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Preisdatenbank abonnieren*@Bawden (Edward, 1903-1989). Cabin in the Forest, 1952, copper engraving, signed, titled, dated, and numbered 20/50, in pencil, additionally inscribed to upper right 'To Frank Kendon Esq.', some light surface soiling and marks, plate size 19.5 x 11.8 cm (7.7 x 4.7 ins), sheet size 29 x 23 cm (11.4 x 9 ins), mounted (1)
*Fantin-Latour (Henri-Theodore, 1836-1904). Le Genie de l'Air, 1877, lithograph from the published edition of 25 proofs, printed by Lemercier et Cie, Paris, signed in pencil lower right, additionally titled by the artist to upper margin 'Manfred (Schumann)', image size 28 x 35.5 cm (11 x 14 ins), with margins, a few light spots, old frame, glazed, with printed label of Alex. Reid, Glasgow to verso Hediard 17. (1)
*Ray-Jones (Raymond, 1886-1942). Self-portrait wearing a hat, 1915-21, etching on laid paper, watermarked F.J. Head & Co., signed in pencil, plate size 33 x 24.7 cm (13 x 9.75 ins), with margins, framed and glazed, together with Lamp-light (E.I.P.), etching on laid paper, signed in pencil, plate size 203 x 182 mm (8 x 7.2 ins), with margins, framed and glazed, with original printed label to verso Considered to be the artist's greatest print, the self-portrait wearing a hat was exhibited at the Seventh Exhibition of Modern Masters of Etching at the Leicester Galleries in 1922, at which all impressions were sold out on the first day. The work was described as "one of the finest etched portraits of contemporary times". (2)
*Strang (William, 1859-1921). A Matter of Fact, 1901, etching with aquatint, the second state, signed in pencil, with annotation regarding the state by David Strang, plate size 14.5 x 20 cm (5.75 x 7.9 ins), with margins, light spotting to edges, framed and glazed, together with The Farmer's Boy, 1902, etching with aquatint, a touched proof of the first state, initialled and annotated by David Strang in pencil to lower margin, plate size 22.5 x 17.5 cm (8.8 x 6.9 ins) with short margins, framed and glazed, plus The Greengrocer's Shop, 1884, etching, signed by William Strang and David Strang in pencil, plate size 17.7 x 22.7 cm (7 x 9 ins), framed and glazed, and three other etchings by William Strang, including one signed of a peasant couple, dated 1911, and a portrait of Thomas Hardy (second and final state), 1893, and another of women fieldworkers, all framed and glazed Strang 492, 535 & 78 for the first three works respectively. (6)
*Picasso (Pablo, 1881-1973). Sala Gaspar, Dibujos de Picasso, Barcelona, Abril 1961, & Sala Gaspar, Pintura-Dibujo-Grabado, Barcelona, Marzo 1968, two offset colour lithograph posters, both printed on wove paper, the second printed in brown and black, and with some light creases, 70 x 50 cm (27.5 x 19.75 ins) (2)
*Colonies. A rare primitive tapestry, early 18th century, tent stitch on hessian, finely worked in silk in shades of brown, green, blue, and yellow, with touches of red (faded), depicting a coastal settlement, with sailing boats, buildings with pointed roofs, stylised trees, two figures (one possibly carrying a bindle), and another figure fishing, shaped as for a stool top with cut-out corners, worn and threadbare, 43 x 72cm (17 x 28.25ins), together with three early 19th century samplers, dated 1811 (by ? Bullen), 1827 (by Emma Pyrchas Brisley), and 1843 (by Elizabeth Jones), first two worn, the other a little spotted, 36 x 30cm (14.25 x 11.75ins), and slightly smaller, plus three other later samplers (late 19th/20th century), and an early 20th century embroidery picture of a Chinese pheasant standing on a branch of lilac by a fence and wall, coloured silks on cotton, some light soiling, tack holes at edges, size of fabric 63.5 x 58.5cm (25 x 23ins) The iconography of the first item is suggestive of European colonies in the West Indies. (8)
*Dress. A damask gown, circa 1840s, hand-sewn dress of damask with woven silver rose sprays on a dusky blue ground, fitted bodice, slim-fitting three-quarter sleeves flaring to wide cuff with fringed edging, bodice and sleeves lined with blue fabric, front with 14 early brass hook and eye closures (one hook missing), and a few later hooks and eyes at top and bottom, one pocket, close-gathered skirt slightly longer at back, a few faint marks and areas of light rubbing (underarms free from staining), one or two tiny holes and some seams splitting in places, short tear to bottom of front opening, length 141cm (55.5ins), bust 84cm (33ins), waist 117cm (23ins), sleeve length 44.5cm (17.5ins) A very pretty gown in good condition. (1)
*Ecclesiastical embroidery. Embroidered altar cloth, English, late 17th/early 18th century, goldwork on silk taffeta, finely worked with all-over decoration, central sheaf of wheat and grape vine motif, repeated in part to left and right-hand sides, with vase, stylised sunflower, and bow motif in between, and connecting leafy stems and tendrils incorporating tulips and other flowers, some light staining, fabric perished and loss of stitching in places, sometime trimmed and backed with waxed linen, and with later gold braid edging to upper edge and sides, 251 x 48cm (99 x 19ins) A very well-preserved early piece of high quality goldwork, probably intended for use as a frontlet. The Christian symbolism is plainly apparent, with ears of wheat and grape vines representing the body and the blood of Christ respectively, as celebrated in Holy Communion. (1)
*Mickey Mouse. A pair of Mickey Mouse nursery curtains, 1930s, two cotton curtains, printed with duotone Disney characters on an off-white ground, including Mickey and Minnie (with pie eyes), Clarabelle, a pig, donkey, ducks, and chickens, occasional light marks, but in good condition, width 77cm (30.25ins), drop 158.5cm (62.5ins), together with Babar the Elephant, A single large nursery curtain, 1930s, lined cotton curtain, patterned with characters and scenes from Jean de Brunhoff's Babar books, printed in grey, white, green, pink, red, and black, on a pale green ground, lined with green cotton, some water-stains to lower portion, faded, especially along right-hand edge (with consequent perishing), drop 216cm (85ins), width 104cm (41ins) These rare pieces of nursery fabric are examples of early merchandising, before the days when spin-offs became an automatic consequence of any story book or children's film. (3)
*Shirt. A brightly patterned shirt, by Hung On You, London, 1960s, cotton and linen shirt, with bold asymmetrical pattern of semi-circles in red and green on a white ground, four-button closure, rounded shirt tails, satin label at nape lettered in purple 'Hung On You a Londres', with size printed in black above '15 1/2', some very light soiling at cuffs and neck, chest 102cm (40ins), length 75cm (29.5ins), sleeve length 60.5cm (23.75ins) Upmarket London fashion boutique Hung On You (1965-1969) was owned by the designer Michael Rainey, and was famous for its avant-garde approach to clothes. Its standard lines consisted of psychedelic shirts, kipper ties, military uniforms, shimmering sharkskin suits, frilly shirts, jackets with velvet cuffs, and other such flamboyant garments. Its avant-garde approach to clothes, and the clients it attracted, such as The Beatles, The Rolling Stones, The Kinks and Terence Stamp, meant that it became part of the culture of the swinging sixties, and the shop is considered now as occupying an important place in fashion history: 'Its customers were the real departure from the routine, for they were almost exclusively the new male dandies invented by the 1960s, a taboo-breaking mixture of social and rock aristocracy as never encountered before.' (Richard Lester, Boutique London: Kings Road to Carnaby Street, 2010) (1)
*Spitalfields. A small collection of Spitalfields silk fragments, mid to late 18th century, fourteen pieces of brocade, various floral patterns in a variety of colours and shapes, some taken from garments, occasional fading and light marks, some perished in places, largest 111 x 26cm (39.75 x 10.25ins), smallest 22 x 8cm (8.5 x 3ins), plus ten other fragments of fabric, including eight pieces of mid 19th century brocade, with a pattern of flowers including roses and sweetpeas, in shades of gold, green, white, and purple on a gold ground, some lined and/or with fringed edging, some wear (largest piece with several joins, and perished and frayed at edges), largest 149 x 139cm (58.75 x 54.75ins), smallest 25 x 15cm (10 x 6ins) ()
A HALLMARKED SILVER AND GUILLOCHE ENAMEL COMPACT FOR THE ROYAL ARMY MEDICAL CORPS BY DEAKIN & FRANCIS - BIRMINGHAM 1939, having white sunburst enamel design with the Medical Corps emblem to the centre, gilt interior with mirror inset to lid, W 7.25 cmCondition Report:Some light surface scratching to the enamel. otherwise no obvious damage or restoration.
A Royal Doulton character jug depicting The Phantom of the Opera D7017 , handle modelled after a theatre curtain and coach light and scroll with ' Phantom Of The Opera ', unboxed with certificate limited 0190/2500. Measures 18cm tall. Note; from an extensive private collection of Royal Doulton. The vast majority of items are free from any damage or restoration, and are in great condition. Buyers are reminded for the need to satisfy themselves as to condition of individual lots prior to bidding as condition on some, will vary.
A large collection of assorted Harry Potter & other tv related merchandise comprising of; Thunderbird figures, Hogwarts Express torch, Hedwig Pen light, bookmark, postcard book, Goblet of Fire: Heroes & Villains book, collection of mugs & glasses & many others. Some boxes sealed & some contents mint.
Andy Warhol, American (1928 - 1987) "Marilyn 1967", Invitation for Castelli Graphics print retrospective of Andy Warhol, 1963-1981, Silkscreen on Card. Signed lower center in marker. Printed by Colour Editions, Inc., published by Factory Additions. Slight handling creases to corners, light fraying to edges. Measures 12" H x 12" W. Shipping $48.00 (estimate $2000-$4000)
Roy Lichtenstein, American (1923 - 1997) "Whaam! 1963" Screen Print Diptych on Paper, Signed in Pencil Lower Right. Published by the Tate Gallery, London. Reproduced and printed in Great Britain by Lautrec Photo Litho Ltd Leeds. Light fraying to edges overall good condition. Measures 25" H x 50" W. Shipping $66.00 (estimate $2000-$3000)
Mane Katz, American/Russian (1894 - 1962) Watercolor on paper "London" Signed, titled and dated '25 lower left. Toning from age, light foxing. Measures 24" x 18-3/8" (sight), frame measures 29-1/4" x 23-1/4". Original receipt rom Motte-Vente Aux Encheres, Geneve - SFr 9,000. Shipping: Third party. (estimate $400-$600)
FELIX CHOPIN FOUNDRYPortrait Bust of Grand Prince Yaroslav I of Kievan Rus, c. 1867bronze with light green patinaheight: 26 cm. (10 1/4 in.)Chopin foundry mark and circular Ministry of Finance stamp dated 1867 on inside of bust, numbered 8 This series depicting Russia`s Grand Dukes, Tsars and Emperors is dedicated to the Millennium of Russia. The celebration of the Millennium was held in Novgorod on September 8, 1862 and commemorated the legendary beginnings of the Russian state and its growth and success over the following century. The series of busts formally known as "A Gallery of Bronze Busts of All the Russian Grand Dukes, Tsars and Emperors" was sold by subscription; Emperor Alexander II was the first subscriber. The series was enormously popular and all of the approximately 200 of the original series were sold.
FELIX CHOPIN FOUNDRYPortrait Bust of Ioann II, c. 1867bronze with light brown patinaheight: 26.5 cm. (10 3/8 in.)Chopin foundry mark and circular Ministry of Finance stamp dated 1867 on inside of bust, numbered 37 This series depicting Russia`s Grand Dukes, Tsars and Emperors is dedicated to the Millennium of Russia. The celebration of the Millennium was held in Novgorod on September 8, 1862 and commemorated the legendary beginnings of the Russian state and its growth and success over the following century. The series of busts formally known as "A Gallery of Bronze Busts of All the Russian Grand Dukes, Tsars and Emperors" was sold by subscription; Emperor Alexander II was the first subscriber. The series was enormously popular and all of the approximately 200 of the original series were sold.
VASILY SHULZHENKO (RUSSIAN B. 1949)Aren't you dead, Ivan?!, 1992oil on canvas150 x 120 cm (59 x 47 1/4 in.)signed lower right; signed, dated, and titled on verso Although Shulzhenko was born in Moscow, where the artist lives and works, much of his oeuvre features that which is - both literally and figuratively - marginal. The subjects of his frank and often graphic paintings are situated in transitional spaces: the street, the village, the public restroom, and, most obviously, the verges of society. Simultaneously, the artists` works, imbued with a Bacchanalian facetiousness, are equal parts inflammatory social commentary and light hearted gag joke. Shulzhenko`s men and women are conventionally unattractive, their bodies and faces as frequently distorted by alcoholism and anger as they are by lust and laughter. While heavily featuring the grotesque, the artist frequently comments on and subverts conventional artistic narratives.
VASILY SHULZHENKO (RUSSIAN B. 1949)Public Toilet, 1991/1999oil on canvas120 x 150 cm. (47 1/4 x 59 in.)signed lower right; signed, dated, and titled on verso Although Shulzhenko was born in Moscow, where the artist lives and works, much of his oeuvre features that which is - both literally and figuratively - marginal. The subjects of his frank and often graphic paintings are situated in transitional spaces: the street, the village, the public restroom, and, most obviously, the verges of society. Simultaneously, the artists` works, imbued with a Bacchanalian facetiousness, are equal parts inflammatory social commentary and light hearted gag joke. Shulzhenko`s men and women are conventionally unattractive, their bodies and faces as frequently distorted by alcoholism and anger as they are by lust and laughter. While heavily featuring the grotesque, the artist frequently comments on and subverts conventional artistic narratives.
Dante Alighieri La Divina Commedia di Dante Alighieri, corretta spiegata e difesa dal P. Baldassarre Lombardi ..., 1815-17, Rome, four volumes, quarto, portrait frontis, three plates, all edges gilt, straight grained morocco gilt bindings (light damp mould to bindings, one board scuffed); Lesage, Histoire de Gil Blas de Santillane, 1809, Longman, Hurst .., four volumes, quarto large paper copy, plates on India paper, all edges gilt, morocco gilt (damp mould to boards) (8)
Dibdin (Thomas Frognall) Aedes Althorpianae; or An Account of the Mansion, Books and Pictures, at Althorp; the Residence of George John Earl Spencer, K.G. to which is added A Supplement to the Bibliotheca Spenceriana, 1822, Shakspeare Press, large paper copy, two volumes, frontis to each, folding plan, 29 plates as called for, top edge gilt, morocco gilt (offsetting from plates, light damp mould to boards)
Ovid La Vita et Metamorfoseo D'Ovidio .., 1559, Lyons; Gio [de] Tornes, woodcut to title, 188 woodcuts, repair to lower title with loss to imprint. several repaired corners, a few pages with light crayon to margins, quarter calf; Saint Gregory, Sancti Gregorii Nazanzeni Theologi Tragoedia, Christus Patiens, 1542, Rome, Antonium Bladum Asulanum, all edges gilt, full morocco; Virgil, Bucolica, Georgica & Aneis ..., [Opera], 1539-8, Venice, four volumes, morocco gilt (lacking two labels) (a.f.) (6)
A fancy coloured diamond single stone and 18ct gold ring, the round brilliant cut light golden brown diamond, estimated weight 0.79cts, estimated clarity VVS, half-collet set with each shoulder channel set with two round brilliant cut white diamonds to a plain band, size O, Sheffield import hallmarks 1989, contemporary presentation case
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