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534310 Los(e)/Seite
Los 326
A 9 carat yellow gold Lodge Temperantia 4088 jewel, on light blue ribbon, with a silver-gilt set square beneath; a Royal Masonic Institution for Boys 1933 Steward jewel; a Founder Tudor House Lodge No. 8481 jewel, marked silver, on light blue ribbon; and two metal cross daggers, one marked 8481, both 12cm.Qty: 5
Los 40
Pair of Continental porcelain twin-light candelabra, the scrolled branches with applied flowers raised on a floral stem, each with models of Cupid standing on the Rococo bases, 33cm.Qty: 2Condition report:One Cupid is missing its fingertips. The same candelabra has been repaired. The other Cupid is missing its thumb. Please see additional uploaded images.
Los 514
Joined oak coffer, later carved with three panels of lozenge design, leaf motif borders, width 114cm, depth 50cm, height 62cm.Condition report:There is a part of the side of one leg missing, and there is some restorations to the sides. There is some light signs of old worm. The lock has been replaced but there is no key. The top plank is starting to separpate. There inside has no shelf. Light rubbing and chipping to the edges and the corners.
Los 520
Pair of modern elm and yew wood Windsor armchairs, pierced vase backs, turned legs, with crinoline stretchers.Qty: 2Condition report:Both are comfortable to sit in. The height to top of seat is 44cm, the widest part is 50.5cm, they are 103cm to top of the back. Both are slightly twisted and legs dont sit quite flat to the floor. Otherwise no cracks or damages, just light rubbing to the edges. Please see the added photos online.
Los 189
VINTAGE BLACK METAL CASED RAILWAY RED ILLUMINATING TAIL LIGHT 'Dependence', by J & R Oldfield Ltd, type No. 540 two angled forward facing bevel glass windows, complete with paraffin burner and porcelain wick guide with brass maker's plate, Patent No 20060-14395/11, 22cms H and a vintage steel and brass cased miner's lamp, Patterson Lamps Ltd type A1 mining lamp, oval brass plaque to the cowl stamped '393', the brass marked 'Patterson Lamps, Gateshead on Tyne, Type A1 Approved', 28cms H
Los 214
VICTORIAN BRASS & METAL COACHING LAMP stamped 'Patent No 2070' and another coaching lamp with sprung fed candleholder, 46cms H, both with brackets, a gilded metal wall sconce fitting for an oil lamp, 33cms H, 38cms W, a vintage McWhirter, London, cylindrical water urn with domed cover, brass finial and tap, 48cms H, a mahogany single door wall cupboard, 38cms H, 27cms W, 14.5cms D and a circular ceiling light fitting with cut glass drops, 30cms diameter
Los 369
LOVATTS LEADLESS GLAZE a set of three graduated jugs, light blue bodies, dark blue necks and handles, 18cms H the tallest, 19th century blue and white transfer decorated tableware including oval serving plates, warmer plate, shaped oval dish on pedestal stand, a German stoneware pewter lidded jug, 29cms H, ETC
Los 1
2018 SEAT Ibiza 1.0 TSI 95 FR (EZ) 5-Door, Mediterranean Blue, Petrol, Manual, Start/Stop, Registration Number NA68 UPH, Mileage 2,864 (two thousand eight hundred and sixty four miles), Only 1 key, Without V5 Document, MOT Expired 25 January 2023, No Service History, Fitted With Brand New Battery. CONDITION REPORT: The vehicle has been in a collision which has damaged both doors on the near (passenger) side. There are other minor bodywork imperfections to the rear bumper, driver's door handle, etc. Amber EPC warning light showing. Also Start/Stop System error message showing on display panel. The MOT report from 26 January 2022 verifies mileage then at 2,845. Brand new battery fitted on 16 February 2023 at a cost of £146.40
Los 268
A Wedgwood turquoise Florentine W2714 pattern part dinner service, 20th century, Portland Vase printed mark to underside, comprising: two oval platters, the largest 38.5cm long, a rectangular twin handled tray, a gravy boat and saucer, eight dinner plates, 26cm diameter, eight salad plates, eight cake plates, eight side plates, eight pudding bowls, and seven twin handled soup bowls with eight associated saucers (lot) Condition Report: Some light signs of prior use. Light scratching to the porcelain on most plates, some surface dirt and staining, no obvious defects or damage detected.
Los 273
An English porcelain white figure of a monk, c.1755, probably Bow, modelled standing on a mound base, holding a book in his right hand, 17cm highProvenance: The Property of John Kenworthy-Browne FSA.Note: An example of a monk, very similarly modelled but without the book in his right hand, is held at the Victoria and Albert Museum, London, museum no. C.239-1940.Condition Report: A couple of firing cracks to the base and underside. A small loss to the back of the monk's hood. General pitting and bubbling of glaze to the whole figure, and some areas of light staining. Fingers and face are intact.
Los 276
A Bow porcelain Commedia dell'arte figure of a drummer, c.1760, probably Mezzetin, modelled seated on a tree-stump, wearing a cloth striped hat, cloak and flowered breeches, the scroll-moulded base applied with flowers and leaves, on three scroll feet, 22 cm highProvenance: The Property of John Kenworthy-Browne FSA.Condition Report: Examined under UV. The figure has been broken in several places and restored, UV light reveals restorative glaze around both arms and across the upper body and base. The end of the instrument held up to the drummer's face has been broken off. A hole and a couple of firing cracks to the base. Some loss of colour to a couple of leaves at the base, and several small losses to the leaves and flower petals of the encrusted flowers around the base. Small nicks and losses of glaze to the cloak
Los 341
An Italian Pietra Dura panel of a Venetian capriccio, 19th century, inlaid in various hardstones, with an arcaded building, obelisk and various figures, in a gilt-bronze frame, 33 x 40.5cm, 42 x 49.5cm overallCondition Report: One hairline crack across the blue sky from the finial of the building through to the wood rod to the left of the scene. A few light marks to the surface that do not detract from the overall visual appeal of the panel. The frame with small nicks and light wear and rubbing to gilding. The reverse of the frame with general knocks and scratches, several drill holes, the back board with a couple of cracks and signs of old woodworm, the iron bar framing device intact. The back has been removed to inspect the verso but the panel has not been removed from the frame. The reverse of the panel is not inscribed.
Los 349
A Battle of Waterloo chess set, designed by La Bottega Del Vasari, last quarter 20th century, comprising 32 gold and silver coated bronze pieces, from 11cm high to 13cm high, with inlaid marble and onyx board, the bronze, silver, and gold base resting on four canons, with La Bottega del Vasari Certificate of Authenticity, limited edition no. 142 of 200, approx. 11.2cm high, 60.7cm wide, 61.5cm deepCondition Report: The gold and silver covered bronze frame has a stress split to one corner which would require professional restoration, and the frame overall is warped and does not sit flush. The frame has various scratches and light wear. The marble and onyx board has various deep scratches and marks to the checkerboard from contact with the pieces, one corner has a loss, and there are various small chips and losses to the edges, the underside of the marble similarly scratched and inscribed 'WATERLOO' with a pencil. Several of the chess pieces have slightly bent or warped accoutrements, including flags, staffs and sabers, crenellations on castles. One chain link of one of the English castles is broken, the grips of the sheathed sabers of the French knights are missing. General light wear to each of the figures.
Los 35
An Edwardian silver condiment set, London, 1903, Goldsmiths and Silversmiths Co., comprising two fluted peppers and a salt on trefoil stand, together with a lighthouse-style Victorian silver pepper mill, Birmingham, 1896, Hukin & Heath, 7.5cm high; an Asprey & Co. pierced silver bottle coaster with turned wooden base, London, 1985, 12.7cm dia.; two silver plated mustard spoons and two silver-handled butter knives, weighable weight approx. 7.3oz (a lot)Condition Report: Weight includes Edwardian silver condiment set only. Edwardian silver condiment set: good overall condition commensurate with age. Some tarnish and corrosion spots. Salt liner deficient. Maker's marks slightly rubbed to pepper shakers. Coaster: very good condition. Some light marking to wood. Hallmarks clear. Felt underside in good condition. Pepper mill: untested. Good overall condition but some bruising, nicking and surface scratching noted. Ding to upper section. Spoons: heavy tarnish in places. Bending to stem of one. Butter knives in good overall condition. Marks rubbed to one and some nicking to handle
Los 360
Greenwood, Charles and John, Map of London, An Actual Survey made in the Years 1824, 1825 & 1826, engraved by James & Josiah Neele, 352 Strand, published by Greenwood, Pringle and Co., 13 Regent Street, Pall Mall, London, August 21, 1827, large engraved hand-coloured folding map, dissected and backed onto linen, with calligraphic cartouche and table of explanation, dedication to George IV, and engraved views of St Paul's Cathedral and Westminster Abbey, framed and glazed, 123cm x 184cmProvenance: Property from the estate of the late David Cornwell, best-known as the author John le Carré.Condition Report: Has not been examined out of the frame. There are numerous areas of damage and wear to include: tearing, creasing, and folding to edges of dissected sections, visible linen is stained brown. Some general discolouration with some light marks, to include scuff marks and light brown marks to lower centre. Tearing and discolouration to centre fold. 'Top Front' written in pencil to top right. There are later light ink marks, to include pink, yellow and blue demarking areas to the centre, and there are red wax marks. Some spotting to include lower left.
Los 366
Churchill, Winston S., A History of the English-Speaking Peoples, `Chartwell` edition first printing, 4 Vols., dark blue cloth gilt, Vol. 1 signed in ink by the author, London: The Educational Book Company Ltd, 1956-58; together with The War Speeches of the Rt. Hon. Winston S. Churchill, Compiled by Charles Eade, 3 Vols., navy cloth gilt, with dust covers, Vol. 1 inscribed by Churchill's wife Clementine To wish you a Happy Christmas dear Miss Pullinger from Winston & Clementine 1956, London: Cassell & Company Ltd., 1951-1952 (7)Condition Report: Provenance: Given to Miss Pullinger by the Churchills, thence by descent to her daughter, from whom they were acquired by the present vendor. Condition: generally in good condition, some light foxing to the endpages, a few page corners of volume four of the History of the English Speaking Peoples have been turned inward. Some wear to the cloth boards and foxing to dust covers.
Los 370
A French gilt-bronze and cloisonné enamel six-light chandelier, c.1880, in the manner of Barbedienne, the corona suspending linked rods supporting the hexagonal lower tier with scrolling branches, drilled for electricity, approx. 43cm high, 35cm diameterIt is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Condition Report: The gilded elements are tarnished overall and would benefit from a gentle clean. The cloisonne in good condition. The drip pans are drilled to accommodate an electric wire, the sockets have a drilled thread where a fitment has been positioned. The chandelier is not wired for electricity. One branch is a little loose but only needs the screws tightening. It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
Los 371
A French gilt metal and glass opaline glass six-light chandelier, late 19th century, with beaded glass mounted scrolling supports and pear shaped opaline glass drops, approx. 40cm high, 43cm diameterProvenance: Property from the estate of the late David Cornwell, best-known as the author John le Carré.It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
Los 372
A Victorian gilt-bronze and cut glass six-light chandelier, late 19th century, hung overall with faceted drops and chains of beads, the corona with vine leaves and grapes, the circlet cast with scrolls and mounted with bearded masks, the scroll branches supporting hobnail cut sockets and drip pans, 110cm high, 70cm diameterIt is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Condition Report: Two of the cut-glass sockets are broken where they sit in the top of their respective branches. They require attention to fix back into place. Some detached single drops and chains of faceted drops. There may be gaps where some drops are missing. The top of the circlet with multiple holes, some of which hold wires for the chains of drops, other are vacant. There are also stamped numbers and dot to the top of the circlet.The frame is tarnished overall consistent with age and use. Some elements of the chandelier are probably later associated. It has been wired for electricity with the wires running through the central fitment, along the outside of the branches and up through the cut-glass drip pans and over the edge of the sockets. The glass elements have not been drilled.It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
Los 373
AMENDMENT: Please note these are twin-light wall appliquesA set of four wall gilt-bronze and cut glass three-light wall appliques, late 19th century, the foliate backplates supporting three stars and two scroll branches and a central socket with glass prism, the drips and bobeche hung with tapering faceted drops, losses and detached elements, en suite with the previous lot, the backplates - 14cm high, 38cm wide approx. (4)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Condition Report: One wall applique has a detached prism which is present and needs securing back into place. Another applique with a detached central star mount which is present but has nicks to some points. The glass elements generally with nicks and some detached drops to be expected with age and use. The backplates are probably associated to the receiving plate and branches as the semi-circular elements sits a little awkwardly where it joins the backplates. The wires run along the outside of the branches and the drip pans are drilled to accommodate the wires. The gilded elements with light wear and tarnishing. Overall these appliques need some attention to re-attach glass elements.Please note they are twin-branch and not 3-light as originally described.
Los 374
A Continental gilt-bronze and glass eighteen-light chandelier, early 20th century, the scrolling branches in two tiers and hung with faceted tapering drops, the moulded drip-pans with a continuous Greek Key motif, the repousse cased receiving dish with foliate designs and hung with a faceted glass terminal, 99cm high, 80cm diameter approx.It is the buyers responsibility to ensure electrical items are professionally rewired for use.
Los 378
A pair of French gilt-bronze and cut glass six-light candelabra, late 19th century, each with scroll arms and faceted glass drops, balls, and pendants above an urn stem on a circular foot with acanthus decoration, 80cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Condition Report: Both candelabras in need of some restoration and replacement parts. Both candelabra are missing one glass flowerheads, and several glass beads and drops are missing or replaced with other drops, several flowerheads to the second tier of acanthus leaves with losses, chips and nibbles, several drops missing from the sconces, several chains of beads are missing from the lower scrolling branches, a couple of scrolling arms are bent or misshapen. One candelabra has an old crack and loss to the glass diamond below the top-most scrolling branches. There are a few glass balls, beads and drops loose and present with the lot. Each lamp is wired but not tested for working capability, it is the buyer's responsibility to ensure electrical lights are professionally rewired for use.
Los 38
A pair of silver three branch candelabra, Birmingham, 1965, Barker Ellis Silver Co., designed with reeded branches to removable, gadrooned sconces, the central light with removable flame insert, bases filled, 17.5cm high, 30cm wide (pr)Condition Report: The candelabra are in good condition. Some minor scratching and nicking noted. Hallmarks clear. Some dings to the fittings of some of the removable sconces. No repairs noted. Overall an attractive pair of candelabra in good condition.
Los 389
A George II walnut bureau, c.1740, of small proportions, the hinged fall front enclosing pigeon holes and drawers, above four graduated drawers, raised on bracket feet, 97cm high, 58cm wide, 44cm deepProvenance: The Property of John Kenworthy-Browne FSA.Condition Report: The ‘white powder’ was a mix of dust and the light reflection. Both side panels look to have had some restoration, minor splits and lifting to veneer, fall front is slightly warped, scratches and knocks to wood, drawer linings are oak, the handles are early but unsure if original, one drawer has a lock missing, I do not believe the locks are original but I have included an image, structurally sound.
Los 40
A pair of enamelled Russian silver gilt spoons retailed by A. Lyubavin, St Petersburg, each with maker's mark of Vasily Andreev, Moscow, 1899-1908, the reverse of the drop-shaped and oval bowls decorated with (differing) cloisonne polychrome enamel floral and scrolling foliate designs to part-enamelled twisted stems with knopped finials, in fitted wooden case, 18.2 and 20.4cm long, total weight approx. 4.7oz (2)Condition Report: The spoons are in good condition commensurate with age. Some light surface scratching, pitting and nicking noted. Some minor scratching, bruising and losses to the enamel but generally bright and in good condition. Some slight discolouration noted to the white enamel under magnification. Gilding in good condition. Some marking to the silk lining of the box but box itself in good overall condition. Hinges and clasp in good working order. Some scratching and a pen mark to exterior.
Los 456
A Victorian amboyna and ebonised card table, c.1860, ormolu mounted and ivory inlaid, the swivel fold over top enclosing green baize with red tooled leather border, the frieze set with green jasperware plaques, raised on four square tapering columns, joined by stretcher with urn finials, to splayed feet and castors, 75cm high, 92cm wide, 49cm deepIvory Submission: PXAACD33Condition Report: Splits/crazing to the ebony, the top is slightly warped, scratches and knocks to wood around the base and feet, light scratches to top, structurally sound, overall very good condition.
Los 457
A Victorian light oak framed armchair by Gillows, c.1860, recently upholstered in a Kelim style button back fabric, raised on turned legs to castors, stamped Gillow to both back legsProvenance: Property from the estate of the late David Cornwell, best-known as the author John le Carré.Condition Report: The chair is in excellent condition, the upholstery is good just has some minor loose threads, scratches and knocks to wooden feet, brass castors are tarnished, no structural damage.
Los 46
An early 20th century French enamelled box by Auguste Guyot, Paris, 1903-1913, of circular form, the blue enamelled lid applied with an intricate golden design incorporating flowers, ribbon bows, torches and quivers of arrows, the sides and base with engine turned patterns and the pull-off lid to gilded interior, approx. 8.5cm dia., 2cm high, approx. weight 3.6ozCondition Report: Please refer to department for condition reportGood condition commensurate with age. Light tarnish and light surface scratching. Some minor nicks. Possibly previously gilded to exterior but this has largely faded. Gilding to interior is bright. Enamelled decoration covered with a clear resin/other.
Los 50
A contemporary Italian insulated jug, stamped 800, Florence, the tapering cylindrical body to painted wooden handle and hinged lid with rounded finial, the insulated interior with removable cork cover, approx. 24.5cm highCondition Report: The jug is in good condition. Some minor surface scratching and abrasion noted and a couple of larger scratches noted beneath spout. Hallmarks to hinge and inner cover clear. Hinge in good condition. Some very light bruising to finial. Insulated lining with some minor pitting. Cork cover fits snugly. No damage noted. An attractive piece in good condition.
Los 70
An Arts and Crafts style silver card case, probably Charles Edwin Turner, Birmingham, 1913, marks rubbed, together with a Victorian silver cigarette/card case engraved with various scenes, Birmingham, 1892, George Unite, the front cover depicting a man and woman playing with a snail on a wall, monogram to reverse, 7.6 x 10.1, and a Walker & Hall cigarette case, Sheffield, 1913, 6.5 x 8.9cm, total gross weight approx. 8.9oz (3)Condition Report: Arts and Crafts style example: thinning and bending to the silver on both sides of the case - probable erasures and overpolishing. Some scratching and nicking. Opens and closes cleanly. Some bruising to corners and high points. Some wear to decoration. Marks rubbed but generally visible. Some marking to interior. George Unite example: good condition commensurate with age. Some general surface scratching and nicking and a couple of small dings. Hallmarks clear. Decoration in good condition. Opens and closes cleanly. Some heavier scratching to interior. Hinge in good condition. Walker & Hall example: good condition commensurate with age. Some surface scratching, abrasion and nicking. Some light bruising to corners. Opens and closes cleanly. Hinge in good condition. Gilding to interior in good condition. Marks clear. Decoration generally in good condition.
Los 73
A George III silver caddy spoon, probably Josiah Snatt, 1806, modelled as a right hand with prick dot engraved nails, approx. 6.7cm long, approx. weight 0.2oz Condition Report: Please refer to department for condition reportGood condition commensurate with age. Some light surface scratching and nicking and some very minor dings/bruising noted. A very small split noted under 10x magnification under handle. No repairs noted. Maker's mark only partly present.
Los 10
A 17th century West Country silver Puritan spoon, Exeter, c.1660, Edward Anthony, prick dated 1662 to reverse of bowl above the initials TR over H, floral design prick dot engraved to front of terminal, light gilding to bowl, 18.8cm long, approx. weight 1.3ozProvenance: The estate of the late designer, Anthony PowellCondition Report: Please refer to department for condition reportGood overall condition commensurate with age. Some minor surface scratching, nicking and pitting. Some wear to decoration. Thinning noted to terminal - possible erasures here. Some light wear to gilding. Faint scratch engraving of initials to reverse of terminal.
Los 125
Paul Spooner, Life, Love, Death, 2002, a hand-operated automaton, wood, painted wood, wire, signed P. Spooner Stithians, approx. 26cm high, 16.5cm wide, 5.5cm deep (a/f); together with another hand-operated automaton by Matt Smith, Three Physical Jerks, designed by Paul Spooner, 2001, wood, wire, springs, signed Matt Smith, titled Three Physical Jerks, signed Matt Smith and with label for FOURTEEN BALLS TOY.CO.UK, approx. 16.5cm high, 21cm wide, 6.5cm deep (2)Sir Nicholas Goodison noted:Life, Love, Death: In the top compartment (Life) the girls belly moves, in the middle (Love) the bed cover heaves above the lovers, in the lowest (Death) nothing moves in the grave mound. There is something poignant about the limp winding handle of the grave.Three Physical Jerks: The three Anubis figures stretch their arms and legs in unison, as in a gym class. The written paper on the end reads These three lithe beings represent part of the large force of well-trimmed slaves employed by female Pharoahs (sic). Before commencing their duties, they must work up a light sweat in order to develop the full fragrance of the rare unguents with which their bodies have been anointed (sic).Provenance:Life, Love, Death: Purchased, Cabaret Mechanical Theatre, London, December 2002. Exhibited: Out of the Box, Air Gallery, London, December 2002.Three Physical Jerks: Purchased, Cabaret Mechanical Theatre, London, 2002. Exhibited: A Collectors Collection, Strawberry Hill, June-November 2014.Note: Paul Spooner, b.1948, went to art school and taught before becoming an automatist in his early thirties when he moved to Cornwell and met Peter Markey.Sue Jacksons shop, Cabaret, which specialised in mechanical toys, provided the perfect place for him to create and sell his humorous moving sculptures.Roseberys do not guarantee the working order of any automata or toy.
Los 14
A George II silver coffee pot, London, 1757, probably Thomas Whipham & Charles Wright, of elongated baluster form with hinged cover and foliate tipped spout, approx. 25cm high, approx. weight 25.5ozProvenance: Works of Art from the Schroder Collection.Condition Report: Approx. 7.25 inches from top of spout to top of handle. The coffee pot is in good condition commensurate with age. Some general surface scratching, nicking and minor pitting noted. Hallmarks rubbed (but date letter visible). Small patch beneath handle. Handle probably later. Some splits and discoloration noted to handle and upper pin pushed through slightly. Ding to foot (out of round). Small repair to hinge area. Cover sits very slightly raised. Some light wear to finial. Some light tarnish in places. Overall a nice piece.
Los 162
After Albert Bruce-Joy, Irish, 1842-1924, a marble statue of William Ewart Gladstone, 1809-98, late 19th century, with left hand outstretched and right hand clutching a document, standing beside an octagonal column with three books resting on top, 99cm highProvenance: The Property of the late Lord Avebury.Note: Liberal party statesman and four times Prime Minister, William Ewart Gladstone was one of the most revered politicians of the 19th Century. Renowned for his intense rivalry with Benjamin Disraeli, Gladstone was an outstanding orator and a passionate campaigner for reform, Irish Home Rule and an ethical foreign policy.This marble is after a bronze original unveiled on Wednesday 9th August 1882 in Bow, East London. At the unveiling of the statue by The Rt. Hon. Lord Charlingford, the politician's son said: "Seldom if ever has the hand of a sculptor succeeded in producing so admirable and faithful a likeness." Another commented: "It seems to breathe the deep earnestness, the dignity and intellectual power of the statesman whom we used to call the 'Grand Old Man'." The statue was commissioned by match makers Bryant and May, to commemorate the overturning of Gladstones Chancellor of the Exchequer Robert Lowes infamous match tax. Since 1988 the hands of the original bronze have been painted red, a reference to the matchgirls of the factory striking for better working conditions, and also an urban myth that the bronze was paid for with docked wages from the matchgirls' salary.Albert Bruce-Joy was born in Dublin and primarily worked in England, exhibiting at the Royal Academy from 1866. He also visited and exhibited in Boston, New York and Philadelphia. His most prominent works are the portrait busts in Westminster Abbey, St.Pauls Cathedral and The House of Commons.Condition Report: Light surface dirt overall to be expected with age and handling. There are natural veins in the marble, including one which arcs across his back from the top of the left shoulder for approx 12 cm. These are stable. The right hand is separately carved and attached inside the cuff. It is larger in size than the left hand but appears original. The larger size is perhaps explained by a deliberate fore-shortening by the sculptor as the statue may have originally be positioned higher up in a niche. The fingers of this hand have all been broken off and re-carved before being restored back into place with metal pins and filler. Three of these fingers are now detached but present with the lot and require restoring back into place or replaced as they are quite crudely carved.Some small losses to extremities, including the tip of one page of the rolled document in his left hand, the edge of his coat on his left side near the lowest button, the tips of the folds of his coat on the right side bottom edge, the circular base and the leading top edge of the octagonal plinth behind Gladstone. The statue is unsigned but there are two small holes and a shadow where a plaque has been positioned at some point.
Los 206
A Meissen porcelain Hausmalerei waste-bowl, the porcelain c.1740, blue crossed swords mark, Pressnummern 3 and 8, the decoration circa 1750, painted in the style associated with Franz Ferdinand Meyer of Pressnitz with a continuous pastoral scene with cows, goats, sheep and a milkmaid milking a cow, the interior with a fortress below an elaborate gilt border of strapwork and diaper panels, 16.5cm diameterProvenance: The Robert G. Vater Collection of European Ceramics.Note: For other pieces by the same hand, see Maureen Cassidy-Geiger, The Arnhold Collection of Meissen Porcelain 1710-50, London, 2008, pp. 648-653, nos. 329-333.Photographs: © Christie's ImagesCondition Report: Overall in good order. Some minor typical wear to the gilding around the upper rim. The centre of the interior with some slight wear to the enamels and light scratching to the centre of the painted scene. The footrim with small flat rim chip, possibly a firing fault dating from the time of manufacture.
Los 244
An extensive Meissen porcelain Zwiebelmuster (Blue Onion) pattern dinner service, late 19th century and later, blue underglaze crossed swords and other factory marks, with various pressnumbers, comprising: a large bellied oval tureen with lid, approximately 36cm long, 25cm high, a smaller oval tureen with lid, a circular tureen lacking a lid, a circular twin handled footed dish with lid, a circular twin handled urn with lid, the finial a later-replaced yellow-painted tulip, 16.5cm high, an oval tureen with attached saucer and lid, a circular muffin dish with lid, an elongated oval serving platter with scalloped rim, 54cm long, a series of five oval platters with scalloped rims, the largest 52cm long, two large circular dishes with scalloped rims, a two-compartment circular dish with straight division and scalloped rim, two octagonal serving dishes, two small oval dishes with scalloped rims, an oval dish, two oval twin-handled gravy boats with attached saucers, a rectangular deep dish with canted edges, two rectangular dishes with canted edges, a butterfly two-compartment vegetable dish with handle, a rectangular dish with reticulated border, a pentagonal dish with reticulated border, a wrythen jelly mould with twin handles, a wrythen moulded plate with crenelated rim, twenty-three dinner plates with scalloped rims, 24cm diameter, fourteen soup bowls with scalloped rims, twelve medium plates with scalloped rims, ten side plates with scalloped rims, with two further side plates, eight cake plates with reticulated borders, five coffee cups with scalloped rims, six saucers, a small leaf shaped dish, a two compartment salt and pepper tray with handle, and a pair of porcelain handled serving spoons, together with a replacement Blue Onion pattern oval dish, mark for T. K. Thuny, Czechoslovakia, 24cm long, a replacement Blue Onion pattern jug, Czech Republic, 8cm high, a modern Meissen milk jug with blue and white flowers and insects, 16cm high, and a modern Meissen creamer with blue and white flowers and insects, raised on three feet, 10cm high (lot)Condition Report: Overall in good decorative order but with several small condition issues. The small leaf shaped dish with a loss to the rim and a damage impact point. A chip to the rim of one soup bowl, and a small crack and loss to the rim of another. Some loss of glaze to one large rectangular dish. The muffin dish and lid with washed out colours and decoration. One dinner plate with a large crack from rim to well and two very small losses of porcelain to the underside, another with a chip to the rim, two dinner plates with heavy surface dirt and grease. An impact point and crazing to the underside of one side plate, another with a chip to the rim and a hairline crack with very small loss of porcelain. The lid for the twin handled urn with later replaced finial as mentioned in the cataloguing, and also some yellowing restoration to a couple of chips. One gravy boat with a crack through one handle. Nibbles to footrim of one medium plate, small firing flaw to one medium plate. A couple of firing flaws to the tureen lacking a cover. One teacup has been completely broken through and amateurly restored with large crack lines visible. The butterfly dish with a firing crack to the underside. One rectangular dish with a hairline crack through one section of the footrim. a couple of firing cracks to the footrim of the large elongated dish. One oval dish with a dirt-filled hairline crack to one section of the footrim. One oval dish with loss of gilding to the rim. A couple of small firing flaws to the footirm of one large oval dish. A couple of firing flaws to the largest oval dish. General surface dirt and light surface wear and light scratching to porcelain from prior use. Cancellation marks present to: one side plate, one dinner plate, two medium plates, the tureen lacking a cover, one large circular scalloped rim dish, two oval serving dishes.
Los 254
A pair of Continental gilt-bronze mounted porcelain cassolettes, early 20th century, the reversible nozzles with flambeau finials, the bodies with twin-mask mounts and decorated with courting couples and landscape views, each 25cm high (2) Condition Report: Each of the reversible sconces in good condition with some light tarnishing and marks. The porcelain in overall good condition with decoration intact. The bases with some light marks, the undersides with scratches.
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534310 Los(e)/Seite