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534338 Los(e)/Seite
Los 596
Thirty late Victorian musical church or similar hand bells having brass bodies with leather strap and handles marked J Shaw and son of Bradford each being stamped with corresponding musical notes and graduated in form. Condition generally good bell forms in good condition and some age related wear to leather and straps. stamped to straps mostly, largest first, F, F, G, G#, A, A#, B, C, C#, D, E, A, B, B?, C?, C#, D#, E, F, F#, X2, G#, A#?, B, D#, E, F, F#, E, C#, F, one with no strap, D#? Some duplicates having light alterations in pitch.
Los 517
* PHILIP RASKIN (SCOTTISH b. 1947),WINDSWEPT SKY IIoil on canvas, signed, titled label versoimage size 76cm x 76cm, overall size 89cm x 89cm Framed.Note: Born in 1947, Philip studied at the Glasgow School of Art in the 1960s. However, due to his father's untimely death, he had to postpone his career in art and left art school to enter the business world where he stayed for the next 30 years. For 20 of those years, he was the well known proprietor of The Inn on the Green, a celebrated jazz restaurant, in Glasgow. During this time, he maintained his contact with the world of art however, by running a schedule of art exhibitions and openings within the venue. Upon leaving the restaurant in the 1990s, Philip returned to his easel and brushes and since then has become a successful full time artist with broad appeal. He now lives and works from his studio just outside Glasgow. Philip's unique style is instantly recognisable combining a heavy impasto application of the paint alongside more delicate and sensitive brush strokes. Focussing mainly on landscape painting, his inspiration comes from the islands of the west coast of Scotland with Barra, Islay, Jura and Arran being some of his favourite locations. He deftly captures the essence and light of the landscapes through his work, the rugged shorelines, dramatic seascapes and ever changing skies. "I tend to paint very private places for the viewer to own and enjoy. No people, no houses, no telegraph poles; just expansive skies, mist tumbling on a distant hillside and a silence broken only by lapping water and gulls ascending".
Los 519
* WILLIAM BURNS ARSA RSW (SCOTTISH 1921 - 1972),SEAHOUSEgouache on paper, signed, titled label versoimage size 60cm x 70cm, overall size 86cm x 94cm Mounted, framed and under glass.Exhibition label verso: Aitken Dott & Son (now The Scottish Gallery) Edinburgh, Festival Exhibition 1968.Note: Born in Newton Mearns, William Burns trained at Glasgow School of Art in the late 1940s and thereafter at Hospitalfield, near Arbroath. One of a number of artists from the west who settled in the north-east of Scotland, he joined the art department of Aberdeen College of Education. Burns' career was cut short at the age of 51 when his light aircraft crashed in dense fog. Using his environment as a starting point, Burns increasingly explored abstraction and colour as means of expression. Early landscapes gave way to harbours and late in his career, Burns explored the mines along the east coast of Scotland with the benefit of a pilot's bird's-eye view.
Los 580
ERNI UPTON FRSA,PLOCKTON, ROSS & CROMARTY oil on canvas, signed, further signed and titled versoimage size 46.5cm x 61.5cm, overall size 71cm x 86cm Framed.Artist's label verso.Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery, Holyrood Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer).
Los 603
* NEIL MACDONALD RSW RGI PAI,THE WHISTLE BLOWERpastel on paper, signed (Macdonald) and dated 95image size 45cm x 33cm, overall size 70cm x 57cm Mounted, framed and under glass.Note: Neil Macdonald has been the recipient of many awards including 2013 Elected RSW (Royal Scottish Society of Painters in Watercolour); 2013 Joe Hargan Award, Maclaurin Fine Art Exhibition, Ayr; 2013 Elected RGI (Royal Glasgow Institute of Fine Arts); 2012 The Smithy Gallery Award (PAI); 2012 Diploma of the Paisley Art Institute; 2011 Robert Innes Award - Scottish Drawing Competition; 2009 Discerning Eye, London- Scottish Regional Winner; 2009 Charles Jamieson Award PAI; 2008 University West Scotland Award PAI; 2006 EDC Ann Stevenson Memorial Award; 2005 EDC Purchase Prize; 1997 Contemporary Art Prize (Eton) Paisley Art Institute; 1981 David Cargill Travelling Scholarship (Italy and Belgium); and 1979 William Shanks Painting Prize. Neil MacDonald trained at Glasgow School of Art from 1975 until 1980, where he developed his considerable skills as a painter and consummate draughtsman. He is drawn to locations that exert historic and mythic presence, exploring the lyrical narrative of natural sites and strong bold shapes of castles, old townships and harbours. He does this through distortion of perspective, invention and editing, aiming to capture an essence of the structure or place. Colour is used in an emotive way to heighten the sense of mood, applying each layer upon layer of paint in a divisionist manner until a unity of statement is realised as the image emerges, revealing the subject’s unique sense of place. A new UK auction record was established in the most recent Scottish Contemporary Art Auction when "First Light, St Abbs" (by Neil Macdonald) sold for £3000 (hammer) - lot 539 1st August 2021.Condition report: Condition is very good overall, with no visible signs of restoration, damage, or known issues.
Los 756
* JOHN MCLEAN (SCOTTISH 1939 - 2019),GLIMPSEacrylic on canvas, signed, titled and dated 2000 versooverall size 164cm x 107cmUnframed, as intended.Note: Colour is at the root of all John McLean's paintings. He worked on a large scale, painting spontaneously onto the canvas using fluid paints to make abstract and rhythmic compositions that suggest light and space. The artist's shapes became more formal throughout his lifetime, introducing a minor degree of narrative, meaning any shape could be open to interpretation as a sign or metaphor. McLean regarded the abstract elements in his work as being informed by external experience and having an emotional dimension. McLean was born in Liverpool to Scottish parents in 1939. He studied at St Andrews University from 1957 to 1962 and at the Courtauld Institute of Art in London from 1963 to 1966. McLean went on to teach at various art schools in London from 1966 and had his first solo exhibition in 1975. He lived in New York in the late 1980s. His work has been exhibited as a touring exhibition in China. It is also held by many public collections worldwide, including the Tate, London; the Scottish National Gallery, Edinburgh and the Yale Centre for British Art; New Haven, USA.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.
Los 847
* RHONDA SMITH,BEACH FRONToil on canvas, signed and dated '92image size 299cm x 174cm, overall size 311cm x 186cmFramed.Note: to be sold at auctioneer's discretion.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues. Picture may benefit from a light clean.
![A 19th century light oak and red leather top, knee hole writing desk. [76x144x68cm]](https://cdn.globalauctionplatform.com/2e4acb57-e3ee-4854-815e-adc200b76be6/68025baa-fb9d-40dd-89ce-adc2011de34b/468x382.jpg)
![A Solid light oak sideboard, Consists of two drawers and four doors. [82x148x46cm]](https://cdn.globalauctionplatform.com/2e4acb57-e3ee-4854-815e-adc200b76be6/df3d93ee-c412-46a2-af82-adc20117e358/468x382.jpg)
Los 4
A Roman style mosaic glass Bracelet, the light green glass hoop applied to the outside with spiraled design in cobalt blue, opaque white, yellow and orange glass, approx. 8cm diameter , (some chips), together with a Phoenician mosaic glass Bird ,of opaque dark blue glass with opaque white through the body and orange glass detail to the head and beak, approx. 3.4cm and approximately 50 assorted coloured glass and other beads, and a Greek style silver Frog Brooch, the body engraved with concentric designs with applied pin to the reverse, approx. 3.6cm
Los 290
ATTRIBUTED TO MARGARET GILMOUR (1863-1942), GLASGOW SCHOOL, AN ARTS AND CRAFTS BRASS SPILL VASE, of triangular form, one panel having a Celtic knot design, the others having 'rivet' decoration, unmarked. 14cm high, 5cm wideCONDITION REPORTLight surface scratching, a small (1mm) wide dent to the left edge of the design side
Los 198
A CHINESE PORCELAIN BLUE AND WHITE CIRCULAR SAUCER DISH, 17TH CENTURY, painted to the centre with two phoenix birds perched on rockwork, the underside with double foot rim. 27cm diameter Provenance: Richard Marchant Limited, 1st July, 1980CONDITION REPORTNo obvious repair under UV light, appears to be in good condition
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534338 Los(e)/Seite