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534325 Los(e)/Seite
Los 144
MICHAEL PERCHIN FABERGE FOUNTAIN PEN.Enamelled silver barrel.Limited edition.Two-tone 18 Kts gold nib. 18 Kts gold nib.No box.Measures: 14,5 cm length, 16 mm. diameter.The model for this fountain pen is the famous Faberge Imperial Easter Egg, and more specifically the Egg with blue stripes and solid gold, a work entrusted to the legendary and brilliant goldsmith who was director of his laboratory between 1855 and 1903, a period of time in which the most beautiful creations that made Faberge famous came to light, and who was none other than Michel Perchin, from whom the brand takes its name.The body, made of solid 925 sterling silver, is delicately guilloché-worked with alternating bands, enriched with a transparent cobalt-blue enamel that reveals the guilloché below and other gold-plated bands carved and guilloché-worked with different motifs.It is made of vermeil silver, in keeping with the type of finishing applied to this beautiful jewel. The mouthpiece is also made of vermeil silver, with engraving in the form of curls alternating with smooth parts.The nib is made of 18K gold, with a platinum mask that reveals a yellow-gold-coloured border decorating the gables with plant motifs and, in the centre of the nib, the brand's anagram, an elephant with a carrying basket and "18K"; the loading system is by means of a cartridge and/or piston converter.A total of 3000 fountain pens were produced in 1995.
Los 146
MICHAEL PERCHIN FABERGE FOUNTAIN PEN.Enamelled silver barrel.Limited edition.Two-tone 18 Kts gold nib. 18 Kts gold nib.No box.Measures: 14,5 cm length, 16 mm. diameter.The model for this fountain pen is the famous Faberge Imperial Easter Egg, and more specifically the Egg with green stripes and solid gold, a work entrusted to the legendary and brilliant goldsmith who was director of his laboratory between 1855 and 1903, a period of time in which the most beautiful creations that made Faberge famous came to light, and who was none other than Michel Perchin, from whom the brand takes its name.The body, made of solid 925 sterling silver, is delicately guilloché-worked with alternating bands, enriched with a transparent dark green enamel that reveals the guilloché below and other gold-plated bands carved and guilloché-worked with different motifs.It is made of vermeil silver, in keeping with the type of finishing applied to this beautiful jewel. The mouthpiece is also made of vermeil silver, with engraving in the form of curls alternating with smooth parts.The nib is made of 18K gold, with a platinum mask that reveals a yellow-gold-coloured border decorating the gables with plant motifs and, in the centre of the nib, the brand's anagram, an elephant with a carrying basket and "18K"; the loading system is by means of a cartridge and/or piston converter.A total of 3000 fountain pens were produced in 1995.
Los 148
ROTRING "ART PEN" FOUNTAIN PENS. Annual edition.Acrylic resin and metal bodies.18 Kts gold nib, F nibs.No box.Measurements: 14.5 cm length; 18.43 mm diameter.The Rotring brand started with the "Tintenkuli" fountain pen, which soon developed into the first "Rapidograph" for technical drawing, and since then has specialised in articles for professionals.In 1984 it launched the "Art Pen" fountain pen, a tool pen aimed at draughtsmen, illustrators, caricaturists, graphic designers and calligraphers, with a wide range of rigid nibs in top-quality steel and a superb point finish.The nib is made of acrylic resin with a slight roughness, which gives them an almost matt satin finish, with a good grip, although each nib has a different body, both in colour and, probably, material. The pen is very light.The chosen shape was that of a "brush" or "palillero", which apart from balancing it allows the grip to be delayed if it is necessary to work on top of work already done.The cap closes by click and has a long clip, more to prevent it from rolling off a board than to fit into a pocket.The nozzle is long and transversely furrowed, the ridges being flat, so that with the soft grip that precise work over long hours deserves, it neither slips nor tires.At the end of the nib there is the typical red washer of the brand and the little handle on which a standard cartridge or a converter, also very light, is mounted.The nibs of this series are its raison d'être, giving the professional the full range to carry out his work.As we have already mentioned, they are rigid steel nibs, although later the 18 Kts. gold nib was introduced. The nibs in question are two-coloured, in 18 Kts gold, with an F point.
Los 157
ÉLYSÉE FOUNTAIN PEN.Gold metal barrel and lacquer.Two-tone 18Kts gold nib, M-point.Limited edition.No box.Measurements: 14 cm in length; 11.20 mm in diameter.This is an Elysée fountain pen "Impression No. 1", Limited Edition 1994. This fountain pen is the third in the "Vernissage" series. This pen was created by the artist Manfred Eberhard. He believes that "art has the task of creating freedom for human feelings". The "Vernissage" series uses Chinese Cloisonné art as the basis for the design of the pen. "Vernissage" is a French term for a private art exhibition for guests. The Elysée Parthenon model is the canvas, once again, for this pen, and the result is a very distinctive and unique series.This pen is the most elaborate of the series. The artwork depicts a human form walking towards the sun. Manfred Eberhard describes this as a hopeful vision that "every individual will find a positive attitude towards life when he steps out of the shadow into the light". The walking figure is depicted in gold framed by a bright solar glow behind the figure's head. The predominant base colour, in segments involving the flickering of light against darkness, is a dark blue glaze, possibly a nod to "Jingtai Blue", the popular colour used in Chinese Cloisonné of the late Ming period, in the reign of Jintai (1450-1456). This dark blue is dotted with segments of lighter blue. Above the head of the strolling figure, in the cap, are two golden birds in flight, flying overhead, adding to the positive message.Two-tone 18Kts gold nib, M-point, snap clasp.
Los 1134
A LATE VICTORIAN SILVER DOUBLE-LIPPED MILK AND CREAM JUG by Atkin Brothers, Sheffield 1894, retailed by Thornhill, Bond Street, London, circular with twin loop handles, the interior with twin sections and fixed cover engraved 'MILK' and 'CREAM'. 13.5cm across handles, 5.3 troy ouncesMonogrammed to side. Very light surface scratching.
Los 130
A GOLD AND INTAN RING With a single intan to the centre arranged in a floral design, with stamped Chinese character mark to the shank US size 7.5 4.2g Provenance: Property from a significant local collection Condition: Some light signs of age and use, character marks are clear This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Los 139
A PAIR OF GOLD AND INTAN EARRINGS Flower shaped, each earring composed of ten intans, mounted on gold, screw-thread post fittings With box 1.2cm diameter 4.7g Condition: Some light signs of age and use, generally in good condition. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Los 211
TWO SIGNED BATIK SARONGS Comprising a Tiga negeri batik decorated with birds, butterflies and floral motifs, the other example with chrysanthemum bouquets and butterflies One example signed Tjoa Siang Gwan, and the other Hoo J Kheng Belle of Pekalongan 103cm x 105cm Condition: The purple/orange example with some light staining/foxing in many areas. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Los 39
A MINIATURE PINK GROUND PORCELAIN SPITTOON Decorated with peonies and lotus motifs and a light teal outer rim of auspicious symbols Iron red four character mark to the base 5.5cm highProvenance: Lots 17-73: Property of a prominent local Peranakan family Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Los 1002
George III silver coffee pot, of bellied form with scroll detail to spout, urn finial to the hinged cover and wooden scroll handle, upon a stepped circular foot, hallmarked Hester Bateman, London 1788, H31.5cm, approximate gross weight 27.97 ozt (870 grams)Condition Report:General good overall condition, some light surface scratches. Hallmarks generally clear and legible, with some slight wear.Makers mark visible to interior rim of cover, but no example visible to body.
Los 1003
Large George III silver cream jug, of part fluted oval-helmet form, with engraved crest beneath lip, curved handle, and gilt interior, hallmarked William Bateman I, London 1816, including handle H4.5cm, approximate weight 11.20 ozt (348.6 grams)Condition Report:General good overall condition, with light wear predominantly in the form of surface scratches and nicks.Interior gilding good, with minimal wear towards rim.Hallmarks with some wear, but still legible.
Los 1004
George III silver sugar basket and cream jug, the basket of navette form with strap border to rim, swing handle and gilt interior, upon oval pedestal foot, the body engraved with greyhound crest, not including handle H10cm W13cm, the cream jug of conforming design, including handle H11cm, both hallmarked Peter and Ann Bateman, London 1794, approximate total weight 8.79 ozt (273.3 grams)Condition Report:General light wear commensurate with age and use, predominantly in the form of surface scratches and nicks.Handle to sugar basket leans slightly more towards one side, but should be easily rectified.Gilding to interior slightly worn in parts.Hallmarks clear and legible.
Los 1008
George IV silver card waiter or tray, of oval form with reeded rim and engraved monogram to centre, upon four splayed feet, hallmarked John Mewburn, London 1822, W26cm, approximate weight 15.74 ozt (489.4 grams)Condition Report:General light wear commensurate with age and use, predominantly in the form of surface scratches and nicks.Small surface imperfection/loss to edge of rim visible to underside, probably caused during production.Hallmarks clear and legible.
Los 1009
George III silver teapot stand, of shaped form with engraved foliate border and central initial, upon four bracket feet, hallmarked John Langlands I & John Robertson, Newcastle, no date letter present, W18.5cm, approximate weight 4.65 ozt (144.7 grams)Condition Report:General light wear commensurate with age and use, predominantly in the form of surface scratches and nicks. Some wear to engraved decoration, in particular central intial. Solder collection around legs, visible when salver is inspected from beneath. Thought to be either from construction, or possibly historic repairs. Personal scratched inscription beneath. Hallmarks clear and legible.
Los 1022
Early 20th century German silver table wares, comprising eleven soup cups and twelve saucers, six chocolate cups, twelve ramekin holders with tapering handles, large sauce boat with fixed stand, a butter dish and cover, and twelve side plates, each with wrythen or lobed detail, all marked with crown and crescent mark, and bearing other marks including 800 or 830, most marked A Roesner Dresden, the sauce boat marked Schnauffer Dresden, soup cups, cholate cups, ramekin holders and butter dish and cover all with ceramic or glass liners, approximate total silver weight 169.8 ozt (5281.8 grams) Condition Report:General wear commensurate with age and use, including surface scratches, nicks and some small indentations. Some wear to interior gilding. Marks generally clear and legible. Liners not known if original, and with light general wear commensurate with age and use.
Los 1023
Pair of 20th century German silver three light twin branch candelabra, with wrythen twist detail throughout, each with crown and crescent mark, stamped 835 and bearing mark for Bruckmann & Sohne, Heilbronn, H21cm W25cmCondition Report:General wear commensurate with age and use, predominantly in the form of surface scratches and nicks, and a few small indentations. Marks generally clear and legible.
Los 1024
Set of four modern silver neck-rings or collars, detailed 'Gin', 'Port', 'Sherry' and 'Whisky', together with a modern silver neck-ring bottle ticket, detailed 'Whisky', each hallmarked Simon J Beer, London 1986, approximate total weight 1.42 ozt (44.2 grams)Condition Report:Good overall condition, light general wear, including surface scratches.Hallmarks clear and legible.
Los 1027
Modern silver mounted cut glass claret jug, in the Victorian style, the tapering cylindrical body with foliate embossed collar, Bacchus mask spout, conforming mask and foliate detail to angular scroll end handle, and hinged cover, hallmarked London 1994, makers mark W W, H27.5cmCondition Report:General light wear, predominantly in the form of surface scratches and nicks.Hallmarks clear and legible.
Los 1028
Large early 20th century cut glass punch set, comprising ovoid punch bowl with domed cover, ladle, twelve cups and circular stand, with sharp star cut decoration, bowl including cover H33cm stand D43cmCondition Report:General light wear commensurate with age and use, predominantly in the form of surface scratches, nicks and nibbles.
Los 1029
Pair of Edwardian Stourbridge style glass claret decanters and stoppers, of ovoid form with tall tapering necks, supporting hollow stoppers, the bodies and stoppers etched with fruiting vines, upon folded circular feet, H13.5cmCondition Report:Good overall condition, with some general light wear commensurate with age, predominantly in the form of surface scratches and some nicks.
Los 1031
19th century oversized drinking glass, the balloon shaped bowl upon a short thick stem and thick circular foot, H18.5cm bowl rim D12..5cmCondition Report:General light wear commensurate with age and use, including some surface scratches, and mossing to underside of foot.Some production flaws.
Los 1032
Early 19th century Continental soda glass jug, the wrythen bulbous body with thick rim and lip and hollow curved handle, upon a circular foot, H28.5cmCondition Report:General good overall condition, with light wear commensurate with age including surface scratches.Production bubbles and flaws to glass.
Los 1033
18th century drinking glass, probably Continental, the rounded funnel bowl with moulded part fluting upon a colour twist stem with alternating red and white spirals surrounding a white fine spiral gauze, and conical foot, H13.5cmCondition Report:General light wear, predominantly in the form of some surface scratches.Pontil smoothed. Glass rings clear.
Los 1042
Large 18th century Lowestoft sauce boat, circa 1770, the body decorated with Hughes type floral moulding, and painted in underglaze blue with an Oriental landscape, and foliate sprigs, L23cmCondition Report:General light wear commensurate with age, including some surface scratches, and two small losses to rim.Some typical production flaws, including spit-out to interior.
Los 1046
Mid 18th century Chelsea red anchor period plate, circa 1752-1754, hand painted in enamels in the Kakiemon palette with flowering peony and chrysanthemum issuing from rock work, and butterfly in flight above, the shaped rim detailed with conforming floral sprigs and butterflies within a iron red line border, with red anchor mark beneath, D22cmCondition Report:General light wear commensurate with age, including surface scratches, and some slight wear to enamel and iron red border. Small knock to rim, not visible from above, probably from production.
Los 1048
Early 19th century Barr, Flight and Barr Worcester plate, the centre painted with the Warren impaling Mangles coat of arms, within a grey marble effect surround and gilt border to edge, with impressed and painted marks beneath, D23.5cmCondition Report:General wear commensurate with use, predominantly in the form of surface scratches, and light wear to decoration, including to gilding and to one area of marble effect.
Los 1049
Early 19th century Barr, Flight and Barr dessert dish painted by William Billingsley, circa 1807-1813, of shell shaped form painted with a central floral spray surrounded by floral sprigs, within a gilt line border, with impressed and printed marks beneath, D18.5cmCondition Report:General light wear, predominantly in the form of some surface scratches.
Los 1051
Three 19th century plates, comprising two circular examples and one oblong, each with osier moulded sides, the centres decorated in underglaze blue with Gillyflower type pattern, circular examples D25cm oblong example W27cmCondition Report:General light wear commensurate with age and use, predominantly in the form of surface scratches and some discolouration.
Los 1053
19th century Minton cabinet plate, with central hand painted rural scene with figure stood before a cottage, birds upon a lake to the fore, and church in the distance, within a turquoise border and tooled gilt rim, with impressed marks beneath, including year mark, probably for 1873, and painted pattern number in iron red A6802, D23cm, together with a 19th century Grainger & Co cabinet plate, with central hand painted loch scene, within a deep blue border and beaded gilt inner border and rim, with impressed mark beneath, painted pattern number 2490, and titled 'Loch Oich with Invergarry Castyle Invernessshire', D24cmCondition Report:General light wear, predominantly in the form of surface scratches.
Los 1055
19th century Wedgwood dark blue dipped Jasperware Portland vase, of ovoid form with twin handles to shoulders and waisted neck, and flared rim, the body decorated with a continuous scene of classical figures in relief, the base decorated with portrait in relief, H26cmCondition Report:General light wear, including some surface scratches and some discolouration and small splits to decoration.Some bubbling to decoration, not post production.
Los 1064
Modern Spode coffee and dinner wares for six place settings, decorated in the Fleur De Lys Gold pattern, comprising dinner plates, dishes, side plates, one handled fan shaped serving dish, coffee pot, coffee cans, saucers, open sucrier and cream jug, with red and black printed marks beneath Condition Report:General light wear to most pieces, including surface scratches.Handle to one coffee can repaired, cream jug with small loss to rim, and sucrier also with small loss to rim with crack running from loss.
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534325 Los(e)/Seite