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534310 Los(e)/Seite
Los 242
PETER CHANG: BRACELETOf quatrefoil profile, inset with polychrome acrylic tiles, the inner circumference decorated with black enamel plaques, inner circumference approx. 19.0cmFootnotes:Peter Chang (1944-2017) trained as a sculptor at the Slade School of Fine Art in London under Reg Butler and later at the Liverpool College of Art. In 1967 he spent time in Paris at Atelier 17 where his tutor was printmaker Stanley William Hator, who had worked with artists such as Max Ernst, Pablo Picasso, Alexander Calder and Jackson Pollock. Chang started making jewellery in the 1980s and came to see it very much as the same discipline as sculpture but on a smaller scale. He was attracted to recycled plastics for their throwaway quality, giving him freedom to experiment. His postmodernist brightly coloured jewels are complex and, although appear heavy, are in fact incredibly light. His bangles, made from a central polyurethane core encased by polyester resin, glass fibre, acrylic and inlaid shapes, from various media, often took over 200 hours to complete because the techniques Chang employs were so painstaking and varied. Chang never signed his work, nor did he use computer-aided design. Chang was also independently minded and did not accept commissions, preferring his work to be a form of unique self-expression for the viewer to judge. Pieces by Peter Chang are in museum collections worldwide including the Victoria & Albert Museum in London, and the Cooper-Hewitt Design Museum in New York.Accompanied by a letter of authenticity signed by Peter Chang.For further information on this lot please visit Bonhams.com
Los 243
PETER CHANG: EARRINGSOf claw design, decorated with red and blue resin and inset with blue and white tiles, length 6.0cmFootnotes:Peter Chang (1944-2017) trained as a sculptor at the Slade School of Fine Art in London under Reg Butler and later at the Liverpool College of Art. In 1967 he spent time in Paris at Atelier 17 where his tutor was printmaker Stanley William Hator, who had worked with artists such as Max Ernst, Pablo Picasso, Alexander Calder and Jackson Pollock. Chang started making jewellery in the 1980s and came to see it very much as the same discipline as sculpture but on a smaller scale. He was attracted to recycled plastics for their throwaway quality, giving him freedom to experiment. His postmodernist brightly coloured jewels are complex and, although appear heavy, are in fact incredibly light. His bangles, made from a central polyurethane core encased by polyester resin, glass fibre, acrylic and inlaid shapes, from various media, often took over 200 hours to complete because the techniques Chang employs were so painstaking and varied. Chang never signed his work, nor did he use computer-aided design. Chang was also independently minded and did not accept commissions, preferring his work to be a form of unique self-expression for the viewer to judge. Pieces by Peter Chang are in museum collections worldwide including the Victoria & Albert Museum in London, and the Cooper-Hewitt Design Museum in New York.Accompanied by a letter of authenticity signed by Peter Chang.For further information on this lot please visit Bonhams.com
Los 179
A parquetry and mother-of-pearl chess and backgammon board with carved soapstone pieces, a papier-mache box with black and white gaming tokens, a collection of black and white gaming counters in turned wooden bowls and decorative box, chessmen, a dealer's card shoe, two wooden tea light holders and a leather dice shaker
Los 19
A Baccarat three-light candelabra with frosted putto support, 21 1/2" high, and a Baccarat three-branch candelabrum, 16" high (one arm broken)Condition:One arm on the three branch is broken.Lots of the lustres are chipped and nibbled.The spearpoint on the three branch candelabrum is chipped at the base.Putto candelabra appears to be okay other than the right side attachment being missing.
Los 200
A ruby and diamond hexagonal cluster ring, c.1970, with alternating rows of brilliant cut diamonds, between rows of circular mixed cut rubies, all claw set to a straight wire back, open circular shoulders and a plain shank, marked 18C, head 14.50 x 12.65mm, 6.11g. Finger size MA previous insurance valuation dated 23/04/2009 available to view.Condition report: Light surface marks commensurate with its age.Shank slightly creamy - would benefit from re-rhodium plating.All claws present.Gemstones bright and lively.
Los 248
A pair of nephrite jade earrings, with a circular jade cabochon, rub set to a plain back plate, with later screw fittings, fittings marked 14K, tested as approximately 9ct gold and 14ct gold, 18.60mm approximately, 11.10g (2)Provenance: The Peter and Pat Crofts CollectionCondition report: Natural indentations to the surface of the jade under 10x magnification.Light surface marks to the mounts.
Los 349
A 9ct gold identity bracelet, with a curved plaque engraved 'Leslie' to curb link chain and later bolt ring clasp, London 1965, 28.57gCondition report: The plaque is also engraved verso.The bolt ring is a later replacement and is possibly too light for the bracelet.Some wear to links.Surface marks/scratches.
Los 36
A Victorian gold turquoise and diamond ring, with three graduated round cabochon turquoise, with pairs of rose cut diamonds between, all grain set to a plain shank, tested as approximately 18ct gold, together with a gold navette shaped split pearl cluster ring, with split shoulders and a two row wire shank, tested as approximately 18ct gold, 4.20g total (2)Finger size P½, OCondition report: Surface marks/scratches to metal.Very light remnants of a hallmark remain to the turquoise ring, not legible as so worn.Navette ring has been resized in the past, with a section of lower carat gold added to the base of the shank. Later section tested as approximately 9ct gold.The majority of the split pearls are very very worn. A couple appear to be later replacements.
Los 49
A gold South American or Spanish oval reliquary pendant, probably early 19th century, depicting Saint Joseph with the Christ Child to one side and the Virgin Mary to the other, painted in body colour and partially gilded beneath a glazed cover, to a frame decorated with laurel leaves and a twisted wire outer border to a jump ring bale, tested as approximately 18ct gold, 49 x 40mm, 20.00gProvenance: Iconastas, Piccadilly Arcade, St. James's, London, W1Condition report: Light surface marks to the mount.The painted surface of the reliquary has been exposed to moisture and has a white, lumpy bloom on both sides.Loss of gold to the painted surface.
Los 77
A Continental novelty sea lion polychrome enamel and diamond brooch, with a pair of eight cut diamond set eyes, black enamel decoration, with guilloché enamel in pale yellow and pink to the stomach and face, with a black nose, gold tusks, wire whiskers and incised fins and tail, with a double pin to the reverse with a roller catch, marked 18K, indistinctly, and 18ct, 49 x 43mm, 18.53gCondition report: Light surface marks commensurate with its age.One whisker deficient.Marks to the enamel.Under 10x magnification - loss of enamel to a pin point at the base of the tail.
Los 93
An 18ct gold diamond and ruby fish brooch, with a modelled leaping fish, pavé set with graduated brilliant cut diamonds, with a cabochon ruby eye with incised fins and tail, London 1991, 34.00 x 15.60mm, 8.36gCondition report: Light surface marks commensurate with its age.Clasp in working order.Some tarnish to the reverse.
Los 95
A sterling silver kneeling deer brooch, by Georg Jensen, model no. 256, designed by Arno Malinowski, the kneeling deer amongst stylised flowers to an oval frame, Georg Jensen mark 1945 to present, STERLING, London 2017, 45 x 35mm, 16.00gCondition report: A later replacement metal pin.Light surface marks/scratches.
Los 139
A Turkish silver hinged lidded box of squash form with all-over foliate and floral decoration, stamped to underside “925” and “Helvacioglu” with gilt-washed interior,19.5 cm diameter x 16 cm high, 1051 g CONDITION REPORTS Has remnants of cleaning fluid throughout. Otherwise general wear and tear to include some light surface scratching, bumps etc - see images for more details
Los 75
A Royal Doulton gourd shaped vase with floral decoration, bearing "ES" monogram for Eliza Simmance and No'd "227" to base, 24 cm high CONDITION REPORTS The neck is showing up strangely under UV almost neon like - see images. Unsure is this is a repair but doesn't look like it is. Otherwise in need of a good clean, general wear and tear to include some light surface scratches etc - see images for more details
Los 132
A Burmese silver document or manuscript holder with all-over scrolling foliate decoration and panel of script, 33 cm long x 6 cm diameter, 369 g CONDITION REPORTS The internal locking mechanism has bent back. Otherwise general wear and tear to include some light surface scratching, minor knocks etc - see images for more details. Unhallmarked silver
Los 529
ALFRED MONTAGUE (Fl. 1832-1885) “River landscape with figures”, oil on canvas, signed and dated 1872 lower left, 35 cm x 60 cm CONDITION REPORTS Has been re-lined. There is some crazing throughout. In need of a clean. There is a light scratch to the top right hand corner of the sky. Otherwise general wear and tear conducive with age and use. See images fo rmore details.
Los 262
A collection of eleven Herend Hungary animals to include snail, cat, badger, pig etc the largest (cat) 11.5 cm high, the smallest (another cat) 4 cm high CONDITION REPORTS The badger has a chip to one foot at the base. The small cat has a tiny chip to one ear. The pig has a chip to one ot its ears and the frog/toad has a chip to two of its feet. All items have general wear and tear to include some light surface scratching - see images for more details
Los 536
A FOLLOWER OF GABRIEL METSU (1629-1667) "Dutch girl with flagon and glass seated a at a table, gin decanter and clay pipe on the table", oil on panel, unsigned, 25.5 cm x 20.5 cm CONDITION REPORTS Has some areas of touching up - see images under UV. Craquelure / crazing throughout. There is a strange line to the bottom right hand corner of the painting and some gold remnants at the top right hand corner - possibly off the gilt frame. Some small flakes missing and some very light surface scratches, etc. Otherwise general wear and tear conducive with age and use. See images for more details.
Los 607
A good quality modern cherry wood window seat in the Victorian style, the single piece top with moulded edge raised on turned and reeded tapering legs to peg feet 105 cm wide x 32 cm deep x 46.5 cm high CONDITION REPORTS Has some light surface scratches to the top, otherwise general wear and tear conducive with age and use - see images for more details
Los 67
An Alfred Powell for Wedgwood charger with lustre decoration and central floral medallion, No'd verso “2038” 32.5 cm high CONDITION REPORTS Has wear to the lustre ware throughout. Crazing all over. In need of a good clean. General wear and tear conducive with age and use to include some light surface scratches, etc. See images for more details.
Los 59
A William Ault Pottery ewer designed by Christopher Dresser with butterfly and foliate decoration probably painted by Clarissa Ault and No'd 177 to base 18.5 cm high together with a Lauder Barum relief decorated vase with birds amongst foliage 21 cm high CONDITION REPORTS Overall good condition. Spout has light surface scratch. Under UV there is no sign of restoration. See images for further detail.
Los 523
ALFRED MONTAGUE (Fl. 1832-1885) “Town scene with figures, a church tower rising in background”, oil on canvas, signed and dated 1881 lower right, 35 cm x 50 cm CONDITION REPORTS Has had some touching up in the sky - see images under UV. Signs of crazing to the sky predominantly. In need of a light clean. Re-lined. General wear and tear conducive with age and use. See images for more details.
Los 189
A pair of platinum single stone diamond earrings, by Tiffany & Co., with a brilliant cut diamond, four claw set to post and Alpha or squeeze fittings, marked PT950, 2.29g, with Tiffany case and outer boxCondition report: Very dirty.No damage. Minor light surface marks to the mounts.The diamonds weight is estimated as approximately 0.26ct total. The diamonds measure approximately 3.30mm in diameter.The posts are marked T&Co PT950. The Alpha fittings are marked TIFFANY & Co. PT950 PAT. NO. 6557220.
Los 337
Camera accessories and lenses to include Vivitar extension tubes, Canon flash gun, Hanimex extension tubes for Praktica, Deitz macro lens, Canon A2 power winder, Osawa 80-205mm 1:4.5 lens, Weston light meter, Ilford filter kit, Takumar 1:3.5 135mm lens, Minolta Rokkor 50mm, Gnome Merlin 75mm and Wray 3 1/4 inch 4.5 enlarging lenses Cosina CS-2 SLR camera with 1:2 50mm, 24mm 1:2.8 and 80-200mm 1:4.5 lenses
Los 1215
British Army 1822 pattern Light Cavalry officer's sword with shagreen grip, Hill Brothers to ricasso, 90cm blade decorated with royal cypher, Queen's Own 4th Hussars and battle honours for Peninsular War and Crimea War, with scabbard. PLEASE NOTE ALL BLADED ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY
Los 1029
British Army WW1 medal pair comprising War Medal and Victory Medal named to 50876 Pte W G Pridnam, Royal Warwickshire Regiment together with WW2 1939-1945 Star and War Medal, Royal Air Force Certificate Service and Discharge for 614759 Ronald Oliver Hewlett, Somerset Light Infantry pin badge, Maginot line badge, a 1945 RAF related diary and two further diaries etc
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534310 Los(e)/Seite