American pine bucket or utility shelf, likely 19th to early 20th c. With two shelves suspended between two rounded sides, each with two legs formed between a carved semi-circle. Painted a deep red-brown.Height: 47 in x width: 47 in x depth: 12 1/2 in.Condition: Heavy wear throughout as shown in the listing image. Losses, particularly along the edges; however, they do not alter the function of the furniture significantly. Under UV light, there are several visible areas of varnish loss. Although all parts are present; the pieces are not firmly attached to each other.
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Group of necklaces including:One amber necklace of spherical beads, graduating in size towards the center (smallest 10.85 mm, largest 18.70 mm), on a cord (unknotted) with twist barrel closure disguised in two beads.One amber necklace of round beads, graduating in size towards the center (smallest 11.90 mm, largest 16.12 mm), on a cord (knotted every three beads) with twist barrel closure disguised as two oblong beads.One amber necklace with six sided oblong beads, graduating in size towards the center (smallest 18.24 mm, largest 40.64 mm), on a cord (knotted between each bead) with metal twist barrel closure.One red hardstone necklace with oblong beads, graduating in size towards the center and alternated with metal beads, on a chain with metal spring clasp closure.Length ranges from 17 in to 30 in. Gross weight: 284.3 g.Condition: Spherical graduated: Accretions and wear to some beads, particularly near each drilled hole, gapping to the string, clasp screw not secure.Round bead graduated: Light wear to some beads at the drilled hole, clasp working well.Six sided oblong: Light wear, some chips to facet edges of beads. Clasp functioning well.Red hardstone: Tarnishing and light wear, gapping, clasp functioning well.
Warren MacKenzie (American, 1924-2018). A studio pottery ceramic bowl. Stoneware in a dry shino glaze, marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 5 3/4 in.Condition: There are no visible cracks, chips, or losses. There is very faint crazing throughout the entire surface. There is wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Brad Widness (American, 20th/21st c). Acrylic and watercolor on paper painting titled "Rocket with Vessel" depicting a still life objects on the table, 2003. Signed, titled, and dated along the verso.Brad Widness was born in Sioux Falls, South Dakota, and taught drawing, printmaking, watercolor, design, and digital media at Minnesota State University, Mankato, as well as January interim courses at Gustavus in Bookmaking, and a Bookmaking workshop at the Minnesota Center for Book Arts in Minneapolis. Brad’s work has been selected for many juried regional and national exhibitions, and his work is included in numerous printmaking portfolios and traveling exhibits around the country. Highlights from the last ten years include participating in an invitational exhibition at the MAPC Conference in Minneapolis, receiving a McKnight Fellowship, and having work selected from an open portfolio review for exhibit at the Highpoint Center for Printmaking.Height: 16 in x width: 23 1/4 in x depth: 2 in.Condition: The colors are bold and bright. There are no splits, losses, or repairs. Light wear along the edges and corners. The work is not framed.
Paul Cadmus (American, 1904-1999). Crayon on brown paper drawing depicting a nude David sitting with the head of Goliath.Provenance: Estate of Paul Cadmus; The collection of Jon Anderson; Private Minnesota collection.Height: 10 3/4 in x width: 8 in.Condition: There are no tears, losses, or restorations. Light crease along the upper left corner. Light wear along the edges. The work is not framed.
Abraham Munting (Dutch, 1626-1683). Group of four antique hand-colored copper plate botanical engravings. Each depicting the botanical against an idyllic background. Including:"Linaria Valentina Trifolia," numbered 720 in plate along the upper right, inscribed "fig. 207" in plate along the upper center."Oxyacantha Sive Spina Alba Flore Pleno," inscribed "fol. 185" in plate along the upper right, inscribed "fig. 46" in plate along the upper center."Myrtus Latifolia Romana," numbered 138 in plate along the upper right, inscribed "fig. 25" in plate along the upper center."Mirtus Lauri- Folia," numbered 140 in plate along the upper right, inscribed "fig. 31" in plate along the upper center.(Sight) height ranges from 13 in to 13 3/4 in; width ranges from 9 in to 9 1/2 in. (Framed, each) height: 25 1/2 in x width: 21 1/4 in.Condition: No visible tears, losses, or restorations. The sheets are toned. There is some light undulation throughout. There are areas of foxing throughout. Housed under non-acidic mats. Framed under glass. Light wear to the frames. Not inspected out of frames.
Bernard Chaet (American, 1924-2012). Oil on canvas titled "Flowers at White Window" depicting a still life of lovely flowers in a vase, 1999. With a label from Alpha Gallery along the verso.Provenance: Alpha Gallery, Boston, Massachusetts; Private Minnesota Collection.Unframed; height: 14 in x width: 9 3/4 in. Framed; height: 15 1/4 in x width: 11 1/4 in x depth: 2 in.Condition: The colors are bold and bright and the surface is stable. No tears, losses, or restorations. The edges are lined with a linen tape. Verso not inspected. The work is floated within the frame. Light wear to the frame.
14k yellow and rose gold pendant depicting a horse and jockey within a gold circle, set on a rabbit ear bale. The horse and jockey rendered in rose gold with a diamond set saddle and bridle comprised of five single cut diamonds. Marked indistinctly on the reverse of the gold circle, tested 14k. Chain for photography purposes only.Diameter: 1 in. Gross weight: 5.1 gCondition: Light wear.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic bowl with drop-rim. Stoneware with a shino glaze with barbed wire decoration. Not marked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 1/2 in x diameter: 10 3/4 in.Condition: There are no chips, losses, or cracks. There is wear to the footrim, consistent with age and use. No signs of restoration under UV light.
Claire Anne Khalil (American, b. 1944). Watercolor on paper painting titled "Cloisters" depicting a plan of a cloister with depictions of famous religious artworks and tapestries in the rooms, 1972. Signed and dated along the lower left; titled in the lower center. With a Far Gallery label affixed to the verso.Provenance: Far Galery, New York; Private Minnesota Collection.Sight; height: 22 1/4 in x width: 13 in. Framed; height: 29 in x width: 19 3/4 in x depth: 1 1/4 in.Condition: There are no creases, tears, or losses. There is undulation to the sheet. The sheet is slightly toned. There are minute losses to the upper right and upper left corners. There are no signs of restoration under UV light. Not examined out of frame. Framed under plexiglass. Wear to the frame.
18k white gold filigree pendant set with one Old European cut diamond. On a 14k white gold figaro chain with spring clasp closure. Pendant marked 18k along the bale. Chain marked 14k at the jump ring.Chain length: 17 1/4 in. Pendant length: 35.46 mm. Gross weight: 3.4 g.Condition: Light wear to the chain and setting, clasp working well.
Jeanette Pasin Sloan (American, b. 1946). Gouache and watercolor on paper painting depicting a still life of highly reflective objects refracting a rainbow of light. Pencil signed along the lower right. There is partial sketch/painting along the verso.Height: 17 in x width: 18 in.Condition: There are no tears, creases, losses, or restorations. There is a partial sketch with a small spot of watercolor along the verso. The work is not framed.
Lynn Geesaman (American, 1938-2020). Chromogenic print photograph titled "Esclimont, France" depicting a foggy morning river, 1999. With a tag from Thomas Barry Fine Arts along the verso.Sight; height: 18 1/2 in x width: 18 1/2 in. Framed; height: 28 in x width: 28 in x depth: 1 in.Condition: The photograph is in excellent condition with no visible tears, creases, losses, or restorations. The emulsion appears smooth and without breaks. Housed under a non-acidic mat. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic bowl with three feet. Stoneware in a dolomitic matte glaze. Stamped along the underside near one of the feet.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x Diameter: 9 in.Condition: No visible cracks, chips, or losses. There is light wear to the feet of the vessel as expected from age and use. No visible signs of restoration under UV lights.
Reed Kay (American, b. 1925). Oil on canvas painting titled "Gloucester Waterfront, Late Afternoon" depicting a cityscape with the sunset sky warming the scene, 2002. Signed along the lower left. With a label from Alpha Gallery along the verso.Provenance: Alpha Gallery, Boston, Massachusetts; Private Minnesota Collection.Unframed; height: 20 in x width: 24 in. Framed; height: 21 1/2 in x width: 25 1/4 in x depth: 1 1/2 in.Condition: The painting is in good condition with no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. To the upper center, there is a minute brown accretion. Along the extreme edges, there are paint losses, possibly against the old frame. No visible sign of restoration when inspected under UV light. Very light wear to the frame.
Kairong "Kai" Liu (Chinese/American, b. 1958). Oil on canvas painting depicting a panoramic scenic landscape of Nebraska with a thunderstorm sweeping across the plains. Signed along the lower right.Height: 39 1/4 in x width: 69 in x depth: 1 1/4 in.Condition: The colors are bold and bright and the surface is stable. There is one yellow accretion along the upper right quadrant. Light wear along the exposed edges and verso. The work is not framed.
Frank Harmon Myers (American, 1899-1956). Oil on canvas laid board titled "Gardens of Fontainebleau" depicting an impressionist landscape of figures strolling through a garden, 1923. Initialed along the lower right.Sight; height: 30 1/2 in x width: 33 3/4 in. Framed; height: 37 1/2 in x width: 40 1/2 in x depth: 1 in.Condition: The colors are bold and deep. There are no cracks, chips, losses, or restorations. Light wear to the frame.
After Pablo Picasso (Spanish, 1881-1973). Lithograph on handmade pure rag Arches paper after an original drawing by Picasso, 1970. Printed in the fall of 1970 in the studios of Guenther Dietz, Munich, under the supervision of Picasso.Provenance: Investment Art Gallery, Minneapolis; Private Minnesota collection.Sight; height: 11 1/2 in x width: 8 1/4 in. Framed; height: 16 1/4 in x width: 12 1/4 in x depth: 1 in.Condition: The sheet is toned. There is matburn along the perimeter of the work. The colors are bold and bright. There are no visible tears, losses, creases, or restorations. Framed under glass; light wear to the frame. Not inspected out of frame.
Tim Merrett (American, 20th/21st c.) Group of two oil on canvas and panel paintings including:"Excavation (From Monet - 1869.)" depicting beautifully arranged flowers in the vase with fruits on the table, 2008."Excavation (from Manet - 19th c.)" depicting pink and purple flowers in the transparent vase on the table, 2008.Larger; sight; height: 40 in x width: 32 in. Framed; height: 43 in x width: 35 in x depth: 2 1/2 in. Smaller; sight; height: 18 in x width: 10 1/2 in. Framed; height: 21 in x width: 13 1/4 in x depth: 2 1/2 in.Condition: No major tears, losses, or restorations. The colors are bold and bright. Light wear to the frames.
French 13th century illuminated psalter leaf from the Rheims Cathedral or Signy Abbey. Blue, red, and black ink on vellum. With colored ink letters; one pen-flourish letter in red with blue designs. Geometric designs at the end of lines throughout as well as a design of a snake with its tongue flicking out. A few areas of marginalia along the front of the leaf. With a certificate of authenticity signed by W.H. Graton affixed to the verso. In a double-sided frame so both sides of the leaf may be viewed.Provenance: Graton and Graton, Islamorada, Florida, 1989; Private Minnesota Collection.Sight; height: 7 in x width: 5 1/4 in. Framed; height: 11 in x width: 9 1/4 in x depth: 1 in.Condition: There is wear, light soiling, and undulation consistent with age and light use. The ink is bright, however, the black ink has faded somewhat, especially the marginalia writing. Housed between non-acidic mats. Framed under glass; some light wear to the frame and glass. Not inspected out of frame.
Jamali (Pakistani/American, b. 1944). Large mixed media fresco tempera on board portrait painting depicting a figure facing right. A lovely match to a similar work offered in this auction.Sight; height: 79 1/2 in x width: 31 1/2 in. Framed; height: 84 in x width: 35 in x depth: 1 3/4 in.Condition: There are large cracks throughout. Several pieces are missing. It is difficult to discern the extent of the losses due to the nature of the work. The surface is somewhat fragile. Light wear to the canvas.
Group of sixteen sterling silver plates with 24kt yellow gold inlay. Issued by the White House Historical Association from the Franklin Mint, numbers 1 through 16 in the Presidential plate series. All with all original packaging and certificates of authenticities except where noted. All serial number 568, marked on the back and COA. Including the following:George Washington, no. 1 in the series. No certificate of authenticity or white packaging. 6.14 ozt.John Adams, no. 2 in the series. No white packaging. Certified October 27, 1972; 7.10 ozt.Thomas Jefferson, no. 3 in the series. Certified December 20, 1972; 6.38 ozt.James Madison, no. 4 in the series. Certified March 5, 1973; 6.75 ozt.James Monroe, no. 5 in the series. Certified May 7, 1973; 6.35 ozt.John Quincy Adams, no. 6 in the series. Certified June 18, 1973; 5.87 ozt.Andrew Jackson, no. 7 in the series. Certified August 31, 1973; 5.75 ozt.Martin Van Buren, no. 8 in the series. Certified November 5, 1973; 5.83 ozt.William H. Harrison, no. 9 in the series. Certified January 11, 1974; 5.85 ozt.John Tyler, no. 10 in the series. Certified March 4, 1974; 5.88 ozt.James K. Polk, no. 11 in the series. Certified May 3, 1974; 5.79 ozt.Zachary Taylor, no. 12 in the series. Certified June 17, 1974; 5.78 ozt.Millard Fillmore, no. 13 in the series. Certified August 30, 1974; 5.5 ozt.Franklin Pierce, no. 14 in the series. Certified October 21, 1974; 5.98 ozt.James Buchanan, no. 15 in the series. Certified December 16, 1974; 5.53 ozt.Abraham Lincoln, no. 16 in the series. Certified March 3, 1975; 5.34 ozt.(Each) Plates; diameter: 8 in. Blue boxes; height: 10 1/2 in x width: 10 1/2 in x depth: 2 in. Gross weight of sterling: 95.82 Troy oz. (Please see listing for individual plate weights)Condition: Some wear to the white boxes. Some creases and light wear to original inserts, certificate of authenticities, and additional paper information. Light wear to the blue boxes. All sterling plates are in good condition with minimal discoloration. Some could use a light polishing. No major areas of tarnish, no bends, losses, or repairs.
Marcus Glenn (American, b. 1968). Mixed media painting with resin on board titled "A Little Love Goes a Long Way (Blue)" in the form of a blue heart overlayed by butterflies, bees, and an anchor, 2019. With strokes of paint juxtaposed with an orange background. Hand signed along the lower right. Signed and titled along the verso. With a certificate of authenticity from Park West Gallery.Sight; height: 7 in x width: 5 in. Framed; height: 23 in x width: 21 1/4 in x depth: 2 3/4 in.Condition: The colors are bold and bright. There are no major losses, cracks, or scratches to the resin. There is uneveness along the edges of the resin. Light dust accumulated throughout. Verso not inspected due to a black fabric affixed to the frame obscuring the verso. Not inspected out of frame.
Group of Bakelite objects including 15 Bakelite bracelets or bangles of butterscotch, black, burnt orange, brown, or red coloring, some with spiral or diamond-faceted texturing; seven Bakelite rings of black, orange, or emerald hue; two orange beaded Bakelite necklaces; one translucent auburn plastic (not Bakelite) brooch in the form of a leaf; two plastic (not Bakelite) bubble rings in translucent green and clear with glitter; and a book about Bakelite: Davidov, Corinne and Ginny Redington Dawes, "The Bakelite Jewelry Book," New York: Abbeville Press, 1988.Gross weight: 1696.0 g.Condition: (Jewelry) About one third of one thin, red, faceted bangle is cloudy. There are no cracks, losses, scratches, or major chips to the items. (Book) All pages of the book appear present. Light toning to the extreme edges of the pages throughout. There is light wear along the extreme edges of the dust jacket.
Group of five signed poems including:"Maples" by Donald Hall. Signed."September" by Tracy K. Smith. Signed.An untitled poem by Anne Carson. Unsigned."A Herbal" by Seamus Heaney. Signed."Field Trip" by Fanny Howe. Sgined.Unframed or Sight; height ranges from 6 in to 22 1/4 in; width ranges from 4 in to 11 in. Framed; height ranges from 12 in to 26 3/4 in; width ranges from 9 1/4 in to 17 in; depth ranges from 1 in to 1 1/2 in.Condition: No major tears, losses or restorations. Slight undulation to all sheets. All poems are floated in frame. All framed under glass. Light wear to the frame. None have been inspected out of frame.
Group of three sterling silver bangles including:One three lobed bangle marked 925 Italy with a heart.One Mexican silver hinged square bangle inlaid with 12 pieces of wood, with box clasp closure, marked sterling and Mexico with indistinct eagle mark.One sterling silver bangle with gold tone pseudo-Mayan designs, with safety chain on hook and eye closure, marked 925 and another indistinct mark.Inner diameter ranges from 2 1/4 in to 2 1/2 in. Gross weight: 97.8 g.Condition: Tarnishing and surface wear including light scratching.
Brad Widness (American, 20th/21st c). Collagraph and polystyrene relief plate titled "Vessel #1" depicting a vessel in an abstract form, 2003. Pencil signed and dated along the lower right; titled along the lower right; editioned S/P along the lower center.Brad Widness was born in Sioux Falls, South Dakota, and taught drawing, printmaking, watercolor, design, and digital media at Minnesota State University, Mankato, as well as January interim courses at Gustavus in Bookmaking, and a Bookmaking workshop at the Minnesota Center for Book Arts in Minneapolis. Brad’s work has been selected for many juried regional and national exhibitions, and his work is included in numerous printmaking portfolios and traveling exhibits around the country. Highlights from the last ten years include participating in an invitational exhibition at the MAPC Conference in Minneapolis, receiving a McKnight Fellowship, and having work selected from an open portfolio review for exhibit at the Highpoint Center for Printmaking.Sight; height: 13 1/2 in x width: 8 in. Framed; height: 23 1/2 in x width: 16 3/4 in x depth: 1 1/2 in.Condition: The item is in good condition with no visible tears, creases, or losses. When inspected under UV light, there is no visible sign of restoration. To the upper right quadrant, there is minor foxing. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
David Rathman (American, b. 1958). Lithograph on paper depicting three vignettes of boxing matches, 2010. Pencil signed and dated along the lower right; numbered 14/25 along the lower left.Sight; height: 12 1/4 in x width: 40 1/2 in. Framed; height: 15 1/4 in x width: 43 1/2 in x depth: 1 1/4 in.Condition: The colors are bold and deep. There are no visible tears, losse, or restorations. There may be a light crease along the upper left corner. There is a slight undulation to the sheeet, mainly along the lower edge. The work is floated in frame. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.
Carved wooden Hopi kachina figure with painted details depicting a form dressed in elaborate indigenous regalia with a bell in the right hand and a baton in the left. Enclosed within a hexagonal mirror vitrine glass display case.Katsina (or kachina) dolls are sacred figures crafted in Hopi culture as well as other Native American cultures of the Southwest, representing spiritual beings from their mythology. They are typically made from cottonwood and adorned with painted, symbolic details. They play a vital role in Hopi religious ceremonies and serve as educational tools for passing down tribal traditions and values.(Case) height: 18 1/4 in x width: 10 1/4 in x depth: 10 1/4 in.Condition: No visible cracks, chips, losses, or repairs. Not inspected out of case. Light wear to the mirrored vitrine. There are no obvious cracks, chips, or losses. The case is glued shut and cannot be opened.
Thomas Kinkade (American, 1958-2012). Giclee print with hand-painted embellishments titled "Bambi's First Year," depicting the deer Bambi at different stages in his life in a landscape. From the Disney Dreams Collection. Signed and numbered 186/200 E.P. along the lower left. With a certificate of authenticity.Said Kinkade of this work: "To suggest the moment of Bambi's empowerment, I positioned him on a rocky precipice overlooking the terrain of his kingdom and the four seasons of his first year. If you look closely, Bambi's self-sacrificing mother can be seen, as a half hidden image upon the distant mountain. Truly, a mother's love, like the spirit of the mighty mountains, will guide a son forever. The central theme of Bambi is the cycle of the seasons and the ongoing flow of life. Truly, water flows through the world like life itself - a timeless reminder that despite the passing seasons, nature thrives and a new generation is born.I believe Bambi's First Year is the most breathtaking subject in my Disney Dreams Collection to date. I hope as you look at Bambi cresting the ridge of his domain, you too will feel empowered to live your best life and to count on a season of new beginnings, even when the challenges of life confront you. Truly for Bambi, and for us, life goes on."Unframed; height: 18 in x width: 27 in. Framed; height: 29 1/2 in x width: 28 1/2 in x depth: 3 1/4 in.Condition: The colors are bold and bright. The surface is stable. There are no major losses, creases, or tears. No signs of restoration under UV light. Along the verso of the canvas there is foxing and staining. Throughout the cloth of the inner frame, there is staining. Wear to the frame. Not examined out of frame.
Rita B. Benally, (Navajo, 20th/21st century) sterling silver tufa cast belt buckle. Of rectangular form, the front with reeded horizontal lines and inlaid with three red hardstones, a cut out window allows the turquoise set on the reverse to be view through to the front. The back with a pueblo scene and a round turquoise inlaid into the sun. Marked RBB .925Length: 3 in. x width: 1.5 in. Gross weight: 55.4 g.Condition: Light tarnishing and wear. One red hardstone cracked and repaired.
Lynn Geesaman (American, 1938-2020). Gelatin silver print photograph titled "Parc de Courances, France" depicting a stream lined by trees, 1999. With a tag from Thomas Barry Fine Arts along the verso.Sight; height: 18 1/2 in x width: 18 1/2 in. Framed; height: 28 in x width: 28 in x depth: 1 in.Condition: The photograph is in excellent condition with no visible tears, creases, losses, or restorations. The emulsion appears smooth and without breaks. Housed under a non-acidic mat. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.
Warren MacKenzie (American, 1924-2018). Small studio ceramic plate. Stoneware with shino glaze and iron decoration. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 1 1/2 in x diameter: 6 1/2 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There is faint crazing throughout. There are no signs of restoration under UV light.
Thomas Kinkade (American, 1958-2012). Giclee print with hand-painted embellishments titled "Tinker Bell and Peter Pan Fly to Neverland," depicting Peter, Wendy, John, Michael, and Tinkerbell flying over London towards Neverland. From the Disney Dreams Collection. Signed and numbered 295/995 S.N. along the lower left. With a certificate of authenticity.Said Kinkade of this work: "As with the first two paintings in my twelve piece Disney Dreams Collection (affectionately referred to as the "Disney dozen" by die hard collectors!), I try to tell the whole story in a single image - what I refer to as a "narrative panorama". We see Neverland in the distance, just below the "second star to the right", as the full moon bathes the scene with its silvery glow. The lights of London twinkle along the river Thames, as the clouds take shape, if only in our imagination, as characters from the adventure - Captain Hook, Smee, the Lost Boys and the ubiquitous ticking crocodile. But for me, the central character of the story will always remain Tinker Bell, the enchanted fairy princess who makes the entire journey of imagination possible."Unframed; height: 18 in x width: 27 in. Framed; height: 29 1/2 in x width: 38 1/2 in x depth: 3 1/4 in.Condition: The colors are bold and bright. The surface is stable. There are no major tears or creases.There are minute losses along the extreme edges of the image where the frame is against the surface of the canvas, in particular throughout the upper right corner. No signs of restoration under UV light. There is wear to the frame. Not examined out of frame.
Irene Rice Pereira (American, 1902-1971). Ink drawing on paper depicting an abstracted figure with a bursting sphere, circa 1950-1968. From a sketchbook by the artist gifted to "Joy" on New Year's Day, 1968. A facsimile copy of the first page of the sketchbook is included with the lot.Height: 10 3/4 in x width: 8 1/8 in.Condition: There are no tears, losses, or repairs. Some toning and light soiling throughout, likely pigment transferred from other pages of the now separated sketchbook. Some toning to the extreme edges. Possible moisture exposure along the left center edge. The work is not framed.
Daniel Wall (American, 20th/21st c). Oil on canvas painting titled "Playful Evening" in the artist's signature "Intense Impressionism" style depicting two figures walking down a park lane with the lights reflecting off of the wet pavement, 2019. Signed along the lower left. Titled and dated along the verso. With a certificate of authenticity from Park West Gallery.Sight; height: 18 in x width: 11 1/2 in. Framed; height: 27 in x width: 20 1/4 in x depth: 1 3/4 in.Condition: The colors are bold and bright and the surface is stable. There are no visible losses or restorations. Light white accretions along the center of the left edge of the painting, possibly original to the artistic process. Extremely light dust accumulated along the lower edge of the linen mat. Not inspected out of frame.
Elgin National Watch Co., United States. One 14k yellow gold sidewind pocket watch. 14k yellow gold hunter case with monogram BBF. White dial marked Elgin with Arabic hour markers, sub-seconds dial with Arabic numerals. Serial number 11399646. Front inner case marked A.W.C.Co. 14k with a cross and 104777, back inner case marked 104777 and inside inner case marked 104777.Diameter: 39.91 mm. Gross weight: 56.3 g.Condition: Watch winds, not tested for prolonged use or time. Light wear to the case.
Warren MacKenzie (American, 1924-2018). A studio pottery ceramic bowl with a double rim. Stoneware in an amber celadon or ame glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/4 in x diameter: 7 1/2 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Jerzy Pogorzelski (Polish, 1926-2003). Oil on canvas impressionist painting depicting a landscape. A row of houses with bright red roofs sit across a peaceful river while a group of trees cast shade on the viewer. Signed along the lower right.Unframed; height: 23 1/2 in x width: 35 3/4 in. Framed; height: 30 3/4 in x width: 42 1/2 in x depth: 2 1/2 in.Condition: The colors are bold and bright and the surface is stable. There are no cracks, chips, losses, or restorations when viewed under UV light. Light wear to the extreme edges of the canvas. Light wear to the frame.
14k yellow gold ring set with five marquise cut garnets arranged in a flower pattern, one small full cut diamond between each petal and one bezel set full cut diamond at the center of the flower. Marked 14k and 585 along the interior shank along with unidentified maker's mark.Ring size: US 7. Gross weight: 3.8 g.Condition: Light wear to the setting.
Austrian sterling silver and inlaid shell box of rectangular form with clipper corners and ornamental engraving. The top of the box inlaid with four pieces of shell alternated with three panels of silver. With gilt wash interior. Marked along the interior 935 LW Sterling 833 Austrian hoopoe bird with I and W for .935, marked the same along the top lid, marked at each panel of silver on the top with 833 hoopoe bird with I and W for .935.Length: 87.26 mm x width: 57.98 x depth: 16.14 mm. Gross weight: 131.2 g.Condition: There are no major losses or scratches. Some minor dents and nicks to the edges, light scratching. There is faint tarnishing in recessed areas. There are no signs of restoration.Box opens and closes easily, but does not close firmly.
Jamali (Pakistani/American, b. 1944). Large mixed media fresco tempera on board portrait painting depicting a figure facing left. A lovely match to a similar work offered in this auction.Sight; height: 79 1/2 in x width: 31 1/2 in. Framed; height: 84 in x width: 35 in x depth: 1 3/4 in.Condition: There are large cracks throughout. Several pieces are missing. It is difficult to discern the extent of the losses due to the nature of the work. The surface is somewhat fragile. Light wear to the canvas.
A silver enamel and marcasite brooch in the form of an orchid. With fine purple, orange and green enamel, the stamen renders in silver and marcasite and moveable. Unmarked, with locking safety clasp closure.Length: 52.50 mm x width: 47.96 mm. Gross weight: 20.6 g.Condition: Light wear, some tarnishing to the reverse.
Ed Baynard (American, 1940-2016). Acrylic on canvas painting titled "Two Shelves (American and Asian Pots)" depicting a still life of two white shelves lined with colorful vases and vessels, three with flowers, 2007-2008. Signed, dated, titled along the verso.Height: 30 in x width: 40 in x depth: 1 in.Condition: The colors are bold and bright and the surface is stable. There is a small network of black accretions along the left edge. Light wear to the exposed edges. The work is not framed.
Group of three artworks including two decorative paintings and one woodcut:One acrylic on canvas painting depicting ships sailing; illegibly signed along the lower right.One acrylic on canvas painting depicting a street scene with three figures; illegibly signed along the lower right.One woodcut print on paper depicting a figure sitting on the block with his back to the viewers.(Boat) height: 16 in x width: 12 in x depth: 1 in. (Three Figures) sight; height: 15 1/2 in x width: 19 1/2 in. Framed; height: 20 in x width: 24 in x depth: 1 3/4 in. (Woodcut) sight; height: 10 1/2 in x width: 6 1/2 in. Framed; height: 14 in x width: 10 1/4 in x depth: 1 1/4 in.Condition: (Ships painting) The colors are bold and bright and the surface is stable. Some light craquelure beginning to from along the upper center. Some small chips and losses along the extreme edges. Some wear to the canvas along the exposed edges. Some soiling to the verso, possibly original to the artistic process. The artwork is not framed.(Woodcut) The sheet is toned and the work is framed under an acidic mat. There are no visible tears, creases, or losses. There is a light undulation to the sheet. Extreme edges and verso not inspected; not inspected out of frame. Framed under glass; wear to the frame.(Painting of figures) The colors are bold and bright. There is craquelure in some areas and several spiral cracks. Some accretions and foxing throughout. Foxing to the verso of the canvas. Wear to the frame.
Arne Jacobsen (Danish, 1902-1971) for Fritz Hansen, Denmark. Set of eight mid-century modern Fritz Hansen Series 7 bar height chairs. Black laquered wood with chromed steel base and legs. First designed in 1955; manufactured in 2007. Labeled along the underside of the seat.(Each) height: 39 1/2 in x width: 19 1/2 in x depth: 21 1/2 in.Condition: There are no major splits, cracks, losses, or restorations. All chairs are sturdy and stable. There are signs of light use throughout such as small chips along the edges, minor areas of scuffing, and light wear to the legs.
Brad Widness (American, 20th/21st c). Mixed media artwork on board titled "Bright Dawn" depicting a pair of rowboats against an abstract background, 2006. Signed, titled, and dated along the verso.Brad Widness was born in Sioux Falls, South Dakota, and taught drawing, printmaking, watercolor, design, and digital media at Minnesota State University, Mankato, as well as January interim courses at Gustavus in Bookmaking, and a Bookmaking workshop at the Minnesota Center for Book Arts in Minneapolis. Brad’s work has been selected for many juried regional and national exhibitions, and his work is included in numerous printmaking portfolios and traveling exhibits around the country. Highlights from the last ten years include participating in an invitational exhibition at the MAPC Conference in Minneapolis, receiving a McKnight Fellowship, and having work selected from an open portfolio review for exhibit at the Highpoint Center for Printmaking.Height: 24 in x width: 48 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. A few light scuffs throughout. Light wear to the edges and verso. The work is not framed.
Hans Wegner (Danish, 1914-2007) for Carl Hansen & Son, Denmark. Four CH24 model mid-century modern chairs. With Wegner's iconic and sculptural "wishbone" or y-shaped back splat design, a curved crest rail, and slender legs to compliment woven paper cord seats.Each, height: 28 1/2 in x width: 17 1/2 in x depth: 17 1/2 in.Condition: The chairs are structurally sound and stable. There are no major breaks, splits to the woods, or losses to the woven seats. Some areas of stains. Light wear to the feet.
Wayne Cooper (American, b. 1942). Watercolor painting on paper titled "Victorian House Snow Scene" depicting a landscape with a house on a peaceful snowy day. Signed along the lower right.Sight; height: 11 in x width: 20 3/4 in. Framed; height: 20 3/4 in x width: 30 3/4 in x depth: 1 1/2 in.Condition: The colors are bold. There are no visible tears, creases, losses, or restorations. Framed under a non-acidic mat and glass. Light wear to the frame. Not inspected out of frame.
14k yellow gold cathedral style ring set with step cut blue topaz (approx. 5.6 ct), marked 14k along the interior. 14k yellow gold stud earrings set with oval blue topaz (each approx. 3.55 ct), earrings unmarked tested 14k. Earring backs mismatched, marked 14k.Ring size: US 7. Earring length: 16.66 mm. Gross weight: 10.2 g.Condition: Wear to the ring setting, some accretions to the stone. Light wear to the earring setting. Earring backs both 14k but mismatched.

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