ENGLISH SCHOOL (17TH CENTURY) PORTRAIT OF MILES CORBET BARRISTER Oil on canvas, oval 81 x 64cm (31¾ x 25 in.)Miles Corbet Barrister (1595 - 1662) was an English politician, recorder of Yarmouth and regicide. Between 1640 and 1653, he succeeded his brother as MP for Yarmouth, and was one of the 59 men who signed Charles I's death warrant. In 1644, he was made clerk of the Court of Wards, and in 1649, Oliver Cromwell granted the estate of Malahide Castle to Barrister after the Cromwellian Conquest of Ireland. The castle was returned to its original owners in 1660 with the restoration of Charles II.With the restoration of Charles II, Barrister and his co-conspirators were considered regicides and many of them, including Barrister, fled England. Seeking refuge in the Netherlands, he assumed he would be safe, but together with fellow regicides John Okey, and John Barkstead, he was arrested by the English Ambassador and returned to England, where at his trial he was found guilty and executed on 9 April 1662. Condition Report: The canvas has been relined and is on a later stretcher which is providing good support. Stretcher marks and surface cracking is visible across the image. The paint is beginning to lift in the background areas. Under UV light, there are scattered spots of inpainting in the darker pigments of the background, and also on the sitters face and hair. It has been cleaned, although now has some surface skirt and some vanish. There is a small section of the frame missing, which is illustrated in the catalogue.Please note Dreweatts is not liable for damage to frames. Condition Report Disclaimer
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NICHOLAS CONDY (BRITISH 1793-1857) FIGURES IN A MARKET (TRADITIONALLY IDENTIFIED AS BOROUGH MARKET) Oil on board Signed and dated '1836' (lower centre) 36 x 46cm (14 x 18 in.) Condition Report: Oil on board. Traces of an old, dirty and discoloured varnish to the upper framing edge. Surface cracking throughout with some in-filling visible in natural light, particularly to the upper left quadrant. There is a scratch (approx. 2cm) and associated overpaint which is visible in natural light, to the basket at the lower left corner. Some light rubbing and abrasions. Inspection under UV reveals extensive infilling to the sky, and ground at the foreground, and some lighter scattered retouching to the market buildings and figures. Condition Report Disclaimer
THOMAS SHOTTER BOYS (BRITISH 1803-1874) BREAKWATERS ON A NORMANDY BEACH Pencil, watercolour, gum arabic, bodycolour and with scratching out 10.8 x 18.7cm (4¼ x 7¼ in.) Provenance: The Hon. Mrs Fitzroy-Newdigate Sale, Christie's, London, 14 March 1952, part of lot 208 (to Agnews) With Thomas Agnew & Sons, London, 1953 Major G.F.F. Camberlege, by descent until 1997 With Thomas Agnew & Sons, London M. and Mme. Gerald Bauer Sale, The Collection of Monsieur et Madame Gérald Bauer: British Watercolours from the Golden Age, Christie's, London, 22 January 2003, lot 51 The Rowse Collection Exhibited: London, Thomas Agnew & Sons, 60th Annual Exhibition of Watercolours, 1953, no. 109 London, Thomas Agnew & Sons, 125th Annual Exhibition of Watercolours and Drawings, 1998, no. 67 Lausanne, Fondation de l'Hermitage, L'Âge d'Or de l'Aquarelle Anglaise 1770-1900, 22 January - 24 May 1999, no. 97 Literature: W. Hauptman, L'Âge d'Or de l'Aquarelle Anglaise 1770-1900, Lausanne, 1999, pp. 154-155, no. 97, illustrated in colour Condition Report: The sheet has been laid down. Discolouration throughout, particularly noticeable to the left framing edge. Some light undulation to the sheet. Unexamined out of glazed frame.Condition Report Disclaimer
ATTRIBUTED TO EMILE SIGNOL (FRENCH 1804-1892) PORTRAIT OF TWO CHILDREN, TRADITIONALLY IDENTIFIED AS MARIE LABBÉ (1845-1916) AND HER BROTHER Oil on canvas Signed and dated '1850' (lower left) 99 x 69cm (38¾ x 27 in.) While Emile Signol painted several portraits, including that of Dagobert I, King of Austrasia, Neustria and Burgundy, at the Musée National des Châteaux de Versailles, he primarily made his name as a history painter working in an austere, neoclassicist style. After studying under Antoine-Jean Gros, he first exhibited at the Paris Salon in 1824 and would win the prestigious Prix de Rome in 1830. He held a first seat position at the Académie des Beaux-Arts in Paris from 1860, where Pierre-Auguste Renoir would study under him only two years later. Signol was made Officer in the Legion of Honour in 1865. Condition Report: The canvas has been lined. Fine surface cracking across the image. The paint layer is stable. There is a diagonal surface scratch (approx. 10cm) to the lower right corner. Under UV light there are scattered areas of retouching to the edges and background. there is also retouching to both children's hair and forehead, The largest is a broad line approx. 5cm long. The work has been cleaned and re-varnished.Condition Report Disclaimer
FRIEDRICH NERLY, THE ELDER (GERMAN 1807-1878) THE PALAZZO PISCANI, VENICE Oil on canvas Signed (lower right) 50 x 81.5cm (19½ x 32 in.)Provenance: Purchased by the Great-Grandfather of the present owner, circa 1910, and thence by descent Born Friedrich Nerlich in Erfurt, Germany, in 1807, he moved to Hamburg and his uncle became his first drawing instructor, who introduced him to the house of Johann Michael Speckter, a centre of intellectual and artistic liberalism in early 19th century Hamburg. In 1823 the aesthete Carl Friedrich Freiherr von Rumohr took him under his wing. Nerlich soon became his protégé and in 1828 they travelled to Italy, an experience that left a permanent mark on the artist. He remained there for the rest of his life and he changed his name to Nerly, a pronunciation closer to the Italian language. He lived in Rome of six years and became a leading figure in the German artistic community. He later moved to Venice and the present work is one of Nerly's best Venetian canvases. From his studio in the Palazzo Pisani, near the Campo San Stefano, a favourite meeting point for the Venetians, the earliest was stimulated by breath-taking views of the romantic city. Having become acquainted with Joseph Mallord William Turner, who worked in Venice between 1819 and 1821, Nerly's realism absorbed an element of romanticism, as he adopted a new dramatic effect of light in his panoramas. Condition Report: The canvas has been lined, cleaned and re-varnished. Some creasing to the canvas can be seen in a raking light, largely to the sky and framing edges. This probably occurred as a result of the lining process. Inspection under UV reveals scattered retouching and infilling throughout, most of it concentrated in the sky. Overall, the work is in good, restored condition and ready to hang. Condition Report Disclaimer
SIR JOSHUA REYNOLDS (ENGLISH 1723-1792) PREPARATORY SKETCH FOR THE PORTRAIT OF THE HON JOHN TUFTON Graphite and wash. 19 x 15cm (7¼ x 5¾ in.)Bearing partial watermark, bottom of Britannia and Lion within a circle fence.Provenance: Probably the sale at Christie's, 26th May 1821, property of Sir Joshua's niece Mary Dowager, Marchioness of Thomond, his principal Heiress, where over 450 drawings and nine sketch books were sold in a total of fifteen lots, most of the drawings and sketches by Reynolds extant derive from the sale The Collection of Alison Barker, 1951 - 2021, London and Chichester, London Barrister and lifetime collector Literature: David Mannings, Sir Joshua Reynolds, A Complete Catalogue of his Work ,Yale 2000, P. 450, under no. 1776. Fig.1201 The present lot is a preparatory sketch for the circa 1776 portrait of John Tufton aged 3. It was commissioned by Sackville Tufton, 8th Earl of Thanet, and is now in a private collection.The Tufton family and Reynolds appear to have had a good relationship with the artist painting portraits of John Tufton's elder brothers, mother, and father's mistress. The Tufton family was prominent in cricket and other sporting activities. Between 1793 and 1798, Tufton was an active cricket player mainly associated with Marylebone Cricket Club. In 1796, at the age of 23 John Tufton became Member of Parliament for Appleby in Cumbria where the family lived. He held the seat until his premature death in 1799. Condition Report: Some very light spots of surface dirt. Light undulation to the sheet. Otherwise, the work appears to be in good condition commensurate with age. Unexamined out of glazed frame. Condition Report Disclaimer
CHARLES NAPIER HEMY (BRITISH 1841 - 1917) OYSTER DREDGERS Oil on canvas Signed and dated '1897' (lower right), further signed, dated, and inscribed (to canvas verso) 62 x 92cm (24¼ x 36 in.) Condition Report: The canvas has not been lined. Some fine surface cracks throughout. There are several small spots of paint lifting to the waves in the lower left corner, and to the area near the central sailor's head, and to the sky. Some light spots of surface dirt throughout. The impasto is well preserved. Inspection under UV reveals no evidence of restoration or repair.Condition Report Disclaimer
ITALIAN SCHOOL (16/17TH CENTURY) LUCRETIA Oil on panel 52 x 40cm (20¼ x 15½ in.) Unframed Condition Report: The panel is bowed and is riddled with old wood-worm holes, which is visible on the back and front. Although this is not live. There is a groove in the back of the panel and an integral cradle bar. The paint surface has numerous chips, losses and abrasions, and is lifting in places. There are also small losses to the corners of the panel. There is a broad area of filling and retouching along the upper edge. Under UV light, there are scattered areas of retouching from various periods. There is also fine surface cracking across the image. It has thick layer of discoloured vanish and surface dirt. Condition Report Disclaimer
JACOB A. JACOBS (BELGIAN 1812 - 1879) THE TEMPLE OF PHILAE Oil on panel Signed and dated '1861' (lower right) 46 x 41cm (18 x 16 in.) Condition Report: The panel appears to be in good original condition. There are scuffs and abrasions as well as small spots of paint loss to the sky and also in a horizontal line at the base of the temple. Surface cracking throughout. Under UV light there are some small areas of retouching to the edges and in the shadows to the left of the boat. There is a layer of dirt and discoloured varnish.Condition Report Disclaimer
FRENCH SCHOOL (18TH CENTURY) A YOUNG BOY WITH A BASKET OF FLOWERS Oil on canvas 96 x 122cm (37¾ x 48 in.) Condition Report: The canvas has been lined and re-varnished. Craquelure, surface dirt and surface scratched throughout. Rubbing and abrasions to the framing edges together with some associated loss. The stretcher marks are visible together with some corresponding cracking. The paint surface looks stable through. There are some scattered, isolated, areas of loss / flaking throughout the canvas and some of these areas have been repainted. This is visible in natural light. Inspection under UV reveals limited retouching, and a very heavy green cloudy masking varnish which is undoubtedly hiding further restoration. Measurements with frame are 118 x143cmCondition Report Disclaimer
ENGLISH SCHOOL (CIRCA 1600) PORTRAIT OF AN ELIZABETHAN LADY WITH LACE COLLAR Oil on panel Inscribed with a coat of arms (upper left) 148 x 87cm (58¼ x 34¼ in.) Condition Report: The reverse of the panel with applied central support (see online image). The paint wearing thin in some areas. There is a vertical crack, with associated flaking and paint loss running the length of the canvas through the sitter's face and dress. Other smaller cracking also present, particularly to the lower edge of the panel. Rubbing, abrasions, surface scratches, cracking, isolated spots of loss, and surface dirt can be observed throughout. Some of the heavier scratches and cracks with over-paint which can be seen in natural light, particularly around the sitter's shoes where there is also an area of loss (approx. 2.5cm). There is a notable scratch (approx. 12cm) to the panel just to the left of the sitter's right hand. Inspection under UV reveals scattered retouching throughout, particularly to the background areas, together with a green cloudy varnish. Condition Report Disclaimer
AFTER MARMADUKE CRADDOCK A COLLECTION OF FOWL Oil on canvas 120 x 96cm (47 x 37¾ in.) Provenance: Frome Whitfield House, Dorchester, Dorset, home of the Henning family since the early 1700's. The original house was Tudor origin, but was rebuilt in the Regency period, together with East and West Wings. Condition Report: The canvas has been relined. There is fine surface cracking but the paint layer is stable. Under UV light there is scattered retouchings in places, particularly the sky. There are also two small diagonal lines of retouching in the upper left quarter which probably cover two small tears or scratches in the surface. It has been cleaned and re-varnished. Condition Report Disclaimer
ALFRED DE BREANSKI SENIOR (BRITISH 1852-1928) THE BERWYN HILLS, NORTH WALES Oil on canvas Signed (lower right) 61 x 92cm (24 x 36 in.) Condition Report: Relined. Some discolouration across the canvas caused by yellowing varnish, most notable to the sky. Patches of craquelure scattered along the upper portion of the sky. Inspection under UV reveals light scattered infilling and retouching throughout. Please note Dreweatts is not liable for damage to frames. Condition Report Disclaimer
THOMAS GAINSBOROUGH (BRITISH 1727-1788) TRAVELLERS AND CATTLE IN A LANDSCAPE Watercolour 18.5 x 26.4cm (7¼ x 10¼ in.)This previously unrecorded Gainsborough watercolour relates to a drawing in John Hayes, The Drawings of Thomas Gainsborough, 1970, no. 322 (sold Sotheby's 22 March 2000 lot 113, estimate £8-12,000, sold for £19,500). Both drawings feature a similarly sloping tree which acts as an anchor in each composition. We are grateful to Hugh Belsey for confirming the attribution. Condition Report: Light surface dirt and discolouration to the sheet and the colours are a little down. There are two, small, white blemishes to the sheet at the upper left corner, probably the result of previous conservation. There is a repaired tear running along the lower framing edge. Unexamined out of glazed frame. Condition Report Disclaimer
FOLLOWER OF WILLEM CLAESZ HEDA A STILL LIFE WITH A RUMMER, A TAZZA, A LEMON AND OTHER OBJECTS ON A TABLE Oil on panel 52 x 78cm (20¼ x 30½ in.) Condition Report: The panel has split and been re-joined using glue and wooden supports. This split is also visible recto including retouching/overpaint which can be seen in natural light. There are two spots of discoloured varnish to the lower left and right edges. Small spots of paint loss and abrasions to the lower right quadrant. There is an uneven varnish which is most notable in natural light to the upper right quadrant. Layer of surface dirt. Inspection under UV reveals the aforementioned line of repair. Further retouching is presumed but hard to read due to the applied heavy varnish. Condition Report Disclaimer
CHARLES MARTIN POWELL (BRITISH 1774-1825) SHIPPING IN CHOPPY SEAS Oil on canvas Signed (lower right) 60 x 90cm (23½ x 35¼ in.)Provenance:Leslie & Peel, Sussex, 1971, where purchased by the present owner. Condition Report: The canvas has been lined. Rubbing and abrasions to the framing edges. Some surface dirt, and a layer of discoloured varnish throughout. Surface cracking, together with old in-filled cracking which is extensive, and visible in natural light. Inspection under UV reveals extensive retouching and in-filling throughout.Condition Report Disclaimer
SIDNEY RICHARD PERCY (BRITISH 1821-1886) LOCH KATRINE Oil on canvas Signed (lower right), titled (to stretcher verso) 60 x 95cm (23½ x 37¼ in.) Condition Report: The canvas has been lined. Fine surface cracking however the paint layer appears to be stable. Under UV light there are fine lines of retouching to the sky, these are not visible to the naked eye. The work has been cleaned and re-varnished. Condition Report Disclaimer
FOLLOWER OF JOHN CONSTABLE COUNTRY ROAD WITH FIGURES UNDER A WINDSWEPT SKY Oil on panel 27 x 35cm (10½ x 13¾ in.) Condition Report: The board is stable and providing good support. There is some fine surface cracking but the paint layer seems to be in good original condition. Under UV light, there are several small spots of restoration in the sky, but these are very minor (approximately 0.5cm wide). It has a thick layer of discoloured vanish and surface dirt. Condition Report Disclaimer
FOLLOWER OF JOHN CONSTABLE RIVER LANDSCAPE Oil on board 21 x 28.5cm (8¼ x 11 in.) Unframed Condition Report: Surface cracking throughout. Rubbing, wear, and abrasions to the framing edges. Previous framing marks running along the upper edge. There is a small crack to the board (approx. 1cm) at the upper left framing edge. Some light surface dirt throughout. Inspection under UV reveals scattered retouching and infilling throughout, together with a cloudy layer of varnish.Condition Report Disclaimer
ATTRIBUTED TO THE MASTER OF THE LANGMATT FOUNDATION VIEWS (ITALIAN FL. 1740-1770) THE GRAND CANAL FROM THE PALAZZO MORO LIN AND CA' FORSCARI, VENICE Oil on canvas 42 x 63cm (16½ x 24¾ in.)Provenance: Sale. Bonhams, London, 13th July 2013, lot 43 The artist takes his name from a series of views of Venice at the Langmatt Foundation in Baden, Germany and he has been tentatively identified as Apollonio Domenichini .This picture relates to several other versions of this subject. Condition Report: The canvas has been lined. Rubbing and abrasions throughout, particularly to the framing edges. Paint shrinkage and cracking throughout, as well as wearing thin in some places so that traces of the red ground can be seen. Some light surface dirt. Inspection under UV reveals extensive in-filling throughout.Condition Report Disclaimer
λ  EDWARD HOLROYD PEARCE (BRITISH 1909-1990) ALPINE LANDSCAPE Oil on canvas Signed (lower left) 40 x 50cm (15½ x 19½ in.)Provenance: James Harvey, British Art, London Condition Report: The canvas is unlined. Faint stretcher marks are visible. Under UV light, there are several small spots of retouching in the bottom right corner. Generally, the paint surface is in good condition. The vanish layer is only slightly discoloured. Condition Report Disclaimer
ATTRIBUTED TO THOMAS HUDSON (ENGLISH 1701-1779) PORTRAIT OF VICE ADMIRAL CHARLES WATSON Oil on canvas 75 x 62cm (29½ x 24¼ in.) Provenance: From the Strachey Collection, Sutton Court, Somerset, by descent to the present owner Condition Report: The canvas has been lined and is on a new stretcher, providing good support. Surface cracking throughout,with some associated lifting from the paint. Stretcher marks visible. Rubbing and abrasions to the framing edges. Abrasions to some areas including around the sitter's mouth. There is an area of overpaint visible in natural light (approx. 5cm) and the upper left edge. There is an L-Shaped repaired tear to the lower left quarter (approx. 6cm). Inspection under UV reveals scattered retouching throughout. Would benefit from having the line taken off and a new one put on.Condition Report Disclaimer
CONTINENTAL SCHOOL (18TH CENTURY) THE PROCESSION Oil on panel 60 x 100cm (23½ x 39¼ in.) Condition Report: The panel is comprised of two boards and is stable. There is surface cracking and the paint layer is thin in places, particularly in the sky. There are some minor scratches and abrasions. Under UV light there are scattered areas of retouching. The varnish layer is uneven and partially cleaned. Condition Report Disclaimer
GIORGIO BELLONI (ITALIAN 1861-1944) PINK LIGHT ON THE SEA Oil on panel Signed (lower left) 25.5 x 36cm (10 x 14 in.) Condition Report: A very small scuff to the upper right corner, and one or two spots of retouching to the sky which are visible under UV. Otherwise the work appears to be in good original condition.Condition Report Disclaimer
JAMES JOHN HILL (BRITISH 1811 - 1882) THE HAY BARGE Oil on canvas Signed (lower right), further signed (to stern of boat) 29 x 50cm (11¼ x 19½ in.) Condition Report: The canvas has not been lined. Some fine surface cracking scattered throughout, together with some light surface dirt and surface scratching. Inspection under UV reveals no evidence of restoration or repair. Condition Report Disclaimer
MANNER OF EDWIN LONGSDALE LONG (1829-1891) A portrait of an Officer depicted full-length standing in a landscape, wearing full dress uniform with the sabretache of the 16th (Queen's) Lancers, oil on canvas, 238cm x 147cm (unframed on stretcher)Provenance: The Neave Estate, formerly of Dagnam Park, Essex.Note: For a similar work see Long's depiction of Lieutenant- Colonel George James Mouat MacDowell, CB, also of the 16th (The Queen's) Regiment of Light Dragoons (Lancers), in the collection of the National Army Museum, Chelsea (Accession no. NAM. 1952-05-12).
A quantity of 1970's and 1980's LP's, 12" and 45rpm single records to include Jimi Hendrix 'Hush Now' by Astan Records (matrix 201021, one light scratch to Side 2), David Bowie, rolling Stones 'Black and Blue' (matrix CUN 59106 with Nick W scratched in the margin, good condition,. no visible scratches having a mobile studio ltd sleeve), Pink Floyd's 1977'Animals' (matrix SHVL 815), Led Zeppelin I (matrix K40 031 having 'Strawberry' scratched in the margin, good, no visble scratches), The Police, ACDC and Blondie. Location:1.3
Books - Fishing, fly-fishing - The Floating Line for Salmon and Trout, Anthony Crossley; Lake flies and their imitation, C. F. Walker; Light line fishing for Salmon, Alexander Wanless; Thrifty Salmon fishing, N. K. Robertson; New naturalist series, An Angler’s Entomology, J. R. Harris; etc, qty.
A collection of three silver commemorative piecesHector Miller for Aurum,Comprising: a silver and silver-gilt three-light candelabrum, Hector Miller, London 1981, limited edition numbered 309/400, commissioned by the Dean and Chapter of St. Paul's to commemorate the Wedding of HRH The Prince of Wales and The Lady Diana Spencer, three polished arms, issuing from below a silver-gilt crown with Prince of Wales feathers, the stem with three winged heraldic beasts supporting shields, the spreading foot with three silver-gilt foliate panels, with certificate, height 22.2cm; and two silver-gilt commemorative shell dishes, Hector Miller, London 1982 and 1984, limited edition numbered 71 and 179 of 250, to commemorate the Births of Prince William of Wales and Prince Henry, the shell dishes with upswept handles, each with two seated winged cherubs, length 10.5cm, each with original card boxes, weight 30.4oz. (3)For further information on this lot please visit Bonhams.com
A pair of 18th century style cast silver-gilt four-light candelabra, after Paul de LamerieC J Vander Ltd, London 1972 The detachable branch section with four leaf scroll arms issuing from below a knop with an octagonal finial, issuing from a central nozzle with spiral leaves and scrolls on a stippled ground, the tapering four sided stems with overhanging shell corners, incurved tapering sides with panels of overlapping graduated scales, lower knop with flower heads and plain bosses, all above a dome with shaped band of alternating spiral leaves and scales, rising from an octagonal base, the top engraved with diaper panels, the sides with shells, foliate scrolls and scales, height 44.5cm, weight 336oz. (2)For further information on this lot please visit Bonhams.com
HIROSHI SUZUKI: a silver and enamelled 'Seni Dom' beakerfine '999' standard silver, London 2014, also stamped with maker's symbol, also 'SS 09' and date '2014'Hammer-raised and chased, the surface enamelled in translucent mottled shades of greens and blues over a light textured ground, with original lidded wood box, height 8.5cm, diameter at top 8.5cm, weight total 9.9oz.Footnotes:Property of a private collectorHIROSHI SUZUKI (1961)Hiroshi Suzuki has an extraordinary talent for raising silver from single flat sheets to create vessels that are full of flowing, vigorous, graceful lines. His work is intuitive and combines traditional skills with a unique and personal visual vocabulary.He was born in Sendai, Miyagi, Japan in 1961 and studied at Musashino Art University in Tokyo before coming to London to study at Camberwell College of Art and the Royal College of Art. After graduating with an MA in 1999 he set up a studio in Camberwell with fellow students.His first major selling exhibition was in 2000 and in 2002 Suzuki had his own workshop at the Harley Foundation on the Welbeck Estate in Nottingham.In 2003 Suzuki held his first solo exhibition in the UK, titled 'Statis in Motion' at the Lesley Graze Gallery.In 2005 he was short-listed for the Jerwood Applied Arts Prize: Metal (UK), and he won the Schoonhoven Silver Award in 2009 (The Netherlands).A retrospective exhibition was held at The Goldsmiths Company entitled 'Silver Waves' in 2010.He is currently Professor of Metalwork and Jewellery at Musashino Art University, with studios in Tokyo and London.Hiroshi Suzuki's works appear in numerous public collections including The Worshipful Company of Goldsmiths'.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A pair of silver three-light candelabraE Viner, Sheffield 1963With reeded scroll arms issuing from below a central light, tapering cylindrical column, the shaped square drip-pans and bases with foliate bands, loaded bases, height 35.5cm.For further information on this lot please visit Bonhams.com
HIROSHI SUZUKI: a silver and enamelled 'Seni Dom' beakerfine '999' standard silver, London 2014, also stamped with maker's symbol, also 'SS 05' and date 2014 Hammer-raised and chased, the surface enamelled in translucent mottled shades of green and blue over a light textured ground, with original lidded wood box, height 8.5cm, diameter 8.5cm, weight 9.8oz.Footnotes:Property of a private collectorHIROSHI SUZUKI (1961)Hiroshi Suzuki has an extraordinary talent for raising silver from single flat sheets to create vessels that are full of flowing, vigorous, graceful lines. His work is intuitive and combines traditional skills with a unique and personal visual vocabulary.He was born in Sendai, Miyagi, Japan in 1961 and studied at Musashino Art University in Tokyo before coming to London to study at Camberwell College of Art and the Royal College of Art. After graduating with an MA in 1999 he set up a studio in Camberwell with fellow students.His first major selling exhibition was in 2000 and in 2002 Suzuki had his own workshop at the Harley Foundation on the Welbeck Estate in Nottingham.In 2003 Suzuki held his first solo exhibition in the UK, titled 'Statis in Motion' at the Lesley Graze Gallery.In 2005 he was short-listed for the Jerwood Applied Arts Prize: Metal (UK), and he won the Schoonhoven Silver Award in 2009 (The Netherlands).A retrospective exhibition was held at The Goldsmiths Company entitled 'Silver Waves' in 2010.He is currently Professor of Metalwork and Jewellery at Musashino Art University, with studios in Tokyo and London.Hiroshi Suzuki's works appear in numerous public collections including The Worshipful Company of Goldsmiths'.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A Danish silver five-light candelabraincuse stamped DENMARK and 830S, probably late 19th / early 20th centuryArt Nouveau form, the central light with four leaf capped scrolling arms beneath, all terminating in flared sconces, embossed floral and foliate motifs across the whole, atop a fluted knopped baluster stem terminating in a shaped square pedestal foot, each side centred by a repoussé and chased fruit and foliate emblem, with c-scroll edges, all raised on four scrolling feet, loaded base, height 39.5cm.For further information on this lot please visit Bonhams.com
A pair of Elizabeth II silver and glass novelty 'light bulb' pepper and salt shakersC J Vander Ltd, Sheffield 2002, also stamped with the commemorative Queen Elizabeth II Platinum Jubilee mark The screw-fitting covers with screw thread fitment and bulbous frosted glass bodies, height 10cm. (2)For further information on this lot please visit Bonhams.com
A pair of electroplated four-light candelabraunmarkedin the 18th century manner, leaf embellished knopped baluster form, with three leaf scroll arms issuing from below a central light, one branch section screw fitting, the other pull-off, one with snuffer, height 56.5cm. (2)For further information on this lot please visit Bonhams.com
A monumental Victorian silver six-light candelabrum centrepieceStephen Smith and William Nicholson, London 1854 The twisting central fruiting vine stem leading to six separate scrolling branches, all removable and each terminating in a candle sconce, resting beneath a larger central pierced bowl, the shaped-triangular base surmounted by three naked cherubs, one holding ears of corn and a scythe, another leaning over a bee skep, all surrounded by succulent grapes, fruit and trailing vines, each side bearing a vacant cartouche, the whole atop three scrolled feet edged in acanthus leaves, height 69cm, length 47cm, weight 168oz.For further information on this lot please visit Bonhams.com
HIROSHI SUZUKI: a silver and enamelled 'Seni Dom' beakerfine '999' standard silver, London 2014, also stamped with maker's symbol, also 'SS 07' and date 2014 Hammer raised and chased, the surface enamelled in mottled blues and white over a light textured ground, with original lidded wood box, height 8.5cm, diameter 8.5cm, weight 9.8oz.Footnotes:Property of a private collectorHIROSHI SUZUKI (1961)Hiroshi Suzuki has an extraordinary talent for raising silver from single flat sheets to create vessels that are full of flowing, vigorous, graceful lines. His work is intuitive and combines traditional skills with a unique and personal visual vocabulary.He was born in Sendai, Miyagi, Japan in 1961 and studied at Musashino Art University in Tokyo before coming to London to study at Camberwell College of Art and the Royal College of Art. After graduating with an MA in 1999 he set up a studio in Camberwell with fellow students.His first major selling exhibition was in 2000 and in 2002 Suzuki had his own workshop at the Harley Foundation on the Welbeck Estate in Nottingham.In 2003 Suzuki held his first solo exhibition in the UK, titled 'Statis in Motion' at the Lesley Graze Gallery.In 2005 he was short-listed for the Jerwood Applied Arts Prize: Metal (UK), and he won the Schoonhoven Silver Award in 2009 (The Netherlands).A retrospective exhibition was held at The Goldsmiths Company entitled 'Silver Waves' in 2010.He is currently Professor of Metalwork and Jewellery at Musashino Art University, with studios in Tokyo and London.Hiroshi Suzuki's works appear in numerous public collections including The Worshipful Company of Goldsmiths'.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A German silver five-light dwarf candelabrumcrown and crescent mark and stamped 800With four scroll arms issuing from below a central light, fluted baluster knop column, the shaped-dome cast base and nozzles profusely decorated in the Renaissance manner with figures within arch surrounds, height 19.5cm, weight 29.5oz.For further information on this lot please visit Bonhams.com
William IV (1830-37), Halfcrown 1834, bare head right, W. W on truncation in script for Wyon, legend reads GULIELMUS IIII DG BRITANNIAR REX FD. Rev, crowned shield of arms over mantle, legend reads ANNO – 1834 (S.3834; Bull.2478; ESC.662). Light tone showing signs of iridescence in the periphery, portrait with all the main lines in the hair with minimal contact marks or detracting factors, reverse prooflike.Good extremely fine.
Edward IV (1461-1470), First reign, Ryal or Rose-noble of ten shillings, light coinage (1464-70) king standing in ship holding upright sword with a shield bearing the quartered coat of arms, flag with lombardic 'E' to left, rose on ships hull,. Reverse crowned leopards in angles within tressure of eight arcs, rose on star in centre, large lis in spandrels, mintmark crown, (S.1950; N.1549; Blunt & Whitt on VII). About extremely fine and pleasing strike. Slight wave in flan.
Edward VII (1901-10), Shilling, 1902 matt proof, bare head right, DES below truncation for engraver George William De Saulles, legend surrounds EDWARDVS VII DEI GRA BRITT OMN REX. Rev, lion standing left on crown, date either side, FID: DEF: IND: IMP surrounds (S.3982; Bull 3588; ESC 1411). Practically as struck, light mint bloom around the periphery; the reverse showing especially pleasing fi eld and central design contrasts.
Eadgar (959-973), Penny, two line type, pre-reform (959-72/3), York mint, moneyer Heriger small cross pattée within inner linear circle, legend surrounding, +E-?-DG?R REX. Rev, three cross pattées across centre, moneyer name in two lines, trio of pellets above and below, HERIG/ ER?O, 1.32g (S.1129; N.741 HT 1 York; CTCE. 79). Light olive grey tone with underlying lustre, a bold and full example. About extremelyfine.
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534310 Los(e)/Seite