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Dreweatts 1759
Los 82

λ EDWARD WOLFE (SOUTH AFRICAN/BRITISH 1897-1982)SOUTH AFRICAN LANDSCAPE Oil on canvas Signed (lower right)46 x 62.5cm (18 x 24½ in.)Painted circa 1920. Provenance:Dr Frances Spalding, private collectionSandra Lummis Fine Art, London Condition Report: Very light surface dirt throughout. Areas of craquelure scattered throughout. Inspection under UV reveals scattered retouching most notable to the upper right quadrant. Upper stretcher mark visible. There appears to be two very faint scratches to the centre however this was likely to have been made at conception. Condition Report Disclaimer

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Dreweatts 1759
Los 88

λ DUNCAN GRANT (BRITISH 1885-1978)NUDE WRESTLERSBlack crayon and oil on paperSigned and dedicated 'To Andy' (lower right)47 x 68cm (18½ x 26¾ in.)Provenance:Count William de Bellroche and Gordon Anderson (a gift from the artist) Thence by descentSale, Bonhams, London, 10 July 2018, lot 20 (part lot)Purchased at the above sale by the present ownerCondition Report: Unexamined out of glazed frame. Light surface dirt throughout. Slight undulation to the sheet visible to the upper edge. A rectangular area of fading where a piece of tape used to be stuck down to the centre of the upper edge. Two diagonal creases running from the centre of the lower edge to 10cm up the right edge. Vertical crease running through the sheet through the figure's waists. Light creasing to the left edge. Condition Report Disclaimer

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Dreweatts 1759
Los 90

λ FRANK DOBSON (BRITISH 1888-1963)SLEEPING NUDE Charcoal and chalk 31.5 x 48cm (12¼ x 18¾ in.)Executed circa 1940. Provenance:Gillian Jason Gallery, London Condition Report: Executed on cream watermarked paper., hinged to the mount. There are a few light handling creases, notably to the lower right corner. Otherwise, the work appears to be in good original condition. Under glass and unexamined out of frame.Condition Report Disclaimer

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Dreweatts 1759
Los 93

λ JACOB EPSTEIN (AMERICAN/BRITISH 1880-1959)FOURTH PORTRAIT OF DOLORES BronzeHeight (including base): 46cm (18in.)Conceived in 1923. Provenance:Ruskin Galleries Ltd., Stratford-on-AvonJohn R. Brown, Private Collection, Stratford-on-AvonThence by descent to the present owner Literature:Evelyn Silber, The Sculpture of Epstein, Oxford, 1986, no. 135, p. 135 (illustration of another cast)Condition Report: Light surface dirt throughout. Head free-standing on floating wooden stand attached to marble base. In good original condition.Height of sculpture excluding base is 24.5cm Some rubbing and loss to the edges of the marble base. Glue residue to the right side corner of the base. Condition Report Disclaimer

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Dreweatts 1759
Los 95

λ FRANK DOBSON (BRITISH 1886-1963)PORTRAIT OF A YOUNG WOMAN Red chalk34.5 x 23.5cm (13½ x 9¼ in.)Provenance:The Artist's EstateGillian Jason Gallery, London Condition Report: Executed on white wove paper. There are a few pastel smudges, possibly original and a couple of light handling creases. Otherwise, the work looks to be in good original condition. Under glass and unexamined out of frame.Condition Report Disclaimer

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Dreweatts 1759
Los 98

BERNARD MENINSKY (BRITISH 1891-1950)THE BATHERS Watercolour Signed (lower right)30 x 55.5cm (11¾ x 21¾ in.)Provenance:Dr S. C. Lewsen, private collection (acquired directly from the artist in 1938)Sandra Lummis Fine Art, London Condition Report: Unexamined out of glazed frame. Very slight undulation to the sheet. Very light staining to the upper right edge . Otherwise in overall good original condition. Condition Report Disclaimer

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Bourne End Auction Rooms
Los 174

A mid 20th century light oak tambour fronted filing cabinet, 89.5cm h x 45cm wLocation:

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Bourne End Auction Rooms
Los 203

Metalware to include silver plated entre dish, muffin dish, warming pans, a Tiffany style light shade, a table lamp and other itemsLocation:

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Bourne End Auction Rooms
Los 414

An Arts and Crafts copper light shade and one other light shade together with a brass cased ships clock A/F

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Dore & Rees
Los 103

A PAIR OF 19TH CENTURY BRASS & CAST-IRON FIRE DOGS AND A PAIR OF ART NOUVEAU FIRE DOGS, along with a tri-fold spark guard and a pair of wall light fittings, the larger dogs missing their supports, the tallest dogs measure 56 cm high

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Dore & Rees
Los 115

ART DECO CHROME CENTRAL PENDANT LIGHT, from a cinema in North Wales, 64 cm high

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Dore & Rees
Los 116

A PAIR OF RETRO PENDANT LIGHT FITTINGS, chromed metal fixtures with large globular white glass shades, approx 75 cm high

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Dore & Rees
Los 131

AN AMERICAN HANDMADE QUILT Quilt the compartmental design with arcs and triangles in pink and blue on a white ground with a light pink border. Probably early 20th century. 195 x 135 cms

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Dore & Rees
Los 199

A CHINESE CANTON FAMILLE ROSE VASE, converted to a table lamp, with shade, the panels profusely decorated with a corncucopia of birds, insects and flowers, raised on a gilt metal base, 50 cm high (excluding light fitting), 74 cm high including fitting

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Dore & Rees
Los 244

A PAIR OF CHINESE SLEEVE VASES, converted to table lamps, the cylindrical vessels decorated with dragons amongst clouds, set on a green ground, raised on circular wooden stands, 32.5 cm high (not including light fittings)

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Dore & Rees
Los 57

AN ERCOL MID CENTURY LIGHT ELM BENCH SEAT, the gently curving top rail supported by turned tapered spindles, on splayed tapered legs, 78 x 117 x 54 cm approx

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Woolley & Wallis
Los 471

'Rotary Watches' a patinated metal illuminating advertising wall clock, for Rotary watches, gilt patinated metal with perspex face, electric light, unsigned 53cm. diam.

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Woolley & Wallis
Los 487

A large polished steel table lamp and shade, retailed by Heal's, disc base supporting four curved panels flanking central square rod, four light fittings, with drum shade, unsigned, 68.5cm. high, (2)

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Woolley & Wallis
Los 494

A PH Artichoke light designed by Poul Henningsen, originally designed in 1958 and produced by Louis Poulson, copper petal diffusers, unsigned 76cm. high

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Woolley & Wallis
Los 495

A PH Artichoke light designed by Poul Henningsen, originally designed in 1958 and produced by Louis Poulson, copper petal diffusers, unsigned 76cm. high

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Woolley & Wallis
Los 578

A large and impressive copper and brass wall light in the manner of WAS Benson, three scrolling brass arms supporting copper flower reflectors, with copper foliate panels and brass wall mount, unsigned 53cm long

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Bamfords Auctioneers & Valuers
Los 338

A 1920s moulded opaque white glass light shade; other 1920s light shades, lustre, opaque, printed, acid etched globular light shades' two ceiling uplighters (12)

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Bamfords Auctioneers & Valuers
Los 77

A Sitzendorf porcelain four light two section candelabrum, the column with seated putto, encrusted with flowers throughout, 38cm high

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Bamfords Auctioneers & Valuers
Los 91

An Art Nouveau bronzed metal twin light table lamp, 54cm high

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Dominic Winter Auctions
Los 155

* Embroidered bedcover. A large crewelwork bedcover, circa 1930s, expertly hand-stitched in polychrome wools on a cream twilled ground, with 2 wide vertical panels depicting repeated exotic bird at intervals along a sinuous bamboo stem entwined with floral and foliate tendrils, matching narrow borders to top and sides, bedcover possibly sometime pieced from a larger item, backed with oyster-pink cotton, edged with green velvet (a little dust-soiled and marked in places), a few small light damp-stains (1 with associated tiny hole), small area with several fox spots, 254 x 239 cm (100 x 94 ins) QTY: (1)

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Dominic Winter Auctions
Los 171

* Quilt. A large piece of Victorian patchwork and broderie perse, unfinished piece of polychrome patchwork, composed of printed cotton octagons hand-stitched together with small plain cotton squares between, border of appliquéd flowers and leaves attached with buttonhole stitch, toned, occasional wear, white cotton tacking still present and verso unlined revealing some remains of paper pieces, many with early manuscript or printed matter, including parts of letters, bills, etc., one dated 1808, 161 x 163 cm (63.5 x 64.25 ins), together with a large broderie perse bedcover, composed of early 19th century fabrics but of later construction on a cream cotton ground, divided into 9 squares with machine-stitched borders, patchwork lozenge star in centre, surrounded by appliquéd birds and butterflies, remaining squares each with a large applied cut-out floral bouquet, 2 different alternating designs, comprising passion flowers, roses, poppies, lilies, chrysanthemums, and other flowers, star and other appliqués carefully hand-stitched in place, some light staining, unhemmed selve or raw edges frayed in places, 203 x 183 cm (80 x 72 ins) QTY: (2)

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Dominic Winter Auctions
Los 174

* Quilt. An early-mid 19th century quilt, English, a large hand-stitched bedcover, with central square composed of 4 8-pointed stars, enclosed by borders of squares, stars, lozenges, and rectangles, using a variety of printed cotton fabrics in predominantly pastel shades and plain ivory cotton, turquoise ink stamp to one edge 'D. Knowks', light toning, some fabrics degraded with consequent small losses, backed in cream cotton, hand-quilted overall in white cotton thread, butted hem, edges worn, 272 x 259 cm (107 x 102 ins) QTY: (1)

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Dominic Winter Auctions
Los 183

* Shawl. A Georgian whitework turnover shawl, fine white cotton lawn, with floral motifs in opposing corners hand-stitched in tambourwork and French knots, incorporating cutwork, border of tambourwork and drawn threadwork, some light toning and foxing, occasional tiny holes and neat period darns, 94 x 90 cm (37 x 35.5 ins), together with 16 19th or early 20th century handkerchiefs, variously embellished with embroidery, lace, initials, coronets, openwork, etc., various sizes and condition (some damaged) QTY: (17)

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Dominic Winter Auctions
Los 189

Schreiber (Lady Charlotte). Fans and Fan Leaves, English/Foreign, 2 volumes, London: John Murray, 1888-1890, half-titles present, 161 and 153 plates respectively, very occasional light finger marks (plates generally clean), printed in double-column, both volumes with oval ink library stamp to verso of title-page, head of B1, verso of plate leaf at rear, and pastedowns, top edges gilt, volume 1 in original red morocco-backed gilt and blind decorated bevel-edged cloth, rubbed spine frayed at ends, upper joint splitting at foot, covers a little finger-soiled in places, volume 2 rebound in red library buckram, finger-soiled and partially faded, some fraying to extremities, upper joint worn and splitting at foot, folio (57 x 40 cm/22.5 x 15.75 ins) QTY: (2)NOTE:Scarce set of both volumes of this landmark work on the subject of fans.

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Dominic Winter Auctions
Los 190

* The County Fan. Compiled and Published June 30, 1794, by Sarah Ashton, No. 28 Little Britain, double-sided folding paper fan, the leaf engraved with an oval portrait of King Alfred the Great on obverse, with historical and topographical notes on the counties of England and Wales on both obverse and verso, occasional light fox spots, mounted on wooden sticks, 25.5 cm (10 ins)QTY: (1)NOTE:A scarce early fan in very good condition. Not in the Schreiber Collection.Sarah Ashton was a prominent publisher of fan leaves in the late 18th century, working from her premises in Little Britain, near St. Martin's Court, Covent Garden. In 1770 she was admitted into The Worshipful Company of Fan Makers. Other female fan makers of the time are represented in the records of the guild, but no examples of their work survives. Both the V&A and the British Museum have a number of fans and fan leaves by Sarah Ashton amongst their holdings, but this one does not appear.

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Dominic Winter Auctions
Los 204

* Romney (George, 1734-1802). Young Woman Seated, pencil sketch on laid paper, with partial Strasburg Lily watermark to lower right corner, some marks and light discolouration, sheet size 275 x 190 mm (10 3/4 x 7 1/2 ins), inscribed in pencil (probably early 20th century) to lower margin verso 'Lady Hamilton by George Romney', and with small brown ink numeral 550 (crossed out and with 271 added in pencil above), glued along top margin only to later Whatman's Water Colour Sketching Board, early to mid 20th-century mount with ink and gilt-ruled border, with neat manuscript caption to lower edge 'Sketch by G. Romney. Lady Hamilton. Study for his portrait of her as Saint Cecilia', early 20th-century oak frame, glazed (46.5 x 38.5 cm)QTY: (1)NOTE:Provenance: Private Collection, Nottinghamshire, UK.This informal sketch, very likely done from life, has been authenticated by Alex Kidson, author of the catalogue raisonné of the works of George Romney, by email communication to the former owner in 2018, when the work was submitted through the Romney Society's 'Do I own a Romney?' online form.Kidson's reply includes the comments: 'In my opinion, this is an authentic Romney drawing. It only faintly resembles a composition of 'Lady Hamilton as Saint Cecilia', in which the arms meet only at the tips of the fingers and the gaze is more upwards than sideways. The subject would appear to be a homely middle-aged woman and not a girl of twenty as Lady Hamilton was when she modelled for the Saint Cecilia... it is a nice drawing...'. (a copy of the email is attached to the back of the frame).

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Dominic Winter Auctions
Los 225

* Bromley (Valentine Walter, 1848-1877). The Rustic Hearth, 1873, oil on canvas, depicting a peasant by the fire, baby sitting at a table, and woman in the doorway carrying a heavy pot, signed and dated lower left, one small chip to picture surface towards lower left (5mm), light scratch to upper right, 46 x 61 cm (18 1/8 x 24 ins), gilt decorated frame (61 x 74.5 cm)QTY: (1)NOTE:Valentine Walter Bromley contributed regularly to the Illustrated London News, and in 1867 was elected associate of the Institute of Painters in Watercolours.

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Dominic Winter Auctions
Los 247

* English School. A village church with pigs grazing, late 18th century, watercolour with traces of pencil and pen & ink, 20.5 x 29.5 cm (8 x 11.5 ins), framed and glazed, together with Varley (John, 1778-1842). Inverness, pen and brown ink sketch on laid paper (a double-page from a sketchbook), with inscriptions to the image by the artist indicating distinct parts of the landscape (river, water, dis), 13 x 47 cm (5 x 18 1/2 ins) mount aperture, framed and glazed (26 x 60 cm), plus a double-page view of Drachenfels attributed to Henry William Burgess (active 1809-1844), pen and ink with grey and light brown wash, 13 x 39.5 cm, framed and glazed, a further small watercolour view of Windsor attributed to John Varley, and brown wash sketch of sailing boats off Plymouth by John Samuel Hayward (1778-1822), circa 1805, with Caroline Stroud label to verso QTY: (5)

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Dominic Winter Auctions
Los 253

* Lucy (Adrien, 1794-1875). A French Military Review at the Garrison Town of Metz, 1844 & 1846, two large watercolours with pencil on paper, the first showing a large gathering of mounted military figures and spectators seated in a stand, watching a parade of soldiers, both marching and mounted, pulling gun carriages, signed and dated Metz 25th Sept 1844 to lower right, some light toning and areas of minor abrasion, mainly to sky areas, title in brass to lower frame, mount aperture 34.7 x 57.2 cm (13 5/8 x 22 1/2 ins), framed and glazed (60.5 x 83.5 cm), the second watercolour showing a military parade along the river, dated 2nd Sept 1846, some light toning, title in brass to lower frame, mount aperture 34.7 x 57.2 cm (13 5/8 x 22 1/2 ins), both with typed labels on verso with notes regarding the work and the provenance, a portion of original mount with ink manuscript adhered to verso of the second frame, framed and glazed (60.5 x 83.5 cm)QTY: (2)NOTE:Provenance: Antoine Marie Philippe Louis d'Orléans Duc de Monpensier (1824-1890), fifth son of Louis Philippe and Amelia Maria Teresa, married to Infanta Maria Louise (sister of Queen Isabella II of Spain). Montpensier was an unsuccessful candidate for the Spanish throne in 1870 and was subsequently exiled to the Balearic Islands in 1871.

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Dominic Winter Auctions
Los 256

* Maclise (Daniel, 1806-1870). Study of a girl reading seated in a doorway, pencil on paper, portraying a girl sitting in a doorway, reading, some light toning, sheet size 13.3 x 8.1 cm (5 1/4 x 3 1/8 ins), laid down on card, framed and glazed (33 x 25.5 cm), verso with Covent Garden Gallery label giving attributionQTY: (1)

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Dominic Winter Auctions
Los 268

* Heaton, Butler & Bayne (1862-1953). The Annunciation, circa 1875-, pen, black ink, and watercolour, on paper laid on thick blue card, design for a tracery two-light stained glass window, depicting the angel Gabriel in the left light and the Virgin Mary in the right light, with angelic figures in the 4 trefoil lobed lights above, topped by a floral and foliate quatrefoil flanked by decorative lozenges, lettered in brown ink lower left with stock number and scale, Heaton, Butler & Bayne embossed stamp to lower margin below image, slightly dusty, especially to blank margins, light mount-stain, image size 25.7 x 11cm (10 1/8 x 4 1/4ins), sheet size 30.3 x 14.3cm (12 x 5 5/8ins), mounted, overall size of mount 39.2 x 25cm, mount titled in calligraphic black inkQTY: (1)NOTE:Although we have traced a number of stained glass windows by the renowned firm of Heaton, Butler and Bayne depicting the Annunciation, we have been unable to establish whether this particular design was ever executed.

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Dominic Winter Auctions
Los 274

* Royal Birmingham Society of Artists. A collection of 57 mostly pencil portraits of members of the RBSA, circa 1890-1910, and other Birmingham artists, two with artist's monogram G.J.S.?, most portraits named, many dated, occasional spots and light soiling, most mounted onto 14 card sheets, card sheets size approximately 28.3 x 38 cm (11 1/8 x 15 ins), together with Birmingham-related Album, an album containing approximately 225 Birmingham-related items, compilied by Eliza Woodward, circa 1880-1905, comprising greetings cards, pencil sketches, photographs and postcards, including items from or by Henry (Harry) Baker (1849-1875), Cecelia Baker, Edward Richard Taylor (1838-1911), Harold Baker (photographer, b.1859), Oliver Baker (b.1856), all mounted, contemporary black morocco, rebacked, somewhat worn, 4toQTY: (18)NOTE:Artist pencil portraits include: Sidney Harold Meteyard (1868-1947), Jethro Anstice Cossins (1830-1917), Charles Walter Radclyffe (1817-1903), Edward Richard Taylor (1838-1911), Julius Alfred Chatwin (1830-1907), Oliver Baker (1856-1939), (Charles Henry Whitworth (1855–1933), John Keeley (1849-1930), William Midgley (1865-1933), William John Wainwright (1855–1931), John Rathbone Harvey (1862–1933), Jonathan Pratt (1835-1911), Edwin Butler Bayliss (1874–1950), James Valentine Jelley (1856–1950), Joseph Edward Southall (1861-1944), William Henry Bidlake (1861-1938) and others (a few portrayed twice).

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Dominic Winter Auctions
Los 300

AR * Segonzac (André Dunoyer de, 1884-1974). Versailles, le Grand Trianon vu du canal, 1924, etching printed with plate tone on Van Gelder wove paper, an artist’s proof, signed in pencil, inscribed ‘épreuve d’artiste’ and numbered 7/25 (titled in pencil at the bottom of sheet), with the publisher Henri Petiet’s blindstamp (Lugt 2021a) to lower margin, with margins, deckle edge at right, light-stained, pale mount-staining, otherwise in good condition, plate size 180 x 130 mm (7 1/8 x 5 1/8 ins), sheet size 282 x 192 mm (11 1/8 x 7 1/2 ins), framed (43 x 312 cm)QTY: (1)

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Dominic Winter Auctions
Los 307

AR * Laurencin (Marie, 1853-1956). L'Éventail Rose, 1927, etching with roulette printed in black, blue and pink, on wove paper, presumably fourth (final) state, signed in pencil and numbered 27/100, with margins, sheet size pale light-staining, the colours slightly attenuated, generally in good condition, platemark 29.7 x 24.8 cm (11 3/4 x 9 3/4 ins), sheet size 49.5 x 38.2 cm (13 1/2 x 19 1/2 ins), mounted, glazed and framed (63 x 50 cm)QTY: (1)NOTE:Literature: Marchesseau 126.

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Dominic Winter Auctions
Los 309

AR * Nash (Paul, 1889 - 1946). Bouquet, 1927, woodcut printed in black on wove paper, signed, titled, dated and numbered 16/50 in pencil, with full margins, pale mount stain, very light handling marks to sheet edges, image size 122 x 95 mm (4 3/4 x 3 3/4 ins), sheet size 280 x 188 mm (11 x 7 3/8 ins), framed and glazed with Redfern Gallery label to verso, dated November 3rd 1947, giving the purchaser's name Mrs. Colin MannQTY: (1)NOTE:Provenance: Redfern Gallery, London, where purchased by Mrs Colin Mann, November 3rd 1947 (label to verso).Postan W79; Greenwood 76.

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Dominic Winter Auctions
Los 311

AR * Sutherland (Graham, 1903-1980). Hanger Hill, 1927, etching on pale cream laid paper, with indistinct watermark, the full sheet, published by the Twenty-One Gallery, London in an edition of 77 impressions, signed and numbered 71/77 in pencil, a few light spots, overall in very good condition, plate size 140 x 128mm (5 1/2 x 5ins), sheet size 295 x 190 mm (11 5/8 x 7 1/2 ins), glued to backing card along top margin only, framed and glazedQTY: (1)NOTE:Tassi 27.

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Dominic Winter Auctions
Los 315

* Sandzén (Birger, 1871-1954). Wind whipped Pines, 1928, crayon lithograph, on Arches laid paper, a very good, rich impression, signed and titled in pencil, with full margins, a few short tears (two at the upper sheet edge skilfully backed) and nicks at the sheet edges, a small loss at the upper sheet edge, faint light-staining, a pale band of discolouration towards the upper sheet edge, generally in good condition, framed QTY: (1)NOTE:Provenance: Collection of Oliver Hoare (1945-2018).Greenough 122.

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Dominic Winter Auctions
Los 318

AR * MacNab (Iain, 1890-1967). Le Quai de l'Île, Annecy, circa 1929, wood engraving, on thin, soft, translucent Japan paper, an excellent, black impression printing richly and evenly, signed and titled in pencil, numbered 19/50, with margins, barely discernible, faint light-staining, generally in very good condition, image 28.7 x 26.3 cm (11 1/4 x 10 3/8 ins), sheet size 34.3 x 30 cm (13 1/2 x 11 7/8 ins), in a conservation mountQTY: (1)

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Dominic Winter Auctions
Los 320

* Temple (Vere Lucy, 1898-1980). Resting Reedbuck, circa 1930s, line engraving, on thin laid paper, a very good impression printing with a light plate tone, bearing signature and title in pencil, with margins, a deckle edge at the lower sheet edge, a small loss at the upper right sheet corner, old tape at the upper sheet corners verso, generally in very good condition, plate size 214 x 232 mm, sheet size 255 x 298 mmQTY: (1)NOTE:Provenance: Collection of Oliver Hoare (1945-2018), purchased from Elizabeth Harvey Lee (2018).

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Dominic Winter Auctions
Los 323

* Farleigh (John, 1900-1965). The Black Girl, 1932, wood engraving on japan, and artist's proof of the illustration for Bernard Shaw's The adventures of the black girl in her search for God, published in 1932, issued in an edition of nine impressions only, signed and dated and numbered 9/9 to lower margin, one or two light spots, image size 124 x 86 mm, framed and glazed, together withNash (John, 1893-1977). Roses, circa 1920, wood engraving, an unnumbered proof, signed in pencil, image size 119 x 78 mm, with margins, both framed and glazedQTY: (2)

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Dominic Winter Auctions
Los 324

AR * Gibbings (Robert, 1889-1958). MId Coral Caves, Bermuda, from Fourteen Wood Engravings, 1932, wood engraving on thin, fibrous Japan paper with wirelines, a very good, black, evenly printed impression, signed in pencil, numbered 7.20, with margins, some light-staining, image size 18.8 x 16.4 cm (7 3/8 x 6 1/4 ins), sheet size 27 x 21 cm (10 5/8 x 8 1/4 ins), in a conservation mountQTY: (1)NOTE:Literature: Andrews p. 159, fig. 157

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Dominic Winter Auctions
Los 326

* Sandzén (Birger, 1871-1954). The Sentinel of the Mesa, 1933, crayon lithograph, on wove paper, a very good, rich impression, signed, titled and dedicated ‘with best wishes to Dale E. Miller 1934’ in pencil, with small margins, pale light and mount staining (showing presence of previous mounting tape at the upper sheet edge), generally in good condition, lithographic stone 400 x 490 mm, sheet size 427 x 513 mm, framedQTY: (1)NOTE:Provenance: Collection of Oliver Hoare (1945-2018).Greenough 141.

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Dominic Winter Auctions
Los 34

* Safe. An impressive Victorian Sampson Morden & Co. London safe, painted to simulate wood, with a substantial brass handle, engraved brass nameplate and keys, housed in a light mahogany cabinet by Gillow & Co., the drawer numbered 14807, the three drawers with Bramah, London locks and a door enclosing the safe below, the door formed to simulate 2 dummy drawers, 92 cm high x 64 cm wide x 53 cm deep QTY: (1)

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Dominic Winter Auctions
Los 385

* Bussy (Simon, 1870-1954). Lac de Molveno, Tyrol, no. 1, circa 1910, colour pastel on board, signed lower left, some light surface dirt, mount aperture 19.2 x 15.3 cm (7 1/2 x 6 ins), framed, contemporary blue crayon number 6 to verso, and printed address label of the Carfax Gallery, LondonQTY: (1)NOTE:Exhibited: Pastels by Simon Bussy, Carfax Gallery, London, June 1913, catalogue number 6.

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Dominic Winter Auctions
Los 389

AR * John (Augustus, 1878-1961). Self Portrait, circa 1950s, pen and black ink on letter-headed note paper (Fryern Court, Fording Bridge, Hants), drawn to verso of an autographed letter to Tristan [de Vere Cole (1935-), illegitimate son of Augustus John and Mavis de Vere Cole, the letter reads: 'Dear Tristan, what would you like me to send you for Whitsun? I dreamt of you the other night and you had 3 eyes! One two many. How are you getting on? How is Muska? I hope you are learning a lot and painting some fine pictures. Gove my love to everybody and don't forget Dodo and Augustus...', signed Augustus Atford?, light creases where previously folded, minor loss to upper outer corner of the sheet, sheet size 205 x 130 mm (8 1/8 x 5 1/8 ins), framed and double-glazedQTY: (1)NOTE:Provenance: ?Tristan de Vere Cole, the last illegitimate son of Augustus John was largely brought up by Augustus and Dorothy 'Dorelia' John during his early years at Fryern Court, Fording Bridge in Hampshire, where the Johns had lived since 1927. As a boy, Tristan sat for Augustus John as a model.

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Dominic Winter Auctions
Los 39

* Costume Jewellery. An Edwardian silver belt buckle, cast in the Rococo style with infants and scolls, two prong bar, 7 cm long together with a collection of belt buckles including an art deco white metal and past buckle, the three parts joined by rings, 17.5 cm long, another with green and blue hardstone cabachons, 7.5cm long, four Ruskin style brooches, Victorian bog oak brooch carved 'In Memory Of', 4.5 cm long, an art deco enamel bar brooch, light blue and black enamel set with a garnet, impressed butterfly mark to the reverse, 8 cm long, a sterling silver dragonfly brooch, with iridescent glass wings, 5.5 cm wide, five Victorian cameo brooches including an angel carrying infants, in a yellow metal frame, 4 cm long and other items of costume jewelleryQTY: (approximately 60)

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Dominic Winter Auctions
Los 392

* Goor (Gaston, 1902-1977). A Bacchanale, 1953, black and white chalks heightened with red and yellow on thick crimson card (light-stained), signed and dated lower left, 32.5 x 42.3 cm (12 7/8 x 16 5/8 ins), mounted, framed and glazed (47.5 x 55.5 cm)QTY: (1)

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Dominic Winter Auctions
Los 60

* Ring. An attractive yellow metal ring set, with a light blue polished cabachon, the mount engraved with foliate scrolls, O/P QTY: (1)

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Roseberys London
Los 385

A pair of gilt-bronze seven-light candelabra, late 19th / early 20th century, in the Gothic style, each with pierced ringlet atop tripod base with stepped circular feet, 75cm high (2) Please refer to department for condition report

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Roseberys London
Los 388

A brass table lamp, 20th century, the faux candlestick electrical fittings with large sconce atop baluster neck, the body with central support and tripod scrolling legs, atop circular stepped base, 82cm high overall, together with a brass six light chandelier, issuing from an urn form stem with pierced foliate decoration, with cut glass sconces, approximately 39cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report

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Roseberys London
Los 397

A modern tole peinte twin-light bouillotte lamp, of oval form, the adjustable shade with cornucopia decoration, 46cm highIt is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report

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Roseberys London
Los 402

A quantity of lighting, comprising: a blue glass hanging light, 1930-50s, with white 'lace' decoration, 40cm diameter; a brass adjustable twin-light desk lamp, with green glass shades (damaged), 57cm high; an Italian glazed pottery lamp modelled as two females, a modern wall light modelled as a light bulb, 45cm high; a pair of white painted column table lamps, 29cm high; ten glass shades; and a large quantity of lamp shades, AF, (LOT) (VAT charged on hammer price)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use. Please refer to department for condition report

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Roseberys London
Los 403

A French gilt-bronze twin-light candelabrum, late 19th century, converted to electricity, with tri-form base, 46cm high excluding fitment; together with a white metal oil lamp, late 19th century, converted to electricity, mark TW & S, modelled as a swan, with painted glass reservoir, 39cm high; a Chinese bronze table lamp, 23cm high; a small brass hanging lantern, 36cm high; and a gilt-bronze three-light wall applique, 20th century, the backplate 39cm high (5)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report

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Roseberys London
Los 407

A pair of gilt-metal twin-light wall appliques, mid 20th century, each with leafy branches and flower-head terminals, 56cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report

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Roseberys London
Los 410

A gilt painted composite eight branch ceiling light, 76cm highIt is the buyer's responsibility to ensure that electrical items are professionally rewired for use.loss of paint

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