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534297 Los(e)/Seite
Los 797
A Selection of Exakta Varex 35mm SLR Cameras, to include an Exakta Varex, body G, shutter working, mirror de-silvered, with a Carl Zeiss Jena Tessar f/2.8 50mm lens, optics F, some haze & dust present, also with an Exakta Varex, body G-VG, shutter working, with a Carl Zeiss Jena Flektogon f/2.8 50mm lens, optics G-VG, some light dust present, also with an Exakta Varex, body G, shutter sticking, with Carl Zeiss Biotar f/2 58mm lens, optics F, some haze & dust present, focusing ring jammed, together with an Exakta Varex IIa, body G, shutter working, together with a Carl Zeiss Jena Pancolar f/2 50mm lens, optics F, some cleaning marks & haze present,
Los 809
Two VP Exakta Model B 127 SLR Cameras, to include a VP model B, black, serial no. 418494, body G, some wear to body, shutter not working, together with a Carl Zeiss Jena Tessar f/3.5 7.5cm lens, optics F-G, some light haze & dust present, together with a later VP model B, black, serial no. 437711, body G, some wear to body, shutter not working, with a Carl Zeiss Jena Tessar f/2.8 7.5cm lens, optics G, some light haze & dust present, (2)
Los 815
A Van Neck Pressmaster Folding Strut Camera Outfit, body G-VG, shutter appears to be working at time of auction, missing ground glass, bellows G-VG, with Ross London Xpres f/4.5 6" lens, optics G-VG, some dust present, also with a Ross London Wide Angle Xpres f/4 4" lens, optics G-VG, some dust present, also with a Teleros f/5.5 11½" lens, optics VG, some light dust present, also with a range of plate holders, a roll film holder, a flash bracket, & bulb, all in fitted case,
Los 827
A Good Selection of Soviet Lenses & Accessories, to include two Jupiter-12 f/2.8 35mm lenses, both bodies G-VG, one Contax/Kiev mount, one L39 mount, optics on Contax mount G, some speckles to inner element, optics on L39 mount VG-E, some light dust present, together with three Jupiter-11 f/4 135mm lens, bodies G-VG, optics VG, some light dust present, two lenses in Contax mount, one lens in L39, together with a variable viewfinder, missing the 135mm lens optics, all other focal lengths present correctly,
Los 835
A Mixed Selection of Camera Lenses, to include an SMC Pentax AF Zoom f/2.8 35-70mm lens, body VG, optics G, some very light haze & fungus, also with a Pentacon f/4 200mm lens, body VG, optics VG, also with a Meyer-Optik Görlitz Trioplan f/2.8 100mm lens, body VG, optics VG-E, together with six other lenses,
Los 840
A Selection of Three Enlarger Lenses, to include a Wray Supar f/4.5 4¼" lens, optics G-VG, some dust present, together with a Dia Anastigmat f/3.5 75mm lens, optics G, some light internal haze, also with a Hoya Super EL f/3.5 40mm lens, optics VG, some dust present, with maker's case & box, (3)
Los 858
Busch's Vademecum Convertible Camera Lens Kit, complete set with 15, 25, 35, 45, 55, 65, & 75 lens elements, lens body with diaphragm, 5 glass waterhouse style filters, & lens hood, together in maker's case, case labelled "Busch's Vademecum Satz No. II, optics G-VG, some light haze & dust present,
Los 871
Collection of Large Format Camera Lenses, comprising of a large 14in f5.6 Anastigmat in an aluminum conical mount on a lens board with leather lens cap ( light cleaning marks and internal haze), a Ross Teleross 11in f5.5, with lens cap and adapter (lens clean with light cleaning marks), a Ross Teleros F17in f5.5 lens with cap (lens with internal blooming ), a Ross tele-negative 3A mounting with rack and pinion focusing (4)
Los 885
A Zeiss Ikon Miroflex A Folding 6.5 x 9 SLR Plate Camera, black, body G-VG, shutter appears to be working but has some damage to cloth, with Carl Zeiss Jena Tessar f/4.5 120mm lens, optics G-VG, some light dust & haze present, together with a Van Neck Pressmaster, body G-VG, shutter appears to be working at time of auction, missing ground glass, bellows G-VG, with Ross London Xpres f/4.5 6" lens, optics G-VG, some dust present,
Los 993
A Newman & Sinclair Auto Kine Model G 35mm Motion Picture Camera Body, 1930-, aluminium, serial no. 672, body, VG-E, motor running, missing a viewfinder component, together with a Cooke Speed Panchro f/2 35mm lens, optics G-VG, some very light haze present, lens plate with matching serial number 672 & engraved '35mm', in maker's case, together with two Newman Sinclair 35mm film magazines, with maker's metal carry cases, dark slides, & film protectors,
Los 107
PAMELA BONE (1925-2021) Six Creative Colour Landscapes, printed or framed 2012, a set of six colour photographs, Cibachrome prints, each from (1970s?) negatives of manipulated images using pre-digital technology, some or all these prints are from multiple superimposed negatives, five signed in ink on the image, four with photographer's hand written notes taped verso regarding the images and framing, images 31cm x 29.3cm, in identical glazed frames 51cm x 49cm Note 1: These six photographs were selected by Pamela Bone and were displayed together at her in residence in Dorking, Surrey Note 2: : Pamela Bone (Lady Pamela Goodale) Pamela Bone (British, 1925-2021) created a significant body of experimental photographic works between 1952 and 1992. Though some of her works were published and exhibited in her lifetime – and she collaborated with notable figures in the world of film, conceptual art and electronic music during the 1970s – this innovative work is now being re-assessed and appreciated. At her death Bone bequeathed her photographic works to the Victoria and Albert Museum. Martin Barnes, Senior Curator, Photography, at the V&A oversaw the accession of this collection. Pamela Bone’s estate included some multiples and small editions of some of her works, these have been released for sale by auction at Flints. Please note that purchasers acquire the original physical print or artwork, where an image is also held in the V&A’s collection, the V&A holds copyright to reproduction of that image. Martin Barnes has summarised Pamela Bone’s career and work: “Bone attended Guildford School of Art between 1952-54, creating black and white still-lifes and portraiture alongside colour work. In 1953, she also studied in Paris with advertising and portrait photographer André Thevenet and worked in advertising. Her photographs were published in Photomonde, Vogue, Queen and House and Garden magazines. In 1958, she went to stay with a student friend in Calcutta and from there travelled throughout the following year in India, Sikkim and Kashmir. On returning to the UK, she abandoned commercial photography and focussed on independent art practice. She photographed in North Uist, Outer Hebrides and around Dartmoor, for her Dartmoor Trees and River series. She also studied sound recording. From 1965 Bone began experimenting with a conceptual slide show of her transparencies, based around the themes of her travels, the seasons and children, still life and landscape. She applied this approach in her printing methods, which combined and overlayed transparencies and prints from different periods with photograms to create dreamlike, textured impressions of imagined landscapes. This culminated in Circle of Light, (1972) an experimental film created from transparencies by Bone collaborating with filmmaker Anthony Roland, video art and installation artist Elsa Stansfield (1945-2004) and composer Delia Derbyshire (1937-2001) of the BBC Radiophonic Workshop (and who famously recorded the Doctor Who theme tune). A VHS copy of Circle of Light is in the V&A National Art Library (NAL). Bone’s approach to collaging and recombining works became her main approach and is a pre-cursor to contemporary practices of sampling. In 1973, she married Sir Ernest William Goodale, becoming Lady Pamela Goodale, but she continued to sign her artworks with her maiden-name. Bone was a lifelong follower of Christian Science. There were many books by the movement’s founder, the religious leader and author Mary Baker Eddy (1821- 1910) in her library. Bone was shy and reclusive and worked largely in seclusion. She set up a Cibachrome colour processing darkroom in 1981 in an outbuilding at her home in Dorking. This process allowed her to make her own direct colour positive prints from her colour transparencies. She made use of ‘lith’ printing as overlay masking for her cibachromes, and also produced pictures using silks. An exhibition of cibachrome prints, Let There Be Light was shown at West Dean College in 1991. Bone ceased printing in 1992 but began meticulously preserving her works. Towards the end of her life, she produced two limited-edition, hand-printed publications of her photographs, Wings of the Wind (2000) and Seven Doors: Finding Freedom of Expression Through Photography (2009) both in the NAL”
Los 138
Three Sets of Binoculars, to include a pair of Bushnell Custom Compact 7x26 binoculars, body G-VG, optics G-VG, some very light haze & dust, together with a pair of Barr & Stroud Sahara 8x32 binoculars, optics G-VG, damage to eye cups, also with a pair of Viking 8x45 binoculars, optics G, some light haze present,
Los 111
AN ELIZABETH II SILVER BONBON DISH AND FOUR ELIZABETH II SMALL SILVER ITEMS, comprising a Walker & Hall bonbon dish with pierced border and engraved inscription to centre, Sheffield 1963, an oval stand with gadrooned rim, bears import marks for Dublin 1930-31, length 14,5cm, a pair of circular trays with gadrooned rims, makers Victoria Silverware Ltd, Birmingham 1996, diameter 13.5cm and a Mappin & Webb dish with an engraved zigzag rim, Sheffield 1958, diameter 14.5cm, gross weight of all five items 13.31ozt, 414.1 grams (5) (condition Report: dish as a few shallow indentations and surface scratches, oval stand has light surface scratches, both of the pair of trays have shallow indentations and surface scratches and the Mappin & Webb dish has a number of small indentations and surface scratches)
Los 145
A 19TH CENTURY COPELAND PARIAN FIGURE SABRINA, modelled by W. Calder Marshall, depicting a female nude seated by water, impressed Copeland to rear and indistinct printed poem to the interior, height 30cm, together with an unidentified 19th century Parian figure, possibly modelled as Spring, unmarked, height 33.5cm (2) (Condition Report: Sabrina has a light firing crack across her lower ankle, otherwise in good condition, the unmarked figure has a number of chips to the flowers in her hands, firing crack around the top of one arm, losses to the leaves / petals of the flower on the base)
Los 149
FOUR SMALL ROBINSON & LEADBEATER PARIAN PORTRAIT BUSTS, all on integral square plinths, comprising Pope 'LEO XIII', height 17.5cm, 'LORD KITCHENER', inscribed verso 'BY W.C. LAWTON SCULPT COPYRIGHT FEB 9TH 1900', height 20.5cm, 'SCOTT', height 19cm and 'TENNYSON', height 19cm, all with impressed oval R&L factory mark (4) (Condition Report: Leo has a small chip to the front of the bust and another on the corner below, Kitchener has some dirty surface marks and a shallow chip to the corner edge of the plinth, Scott is ok and Tennyson has a chip on the front corner of the plinth, light scuff to back of shoulder)
Los 151
A JAEGER-LE COULTRE 'ATMOS' MANTEL CLOCK, serial number 560516, in a brass and five panel glazed rectangular case, recessed white chapter ring with Arabic quarters and baton markers, skeleton movement, height 22.5cm x width 18cm x depth 13.5cm (Condition Report: no outer case, light dirt on the glazing and brass, pendulum turns when unlocked, hands move but overall running condition not checked)
Los 169
NINE PIECES OF MID TO LATE 19TH CENTURY BRITISH PORCELAIN, comprising a pair of Chamberlains twin handled shaped rectangular low comports, gadrooned gilt rims, hand painted with flowers, one impressed 'CHAMBERLAINS', length 33cm, a pair of similarly decorated dessert plates of silver shape, unmarked, diameter 22.5cm, a John Ridgway low comport of wavy rectangular form, blue border and floral decoration, printed puce crown mark, a cylindrical vase with pink and gilt rim, the body printed and tinted with floral sprays, unmarked, height 9cm and a part dessert service formed of a serving dish and two dessert plates, pale apricot and gilt borders, printed and painted floral decoration, serving dish with pattern no. 488 (9) (Condition Report: the two Chamberlains comports are both crazed and have wear to the gilding but no sign of damage, one of the silver shape dessert plates is crazed and stained, it also sounds dull when tapped, the other has crazing, both have light wear to the gilding, the John Ridgway comport has light scratching in the glaze, the vase looks to have been used as a make-up holder and the interior has a streak of pink nail varnish as well as black and red marks to the inside base, the part dessert service has light surface scratches)
Los 194
A GROUP OF 19TH AND EARLY 20TH CENTURY CERAMICS, comprising a family group of three hand painted British porcelain mugs, inscribed to 'James Corbishley 1858', 'Ellen Corbishley 1858' and 'Ann Jane Corbishey (sic) 1860', heights 9.5cm and 7.8cm, a Victorian Staffordshire pottery group of a lady and a seated Dalmation, height 23cm, a near pair of Victorian Staffordshire pottery lady and gentleman Scottish musicians, heights 18cm and 16.5cm, a monochrome printed God speed the plough mug, height 9.9cm, two moustache cups and saucers, one hand painted with landscape vignettes on an apricot ground, two Parian figures of children, height 15cm and 14cm and a pair of Continental porcelain figures of a lady and gentleman, incised and impressed marks '1408 155' to the bases, height 13.5cm (15) (Condition Report: the James & Ellen Corbishley mugs have cracks in the bases, the Ann Jane mug has some light staining, the lady and dalmatian has some crazing, the other two Staffordshire figures have extensive cracks, the plough mug is ok, the apricot moustache cup and saucer are ok, the claret moustache cup sounds defective and the saucer has a star crack, the Parian child praying has nibbles to the finger tips, the other is ok and the two Continental figures both have losses)
Los 211
THREE VICTORIAN STAFFORDSHIRE POTTERY PORTRAIT FIGURES AND A SIMILAR JAR AND COVER, the figures comprising a pair titled 'PR OF WALES' and 'PR ALFRED', modelled as wearing military dress and standing by chairs, heights 27cm and 26cm, a family group of Queen Victoria and Prince Albert with Princess Victoria as a baby, height 20cm and a Victorian Staffordshire pottery jar and cover modelled as a queen wearing crown and robes, bears label to the base 'NEW HALL EX.COLLECTION OF SIR ALFRED OWEN', height 20cm (4) (Condition Report: Wales has paint loss and some crazing, Alfred has minor paint loss and a glaze scuff to the jacket, family group has some crazing and light staining, a few patches of paint loss, firing crack around Albert's neck, fine crack to the front of the base, the jar has crazing and staining)
Los 212
SEVEN VICTORIAN STAFFORDSHIRE POTTERY FIGURES AND GROUPS, mostly British and European royalty portrait figures, including 'Empress of France', 'Prince of Wales' on horseback, 'Pr Albert & Queen' with child, Prince Albert, Queen Victoria, a lady and gentleman group and a lion and unicorn clock group, height of tallest 32cm (7 + 4 loose heads) (Condition Report: Empress is crazed, Wales has detached head, extensive crazing and light paint loss, Albert and Queen with child has two heads detached and crazed, Prince Albert has patches of paint loss, crazed and cracks in the base and freestanding leg, chip to underside, Queen Victoria has detached head with some losses to the break, badly crazed and chipped to underside foot rim, the couple have a chip to the rear of the base, crazing and paint loss, the lion and unicorn are crazed)
Los 213
FIVE VICTORIAN STAFFORDSHIRE POTTERY FIGURES, ETC, comprising a windmill with boy and girl seated either side, height 24.5cm, a shepherd with is flock and dog, height 24cm, a model of a cottage, height 11.5cm, a seated child and dogs group, height 21.5cm and an inkwell modelled as a flower flanked by two birds (5) (Condition Report: windmill has light firing cracks, shepherd group has a stained crack to the back and a small chip to the base, cottage has firing crack in roof, child and dog group has crazing and light paint loss, the inkwell has a crack to the interior, birds beaks are chipped, some paint loss)
Los 215
A VICTORIAN STAFFORDSHIRE POTTERY TOBY JUG AND FOUR VICTORIAN STAFFORDSHIRE FIGURES, comprising a jug modelled as a toby seated astride a barrel with moulded inscription 'Home Brewed Ale', height 29.5cm, a flatback group of two men seated by a barrel, one reading a war report, height 21.5cm, a porcelain figure of a seated gentleman, height 12.5cm, a pottery clown type figure, height 17cm and a holy water stoop modelled with a figure of Christ, height 25.5cm (5) (Condition Report: toby has crack in the rim, extensive stained crazing and with light paint loss, flat back group has paint loss, seated gentleman has staining, slight firing crack to back of chair, nibbles around the base, clown has an underglaze chip to nose and the stoop has stained crazing)
Los 217
SIX VICTORIAN STAFFORDSHIRE POTTERY FIGURES AND GROUPS, comprising a seated female figure wearing a crown, height 11.5cm, a pen holder modelled as a lady riding side saddle, height 13cm, a pair of a lady and gentleman with rake and pitchfork, height 20cm, a spill vase with angel and royal children and a group of a male gardener with basket and spade and a young girl with a garland, height 28.5cm (6) (Condition Report: the crowned figure is ok, the pen holder has a few small firing cracks and light paint loss, the pair of figures have a crack to the rear of the lady, some light staining to both, the spill vase has a number of cracks, minor paint loss and crazing throughout, the gardener group has a glued repair around the neck / shoulder of the girl and crazing throughout)
Los 218
SEVEN VICTORIAN STAFFORDSHIRE POTTERY FIGURES AND GROUPS, comprising a group of Prince of Wales and Princess Royal riding on a pony and trap, height 20cm, a pair of figures of a Prince of Wales with a toy boat and Princess Royal with a parrot, height 15.5cm, Prince of Wales standing beside a throne with flag and toy boat, height 19cm, a young Prince of Wales standing on a chair with a bird, height 19.5cm, a group of a boy and a girl seated in an enclosed arbour, height 15cm and a small flatback musicians group, height 12.5cm (7) (Condition Report: pony and cart group has a crack through pony's freestanding front leg, areas of paint loss and crazing, the pair have crazing, the prince has restoration to the upper half, particularly arms jacket and sails, princess has firing crack by necklace, restored arm by bird, prince by throne has restoration to raised arm and hat, crazed, light paint loss, prince standing on chair has crazing and paint loss, chips to base and glaze scuffs, the arbour group has restoration to the underside, the musicians group has restoration, paint loss and crazing)
Los 25
AN EARLY 20TH CENTURY 18CT YELLOW GOLD MANUAL WOUND OPEN FACE POCKET WATCH WITHIN A POCKET WATCH CASE, the white enamel dial with black Roman numerals, black hands, subsidiary dial at six o'clock, the dial is signed C. Rossel & Co IOCLE, engine turned case back, inner case stamped K18, makers mark JFs and numbered 32913, movement unsigned, approximate case diameter 49mms, pocket watch with accompanying pocket watch case, worn stamp to the reverse of the case with an embossed number '32913', approximate gross weight 90.7 grams (Condition Report: overall condition very good, minor light scratches to case, watch currently functioning at time of cataloguing, untested for time keeping)
Los 255
NORMAN HARTNELL (1901-1979) Four signed dress designs, two pencil and watercolours of floral full length evening dresses from the 1940's-50's era, one of which is inscribed 'Specially designed for NANTY FROCKS INC:', the other has 'when a princess' inscribed in pencil verso, the two ink and watercolour sketches from the late 1960's - 1970's era, comprising of a cream knee length dress 'DOUBLE CREAM' and a full length A line dress with wide sleeves 'SCARLET LADY', the latter two designs signed in felt pen, Scarlet Lady 32cm x 21.8cm, the other three 35.5cm x 25.5cm (4) (Condition report: the rosebud dress design has a dirty surface and light staining, especially down the left hand side, some wrinkles and crease in the paper, pin holes below a blue biro '6' in the top left hand corner, two pin holes in the bottom left corner, the 'Nanty Frocks Inc' sketch has staining to the bottom half left hand edge, lighter staining along the bottom edge, dirty mark in the bottom right hand corner and another to the right of the head, 'Double Cream' has pin holes to the corners / edges and light creases in the paper, 'Scarlet Lady' has pin holes to the corners/ edges and areas of staining, particularly along the right hand side)
Los 258
SIDNEY RICHARD PERCY (1821-1886) A BUCOLIC PASTORAL LANDSCAPE, figures are resting beside a pond while sheep graze a short distance away, signed and dated 1851 bottom right, oil on relined canvas, approximate size 32cm x 47cm (Condition: craquelure visible across the whole surface of the painting, UV light reveals some areas of restoration / overpainting, small area of paint loss to the top edge)
Los 269
GRAHAM BENTON R.B.S.A (BRITISH 1934-2022) 'EVE', AN ABSTRACT COMPOSITION, signed and dated '10 bottom right, RBSA exhibition label verso, mixed media on canvas, approximate size 100cm x 100cm (Condition: the light area of the painting to the left side has been thinned rendering the canvas transparent, we assume this was intended by the artist as it is confined to a specific area, 3mm x 2mm area of paint loss to the right side frame damaged) (Artist resale rights apply)
Los 276
GRAHAM BENTON R.B.S.A (BRITISH 1934-2022) 'HELLS MOUTH', AN ABSTRACT COMPOSITION, a Cornish coastal landscape, signed and dated '11 bottom right, signed, titled and dated 2011 verso, oil on canvas, approximate size 80cm x 102cm (Condition: light scuffs to the sky, 3cm scratch near the bottom left edge, dirty marks to the frame) (Artist resale rights apply)
Los 3
AN EARLY 20TH CENTURY YELLOW GOLD ENAMEL SWEETHEART RING, the rectangular-shape enamel panel reading Hope together with a young bird and pink flowers, to the split shoulders, grooves sides and plain polished band, ring unmarked, approximate ring size K, approximate gross weight 4.2 grams (condition report: overall condition very good, enamel in good condition, minor light scratches in keeping with age)
Los 33
A SELECTION OF WATCH DISPLAY STANDS AND CUSHIONS, comprising five cream stands each with a Rolex emblem, three watch holder attachments, two clear plastic stands, two cream Rolex cushions and a Longines watch cushion, also including a weighted metal base (14) (Condition Report: general light wear)
Los 4
AN EARLY 20TH CENTURY YELLOW GOLD ENAMEL FLORAL BAR BROOCH, designed as two pink roses with green leaf detail to the black and white geometric decorated bar, brooch unmarked, approximate length 71mms, approximate gross weight 10.2 grams (Condition Report: overall condition very good, minor light scratches present, brooch pin with slight dent, in keeping with age and general wear)
Los 43
AN ELIZABETH II SILVER SALVER OF SHAPED SQUARE FORM, the centre engraved with a logo and presentation inscription, on four cast scroll feet, makers Courtman Silver Ltd, Birmingham 1974, 44.11ozt, 1372.1 grams, width 33.5cm (Condition Report: light surface scratches, sits fairly level on a flat surface)
Los 44
AN ELIZABETH II SILVER WAITER OF CIRCULAR FORM, pie crust border, the centre with presentation inscription, on three cast scroll feet, retailed by Terry & Co, Manchester, makers Viner's Ltd, Sheffield 1956, 10.10ozt, 314.1 grams, diameter 20.3cm (Condition Report: light surface scratches, sits level on a flat surface)
Los 59
A CASED SET OF TWELVE EDWARDIAN SILVER ICE CREAM SPOONS, Elizabethan male figure finial on a spiral handle, makers Elkington & Co Ltd, Birmingham 1902/3, 8.36ozt, 260 grams, in an Elkington case (1) (Condition Report: the spoons are in good condition with light tarnish and light surface scratches, the case is damaged to both exterior and interior)
Los 64
A VICTORIAN SILVER PEDESTAL BOWL, the beaded rim above repousse decorated ribbons and swags, vacant oval cartouche, the base stamped with no. 635 and retailer's mark for 'W. BOORE 54 STRAND LONDON', maker John Wilmin Figg, London 1878, 6.34ozt, 197.2 grams, diameter 12.9cm x height 6.7cm (Condition Report: bowl sits level on a flat surface, light tarnish and some surface scratches to the interior)
Los 65
A GEORGE V SILVER PEDESTAL BOWL, with three cast handles, each formed of two serpents and two lion dormant with the tails wrapped around a petal shaped finial, egg and dart cast rims to the bowl and pedestal, supported on three lion couchant, the underside stamped with retailer's mark for 'ROBINSON & Co THE SQUARE SHREWSBURY', makers Wakely & Wheeler, London 1915, height 18cm, 64.21ozt, 1997.4 grams (Condition Report: sits level on a flat surface, marks have partial rubbing, light tarnish, surface scratches and a few dints to the interior)
Los 76
AN EDWARDIAN SILVER TWIN HANDLED TRAY OF RECTANGULAR FORM WITH PIE CRUST AND SHELL RIMS, plain surface, makers Deakin & Francis Ltd, Birmingham 1903, length handle to handle 69.5cm x width 44cm, approximately 127ozt, 3968 grams (Condition Report: the surface is tarnished, mostly light surface scratches with a few longer and slightly deeper, remnants of adhesive labels on the reverse)
Los 87
AN ELIZABETH II SUGAR CASTER, A PAIR OF CANDLESTICKS AND AN EBONY BOX, the octagonal silver sugar caster hallmarked 'Viners Ltd' Sheffield 1964, approximate gross weight 5.275ozt, 164.1 grams, a pair of short weighted base candle sticks with beading detail, hallmarked 'W I Broadway & Co' Birmingham 1976, together with an cylindrical ebony box, fitted with a screw to lid, lid decorated with an angular silver panel, hallmarked 'P & E' London 1921, box base stamped 'Real Ebony France' (4) (Condition Report: general moderate wear, light scratches and minor dents, panel has lost two nails, requires attention)
Los 93
A GEORGE VI 'ASPREY' BOWL AND A PAIR OF 'CARRS 2000' GLASS VASES' a cut glass globular bowl, fitted with a silver rim, hallmarked 'Asprey & Co Ltd' Birmingham 1914, stamped 'Asprey London 13319', together with a pair of Elizabeth II 'Carrs 2000' square form silver and wooden base with a glass vase to be securely positioned within the base, hallmarked 'Carr's of Sheffield Ltd' Sheffield 2000' together with satin lined boxes (3) (Condition Report: general light wear, unused, one still in original packaging)
Los 95
A LATE VICTORIAN SILVER HOT WATER JUG AND A LATE VICTORIAN GEORGIAN STYLE HELMET SHAPED CREAM JUG, the hot water jug with ebony fitments, florally embossed and wrythen fluted decoration, stepped circular foot, maker Thomas Hayes, Birmingham 1889, height 20cm, 8.65ozt, 269.2 grams, the cream jug with a beaded rim, strap handle, on a stepped circular and square foot, makers Stokes & Ireland Ltd, Chester 1897, 3.82ozt, 118.9 grams (2) (Condition Report: the finial of the hot water jug has a tiny chip, both items sit level on a flat surface, light rubbing to hallmarks)
Los 97
A GEORGE VI SILVER LIDDED VANITY SET, comprised of three tall jars and a perfume bottle in an Art Deco style, square form lids with engine turned pattern, hallmarked 'Padgett & Braham Ltd' London 1937, approx. gross weight of jar lids 1.8ozt, 55.9 grams, perfume bottle has a cork insert, approximate gross weight 0.715ozt, 22.3 grams (4)(Condition Report: general light wear, clear hallmarks)
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534297 Los(e)/Seite