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Dreweatts 1759
Los 113

λ&nbspDAVID WYNNE (BRITISH 1926-2014) SIR JOHN GIELGUD Bronze with a brown patina Signed and numbered 1/6 Height (exc. base): 31cm (12in.) Conceived in 1962. Provenance: From a Private Collection Literature: T.S.R. Boase, The Sculpture of David Wynne 1949-1967, London, 1968, p. 155 (illustration of another cast p. 94) Condition Report: Some surface dirt, most notable to the crevices. May benefit from a light clean. Otherwise appears to be in good original condition. Condition Report Disclaimer

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Dreweatts 1759
Los 37

ANGELA CONNER (BRITISH B. 1935) CORIOLANUS Metal 45cm (17½in.) High exc. baseProvenance: Direct from the artist's studio collection The present lot was produced as part of a series based on Shakespearean literature for an exhibition presented by The Library & Museum of the Performing Arts at The New York Library at the Lincoln Center. The series was conducted to produce emotional responses to Shakespeare's characters creating forms not figures. Coriolanus represents two cages of steel rods, one encased with the other. The single rod running through the centre signifies the melancholy of Hamlet and the outburst of entrapment and reflective introspection radiates from this central focus. Condition Report: Some light tarnishing, otherwise in good original condition.Condition Report Disclaimer

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Dreweatts 1759
Los 149

λ&nbspENZO PLAZZOTTA (ITALIAN 1921-1981) REHEARSAL I (NADIA NERINA) Bronze on wooden base Signed and numbered from an edition of 12 44cm (17¼in.) High exc. base Together with certificate of authenticity. Literature: Carol Plazotta and Richard O'Conor, Enzo Plazotta, A Catalogue Raisonné, London, 1986, p. 38, no. 61Italian-born sculptor Enzo Plazzotta Studied in Milan at the Acadamia di Brera under Francesco Messina, until the outbreak of the second World War, when he enrolled in the army. He was sent to North Africa until Mussolini's fall, and subsequently founded a partisan movement, which led to his imprisonment. Released from the prison after the war, Plazzotta returned to Brera to complete his studies. In 1957 he travelled to England to present a statuette, before deciding to establish his artistic profile in London, directing his attention towards setting up a commercial art agency. At the age of forty, Plazzotta turned his attention back to sculpting, working mainly in bronze to create sculptures of dynamic human and animal figures, with a specific interest in dancers and horses. Despite many of his sculptures being situated on the streets of London, he maintained close links to his home-country, casting much of his work at his studio in the quarries of Pietrasanta. In 1976, Plazzotta was honoured the title of Cavaliere from the Italian government, acknowledging his services to Italian art. By 1981, Plazzotta's health was diminishing due to cancer, and he passed away within the same year. Plazzotta's work has been widely exhibited globally in Europe, the United States and Australia, and features in several public and private collections including the Vatican, Rome, The Hermitage, Lausanne and The Queensland Art Gallery, Brisbane. Condition Report: Light surface dirt throughout. There are some scratches to the wood base where the sculpture meets the base. Overall in good original condition. Condition Report Disclaimer

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Dreweatts 1759
Los 139

λ&nbspAHMED PARVEZ (BRITISH/PAKISTANI 1926-1979) ABSTRACT Oil on canvas Signed and dated '62 (lower left) 76 x 51cm (29¾ x 20 in.)Provenance: Private Collection, Denis BowenExhibited: London, New Vision Centre Gallery, 1962 Nottingham, Commonwealth Festival Exhibition, 1966 London, Hayward Gallery, The Other Story, 1989, no. 4 Belgrave Gallery, British Abstract Artists of the 50s and 60s, 1992 (illustrated in exhibition catalogue p. 40)The present work was notably exhibited in the ground breaking exhibition The Other Story: Afro-Asian Artists in Post-War Britain, at The Hayward Gallery, London in 1989. This exhibition brought together works from Asian, African and Caribbean artists working in Post-War Britain, celebrating and promoting these artists to the mainstream that had otherwise been side-lined by critics and established institutions.  Victor Musgrave from Gallery One called Parvez "Without question the outstanding artist from Pakistan who has made a very strong impact upon the English art world. His extension into the West of the ideals implicit in Muslim art has been an effort of unique importance." (S. Ali, Homage: Remembering the Maestro, Dawn, 15 September 2013.)   Condition Report: Very fine craquelure to the extreme edges and corners. Light surface dirt throughout. Inspection under UV reveals retouching to the upper left quadrant in the shape of a right angle. Condition Report Disclaimer

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Dreweatts 1759
Los 7

ANGELA CONNER (BRITISH B. 1935) LORD GOODMAN, ARNOLD GOODMAN Bronze Signed and numbered 9/10 44cm (17¼in.) High exc. base Provenance: Direct from the artist's studio collection British lawyer and political advisor Arnold Goodman commissioned seven of his own busts to gift his friends in 1972. Busts were received by Sir Max Rayne, Evelyn Rothschild, Duke of Devonshire, and Ian Fleming's widow, Anne Charteris. A bust also went to the Arts Council, which Goodman chaired from 1965 until 1973. During his time, he contributed towards a government bill that would ensure regular funding for the Arts Council funding for galleries and theatre companies in Britain, and the establishment of the South Bank Centre, London. Condition Report: Very light surface dirt. Otherwise in good original condition. Condition Report Disclaimer

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Dreweatts 1759
Los 116

λ&nbspDORA GORDINE (ESTONIAN 1895-1991) MARY VERA HEPWORTH NÉE HOPKIN Bronze with green patina Signed and numbered 1/2 53.5cm (21 in.) Provenance: Direct from the artist, sculpture for Mary's 21st birthday Thence by descent to the present owner  The sitter depicted in the present lot is Mary Vera Hepworth née Hopkin. She was born in Bangkok, Thailand on 20 September 1918. Her father was Harry 'Hoppy' Hopkin, then a journalist on the Straits Times, Singapore, and her mother was Nadia, a dancer, born in Krasnoyarsk, Siberia. Mary's grandfather, Engel, was a tailer in Krasnoyarsk, Siberia and was responsible for the clothes worn by the workers responsible for the construction of the Trans Siberian Railway. Many of his co-workers were circus people and taught Engel and his family a whole range of circus skills. Following the completion of the railway the group of worker's including Engel and his family decided to travel to Shanghai to become street entertainers.  After touring with Colonel Phyllis and his circus across China, Vietnam and Laos the family decided to buy a hotel, King Chulalonghorn himself becoming a habitué, as did the Sultan of Johore. Nadia and her sisters danced for the King at his Palace and were paid in gold. So when Hoppy, Mary's father walked in to the hotel, one day, on the lookout for a new story and his gaze fell on a dancing Nadia, he was struck. They were married, and had two girls, Nadia and Mary. Eventually Mary joined the Straits Times, to edit the society page, under the pen name Vera Ardmore - Ardmore being the name of the flats in which they lived. She had already met Dora as Hoppy had introduced Dora to Nadia as he thought her Russian/Ukrainian background would be of interest to her, and they all became friends. Some years later Hoppy came to London to join the Daily Mail as foreign editor. Dora heard of it and proposed they take the vacant house beside her newly built studios in Kingston which they did and was how and why, for a 21 birthday present, Dora sculpted Mary's nude figure.  Mary married Joseph Bulmer Hepworth on 27th June 1947, who was the grandson of Joseph Hepworth who founded the nationwide tailoring company Hepworths, whose trading name changed to NEXT in 1990. Condition Report: There is some light surface dirt throughout and patches of green verdigris to crevasses. Otherwise, in good original condition. Condition Report Disclaimer

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Dreweatts 1759
Los 134

λ&nbspFELIX KELLY (BRITISH/NEW ZEALAND 1914-1994) HOUSE WITH REGENCY PAVILION Oil on board Signed and dated 80 (lower right) 56 x 71.5cm (22 x 28 in.)Provenance: Partridge (Fine Arts), London Private Collection, Berkshire (acquired from the above) Condition Report: Ultraviolet light reveals an uneven varnish, but no retouching. In otherwise, good general condition.Condition Report Disclaimer

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Dreweatts 1759
Los 90

PHILIP WILSON STEER (BRITISH 1860-1942) STRAND-ON-THE-GREEN Oil on panel Stamped with initials (lower left) 20.5 x 27cm (8 x 10½ in.)Painted in 1893.Provenance: Sale, Christie's, The Artist's Studio Sale, 16-17 July, 1942, lot 192 J.S. Wright, Esq., Private Collection J. Leger & Son, London (1958) The Maas Gallery, London Hazlitt, Gooden & Fox, London The Hon. Mrs. E.A. Wallace, Private Collection Sale, Christie's, London, 8 November 1990, lot 19 Agnew's, London From a Private Collection (purchased from the above in June 1992) Exhibited: London, Goupil Gallery, Catalogue of a Collection of Paintings by P. Wilson Steer, February, 1894, no. 9 Leeds, Leeds City Art Gallery, Philip Wilson Steer O.M 1860-1942, Leeds, 29 March - 14 May 1944, no. 16 Literature: D.S. MacColl, Life Work and Setting of Philip Wilson Steer, London, 1945, p. 194 Bruce Laughton, Philip Wilson Steer 1860-1942, Oxford, 1971, p. 134, no. 134 Leeds City Art Gallery Exhibition Catalogue, Philip Wilson Steer O.M 1860-1942, Leeds, 29 March - 14 May 1944, p. 7, no. 16 Condition Report: There are two vertical scratches to the centre left, one in the sky and one in the water. No evidence of retouching visible under ultraviolet light. Condition Report Disclaimer

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Dreweatts 1759
Los 21

ANGELA CONNER (BRITISH B. 1935) THE MATRIARCH Bronze Signed, numbered 1/15 and dated 2011 (to underside of ear) 33cm (12in.) High exc. base Provenance: Direct from the artist's studio collection Condition Report: The sculpture is slightly loose to the base. There is some wear to the base and some light surface dirt throughout. Otherwise, in good original condition.Condition Report Disclaimer

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Dreweatts 1759
Los 60

λ&nbspALAN REYNOLDS (BRITISH 1926-2014) STRUCTURE: RED AND GREEN Oil on board 51 x 48cm (20 x 18¾ in.)Painted circa 1960.Provenance: Thomas Agnew & Sons Ltd., LondonChristened early in his career as "the golden boy of Neo-Romanticism" by Bryan Robertson, Alan Reynolds was held in international acclaim for his beautifully executed paintings of Kentish orchards, hop fields, grasses and teasel heads. His work was bought by the Tate Gallery in London, the National Gallery of Victoria in Melbourne and the Fleischman Collection in Pittsburgh. With sell out exhibitions to international institutions and respected collectors alike it shocked the London art scene of the 1960s when Reynolds became an abstract artist. He first exhibited his non-figurative work at the Redfern Gallery in 1960. This transitional exhibition saw him using an earthen palette, reminiscent of his earlier landscapes on paired down geometric forms and constructions. Although this was seen as a seismic shift in his output, for Reynolds it was a natural progression in his oeuvre and something that he had hinted at as far back as 1953 when he referred to painting as "a problem of solving equations; tonal, linear, and so on. The subject or motif must be transformed and become an organic whole. Poetry is never absent from Nature, but alone it cannot constitute a work of art. It must be reconciled with the elements of design and composition. Laying emphasis on the formal values in a work will therefore result in a degree of abstraction."The present work manages to seamlessly synthesise nostalgia with contemporary doctrines in a rare example from this period in which Reynolds first moves into abstraction Condition Report: There is some cracking and associated losses where the board meets the brown mount. Some light surface dirt. Ultraviolet light reveals no evidence of retouching. There is however a heavy varnish which may benefit from a light clean.Condition Report Disclaimer

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Dreweatts 1759
Los 76

λ&nbspPIERRE BITTAR (FRENCH B. 1934) PROMENADE A CROISSEY Oil on canvas Signed (lower left) 54 x 65cm (21¼ x 25½ in.) Condition Report: The canvas is not relined. This work is in good original condition. Ultraviolet light reveals no evidence of retouching.Condition Report Disclaimer

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Dreweatts 1759
Los 3

ANGELA CONNER (BRITISH B. 1935) KING CHARLES III Bronze Signed, dated 1995 and numbered 4/10 43cm (16¾in.) High exc. base The present bust of King Charles III was commissioned by the Duke of Devonshire in 1995 for the Chatsworth collection. Provenance: Direct from the artist's studio collection Condition Report: Light surface dirt. Otherwise appears to be in good original condition. Condition Report Disclaimer

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Whitton & Laing Auctioneers
Los 1236

A silver mounted caster with light house glass shaped spreading base, 6 inches high, Chester 1908 by NH

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Gerrards Auction Rooms
Los 1040

Large Glass Deco Style Light Fitting, white and blue glass, measures approx. 17'' diameter.

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Gerrards Auction Rooms
Los 396

Three Silver Heavy Pendants, comprising a silver circular pendant set with a black faceted stone, a silver pendant formed of three graduating oblong jade pieces, from pale blue to green then light green, and a silver oval shell pendant with a decorative bale. All fully hallmarked, and in lovely condition.

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Gerrards Auction Rooms
Los 201

Queen Victoria 22ct Gold Young Head Shield Back Full Sovereign - Date 1871. Very Fine Condition, Light Toning. Die Number 17,

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Potteries Auctions
Los 1420

A collection of multicoloured Wedgwood Jasperware to include teal vases, Dancing Hours tea light, pink pin dish, black wall plate etc. (1 tray)

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Potteries Auctions
Los 1433

Keith Murray for Wedgwood, Skyscraper lamp in light blue. Silver gilt banding to each level. Height: 27cm

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Potteries Auctions
Los 1441

Ernest Light for Wedgwood, black Basalt Rose Frog modelled as a Heron with glass eyes. Height: 20cm

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Potteries Auctions
Los 1462

A Wedgwood Barlaston Studio hand thrown shallow bowl, marbled tricolour glazed Jasper (dark taupe, light taupe and white). Factory markings to base. Measures 18.5cm in height

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Potteries Auctions
Los 1527

Philip Maskery (English, 20th century), 'Cambodia'. A sculpture shining light on the tragedies of residual landmines in Cambodia from past conflicts. Constructed on a Stone Base, the subject shows a foot severely injured, ribbons flowing through the inferred wounds. A Brass plaque to the side of the sculpture reads 'Cambodia P. Maskery March 2001'. Maskery has created several other sculptures including on much larger scale. Height: 22cm Width: 40cm

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Potteries Auctions
Los 1600

Stan D Bishop and John A Hey MBE. In six Vols. Losses of the US 8th and 9th Air Forces. Overall Good Condition with some light foxing and wear. (1 tray)

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Potteries Auctions
Los 1621

Louis HAGHE (Belgium, 1806-1885). 'Sacristy, Church of Notre Dame, Treves'. Scene depicts a secular priest in knelt prayer besides an exhausted archbishop. From Plate 21 published in Haghe's Portfolio of Sketches in Belgium and Germany of 1850. Colour Lithograph on Paper, mounted in a modern frame behind glass. Titled lower left and signed 'L. Haghe' lower right in print. Some wear and dents to frame with light foxing to print. Size incl. frame, Height: 48.9cm Width: 38.3cmThis lot can be shipped at the buyers risk, insurance isn't available on this lot.  

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Potteries Auctions
Los 1622

After Charles MONNET (1732-1808) Two plates of Francois Fenelon's (1651-1715) 'Les aventures de Télémaque, fils d'Ulysse' of 1699. One plate shows the arrest of Astarbe for the murder of Pygmalion, the other Telemachus with Mentor relating his Oddysean tales to Calypso. Hand-coloured Burin Engravings on Paper. Behind Glass in Modern Frames. The Calypso example has some folding from its modern re-framing. Both example have some light foxing. (2)Size incl. frame Astarbe, Height: 24.9cm Width: 19.5cm Size incl. frame Calypso, Height: 22.5cm Width: 17.4cm

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Potteries Auctions
Los 1708

A quantity 19th century Staffordshire Ordnance Survey Maps to include Staffs Sheet XVIII Trentham With Hall 1900, 13 Hall Demolished x6 1924, Staffs XVIII 10 Longton Hall of 1900 and 1924, 11 Longton / Meir 1900 and 2x 1924, Staffordshire XVIII Knowl Wall 1924, Estate Map Normacot & Lightwood possibly an auction map, a Fragile a/f Map of the City of Stoke-on-Trent, Staffs Stoke Road Schemes from the 1930's, Staffordshire Coal & Iron Co. Ltd. Survey Map of Light Railway Trentham Gardens 1934, Garden Survey Map of Spring Valley Trentham Gardens 1934 detailing the location of specific plantings, Hand-Drawn Plans of Trentham Dairy incl. First Floor, Proposed Farm Buildings at Yarnfield Stone for Evanson Esquire, Hand Drawn Plan of Trentham Institute x2 and an Arditt & Haunton Small Plan of the Trentham Estate etc.

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Potteries Auctions
Los 388

A prototype Minton Pate-Sur-Pate lidded pot of Lozenge form. Decorated with mirrored designs of Putti at Play on a light blue ground. Height: 27cm width: 23cmReginald Meir worked at Royal Doulton all his working career from 1953 to retirement in 1991. Shortly after Pearson acquired RD, Reginald Meir was appointed Production Director in 1974 over six of the factories within the group. The Urn is a Minton prototype that Reginald Meir was gifted from the factory.

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Potteries Auctions
Los 390

20th century Minton plate decorated to the border with alternate gilt sprays against a cream ground and white enamel Pate-sur-Pate type flowers on light blue ground, diameter 26.8cm

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Potteries Auctions
Los 702

William Moorcroft footed dish decorated with Pansies on light green and cream ground, d.11cm.

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Potteries Auctions
Los 703

William Moorcroft footed dish decorated with Pansies on light green and ground, d.11cm.

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Potteries Auctions
Los 864

Royal Albert Lavender Rose patterned dinner service including - tureen spare lid, 32 & 39cm oval platters, 8 x 2 handled cups & saucers, 5 x 2 handled cups, gravy boat & stand, butter dish & stand, 9 x 27cm dinner plates, 21 piece coffee set, 34 piece tea set, 12 x 21cm salad plates, 6 x 14cm fruit bowls, 1 spare saucer, 1 spare side plate, spare coffee pot lid, 2 spare cups, 2 salt & pepper pots, 1 oblong tray, 5 small dishes , 2 preserve pots, round fruit bowl etc. some seconds noted with light signs of use & decoration (125 pieces in 7 trays)

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Potteries Auctions
Los 865

Wedgwood Florentine Turquoise dinner & tea ware to include 8 x 20.5cm rimmed bowls, 8 x 27cm dinner plates, 8 x 15cm fruit bowls, 8 x trios, gravy boat & stand, 35cm & 39cm oval platters, 25cm open vegetable bowl, 2 large tureens etc. (items vary in age with some with black lead paint detailing & some in later brown detailing)(57 pieces in 4 trays) light signs of use.

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Mitchells
Los 108

Box of light fittings, ham hock stand, novelty ballscratcher, telephone etc

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Mitchells
Los 63

Retro cool box and three boxes of home decor, ornaments, light fittings, balloons, vases etc

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Mitchells
Los 220

Two boxes of plastering equipment, portable light, paint steamer, car cleaning equipment etc

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Cheffins
Los 133

A late Victorian brass rise and fall ceiling light, stamped 'EDISWAN'54cm wide

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Cheffins
Los 135

A set of three single lamp wall lights, together with one white painted 2 branch wall light

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Noonans Mayfair
Los 152

George I (1714-1727), Shilling, 1722, first bust, roses and plumes (ESC 1581; S 3645). Light cabinet tone, about very fine £100-£120

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Noonans Mayfair
Los 182

George II (1727-1760), Shilling, 1737, roses and plumes (ESC 1711; S 3698). Light cabinet tone, good very fine £70-£90

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Noonans Mayfair
Los 322

Victoria (1837-1901), Shilling, 1894 (ESC 3156; S 3940). Cabinet tone, light hairlines on obverse, otherwise extremely fine £30-£40

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Noonans Mayfair
Los 158

George I (1714-1727), Shilling, 1723, second bust, roses and plumes (ESC 1593; S. 3649). Light cabinet tone, fine £50-£70

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Noonans Mayfair
Los 300

Victoria (1837-1901), Shilling, 1874, die 15, crosslet 4 in date (ESC 3044; Davies 903 [5B]; S 3906A). Light cabinet tone with lustre, extremely fine or better £70-£90

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Noonans Mayfair
Los 181

George II (1727-1760), Shilling, 1737, 3 struck over 5 in date, roses and plumes (ESC –; S 3698). Light cabinet tone with residual lustre, a highly unusual and unrecorded variety, about extremely fine and extremely rare £300-£400

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Noonans Mayfair
Los 52

James II (1685-1688), Shilling, 1688 (ESC 771; S 3413). Light cabinet tone, fair £100-£120

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Noonans Mayfair
Los 179

George II (1727-1760), Shilling, 1736/5, roses and plumes (ESC 1710; S 3698). Toned with signs of light cleaning on obverse, otherwise good fine £70-£90

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Noonans Mayfair
Los 153

George I (1714-1727), Shilling, 1723, first bust, roses and plumes (ESC 1583; S. 3645). Light cabinet tone, good fine £100-£120

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Vectis Auctions Ltd
Los 353

Vanguards Limited Edition Corgi group of models - Including (1) VA08802 Daimler Sovereign Series 1, Light silver body; (2) VA08803 Daimler Sovereign, Heather plus others similar (see photo) - Mint in Excellent to Excellent Plus boxes. (8)

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Vectis Auctions Ltd
Los 323

Pair of Franklin Jaguar E Type & Rolls-Royce - (1) 1961 Jaguar E-Type Franklin Mint Precision models; (2) Franklin Mint Limited Silver Ghost 1907 Rolls Royce, missing 1 rear light - both are 1.24 scale - Excellent to Near Mint in good boxes (see photo). (2)

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Vectis Auctions Ltd
Los 287

Dinky 726 Messerschmitt BF109E - camouflage light beige, green, pale blue undercarriage, battery operated - Excellent, carded base is Excellent complete with unapplied decal and instruction sheets in Good Plus bubble - see photo.

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Vectis Auctions Ltd
Los 144

Ixo group of Racing Cars - Including (1) Aston Martin DBR9 - Light blue/ orange body with racing number 009; (2) Aston Martin DBR9 1000Km SPA 2006 A. Garcia-R.Lyons - dark metallic grey body with racing number 61 plus others similar (see photo) - Mint in Good Plus to Excellent boxes. (6)

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Vectis Auctions Ltd
Los 178

Dinky 194 Bentley Coupe Convertible - light grey body with tan folded hood, maroon interior with driver, spun hubs - Excellent plus in Excellent box.

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Vectis Auctions Ltd
Los 169

HPI Racing &  Spark group of models - (1) Jaguar XK10 Coupe 1952 - missing rear bumper /rear light; (2) HPI-racing Fairlady Z - white body; (3) spark - orange body - Good to Near Mint in Excellent rigid perspex cases (missing outer card sleeves). (3)

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Vectis Auctions Ltd
Los 109

Spark pair of models - (1) Morgan Aero 8 GT 73Le Mans 2002 - yellow body with racing number 73; (2) Lola Aston Martin LMP1 - very light blue /orang body with racing number 009, (metal sign of the box is detached but presents) - Excellent to Near Mint in Good to Excellent boxes. (2)

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Cuttlestones Auctioneers
Los 126

A tray of assorted glass light shades to include a Deco style mottled example

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Wessex Auction Rooms
Los 83

Two tickets to join Bargain Hunt expert Jonathan Pratt at The Decorative Fair in London, followed by a light lunch and champagne - You will be greeted by the fair organisers and joined by Jonathan Pratt who will accompany you on a tour of the fair. Lunch will be in the on-site restaurant followed by a glass of champagne to celebrate your day bargain hunting. Kindly donated by The Decorative Fair, Battersea. Successful bidder must be 18 or over. This experience is for 2 people. Travel, accommodation and shopping budget are not included. Please advise of any dietary requirements in advance. Choose a day between January 21st and 26th 2025, and arrange with JP through the Bargain Hunt production office. No buyer’s premium or VAT to be paid on this item. Please note that the winning bid placed for this lot is subject to BBC sole final approval. The BBC shall contact the successful bidder directly and, subject to checks and further information requested, then communicate acceptance of the bid. Photos: Courtesy of The Decorative Fair

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Wessex Auction Rooms
Los 81

Join Bargain Hunt experts Kate and Ben for a morning or afternoon of antiques hunting in Herefordshire, including a light lunch for up to four people. Successful bidder must be 18 or over. This experience is for up to 4 people. Travel, accommodation and shopping budget are not included. Please advise of any dietary requirements in advance. Date in 2024/25 to be arranged with Kate and Ben through the Bargain Hunt production office. No buyer’s premium or VAT to be paid on this item. Please note that the winning bid placed for this lot is subject to BBC sole final approval. The BBC shall contact the successful bidder directly and, subject to checks and further information requested, then communicate acceptance of the bid. .

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Wessex Auction Rooms
Los 40

Painted wooden fairground light bulb baton with carved scallop chamfered edges, in traditional colours with six bayonet lamp holder fittings, used in fairground, approx 2.1m long

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Eldreds Auctioneers & Valuers
Los 15

Three various gilt metal hanging light fittings, a glass and metal hanging lantern and two hanging light fittings with cut-glass drops, (6).

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Eldreds Auctioneers & Valuers
Los 19

A collection of 1930's and later glass light shades, five clear and six opaque, together with three other damaged examples.

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Ewbank's
Los 2004

Nintendo Game & Watch Mario Bros [MW-56] handheld console Console is unboxed and untested Condition Report: There is notable yellowing to the white inner plastic and light scratching to the golden foil on the front.

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