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Los 218

A large collection of hand written music scores c.1930s/40s. They belonged to soprano singer Sylvia Robin (Menpes) who was a regular singer on 'The Gay Nineties Revue!', a BBC Light Programme on radio during the 1940's.Hand written music includes 'Peter Pan Medley' with sheets for several orchestra parts - stamped The Copyright of Walt Disney Music Company Ltd.

Los 225

A vintage cast iron swan neck lamp with later electric light bulb holder fitted - possibly originally gas.

Los 260

A Burnham 'B48' fountain pen c1953. Light/dark grey marble with black veins. Burnham logo on clip, clear barrel imprint. Trim is rolled gold, somewhat worn on clip. Lever-filler with Burnham 14ct gold nib – medium.

Los 316

A large framed & glazed print of vases with light wood frame. 108 x 88cm.

Los 119

A pair of stained glass leaded light panels, 28cm x 38cm.

Los 120

Two Middle Eastern brass light stands, upon mahogany plinths, height of fitting without shade 60cm.

Los 250

Automobilia, including motorist’s first aid kit, an Air Ministry first aid kit, a collection of RAC and AA badges, various light fittings and fuses.

Los 314

Two mid 20thC light oak glazed bookcases, with sectional bases and adjustable shelves, (AF).

Los 317

A light oak rectangular office table, 203cm wide, 90cm deep, 73cm high.

Los 318

A light oak rectangular office table, 214cm wide, 90cm deep, 75cm high.

Los 442

Lighting rig, including ten spot lights on three bars, with two multi-coloured spot strips each containing eight individual colours, with stands, midi to light controller, midi to light dimmer pack, power applications and Pulsar 12 pre set MkII rock desk.

Los 573

A pair of curtains, light brown ground with mauve geometric pattern, 80cm x 150cm.

Los 99A

A light oak full tester bed, with Wainscot panelled back and top and turned front posts, 192cm wide.

Los 1016

A PAIR OF HIGH QUALITY MAROON VELVET AND APPLIQUÉ WORK FULL LENGTH CURTAINS AND MATCHING PELMET, 1931 AND A CONTEMPORARY ENGLISH CARPET 403 x 550cm ++Both with some typical light fading consistent with age but in good overall condition

Los 1063

TOM BROWNE, RBA, RI, RMS (1872-1910) A FISHERMAN OF VOLENDAM HOLLAND signed, watercolour, 36 x 25.5cm ++Some light sporadic foxing but in fine fresh condition, undisturbed in the original gilt oak frame

Los 1064

CHARLES WILLIAM ADDERTON (1866-1944) LANDSCAPE signed, watercolour, 34 x 52cm ++Somewhat foxed as can be seen from the image and light fading but unrestored in the original late Victorian giltwood and composition frame

Los 1066

HENRY CHARLES FOX, RBA (1856-C1920) THE FARM POND; HOMEWARD BOUND a pair, both signed and dated 1919, watercolour, 32.5 x 52.5cm (2) ++Both with even light overall timestaining/browning, in what are probably the original early 20th c gilt frames

Los 1075

TOM BROWNE, RBA, RI, RMS (1872-1910) A LONDON CABBIE; THE WEARING OF THE GREEN; A NURSERY CAN(N)ON; 'ARRIET four, all signed and inscribed, charcoal and red or green crayon, 54 x 46cm and c, unframed (4) ++Some mount stains from the backboards of the former frames and light browning but undamaged

Los 1082

DUTCH SCHOOL, LATE 19TH/EARLY 20TH C THE TOY BOAT indistinctly signed, pastel, 47.5 x 64cm ++Some light, small spots of foxing, no restoration

Los 1084

†HAROLD GRESLEY (1892-1967) RAVENS CRAG DOVEDALE signed, watercolour, 26.5 x 37.5cm ++Some very minor light sporadic foxing but undisturbed in the original mount/frame

Los 1093

†SIR JOHN ALFRED ARNESBY BROWN, RA, RBA (1866-1955) THE FARM POND signed, signed again and dedicated on the artist's label verso Re the Farm Pond - this was an original little picture & I have not reproduced it in any form: with thanks for your kind congratulations I am... Arnseby Brown, oil on canvas, 29 x 37cm ++In fine original condition, unlined, not damaged and in the original frame, the varnish requiring a light clean

Los 1095

SIR JOHN ALFRED ARNESBY BROWN, RA, RBA (1866-1955) STUDY FOR THE CREST OF THE HILL signed, signed again and inscribed Study for the Crest of the Hill RA 99, oil on canvas, 34.5 x 44.5cm Indent: A study for The Crest of the Hill, Arnesby Brown's Royal Academy picture, 1899, No 652. ++In fine original condition, unlined, the varnish requiring a light clean, undisturbed in the original gilt flat oak frame with on the reverse the label of George W Keep, Carver & Gilder, Nottingham

Los 1102

ENGLISH SCHOOL, 19TH CENTURY PORTRAIT OF A LADY IN QUAKER DRESS seated half length in an interior, oil on canvas, 52 x 40cm, unframed ++Some fine light paint shrinkage and the varnish dirty, small closed tear of approx 2 cms length, unlined and unrestored

Los 1103

FOLLOWER OF JULIUS CAESAR IBBETSON TWO MEN CONVERSING ON A WOODLAND PATH oil on zinc, 30.5 x 23cm ++Some light paint shrinkage and darkening of the pigments in certain passages, the varnish heavily yellowed, in ornate Victorian gilt frame that has been regilt

Los 1109

T KENT, 1896 STUDY OF A MAN IN TURKISH DRESS signed and dated, oil on canvas, 38 x 31cm ++Small patched tear lower centre, in otherwise good original condition, not lined, varnish requiring a light clean beneath glass in giltwood cavetto frame

Los 1112

SPANISH SCHOOL, LATE 19TH C THE TORERO signed Fernandez, oil on panel, 28.5 x 18.5cm ++The varnish requiring a light clean but in good condition. The softwood, perhaps spruce or larch panel slightly warped but not split or repaired

Los 1116

SWISS SCHOOL, 1826 PORTRAIT OF A LADY bust length, signed and inscribed verso Peint par Eight Vevey and dated, oil on canvas, 23 x 19cm ++Unlined with some light craqueleur, on the original stretchers, the impression of the stretcher visible recto, some light ingrained dirt. In good quality early 19th c English giltwood cavetto frame with corner shelves

Los 1124

ENGLISH SCHOOL, 19TH CENTURY LOW TIDE signed with monogram MJ, oil on board, 29.5 x 37.5cm, unframed ++Requiring a light surface clean but in good undamaged and unrestored condition in modern gilt frame

Los 1142

†VINCENT BUTLER, RSA, RGI (1933-) SITTING NUDE bronze, rich light brown patina, signed, dated 1976 and numbered 3/6, 45cm h Only three of the edition of six were cast (personal communication with the artist). ++In the same fine condition as when acquired directly from the artist by the vendor

Los 1147

AFTER RICHARD CATON WOODVILLE, RI (1856-1927 "ALL THAT WAS LEFT OF THEM" [THE 17TH LANCERS AT MODDERFONTEIN, SEPTEMBER 17TH 1901] chromolithograph, mounted to image, 53 x 80cm and two other prints of military subjects (3) ++The first print with light vertical time stains from the backboards of the former frame. One of the others with central light stain

Los 1153

JOHN SPEED DENBIGHSHIRE double page engraved map from The Theatre... 1611, hand coloured, mounted to platemark, 39.5 x 52cm ++In apparently good condition with light staining and solitary brown spot in upper border. Ring mark verso, framed as the three preceding maps by the same

Los 1161

JOHN SPEED STAFFORDSHIRE double page engraved map from the 1627 edition of Speed's Theatre..., hand coloured, trimmed to platemark, 39.5 x 51.5cm ++Repaired tear extreme lower right just clear of frame line, light overall discolouration but acceptable. In the same condition as when purchased in the 1980s by the vendor from a member of the specialist trade and placed in the present mount and frame at that time and since undisturbed

Los 1225

A 1796 PATTERN LIGHT CAVALRY OFFICER'S SWORD AND SCABBARD BY OSBORN & GUNBY cutler's stamp to blade, blade 83cm l (measured straight) ++Some slight surface rust to blade but good, the hilt and scabbard with light overall rust but complete, no restoration

Los 1229

A GERMAN THIRD REICH WEHRMACHT TRUMPET BANNER of heavy red silk, obv. applied with iron cross, eagle and swastikas, rev. AR 102 worked in aluminium thread, fringed, four black leather loops, 50 x 50cm excluding fringe Provenance: Acquired in Germany by Col J J Kingstone, DSO, MC, ADC at the end of World War Two (see lot1232) AR120 was a motorised artillery regiment of the Austrian 4th Light Division, formed in 1938. It became the 9th Panzer Division in 1940. ++In excellent preservation having been carefully stored for 70 years. Not hitherto offered for sale and scarce

Los 1231

A VICTORIAN FULL DRESS SHOULDER BELT AND POUCH OF AN OFFICER OF THE 21ST LIGHT DRAGOONS the red morocco belt with gold lace, silver arrow pickers, chains, boss, buckle, slide and tip, loops and pouch, fully marked, by Bent & Parker, Birmingham 1900 ++In good original condition, complete with light wear only

Los 1238

A BADEN INFANTRY PICKELHAUBE, EARLY 20TH C with black leather lining ++Light wear but not distorted, minor dents to the brass rim, polish residue on helmet plate. Lining and chip strap worn

Los 1320

A SET OF THREE VICTORIAN BRASS AND BURNISHED STEEL FIRE IRONS, MID 19TH C 79cm l ++Some light cleaned surface rust

Los 1321

A BRASS VASE SHAPED COAL BOX AND COVER, EARLY 20TH C with cast grotesque mask handles and paw feet, 50cm h ++In good condition with shallow dents and light wear consistent with age

Los 1371

A VICTORIAN PAPIER MÂCHÉ TRIPOD TABLE, C1860 with mother of pearl and painted decoration, 60cm h, 40cm diam ++Typical but relatively light wear, the block and latch old replacements

Los 142A

A COALPORT BLUE AND WHITE TEACUP AND SAUCER, JOHN ROSE & CO, C1805-10-C1815 with the Dahlia Sheet print, saucer 14cm diam ++Light wear No Reserve

Los 149

A RARE REEDED COALPORT TRIO, 1800-14 painted with Bright Landscape pattern and gilt, saucer 14cm diam Provenance: Godden of Worthing from whom purchased 1989. From the only known John Rose service of Bright Landscape painting. Literature: 2003, 'Gilt Sunburst' service discussed and illustrated pp 90-94. ++In fine condition with light wear No Reserve

Los 155A

A COALPORT BLUE AND GILT MUFFIN DISH AND DOMED COVER, 1800-14 19.5cm w ++Dish with tiny rim chips and light wear No Reserve

Los 169

A COALPORT WHITE AND GILT OVAL SUCRIER AND COVER, 1800-14 12.5cm h, pattern 175 An example with the distinctive John Rose berried knop. ++Typical light wear No Reserve

Los 173

A COALPORT MUG, 1800-14 enamelled with a golden pheasant and flowers and insects flanking the gilt initial K, 8cm h Provenance: John Becker Collection, No 81. Exhibited: 1999, No 774. ++Minor hairline crack and light wear No Reserve

Los 188

TWO COALPORT JAPAN PATTERN CREAM JUGS, C1800-14 one in pattern 756, 10 and 11.5cm h Provenance: (pattern 576 jug) J Midgeley, Settle. ++Pattern 756 jug in fine condition apart from some light wear on one side, the other jug with riveted handle No Reserve

Los 202

A PAIR OF COALPORT DESSERT PLATES, C1820-30 boldly painted with a flower spray and moulded with grapevines, 20.5cm diam, printed Felspar mark For this rare shape see 1970/81, p247 ++Some light wear only No Reserve

Los 203

TWO COALPORT CUPS AND SAUCERS AND FOUR OTHER TEA WARES, C1830-41 including examples of patterns 2/433 and 2/551 ++The two cups and saucers in fine condition, one with light scratches, the odd saucer and one odd cup cracked, the milk jug broken and restuck No Reserve

Los 222

A COALPORT GREEN GROUND DESSERT PLATE AND FOUR TEA WARES, ALL PAINTED BY JOHN RANDALL, 1841-63 a plate 24cm diam, PODR mark or unmarked The treatment of foliage confirms the tea plate and saucer as unusual Randall "British" birds. ++Some light wear, plate cracked No Reserve

Los 226

A COALPORT TURQUOISE GROUND SEAU IN SÈVRES STYLE AND A COALPORT ROSE POMPADOUR GROUND DESSERT PLATE AND TEA CUP, 1841-63 all painted by William Cook with fruit and flowers and in the case of the seau, a trophy, plate 24cm diam, printed or painted CBD mark or that of the retailer, Daniell ++Plate in good condition withy light wear only, cup cracked, the seau broken and restuck No Reserve

Los 260

NINETEEN COALPORT EGG CUPS, 1876-1926 various patterns and sizes, printed marks ++One or two cracked; some light wear No Reserve THOMAS MARTIN RANDALL

Los 263

A SEVRES DISH, THE PORCELAIN C1780 REDECORATED BY THOMAS MARTIN RANDALL, C1840 22cm diam Provenance: Barry Lomax. The bird painting attributed to Thomas Martin Randall; the flower group to Robert Bix Gray. The attribution of this plate has long been uncertain, for the gilded surround is quite unlike other Randall examples. Eventually, however it is apparent that the flower groups compare very closely to others acknowledged as being characteristic of R B Gray, supporting the attribution of the decoration on this Sevres 'second' plate (with bulge in the glaze) to Randall. ++Good condition with a few light glaze scratches No Reserve

Los 293

AN ENGLISH PORCELAIN OVAL SUCRIER AND COVER AND A SMALL GROUP OF RELATED TEA WARE, C1805-C1810 sucrier and cover 13cm h (9) The pieces in this Lot are not Coalport, but by another unidentified factory and copy Coalport's style very closely. The sucrier knob differs from Thomas Rose's. It has no small plinth; the under edges are quite straight, unlike Thomas's slightly curved ones. The cup shapes differ from Coalport generally in detail, particularly the handle shape. The dish with the same pattern as the sucrier is apparently mis-numbered, perhaps by human error. The 'pink' decoration on the other trio is this mystery factory's pattern 68 (seen elsewhere) but is essentially as Thomas Rose's pattern 63. ++Sucrier repaired; some light wear No Reserve SALOPIAN ART POTTERY

Los 351

A CAUGHLEY BLUE AND WHITE MUSTARD POT AND COVER AND A CAUGHLEY FLUTED GILT PLATE, C1777-90 printed with the Fence pattern or gilt with the Gold Star and Husk Festoon pattern, mustard pot and cover 9.5cm h, printed C or unmarked ++Handle of mustard pot broken off in one piece and cleanly glued back into position, flower knop lacking one of the four petals. Plate in good condition with light wear

Los 370

A LOWESTOFT POLYCHROME SLOP BASIN, C1780 painted with a Chinese scene, 15.5cm diam ++The interior with some typical but light glaze scratches in the well, slight wear to enamel decoration only, not cracked or chipped, no restoration

Los 377

A PINXTON SLOP BASIN, 1796-1813 painted to one side with a castellated house and, to the other a river bridge, 16.5cm diam ++A few typical but light glaze scratches inside, the gilding good, both landscapes free from scratches or wear, no cracks chips or restoration

Los 379

TWO PINXTON SAUCER DISHES, 1796-1813 20cm diam ++One with a few very light scratches, the other rather more heavily scratched and with slight wear to the gilding on the rim, not cracked or chipped, no restoration

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