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Preisdatenbank abonnierenâ–² Yannis Gaitis (Greek, 1923-1984) Three headspainted wood, the largest head signed 'Gaitis'largest 44.5cm high 60.5cm high overall on a wooden baseProvenance: The Property of a European Collector.Condition ReportBase 30.5cm wide, 19cm deep, 16cm high.Surface dust and dirt. A couple of tiny chips to the red paint. Light scuffs, scratches and abrasions to the base. Please see additional condition images.
â–² Ruskin Spear RA (1911-1990) 'In the Pub'signed 'Ruskin Spear' l.r., oil on canvas51 x 61cmProvenance: Sotheby's, New Bond Street, 'Modern British and Irish Art', 4 December 2002, lot 51;The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 68 x 78cmFine cracks starting to emerge in places, most noticeably to the lower centre and upper right. A light surface scratch to the centre of the top edge. Appears to be in otherwise generally good order. Not examined under UV light, for a full report please contact the department.
▲ Sir Peter Blake RA (b.1932) 'Marcel Duchamp's World Tour: Ballroom Set', 2015, comprising:'The Animals' Fancy Dress Ball';'New Year's Eve Parade'; 'DC Thomson Reunion at the Tower Ballroom, Blackpool'a set of three screenprints in colours with lithographic collage, each signed 'Peter Blake' in pencil l.r., two numbered '8/100' and the third numbered '9/100', printed at the Coriander and Curwen Studiossheet 74 x 88cm, unframed (3)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition Report'New Year’s Eve Parade' has a diagonal crease to the top left and lower right corners. The bottom extreme bottom left corner has a very small tear. 'The Animal's Fancy Dress Ball' has a light handling crease to the margin in the lower left corner but appears to be in otherwise good condition. 'DC Thomson Reunion at the Tower Ballroom, Blackpool' has a diagonal creases to the bottom right corner. The bottom left and top right corners are a little dented. The printed areas appear to be in good condition and present well overall.
â–² Karolina Larusdottir (Icelandic, 1944-2019) 'The New Neighbours'signed 'K. Larusdottir' l.r., oil on canvas40.3 x 56.3cmCondition ReportFramed: 78 x 62.5cmThere are some spots and speckles to the reverse of the canvas, please see images, but the front of the work does not appear to be affected. Appears to be in otherwise good condition. Examined under UV light no retouching shows.
â–² John Caple (b.1966) 'Birdsong'signed 'John Caple' and inscribed with title l.r., mixed media on board24 x 24cmProvenance: With John Martin Gallery, London.Exhibited: John Martin Gallery, London, 'John Caple: The Light, The Dusk, The Dark', 1 December - 17 December 2011.Condition ReportFramed: 36.5 x 36.5cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
â–² Dame Barbara Hepworth (1903-1975) 'Two Marble Forms (Mykonos)'lithograph in colours, 1969, signed 'Barbara Hepworth' in pencil l.r.sheet 82 x 60cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportA little faint discolouration along the upper edge and to the upper right corner, however presents well overall. Very light handling crease visible to the reverse.
â–² Terence Cuneo (1907-1996) A group of lithographs in colour, the majority signed 'Terence Cuneo' in pencil, and some from a limited edition75 x 91.5cm and smaller, unframed (13)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportTime staining with a little light surface dirt. A couple of small nicks and tears to the extreme edges. Some small spots of foxing starting to emerge.
â–² Terence Cuneo (1907-1996) Duchess of Hamilton, Willesden Shed, 1989signed and dated '.CUNEO./JANUARY/1989' l.l., inscribed 'Duchess of Hamilton on Wilesdon [sic] Shed' on stretcher verso, oil on canvas61 x 92cmProvenance: Purchased from the artist's daughter in April 2007.The David and Pam McCleave Collection of Modern British Art.Cuneo had previously depicted this train in 1978, when the National Railway Museum in York brought the locomotive out of the museum after restoration. Following the detailed on-site drawings, the artist added a daytime Pennine landscape. For the present lot, he revisited the subject, but with a rather different atmosphere of the night-time marshalling yards.Condition ReportFramed: 82 x 122.5cmPresents well overall. A little light surface dust with some small speckles of surface dirt and minor superficial scuffs to the background. Retouching to the left of the steam at the centre of the top edge. UV light shows small spots of retouching to tracks lower centre. There is a small mark to the reverse of the canvas which on close examination to the corresponding area on the front appears to be a tiny repaired tear. Please see additional condition images.
Meir Pichhadze (Georgian-Israeli, 1955-2010) 'Tel Aviv'signed 'MEIR PICHHADZE' l.r., also signed and inscribed with title verso, acrylic on canvas90 x 120cmCondition ReportFramed: 92 x 122cmThere are some light surface scuffs and abrasions to the black border. A few tiny specks of light surface dirt. A small dark mark between the hand and the vase, please refer to illustration, however presents well overall.
â–² Wilf Roberts (1941-2016) 'Glan-y-Gors, Bodafon'signed, inscribed with title and dated '2001' verso, oil on canvas30 x 55cmCondition ReportFramed: 43 x 68cmAppears to be in good condition. Well presented and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² Duncan Grant (1885-1978) 'Washerwoman I';'Washerwoman II'two lithographs in colours, 1973-74, both signed 'D Grant' in pencil l.r., and numbered '17/350' and '253/350' respectively77 x 55.5cm and 77 x 57.5cm (2)Condition ReportFramed: 95 x 72.5cmThe margins of 'Washerwoman' are uneven with some light creases to the left edge. A little discolouration to the extreme edges of the sheets.The printed areas appear to be in good order. Not viewed out of glazed frames.
â–² Ruskin Spear RA (1911-1990) 'One of the Regulars' signed 'Ruskin Spear' l.r., oil on board 82 x 64cm Provenance: The David and Pam McCleave Collection of Modern British Art.Exhibited: Royal Academy Summer Exhibition, 1988, catalogue no. 12. Condition ReportFramed: 92 x 74cm Some small scattered losses and light surface dirt however presents well overall. Not examined under UV light or viewed out of glazed frame. For a full report please contact the department.
â–² Terence Cuneo (1907-1996) 'Last of the Great Steam Workhorses'signed and dated 'CUNEO'/NOVEMBER 1ST 1990' l.l., also signed and inscribed with title verso, oil on canvas76.5 x 102cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 91 x 116.5cmThe canvas tension is a little loose to the touch however this is not evident when viewed on the wall. Appears to be in good condition overall without obvious major condition issues.There are a couple of raised and darker spots of paint in the sky which appear to be original. Examined under UV light a small area on the front of the train appears slightly speckled, however this is not obvious when viewed under normal lighting conditions. Please see additional condition images.
â–² Tessa Newcomb (b.1955) 'Crown Score', Lowestoft signed with initials and dated '05' l.l., also signed, inscribed with title and dated verso, oil on board25.5 x 45.5cmCondition ReportFramed: 33 x 53cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
â–² Henry Mayo Bateman (1887-1970) 'The Deed';'Very Well Meant';'Colonel gets a Visit';'The Colonel's Christmas Dream'each signed 'H. M. Bateman', pen and ink and watercolour33 x 50cm and smaller (4)Provenance: Christie's, London, 'Annabel's: 44, Berkeley Square, 1963-2018', 20 November 2018, lots 26 and 27;The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 54 x 68.5cm, 54 x 67.5cm, 58 x 45cm and 57 x 43.5cmA little time staining and light surface dirt. A few small dark scattered speckles with light foxing starting to emerge. 'The Colonel Gets a Writ' has a little discolouration to the top edge and the colours are possibly a little faded. Please see additional condition images. Not viewed out of glazed frames.
â–² Ken Howard RA (1932-2022) 'The Railway Station'signed 'Ken Howard' l.r., oil on board27 x 30cmProvenance: With New Grafton Gallery, London;R Burlingham Esq.Condition ReportFramed: 31.5 x 34.5cmA few tiny speckles of light surface dirt but appears to be in otherwise good condition. Not examined under UV light, for a full report please contact the department.
â–² Bernard Leach CH (1887-1979) 'Deer Plate';'Lion Tile';'Tree Jar'three lithographs in colours, 1973-74, all signed 'Bernard Leach' in pencil l.r., the first numbered '6/200'sheet 77.5 x 57cm, unframed (3)Provenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportPreviously rolled. Light handling creases. 'Deer Plate' and 'Lion Tile' have a faint vertical line/ crease mark running along the right margin, 1cm in from the edge of the sheet. 'Tree Jar' has a similar line along the left edge. The printed areas appear to be in good condition.
â–² Alfred Daniels (1924-2015) Fishermen on the shoresigned and dated 'Alfred Daniels 1997' l.l., oil on canvas board30 x 37.5cmCondition ReportFramed: 54 x 46cmA couple of tiny speckles of light surfaced dirt but appears to be in otherwise good condition and presents well overall. Examined under UV light no retouching shows.
â–² Sir Eduardo Paolozzi RA (1924-2005) Ratsa set of two, plaster with nylon whiskers12cm wide7cm deep6.5cm high and smaller (2)Provenance: The artist's estate;thence by descent.Condition ReportA little light surface dirt with small losses to one corner of each. One of the ears on the larger rat appears to have been broken and repaired with glue. For a full report please contact the department.
â–² Ceri Richards (1903-1971) 'The Flowering Skull'lithograph, signed and dated 'Ceri Richards 65' in pencil l.r., with Archive of Stanley Jones blind stampsheet 59.5 x 82cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportThe sheet does not sit completely flat. A little light creasing to the lower left corner. There are couple of small white speckles to the black background in the upper left which appear to be due to the printing process rather than a later issue with condition. Overall presents well.
â–² Terence Cuneo (1907-1996) 'No: 34051, 'Winston Churchill', in Bournemouth Shed'signed and dated '.CUNEO./FEBRUARY 1990' l.l., inscribed with title and 'No. 33027, Bulleid Q1, Austerity, Wartime, 0-6-0' and 'No 35028 Merchant Navy Class 'Clan Line'' verso, oil on canvas76 x 101.5cmProvenance: Purchased from Melanie Viner Cuneo, Carole Cuneo, Andrew Viner and Lucinda Moxham in 2003;The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 89 x 114.5cmThere are some light spots of damp to the reverse of the canvas, however the front of the painting does not appear to be affected. Faint stretcher marks starting to emerge to the top edge. Appears to be in otherwise good condition. Examined under UV light there is no obvious retouching.
â–² Stephen Ward (1912-1963) Portrait of a girlsigned and dated 'Stephen Ward/1962' l.r., pencil, chalk and coloured wash on grey paper49 x 32cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 73 x 54cmLight cockling. Pinholes to the corners. Not viewed out of glazed frame.
â–² Ceri Richards (1903-1971) 'The Author's Prologue', from 'The Dylan Thomas Suite'lithograph in colours, signed and dated 'Ceri Richards 65' in pencil l.r., with Archive of Stanley Jones blind stampsheet 59.5 x 82cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportLight creasing. A more noticable crease mark to the lower right edge. There is a small rip in the bottom right corner and the corner is missing.
â–² Nikos Hadjikiriakos-Ghika (Greek, 1906-1994) Trees signed 'GHIKA' l.l., oil on board 91 x 50cm Provenance: With Ioannis Kanderakis, Greece; thence by descent; Provenance: The Property of a European Collector. Condition ReportFramed: 111 x 69cm Presents well overall and appears to be in good condition. There are some small light speckles at the base of the trees, however his appears to be paint rather than a scuff or abrasion, please see additional condition images. Examined under UV light no obvious retouching is apparent.
â–² Philip Sutton RA (b.1928) 'Flowers for Titus'signed, inscribed with title and dated '1989' verso, oil on canvas41 x 41cmCondition ReportFramed size 58 x 58cmThe black paint is cracked in areas, please refer to additional condition images. Examined under UV light no retouching shows. Not viewed out of glazed frame.
â–² Ruskin Spear RA (1911-1990) 'Double Diamond', c.1965signed 'Ruskin Spear' l.r., oil on board61 x 91cmProvenance: Leicester Galleries, London;purchased by Kenneth Snowman, April 1968;Sotheby's, New Bond Street, 'Modern, British and Irish Art', 4 December 2002, lot 49;The David and Pam McCleave Collection of Modern British Art.Exhibited: Leicester Galleries, London, 'Carel Weight and Ruskin Spear', 1968, catalogue no. 2;Royal Academy, London, 'Ruskin Spear: A Retrospective Exhibition', 1980, catalogue no. 57, illustrated in the exhibition catalogue, p.29.Condition ReportFramed: 77.5 x 108cmA little patchiness to the varnish with some small spots/ drips is noticable to the right side, however presents well overall. Not examined under UV light, for a full report please contact the department.
â–² Keith Critchlow (1933-2020) 'Red Trousers'oil on canvas76 x 50.5cmExhibited: Royal Academy Summer Exhibition, 1955, catalogue no. 600.Condition ReportFramed: 101 x 75cmRelined. Craquelure with stretcher marks to the left edge. Not examined under UV light, for a full report please contact the department.
Artashes Abraamyan (Armenian, 1921-2003) River landscape with bridgesigned in Cyrillic l.r., also signed and inscribed in Cyrillic and dated '1970' verso, oil on canvas56.5 x 79.5cmCondition ReportFramed: 67 x 89cmA few minor surface scuffs and abrasions, however presents well overall. Not examined under UV light, for a full report please contact the department.
Lewis Morley (1925-2013) and Ray Bellisario (1936-2018) Christine Keelera large group of reprints, test prints and misstrikes, including contemporary Pop Art, montage-style, colour photographic prints, designed by Ginny Manning, many with The Christine Keeler Estate blind stamp, a few signed by Keeler59 x 46cm and similar, unframed (qty.)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportLight dirty marks, scuffs and smudges. The colour prints have smudged and crossed out signatures and are marked with traces of the estate ink stamp to the bottom. Light handling creases.
â–² Fernandez Arman (French-American, 1928-2005) 'Harpe de Couleurs' (Harp of Colours), 1975screenprint in colours on three sheets of Plexiglas, printed signature l.l., inscribed 'Artcurial' and numbered '469/2500' to base, published by Artcurial, Paris31cm wide14.5cm deep68cm highProvenance: The Property of a European Collector.Condition ReportA little surface dust and dirt. Light surface scuffs and scratches to the base. For a full report please contact the department.
â–² Fred Cuming RA (1930-2022) 'Marshland, Isle of Oxney'signed 'Cuming' l.l., inscribed with title verso, oil on board18 x 47cmCondition ReportFramed: 31.5 x 59.5cmThere are strips where the paint is lighter to the left, top and right edges where it appears the composition may have been masked by the artist. The lighter paint is presumed to be a base layer rather than a later issue with condition, please see images. Appears to be in good condition overall. Not examined under UV light, for a full report please contact the department.
â–² John McLean (1939-2019) 'Landfall'signed 'John McLean', inscribed with title and dated '1993' verso, acrylic on canvas170 x 234cmCondition ReportFramed: 174 x 238cmA little surface dirt with some faint dirty marks to the cream area around the colourful target. There are some light surface scuffs and abrasions to the black area. The canvas tension is a little loose to the touch but in our opinion this does not affect enjoyment when viewed on the wall.
Colin Jones (1936-2021) 'The Great Train Robbers Fifteen Years On'two colour photographs, both signed 'Colin Jones' and dated '1978', one also signed by the Great Train Robber, Tommy Wisbey,together with a photograph of the Bridego Bridge, taken in August 1963, also signed by Tommy Wisbey50.5 x 60.5cm and smaller, unframed (3)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportVery light handling creases. Overall all the prints present well.
â–² Alan Davie RA (1920-2014) 'Bird Noises'lithograph in colours, 1964, inscribed 'Studio copy' l.l.sheet 57 x 79cmProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportFramed: 60 x 83cmLight surface dirt. A little discolouration to the extreme edges. Some small spots of foxing starting to emerge with some slight creasing. Not viewed out of glazed frame.
â–² Lucy Harwood (1893-1972) A red-roofed house on the farmsigned 'LUCY HARWOOD' verso, oil on canvas 40.5 x 50.5cmCondition ReportFramed: 51.5 x 62cmA little light surface dirt. A small fine scratch to the roof of the house however presents well overall. Not examined under UV light, for a full report, please contact the department.
Sir George Clausen RA (1852-1944) Study of treessigned 'G. CLAUSEN' l.l., also signed verso, oil on board36 x 26cmExhibited: Castle Museum, Colchester, 'Festival of Britain', 1-14 July 1951, catalogue no. 8.Condition ReportFramed: 41.5 x 31.5cmA little discolouration to the varnish. There is a light 2cm scratch to the upper right corner. Overall presents well. Not examined under UV light or examined out of glazed frame. For a full report please contact the department.
â–² Ceri Richards (1903-1971) 'Elegiac Sonnet I';'Elegiac Sonnet II'two lithographs in colour, both signed and dated 'Ceri Richards 70' in pencil l.r., the second with Stanley Jones Archive blind stampsheet 57 x 41cm, unframed (2)Provenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportA little light creasing with some small scattered spots of foxing starting to emerge. 'Sonnet I' has a dark mark to the centre of the right edge- possibly printing ink (?)
Josef Herman RA (Polish-British, 1911-2000) 'Josef Herman Drawings'a catalogue for the Peter Stuyvesant Foundation collection of drawings by Josef Herman, exhibited at the Oxford University Press, London, 29 June - 29 September 1967Provenance: The Estate of Stanley Jones MBE RE.Condition ReportA little time staining. Light surface dirt and foxing to the cover.
â–² Ruskin Spear RA (1911-1990) A preparatory study of Fulham Football Clubcharcoal50 x 68.5cmA preparatory sketch for lot 66.Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 71 x 88cmA little time staining with some light smudging. Small crease mark. A fold mark to the upper right edge. There appears to be a large repaired tear to the lower left quarter, please refer to illustration. Not viewed out of glazed frame.
â–² Stuart Sutcliffe (1940-1962) 'Abstract No. 85'with a certificate of authenticity label from the artist's sister verso, mixed media42 x 60cmProvenance: Purchased by Sir John Moores from the artist's widow, Astrid;Phillips, New Bond Street, 'Modern British and Irish Paintings, Drawings & Sculpture', 7 March 1985, lot 29;Provenance: The David and Pam McCleave Collection of Modern British Art.Exhibited: Hamburg, 1961;the Walker Gallery, Liverpool, 1964;the Neptune Gallery, Liverpool, 1969.Often referred to as the 'Fifth Beatle', Stuart Sutcliffe was the original bass player in The Beatles. He left the band to pursue his love of art in 1961, but sadly died from a brain haemorrhage in 1962 at the age of just 21.Condition ReportFramed: 82.5 x 63.5cmLight cockling. Appears to be in otherwise good condition.
â–² Tessa Newcomb (b.1955) Leiston people signed with initials and dated '91' l.r., pencil and gouache on board 31 x 55.5cm Condition ReportFramed: 40x 65cm A tiny brown mark/scuff to the centre of the lower edge. Presents well overall and ready to hang. Not examined under UV light, for a full report please contact the department.
Cecil Aldin (1870-1935) 'A Relic of the Past', a hansom cabsigned 'Cecil Aldin' on fence l.l., inscribed with title l.c., watercolour and bodycolour27 x 34cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 45 x 51cmSpots and speckles of staining and foxing predominantly to the background in the lower left quarter, please see images. A light diagonal crease mark to the top right corner. Not viewed out of glazed frame.
â–² Carel Weight CH RA (1908-1997) Lovers in a woodsigned 'Carel Weight' l.r., oil on board35 x 19cmProvenance: Lord and Lady Moser.Condition ReportFramed: 43 x 26.5cmAppears to be in good condition. Well presented and ready to hang. Examined under UV light no retouching shows. Please see additional images.
â–² Clive Barker (b.1940) '2 Jugs Against a Blue Window', 1998-2000 (Fermon 341)polished aluminium and blue glass, stamp signed, titled and dated to the reverse55.5cm highProvenance: With Alan Wheatley, London;a private collection;Christie's, 'Modern British and Irish Art', 21 March 2018, lot 12;The David and Pam McCleave Collection of Modern British Art.Exhibited: Whitford Fine Art, London, 'Clive Barker: Recent Work', November - December 2000, catalogue no. 16, illustrated.Condition ReportDust and dirt to crevices. A little tarnishing, would benefit from a light clean. For a full report please contact the department.
â–² Patrick Brill RA aka 'Bob and Roberta Smith' (b.1963) 'Soop'signed and dated 'Bob & Roberta Smith 99' verso, oil on board 33 x 123cmIllustrated: Bob and Roberta Smith, 'Make Your Own Damn Art', Black Dog Publishing, 2005.Condition ReportOverall: 123cm wide, 5cm deep, 33cm high. Light surface dirt. Small surface scuffs and abrasions, please refer to images. Minor chip and losses to the extreme edges.
â–² Paul Hogarth RA (1917-2001) 'Montmartre'lithograph in colours, printer's proof, signed 'Paul Hogarth' in pencil l.l., inscribed with title and 'PP' with artist's blind stamp l.c., numbered '14(A)/copy' with Curwen Chilford blind stamp l.l.sheet 72 x 54cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportAn extremely light handling crease to the unprinted area l.c. Appears to be in otherwise good condition.
â–² William Bowyer RA (1926-2015) 'Olive Grove'signed 'William Bowyer' l.r., oil on board36 x 36cmCondition ReportFramed: 49 x 49cmThere is a fine horizontal line running through the upper centre with some further fine horizontal lines to the lower quarter where it appears the board may have expanded or contracted slightly. Overall the paint appears stable and there is no evidence of a split in the board to the reverse. Not examined under UV light or viewed out of glazed frame. For a full report please contact the department.
â–² Terry O'Neill (1938-2019) Michael Caine on the set of 'Get Carter', 1970gelatin silver print, printed later, signed 'Terry O'Neill' and numbered '14/50'image 37 x 56cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportOverall: 51 x 61cmA couple of light handling creases however presents well overall.
Ludovic Rodo Pissarro (French, 1878-1952) The Royal Exchangesigned 'Ludovic Rodo' l.l., oil on canvas61 x 81cmProvenance: Bonhams, Knightsbridge, 'Views of London', 26 October 2004, lot 62;The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 79 x 100cm Presents well overall. Examined under UV light there is a little retouching to the top edge with some small speckles of overpaint to the sky however in our opinion this is not apparent when viewed under normal lighting conditions. There are two raised spots of paint above the roof of the Royal Exchange on the left side, however this appears to be original rather than a later issue with condition. Please see additional images. Ready to hang.
â–² Ruskin Spear RA (1911-1990) 'Sherry Bar Portrait'signed 'Ruskin Spear' l.r., oil on canvas with collage 98.5 x 68cmProvenance: Sotheby's, New Bond Street, 'Modern British Pictures' 4 March 1998, lot 162;The David and Pam McCleave Collection of Modern British Art.Exhibited: Royal Academy Summer Exhibition, 1964, catalogue no. 209.Literature: Mervyn Levy, 'Ruskin Spear', Weidenfeld and Nicolson, London, 1985, no.53, p.62.'The Sherry Bar' was painted in the Ravenscourt Arms, Hammersmith, London. The painting is notable not only for its artistic qualities, but also for its connection of two prominent cultural figures: the artist, Ruskin Spear, and the celebrated Welsh poet, Dylan Thomas. The pair often met here and, according to Spear, the Ravenscourt Arms was a place where Dylan Thomas engaged in his early morning 'light drinking' during the late 1940s.Condition ReportFramed: 126 x 96cm Presents well overall. There are some small cracks in places, including to the lady's bust, forehead and the picture of the Beatles.A small scratch to the forehead. A little rubbing to the extreme top edge. The canvas is a little loose to the touch but in our opinion this does not affect enjoyment of the work when viewed on the wall. Examined under UV light there is some fine infilling the chest. There is possible further overpainting to the lower cheek which fluoreses under UV light, but is difficult to detect to the naked eye. Please see additional condition images.
â–² Ken Howard RA (1932-2022) Sennen Beach, 2019signed 'Ken Howard' l.r., oil on canvas61 x 91cmCondition ReportFramed: 90 x 120cmThe paint in the sky has been thinly applied and a pencil grid with diagonal lines is visible beneath, please see images. The work appears to be in otherwise good condition. Not examined under UV light, for a full report please contact the department.
â–² Fred Cuming RA (1930-2022) Seascape, Rye Harboursigned 'Cuming' l.l., oil on board 13.5 x 12.5cmCondition ReportFramed: 20x 19cmThere are a couple of small raised areas which appear slightly darker in the upper left quarter and it is unclear if the varnish is slightly discoloured, or if the paint is possibly slightly abraised/ rubbed (?), please see additional condition images. Overall, presents well and ready to hang. Examined under UV light no retouching shows.
â–² Peter Kinley (1926-1988) 'Bathers', 1977-78oil on canvas 91 x 121cmProvenance: Ivan Chermayeff Esq.;with Waddington and Tooth Galleries, London.Condition ReportFramed: 94 x 124cmA couple of light surface abrasions to the upper centre and upper left corner, please see additional condition images. Examined under UV light no retouching shows.
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