finish. The movement and dial retains what appears to be the original seatboard which rests directly onto the cheek uprights of case (which appear undisturbed) hence it is most likely that the movement and dial are original to the case.The case is generally in sound original condition with some evidence of relatively light cosmetic restoration. The hood probably originally had a caddy superstructure; the upper quadrant panels and the columns are almost certainly well-executed restorations/replacements. The backboard is made from two boards butt-jointed together; this joint has opened hence there is an open crack from top to bottom necessitating batons to be screwed to the rear of the case. The door retains its original lock and hinges. The base has moulded skirting applied over the bottom two inches or so of the decorated fascia (obscuring the lower part of the panel) however the rest of the panel appears to survive behind the skirting.Faults to the case are otherwise very much limited to minor bumps, scuffs, shrinkage, wear minor repairs and other blemishes commensurate with age and use.Clock is complete with pendulum, two weights, case key and crank winder. Condition Report Disclaimer
AN UNUSUAL AUSTRIAN BIEDERMEIER CARVED PARCEL GILT FIGURAL MANTEL CLOCK WITH 'ROCKING EYE' AUTOMATONUNSIGNED, PROBABLY VIENNA, SECOND QUARTER OF THE 19th CENTURYThe four pillar twin standing barrel gong striking movement with anchor escapement regulated by disc bob pendulum with silk suspension and incorporating wire take-off for the rocking eye automaton, the 4.25 inch dial with openwork centre incorporating gilt brass automaton figure of Amor sharpening an arrow with his left leg operating a foot crank driving the grinding wheel motioning whilst the clock is striking the hour, within white enamel Arabic numeral chapter ring incorporating vertically aligned numerals and with blued steel moon hands set behind a hinged engine-milled brass convex glazed bezel, the parcel gilt and simulated patinated bronze carved wood case modelled as a gentleman hurdy-gurdy player wearing a broad-rimed hat, jacket and breeches seated astride of the dial on a rocky outcrop with his eyes rocking side to side to the motion of the pendulum, on stepped mahogany skirt base with leaf carved shallow ogee mouldings to lower tier over disc feet.45cm (17.75ins) high, 32cm (12.5ins) wide, 15cm (6ins) deep.Condition Report: Movement appears all-original and is in relatively clean working condition. There is no visible evidence to suggest that the movement is not original to the case. The dial has some light hairline cracks to the enamel chapter ring otherwise is in fine original condition with the automaton complete and operational. The case is in fine original condition with the linkages for the rocking eyes present and in working condition. The case is complete with its original rear covers.Clock is complete with pendulum and a winding key. Condition Report Disclaimer
A PAIR OF FRENCH LACQUERED BRASS COMPASS DIALSUNSIGNED, EARLY 19th CENTURYEach with printed paper scale incorporating sixteen-point rose labelled with the four principal cardinal points within outer track annotated in ten degree increments and divided for every five, the half blued steel needle with jewelled pin pivot set behind glass secured to the cylindrical case via an engine-milled bezel.Each 5.7cm (2.25ins) diameter, 1.5cm (0.625 ins) high. Condition Report: Both with some light foxing/browning to the paper scale as well dust ingression. the cases with slight wear/discolouration to the lacquered finish only.Condition Report Disclaimer
A FRENCH GILT AND CLOISONNE ENAMEL CARRIAGE TIMEPIECE AND BAROMETER WITH COMPASS AND THERMOMETERTHE TIMEPIECE BY DUVERDRY AND BLOQUEL, CIRCA 1890The eight-day single train movement with replaced gilt platform lever escapement regulated by sprung monometallic balance and stamped with the 'lion' trademark for Duverdry and Bloquel to backplate, the circular blue on cream Arabic numeral dial with vertically orientated numerals and blued steel hands set within a rectangular polychrome cloisonne enamelled mask decorated with scrollwork on a powder blue ground, the aneroid barometer mechanism set beside the timepiece constructed with vacuum chamber and rack motionwork within plates united by four pillars matching those of the timepiece, the circular blue on cream register calibrated in millimetres of mercury and with weather observations in French, with blued steel pointer and set within an enamel mask matching that of the timepiece, the bevel-glazed frosted gilt brass case with reeded T-shaped carrying handle over convex glazed circular escapement aperture opposing a conforming silvered brass compass with eight points annotated in French, the angles with button finials over projecting reeded columns to angles joined by bands of blue ground enamel scrollwork to frieze and apron, the centre with silvered mercury tube CENTIGRADE thermometer set between conforming subsidiary pilasters to front, the sides with glazed panels and the rear with conforming twin doors with blind panel between, on turned feet applied to the projecting angles.16cm (6.25ins) high, 16.5cm (6.5ins) wide, 7cm (2.75ins) deep. The clockmaking factory of Duverdry and Bloquel is noted by Leigh Extence as originally founded by Albert Villon in the town of Saint-Nicolas-d'Aliermont in 1867. Paul Duverdry joined the firm as a director in 1887 followed by Joseph Bloquel in 1910.Condition Report: Timepiece movement is in relatively clean working condition and appears all original except for the platform escapement which is a modern replacement. The barometer mechanism is also in relatively clean working condition (has been 'bag tested' and response to change in pressure observed). The enamel disc of the timepiece dial has a light vertical hairline crack travelling from the centre up through the 12 numeral otherwise both dials are free from visible faults. The case is in fine condition with no visible damage to the enamel or noticeable chips to the glasses. The thermometer is intact and working with only some slight mellowing to the silvered scale. The gilding is in fine condition exhibiting minimal wear/discolouration.Timepiece has a winding key. Condition Report Disclaimer
AN EARLY VICTORIAN TWELVE-INCH TERRESTRIAL FLOOR-STANDING LIBRARY GLOBEPUBLISHED BY S.S. EDKINS SUCCESSORS TO T.W. BARDIN, SOLD BY J. SOUTER, LONDON, CIRCA 1837The sphere applied with two sets of twelve hand-coloured engraved gores and polar calottes incorporating circular panel inscribed THE, NEW TWELVE-INCH, BRITISH, Terrestrial Globe, REPRESENTING THE, ACCURATE POSITION OF THE PRINCIPAL, KNOWN PLACES OF THE EARTH., FROM THE DISCOVERIES OF, CAPTAIN COOK, AND SUBSEQUENT CIRCUMNAVIGATORS, TO THE PRESENT PERIOD, 1837 over applied curved label J. Souter, School Library, 151 Fleet St. London to North Pacific, with extensively annotated and fully graduated equatorial and the Pacific ocean with THE ANALEMMA for the equation of time, the oceans with many explorers' tracks and numerous notes and dates, Antarctica with no land shown except for Enderby's Land dated 1833, the continents with nation states faintly colour-outlined, showing cities, towns, rivers, mountains in pictorial relief, pivoted via the polar axis within brass meridian circle divided for degrees and with brass hour circle to North pole, set within hand coloured engraved paper horizon ring with compass points and degrees in both directions, Zodiac, calendar scales and wind directions, in a stand with four down-curved quadrant supports cradling the globe over vase-turned upright and three outswept supports united by glazed compass stretcher inset with paper printed with elaborate thirty-two point rose within outer scale divided for degrees, terminating with ball feet.88cm (30.5ins) high, 43cm (17ins) diameter overall. The present globe is a known edition by S.S. Edkins (successors to T.W. Bardin). The lower margin of the roundel is applied with Souter's address over the original printed text 'Manufactured by S.S. Edkins Son in Law and Successor to the late T. M. Bardin Salisbury Square London'. William Bardin (1783-98) was a freeman of the Leatherseller's Company who starting making globes in around 1780. His first globes were 9 and 12 inch diameter published in collaboration with Gabriel Wright on 1st January 1782. Wright was a mathematical instrument maker who had previously worked for Benjamin Martin who, in turn, had acquired the plates of Senex's celebrated globes from James Ferguson. William's son, Thomas Marriott, is recorded in Clifton, Gloria Directory of Scientific Instrument Makers 1550-1851 as a globe maker apprenticed to his father, in 1783 with whom he went into partnership in 1790. Bardin and Son initially worked from 4 Hind Court, Fleet Street, London before moving to 16 Salisbury Square in 1975. William Bardin died in 1795 leaving the business in the hands of Thomas Marriott. The firm was taken-on by Thomas's daughter, Elizabeth Marriott, after his death in 1820 and then by her husband, S.S. Edkins. on their marriage in 1832. They took a son into partnership in 1848 and the business continued until shortly after S.S. Edkins's death in 1853. J. Souter appears not to be recorded in the usual sources however online sources suggest that they were specialist publishers and retailers of books and maps for educational purposes and were established before 1820.Condition Report: The glove is generally in good original condition with no visible cracks or noticeable losses/infilling to the gores. The gores have noticeable opening between the sections with some noticeable related staining to the edges. Otherwise notable faults are essentially limited to some historic mottling, greying/blooming to the upper surfaces. The current varnish appears relatively recently applied and is quite 'shiny'. Although the standi is contemporary to the globe we cannot offer any assurances that it is original to the globe. The meridian papers are quite light in colour but in sound condition with minor wear and some visible shrinkage to the ring beneath visible through the papers. There is no brass mount for the meridian ring (just a raised slot in the top of the columns) and one foot has a small spliced repair to the tip. The compass appears in good condition although the paper has probably been 'washed'.Please note additional images are available which form an integral part of the condition report. Condition Report Disclaimer
Y A WILLIAM IV BOULLE LYRE-SHAPED CARRIAGE OR MANTEL TIMEPIECEDWERRIHOUSE, OGSTEN AND BELL, LONDON, CIRCA 1830The circular three pillar eight-day going barrel movement with underslung English lever platform escapement regulated by sprung monometallic balance, the backplate signed DWERRIHOUSE, OGSTON & BELL towards the upper margin, the 3.375 inch circular gilt Roman numeral dial with radial engine-turned centre and further signed DWERRIHOUSE, OGSTON & BELL to lower margin, with blued steel moon hands set behind hinged convex glazed gilt brass bezel with engine-milled insert, the lyre-shaped case with foliate cast and chased hinged gilt brass carrying handle applied to the leafy scroll engraved brass and tortoiseshell marquetry top panel positioned between out-swept side projections, over rosewood band to frieze, half-round mouldings bordering the dial aperture and concave sided cradle decorated with further brass marquetry scrollwork to front, the red-stained shell veneered sides following the curved outline of the front, the rear veneered in rosewood and incorporating a shaped downward-hinged door inset with a scroll-pierced and engraved brass sound fret, on skirt base applied with acanthus cast gilt brass upper mouldings over brass marquetry decoration to front and engine turned bun feet.22cm (8.5ins) high with handle down, 16.5cm (6.5ins) wide, 10cm (4ins) deep. The partnership of Dwerrihouse, Ogston and Bell are recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working at Davies Street, Berkeley Square, London in 1832-35.Condition Report: The movement is complete and in clean condition with no visible evidence of alteration or noticeable replacements. The movement is fully wound and the escapement is intact and will beat a couple of times when encouraged however the clock is currently not running most probably due to being 'gummed-up' with dry/sticky lubrication. Therefore a gentle clean/service is almost certainly all that is required to bring it back to reliable working condition. The dial is in fine original condition exhibiting only light mellowing/oxidation to the surface and slight rubbing to the signature area.The case generally has survived in very good original condition with no losses or noticeable lifting to the brass marquetry. The tortoiseshell veneers to the curved elements are in very good condition with a small patch pf lifting/delamination to the inside face of the left hand side projection and another to the right hand side around the 2 o'clock position. There is a small veneer loss/chip to the upper edge of the lower side scroll moulding to the right-hand side; the left-hand side has a larger chip to the leading edge of the same lip and two small corner chips and slight movement to the same section below. The lower vertical faces edges of both these mouldings are lacking thin finishing strips of veneer. The skirting is in good condition with only two very small edge chips to the right-hand side. The rear has some overall light but noticeable shrinkage cracking to the rosewood veneers otherwise is in good condition.Timepiece has a case key and a winder. Condition Report Disclaimer
A FINE GEORGE III INLAID SATINWOOD QUARTER-CHIMING EIGHT-DAY LONGCASE CLOCK IN THE SHERATON MANNERJAMES WILSON, LONDON, CIRCA 1800The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum and chiming the quarters on a graduated nest of eight bells, the 12 inch circular single-sheet silvered brass Roman numeral dial with subsidiary seconds dial, calendar aperture and signed James Wilson, London to centre, with pierced steel hands, Arabic five minutes to outer track and N/S strike selection lever at three o'clock, the case modelled on a design by Thomas Sheraton with gadrooned-carved ebonised cushion-shaped pad to the concave-sided pediment incorporating a basket-of-flowers decorated oval marquetry cartouche to fascia, over satinwood panel frieze and square hood door with brass bezel-edged circular glazed dial aperture bordered by oak-leaf inlaid quadrant panels within chevron edged crossbanded surround, flanked by slender reeded inverted baluster carved ebonised free-standing columns with leafy caps and bases continuing up past the frieze to support giltwood stylised pineapple finials, the sides with scroll-pierced rectangular sound frets and conforming ebonised half columns applied against bargeboards to the rear, the trunk with concave moulding over satinwood panel to throat and slender break-arch door veneered in satinwood centred with inlaid concentric circles within complex ebonised edge mouldings and flanked by inset ebonised slender baluster columns matching those of the hood to front angles, the plinth base with cavetto top mouldings over banded frieze and fascia centred with a shaped satinwood panel incorporating oval cartouche inlaid with floral still life, flanked by projecting reeded pilasters terminating with squat tapered feet with conforming banded frieze to lower edge of the panel between.227cm (89.5ins) high, 48cm (19ins) wide, 25.5cm (10ins) deep. James Wilson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as gaining his freedom of the Clockmaker's Company in 1781 and working in Westminster, London until 1824.The case of the present clock is particularly interesting in that it clearly follows a design by Thomas Sheraton published in his 1802 publication the Cabinet-Maker and Upholsterer's Drawing Book'.Condition Report: Movement is complete with no visible evidence of alteration or noticeable replacements. Although it will run, strike and chime (once set-up) the mechanism is somewhat dusty/discoloured hence a gentle clean/overhaul is advised prior to putting into service. The dial has some slight spotting/discolouration to the silvering and light scratching around the winding holes otherwise is in good condition with minimal wear and rubbing to the engraving. The hands appear undamaged.The movement retains its original seatboard which rests on undisturbed cheek uprights hence movement and dial are original to the case. The case generally is in sound condition with faults mainly limited to minor bumps, scuffs, light shrinkage and other age-related blemishes. The superstructure has a centre hole indicating that a third finial was fitted at some point (no longer present). The front upper corner of the plinth is missing small length of ebonised moulding to the top of the projection strip pilaster. The plinth front panel has a horizontal shrinkage crack across the centre and the right hand hood fret has a small loss.Clock has pendulum (suspension spring lacking) three weights, a case key and a crank winder. Condition Report Disclaimer

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