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CHINESE HARDWOOD SIDE TABLE, LATE 19TH/EARLY 20TH CENTURY the square top inset with marble, above a carved and pierced apron, raised on four legs four legs, terminating on ball and claw feet48cm x 42cmNo damage to note, only light surface scratches and a few small water damages to top, refer to added images for pictures of all sides
CHINESE BRONZE FIGURE OF GUAN YU, LATE 19TH/EARLY 20TH CENTURY the God of War Kan'u (Guan Yu) seated on a horse, a staff in his right hand, stroking his beard with his left, with wood rectangular plinth 27cm high additional images are now available. condition good overall. Some light scratches present.
TWO CHINESE TWIN HANDLED FIGURAL VASES, LATE 19TH/EARLY 20TH CENTURY one decorated with figures carrying flowers, surrounded by a deer, the other depicting a lady having music played to her by other figures, both vases bearing Chinese text58.5cm highAs shown in the images, one vase has a sizeable section broken at upper rim, we do not have the piece. The other vase has a small chip under the rim. Gilt rubbing to all handles, light crazing
PAIR OF 19TH CENTURY JAPANESE SATSUMA VASES, MEIJI PERIOD (1868 - 1912) decorated with a continuous scenes of birds, flowers and foliage, within gilt highlight borders and a gilt Greek Key design border, on wood stands29cm highOne vase has a chip and repair to neck near the rim. The same vase has been repaired to the full neck - the neck has been off and reattached. Both vases with crazing and light enamel and gilt losses.
JAPANESE BRONZE ANIMAL GROUP, MEIJI PERIOD (1868 - 1912) modelled as two quails, white metal overlaid, character signature to one, modelled standing over a carved wooden naturalistic basewooden base 34cm wideCondition good to fair. Light surface wear and minor nicks to both quails as per age. Similarly to base, particularly to left hand quail which is detatchable by its left foot - not damage. Signature to underside of right quail. Additional images now available.
CHINESE HARDWOOD MING-STYLE FOLDING HORSESHOE-BACK CHAIR, 20TH CENTURY with large curved crestrail with rounded flattened ends, the central backsplat pierced with two panels of kui dragons, above shallow apron carved with two kui dragons and floral scrolls, with carved spandrels to the join beneath the crestrail decorated with a stylised phoenix, with metal strapwork ruyi motifs to the structural joints around the curved crestrail and metal mounts to the hinged footrest112.5cm highStructurally sound, only light surface scratches.
ARCHAISTIC BRONZE RITUAL FOOD VESSEL, 19TH CENTURY the body flanked by a pair of stylised dragon-head loop handles and cast with scroll detail, the stepped foot with a running band of stylised scroll decoration8.4cm highLight wear in keeping with age and light surface scratches, though no damage or repairs to note.814g.
CHINESE FAMILLE ROSE FISH BOWL, 20TH CENTURY decorated with two butterflies amongst flowers and foliage, underneath a linked geometric border, bearing blue character mark to base 21.8cm wide additional images are now available. condition good overall. Some light scratches present around the bowl exterior.
CHINESE FAMILLE VERTE TWIN HANDLED VASE, EARLY 20TH CENTURY with twin mythical creature shaped handles, the body decorated with a bird amongst flowering blossom branches in relief, bearing character mark to base 13.5cm high additional images now available. condition good overall. Some very light nibbles to some of the flower petals.
GROUP OF THREE CHINESE CLOISONNE VASES, EARLY 20TH CENTURY each decorated with flowers and foliage, one vase lidded, each unmarkedtaller 27cm high including lid Qty: 3Condition good overall. One of the small vases has a few dings present, detailed in images. some light pitting to the enamel across all three.
CHINESE 'DRAGON' VASE, EARLY 20TH CENTURY of bottle form, gilt painted with dragons chasing the flaming pearl in relief, on a brown ground, bearing gilt seal mark to base14.4cm highCondition generally good. Light wear including gilt rub and minor manufacturing flaws. Additional images now available.
CHINESE BUCKLE, AND A CHINESE EYE BATH modelled as a mythical creature, in iron red with brown and black inclusions, along with a Chinese cobalt blue eye bath, housed in a red boxbuckle 8.5cm highEye bath with light wear. Fading. Numbers inscribed to interior. Additional images now available.
Edwin Fletcher (1857 - 1945), busy harbour scene, oil on canvas, signed, 76cm x 127cm, framedCanvas has been lined with a few very minor spots of overpainting only visible under UV light, paint all stable, some very light craquelure in the sky, generally good clean condition, frame also good
Edwin Fletcher (1857 - 1945), busy harbour scene, oil on canvas, signed, 51cm x 76cm, framedCanvas has been lined with a few very minor spots of overpainting only visible under UV light, paint all stable, some very light craquelure in the sky, generally good clean condition, frame also good
Erotica.- [Nogaret (François-Félix)] L'Arétin Français, 2 parts in 1, half-title, engraved frontispiece and 18 plates, tissue-guards, all plates and many text leaves reinforced at inner- or fore-margins, very lightly browned, some light soiling or staining, later half calf, some wear to corners, joints and spine ends rubbed, 12mo, a Londres, 1803.
Thackeray (William Makepeace) Vanity Fair. A Novel without a Hero, first edition, first issue with the suppressed woodcut of Marquis of Steyne on p.336 and "Mr. Pitt" for "Sir Pitt" on p.453, etched frontispiece, additional vignette title-page, and 38 plates, wood-engraved vignettes throughout, lacking initial advertisement f., light marginal toning to plates and endpapers, some light offsetting, a few small marginal stains, attractive contemporary burgundy morocco with triple gilt fillet border by Zaehnsdorf, spine lettered and ruled in gilt compartments, inner dentelles richly gilt with flower motif, t.e.g., very slight rubbing to lower edge and upper joint, Bradbury & Evans, 1848; and 9 others, 8vo (10)*** The first issue of Thackeray's iconic novel, in exquisite gilt binding by Zaehnsdorf.
Art reference.- Russian Water-colour in the Collection of the Hermitage, Leningrad, full-page colour illustrations, text in Russian and English, original boards, light bumping to spine ends, original card slip-case, little soiled and worn, Moscow, 1988 § Alauzen (André M.) La Peinture en Provence du XIVe siècle à nos jours, full-page colour illustrations, margins very slightly toned, original cloth, spine ends and corners little bumped, dust-jacket, slightly toned, a few small chips and short tears to extremities, Marseille, 1962; and others, art reference, v.s. (c.35)
India.- Laurie & Whittle (publishers) A New Map of the Jaghir Lands, on the Coast of Coromandel, The Territory Belonging To The East India Company Round Madras From An Actual Survey In The Possession Of The Company, detailed map of the coastal region of India centred on Madras and Fort St. George (Chennai), extending north to Erikans Lake (Pulicat Lake) and south to Cheeyer Tank and Allumparva (Cheyyur) engraving with some outline hand-colouring, on laid paper with large watermark of Strasbourg lily, sheet 730 x 540 mm (28 3/4 x 21 1/4 in), central horizontal fold as issued, some light offsetting, minor surface dirt, unframed, 1794.
Drinking.- Temperance.- British Temperance League. The Greatest of all murderers. Great open-air meeting in favour of Sunday closing of public-houses...Sunday, June 19th, 1892, at the corner of Foster Road...Heeley, handbill, large wood-engraved vignette of a gentleman confronting drinkers outside a pub called The Vulture, folds, little spotting or light staining, lightly browned, 189 x 123mm., Sheffield, Parker Bros., 1892. *** Unrecorded.
Sherry.- Vizetelly (Henry) Facts About Sherry, gleaned in the Vineyards and Bodegas of the Jerez, Seville, Moguer, & Montilla Districts during the Autumn of 1875, first edition, wood-engraved frontispiece and 15 plates, wood-engraved illustrations, 6 advertisement ff. for various wines and spirits, lightly browned, original colour pictorial wrappers bound in, the upper wrapper depicting a worker testing the vintage, advertisements verso, upper wrapper with very small remains of a label, obscuring one letter, rubbed and marked, modern light brown morocco-backed buckram, spine gilt and with double burgundy morocco labels, a very good copy, [Gabler G40310; Simon Vinaria p.117], 8vo, Ward, Lock, and Tyler, 1876. *** Provenance: 'M.Winton' (contemporary ink signature to verso of upper wrapper); Cooks Books. T&M McKirdy (small label to lower margin of inner lower wrapper).
Malebranche (Nicolas) His Treatise Concerning the Search after Truth, 2 vol. in 1, second edition, translated by T. Taylor, a few tears to front free endpapers, pp.193-196 bound at end as often, light scattered spotting, lower hinge cracked and weak, contemporary panelled calf, triple gilt fillet, rather rubbed, some portions of loss to covers, lacking backstrip, folio, printed by W. Bowyer, for Thomas Bennet, T. Leigh and W. Midwinter, 1700.
Judaica.- Josephus (Flavius) The Works of Flavius Josephus: Translated into English by Sir Roger L'Estrange, first edition, additional engraved title and 2 plates, 4 folding maps, one rather browned, bookplate, the odd spot, some light offsetting, first and last leaves reinforced at hinges, contemporary calf, rebacked, extremities a little rubbed, endpapers renewed, folio, Richard Sare, 1702.
Dulac (Edmund).- Andersen (Hans Christian) Stories from..., tipped-in colour frontispiece and 27 plates by Dulac, frontispiece with captioned tissue-guard (slightly creased), near contemporary ink gift inscriptions to front free endpaper, occasional light spotting, spine a touch faded, some faint spotting to spine and upper cover fore-edge, spine ends and corners little rubbed, 1911 § Housman (Laurence) Stories from The Arabian Nights, tipped-in colour frontispiece and 49 plates by Dulac, captioned tissue-guards, minor bumping to spine ends and corners, dust-jacket, mounted colour illustration to upper panel, a few small chips and repairs to verso, including small chip to head of upper panel, affecting a couple letters but no loss, a few tiny nicks to extremities, browned, some tiny spotting, still very good, n.d., original decorative cloth, gilt, Hodder & Stoughton; and 5 others, of which 2 illustrated by Dulac, 4to & 8vo (7)
England.- Shaw (Rev. P.J., editor) An Old York Church, All Hallows in North Street, one of 500 copies, list of subscribers, title with decorative chromolithographed border, plates and illustrations by Mabel Leaf and E. Ridsdale Tate, some colour, ex-library copy with stamp to front endpaper, York, 1908 § Brindley (W.) & W. Samuel Weatherley. Ancient Sepulchral Monuments, trace of stamp to foot of title, 1887 § Kahn (Moritz) The Design & Construction of Industrial Buildings, original cloth-backed boards, 1917, all with plates, some light foxing, the first two original cloth, a little rubbed; and 2 others including an odd volume of Picturesque Beauties of England & Wales with numerous engraved plates (mostly Yorkshire), v.s. (5)
Military Law.- Wellesley (Arthur, Duke of Wellington).- Principles (The) of War... as Developed in a Series of General Orders..., first edition, light foxing and occasional marginal soiling, bookplate removed, contemporary calf-backed boards, rubbed, 1815 § Burn (Richard) A Digest of the Militia Laws, first edition, foxing, ex-library copy with perforated stamp to title, modern cloth, S.Richardson & C.Lintot, 1760 § Napier (Maj.-Gen. Charles J.) Remarks on Military Law and the Punishment of Flogging, first edition, a few leaves torn and creased at lower margin, ex-library copy with label, contemporary half calf, rebacked and recornered, 1837, 8vo (3) *** Although the first is not written or edited by Wellington himself, this clearly draws largely from an analysis of his recorded Orders in the second Peninsular campaign between 1809 and 1814. The hundreds of Orders provide a remarkable record of war management in the early 19th century. The editor's dedication to Wellington ("the Illustrious Hero") is dated June 27, 1815, a mere nine days after Waterloo.
Meredith (George) Rhoda Fleming. A Story, 3 vol., first edition, half-titles, occasional spotting or light browning, bound in tan half morocco by Zaehnsdorf, spines with five raised bands, marbled endpapers, vol. 3 with a few light spots, little rubbed in places, t.e.g., [Sadleir 1702], 8vo, Tinsley Brothers, 1865. *** The first edition rare, with infrequent appearances at auction.
London.- Newcourt (Richard), After. An Exact Delineation of the Cities of London and Westminster and the Suburbs Thereof..., plan of London and the Thames from Westminster to Stepney, showing individual buildings along the streets, numerous ships on the river, two inset architectural elevations of Westminster Abbey and St. Pauls, several coats-of-arms, numbered key, genealogical table, etc., by George Jarman after the original plan, 8 engraved map sheets joined to form one large plan, total approx. 1040 x 1920 mm (41 x 75 1/2), dissected and mounted on linen, some light off-setting, minor surface dirt, folding into contemporary [?original] gilt and embossed purple boards, upper and lower cover decorated with armorial devices, rubbed and scuffed, 4to, [Howgego 12, derivative b], Edward Stanford, 1863
London.- Langley (Edward, & Belch, William) Langley and Belch's New Map of London, first edition, map of London with 24 uncoloured engraved vignettes of London landmarks set within the horizontal margins, engraving with vibrant hand-colouring, sheet 537 x 785 mm (21 1/8 x 30 7/8 in), dissected and mounted on linen, minor surface dirt, some light offsetting, folding into marbled slipcase with publisher's orange printed label to upper cover, worn, [Howgego 256 (1)], 8vo, 1812
Histoire de Huon de Bordeaux. pair de France, duc de Guïenne, contenant ses faits & actions héroïques, mise en deux livres aussi beaux & divertissants que jamais on ait lu, contemporary ink ownership name to title, bookplate of James Smith of Jordanhill to pastedown, some paper flaws or light staining spots to margins, upper edge trimmed, late 18th century calf, rubbed and stained, 8vo, Lyon, for Claude Chastelard, 1626.
Economics.- Mill (John Stuart) Principles of Political Economy, 2 vol., third edition, publisher's advertisements at end, ink ownership names to pastedowns and front free endpapers, a few instances of ink underlining or passage-marking, margins slightly toned, some very light spotting to first and last few leaves, vol. 1 gutter cracked at points with a few gatherings working loose, hinges cracked, vol. 1 upper hinge very weak but holding, original cloth, printed paper spine labels (chipped), some chips and fraying to spine ends and joints, rubbed, vol. 1 backstrip splitting at joints but holding firm, 1852; and others, economics and similar, 8vo (8) *** An important edition, revised by Mill and heavily influenced by his wife Harriet.
Polar.- Ross (Sir John) Narrative of a Second Voyage in Search of a North-West Passage and of a Residence in the Arctic Regions During the Years 1829, 1830, 1831, 1832, 1833, vol.1 only (lacks appendix vol.), 5 maps and plans (including 1 large folding in pocket at rear), 16 engraved plates, 6 lithographs and 3 hand-coloured mezzotints, tipped-in presentation sheet to front pastedown, marginal repairs to frontispiece, some light damp-staining, light foxing, offsetting of text onto one or two plates, modern half calf, very slight rubbing to extremities, 4to, A.W. Webster, 1835.
Tree plantations.- Langley (Batty) A Sure Method of Improving Estates, by Plantations of Oak, Elm, Ash, Beech, and Other Timber-trees, Coppice-Woods, &c., first edition, issue with pp.viii-xx incorrectly numbered, title printed in red and black, engraved folding plate, woodcut head- and tail-pieces and decorative initials, plate light browned, occasional spotting, but generally crisp and clean internally, contemporary calf, gilt, spine in compartments, lacking label, upper cover detached, spine ends little worn, corners worn, rubbed and marked, [Fussell I, p.27; Goldsmiths' 6587; Henrey 929; Hunt 473], 8vo, Printed for Francis Clay & Daniel Browne, 1728. *** First edition of Langley's work on the economical planting and raising of different trees for timber, thereby avoiding inevitable deforestation. Langley (1696-1751) was an English landscape gardener and architect. Provenance: Lord John Somers (engraved armorial bookplate to front pastedown).
[Dickens (Charles)] "Boz". Oliver Twist; or, The Parish Boy's Progress, vol. 1 & 3 only (of 3), first edition, mixed issue, half-titles, 4pp. publisher's advertisements at end vol. 1, 17 etched plates by George Cruikshank, extra-illustrated with 17 plates by Cruikshank, the same but hand-coloured and tipped-in opposite those called for, vol. 1 frontispiece with marginal water-stain and loose, a few other plates working loose, plates with the usual foxing, the odd spot to text but generally clean, original reddish brown fine-diaper cloth, spines lightly sunned, a few light stains, rubbing to extremities, [Eckel pp.59-60; Smith I, 4] 8vo, Richard Bentley, 1838. *** Something of a bibliographical curiosity, with "Boz" on titles and 'Rose Maylie and Oliver' plate but vol. 3 with "pier" and "pedestal" on p.164 and a half-title substituted for the preliminary Bentley ads.
Guarini (Battista) Il Pastor Fido, Tragicomedia Pastorale, title within ornate woodcut architectural border, woodcut initials, engraved portrait and 6 engraved whole-page illustrations, light offsetting, 1602, bound with Compendio della Poesia Tragicomica, woodcut device to title, 1601, together 2 in 1, occasional scattered foxing, later calf ornately gilt, with central device to covers within ornately tooled borders, spine gilt with red morocco label, later ties, 8vo, Venice, Gio. Battista Ciotti.*** Provenance: Charles Ferdinand, Duke of Berry (1778-1820) [later pencil note to pastedown].
Joseph Ritson's copy.- [Gavin (Antonio)] A Short History of the Monastic Orders... by Gabriel d'Emillianne, first edition, initial imprimatur f., occasional light browning, pencil marks and 2 or 3 words to margins, Joseph Ritson's copy with his ink ownership inscription to front pastedown, ink monogram to title verso, contemporary calf, rebacked and recornered, rubbed, [Wing G394], 8vo, S. Roycroft. for Rob. Clavell, 1693.*** Joseph Ritson (1752-1803) antiquary and early vegetarianism activist.
Macquoid (Percy) A History of English Furniture [The Age of Oak; Walnut; Mahogany; Satinwood], 4 vol., first edition, chromolithographed plates with captioned tissue-guards, illustrations, contemporary ink ownership names to pastedowns, some tissue-guards a little frayed at edges (one loose to vol. 1), occasional light soiling, gutter cracked at points, endpapers spotted and lightly browned, hinges cracked, a couple weak but holding, original buckram, gilt, spines sunned with ends a little frayed, rubbed, t.e.g., others uncut, folio, 1904-08.
Asia.- Putnam Weale (B.L.) The Re-Shaping of the Far East, 2 vol., some pp. unopened, 1905; The Truce in the East and Its Aftermath, 1907; The Coming Struggle in Eastern Asia, 1908; An Indiscreet Chronicle from the Pacific, reprint, 1923; Why China Saw Red, 1926; The Vanished Empire, 1926, all but one first editions, some from the library of Peter Hopkirk with his book-label, light toning or occasional foxing, original cloth, lightly sunned to spines, light rubbing to extremities, 8vo (7) *** Bertram Lenox Simpson (1877–1930) was a British author who wrote about China under the pen name "B. L. Putnam Weale" (or sometimes simply "Putnam Weale"). Lenox Simpson was the son of Clare Lenox-Simpson, who had been in the Chinese Maritime Customs Service since 1861.

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534297 Los(e)/Seite