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534325 Los(e)/Seite
Los 206
A boxed Corgi Toys GS 23 'Chipperfields Circus Models' Gift Set, the variant including Scammell Crane Truck, Land Rover with Cage on trailer, 2 x Animal Trailers and a Bedford Giraffe Transporter with two giraffe figures. Overall models appear G+/VG although one of the animal cages does have a hairline crack to a 'roof light' panel, in G+ polystyrene tray and G cardboard base, the latter with split to one corner of the tray. The pictorial box lid, illustrating the earlier model configuration of this set, is generally G.
Los 301
Johannes Petrus Meintjes (South African 1923-1980) INTERIOR GROOTZEEKOEGAT signed and dated 1951 oil on board 36,5 by 29,5cm Meintjies catapulted to fame with a greatly successful exhibition in 1944, before the artist turned 22. He had studied under Florence Zerffi and was greatly influenced by the colour sense of Irma Stern and the compositional awareness of Maggie Laubser. He is known for his romantic style, powerful colours and unusual forms. In Interior Grootzeekoegat, which takes place in an interior on his family farm, we see what may be a self-portrait of the artist surrounded by books and his own paintings, on which his common motif of arum lillies are found throughout. Above the fireplace is his painting of Icarus, painted in 1948. An open doorway reveals a larger painting in another room of two nude figures surrounded by birds, another popular subject of Meintjies’. Above the doorway is a third painting, a 1951 self portrait, Self Portrait with Cigarette, depicting the artist holding a burning cigarette up to his lips. As a self portrait, Interior Grootzeekoegat, shows Meintjes' output, as both a prolific writer and artist surrounded by the books and artworks that inspired him. While the subject of the painting has his back turned to the viewer, his countenance is still present in the inclusion of his self-portrait above the doorway. The blue and white horizontal and vertical lines of the chair in the foreground are repeated throughout the composition in highlights on the fireplace, the doorway, the frames of both paintings, as well as the weaving of the second chair and even the blue light in the subject’s hair. Portrait of Two Men in Conversation, shows the heads of two men, one seen partly from behind, obscured by dark shadow, one seen facing the viewer. A cigarette is perched in the first figure’s hand, as if he has paused from smoking to make a point, while the second figure’s mouth is obscured by his own hand, while he draws on his cigarette. Meintjies painted numerous portraits of young men who greatly resembled his own likeness as evidenced in Portrait of Two Men in Conversation. The large, heavily hooded eyes and sharp, thickly outlined features are typical of a Meintjes portrait. As are their slim, long-fingered hands, which bring a sense of flow to the painting, drawing the viewers eye up into the eyes of the second figure, as he listens intently to his partner in conversation. The mouths of both men are obscured, one by his position, facing away from the viewer, the other by his hand, yet they seem to be connected, looking directly into each other’s eyes, as they converse. Berman, E., Art and artists of South Africa, A A Balkema, Cape Town, 1974
Los 302
Johannes Petrus Meintjes (South African 1923-1980) PORTRAIT OF TWO MEN IN CONVERSATION signed oil on board 38,5 by 28cm Meintjies catapulted to fame with a greatly successful exhibition in 1944, before the artist turned 22. He had studied under Florence Zerffi and was greatly influenced by the colour sense of Irma Stern and the compositional awareness of Maggie Laubser. He is known for his romantic style, powerful colours and unusual forms. In Interior Grootzeekoegat, which takes place in an interior on his family farm, we see what may be a self-portrait of the artist surrounded by books and his own paintings, on which his common motif of arum lillies are found throughout. Above the fireplace is his painting of Icarus, painted in 1948. An open doorway reveals a larger painting in another room of two nude figures surrounded by birds, another popular subject of Meintjies’. Above the doorway is a third painting, a 1951 self portrait, Self Portrait with Cigarette, depicting the artist holding a burning cigarette up to his lips. As a self portrait, Interior Grootzeekoegat, shows Meintjes' output, as both a prolific writer and artist surrounded by the books and artworks that inspired him. While the subject of the painting has his back turned to the viewer, his countenance is still present in the inclusion of his self-portrait above the doorway. The blue and white horizontal and vertical lines of the chair in the foreground are repeated throughout the composition in highlights on the fireplace, the doorway, the frames of both paintings, as well as the weaving of the second chair and even the blue light in the subject’s hair. Portrait of Two Men in Conversation, shows the heads of two men, one seen partly from behind, obscured by dark shadow, one seen facing the viewer. A cigarette is perched in the first figure’s hand, as if he has paused from smoking to make a point, while the second figure’s mouth is obscured by his own hand, while he draws on his cigarette. Meintjies painted numerous portraits of young men who greatly resembled his own likeness as evidenced in Portrait of Two Men in Conversation. The large, heavily hooded eyes and sharp, thickly outlined features are typical of a Meintjes portrait. As are their slim, long-fingered hands, which bring a sense of flow to the painting, drawing the viewers eye up into the eyes of the second figure, as he listens intently to his partner in conversation. The mouths of both men are obscured, one by his position, facing away from the viewer, the other by his hand, yet they seem to be connected, looking directly into each other’s eyes, as they converse. Berman, E., Art and artists of South Africa, A A Balkema, Cape Town, 1974
Los 1048
An album of GB stamps mainly used 1840-1970, including Penny Black, a pair of Two pence Blues, Victoria two shillings six pence, five shillings, ten shillings, Edward VIII five shilling, George V two shilling sixpence, five shilling, ten shilling, George VI two shilling sixpence, Green and Brown, five shilling, ten shilling light and dark blue and one pound
Los 442
A tortoise shell letter opener with a gold, pointed handle. The gold handle is marked "A. Barrett & Sons 63 & 64 Piccadilly." Also stamped 9 carat Birmingham gold. Dimensions are: 8 1/8" long, 7/8" wide. All measurements are approximate. Condition: Light wear to surface. Very Fine - Excellent.
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534325 Los(e)/Seite